Showing 601 items
matching salter
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National Wool Museum
Jumper, Roll neck sweater
Part of the Winter Olympic Uniform, 2002 and worn by both sexes.Salt Lake City 2002 WOOLMARKfashion, costume, sport, salt lake city -
National Wool Museum
Sport shirt, Sportwool yellow top
Part of the casual Winter Olympic uniform, 2002 as worn by both sexes. (This item is sized 'L' most likely worn by a man.)WOOLMARK WOOLMARK SALT LAKE 2002fashion, sportwool, costume, sport, salt lake city -
National Wool Museum
Tin
CEREBUS NUTRITIVE Table Salt Alumitextile mills textile mills, textile mills -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: RECEIPT
... Salter ...Court King of the Forest A.O.F. Dr. To Court Bendigo A.O.F. To 3 quarters Longsons?fees 6 Brothers ending 31 Dec 1887. Bros Butler, Eseeter, Muller, Buff, Salter, Sharp C5/9. £5:3:6. 16Dec /87. Frankland Coates, Sec. Green duty stamp attached.societies, aof, correspondence, ancient order of foresters no. 3770 collection - receipt, court king of the forest, court bendigo, butler, eseeter, muller, buff, salter, sharp, frankland coates -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, sealed with wax, some discolouration above base. Inscription stamped near base..Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837 when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, sealed with cork and wax, discolouration on upper part. Inscription stamped near base.Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
Ringwood and District Historical Society
Photograph, Ringwood Primary School Centenary -1989 - Painting Centenary Wall
Black and white photograph"Written on back of photograph" Centenary Wall Bev Donald (Parent) Wayne Salt (Parent) Jessica Salt Rebecca Darlow -
Federation University Historical Collection
Booklet, Geological Survey of South Australia: The Salt and Gypsum Resources of South Australia, 1921
A South Australian Department of Mines report on salt and gylpsum resources in the state. geological survey, south australia, gypsum, salt, resources, department of mines -
Bendigo Historical Society Inc.
Domestic Object - GLASS SALT CELLAR
Glass salt cellar, circular ribbed glass with four protruding legs.domestic equipment, food consumption, salt -
Flagstaff Hill Maritime Museum and Village
Ceramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, part sealed with wax and cork, very little discolouration. Inscriptions stamped near base.Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Domestic object - Silver Cruet Set
Cruet set consisting of 2 small glass salt and pepper shakers with metal tops, metal salt bowl with hinged lid (spoon missing) on rectangular metal tray. Group with catalogue no 0741 and 0742.Presented by Capt S J Gallagher on leaving the Mess 1981cruet set, officers mess -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Letter from William Salter declaring himself off the Sick fund of the Court as he is able to follow his usual employment. Dated 18.12. 1865. Signed by William Salter and H. L. Atkinson, MD.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, william salter, h l atkinson. -
Coal Creek Community Park & Museum
Bottle, glass, c. 1900-1912. ref. glass makers mark on base
Eno's Fruit Salts.Rectangular aqua tinted clear glass bottle with angled corners for stopper seal with embossed text on side and base.On side 'ENO'S FRUIT SALT'. On base 'M'.eno's fruit salts -
Orbost & District Historical Society
salt cellar, first half 20th century
This item is an example of domestic tableware commonly used in the first half of the 20th century.A small clear glass salt cellar. Oval shape. Bottom of cellar is grooved.salt-cellar glassware tableware -
Australian Commando Association - Victoria
Booklet - Australian Army Education Unit publiction titled SALT, Australian Army Education Unit, SALT, 27/3/1943
Item from the Papworth CollectionThis item has historic significance because of its connection to Curly Papworth and WW2Soft covered booklet from the Australian Army Education Unit titled SALTVolume 7 No. 2 dated 27/9/1943ww2, commando, papworth -
Whitehorse Historical Society Inc.
Container - Salt and Pepper Set
see NA895Glass salt and pepper set with metal tops. Leaf pattern etched in glass.domestic items, containers -
Glenelg Shire Council Cultural Collection
Negative, c. 1936
Transparency for black and white photo. Portland Botanic Gardens, Salt Creek in foreground -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Letter, c 1920
Battle Honours awarded to the 4th Light Horse (AIF) comprise: MESSINES 1917, YPRES 1917, Broodseinde, Passchendale, Lys, Kemmel, MARNE 1918, Tardenois, France and Flanders 1916-1918, Anzac, DEFENCE OF ANZAC, Suvla, SARI BAIR, Gallipoli 1915, Egypt 1915-1917, GAZA-BEERSHEBA, El Mughar, Nebi Samwil, JERUSALEM, JORDAN (ES SALT), MEGIDDO, Sharon, DAMASCUS, Palestine 1917-1918. Battle Honours shown in CAPITALS are emblazed on the 4th Light Horse Guidon. Military Regulations limit the number of Battle Honours that can be emblazed on guidons Photocopy of undated letter from COL Murray Bourchier, President 4th L H Regiment Unit Committee to 3rd Military District Cavalry Battle Honours Committee requesting the following Battle honours be embodied for the Regiment: GALLIPOLI, MESSINES, BEERSHEBA, YPRES, NEBI SAMWIL, JERUSALEM, Mt KEMMEL, ES SALT, MARNE, MEGIDDO. In wooden frame. -
Tatura Irrigation & Wartime Camps Museum
Book, Natural Resources and Environment Committee of Cabinet, Salt Action, 1987
Soft cover. Off white background. Dead grey trees, dark green writing, 56 pages.On cover "Government of Victoria / Salt action / Victoria's strategy for managing the / salinity of land and water resources / salt force / draft / February 1987" -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Letter written on blue paper and dated 27 Feb 1866. Another letter from Jas Thos Holl in reference to Bro Salter and the money that is owed to them so Holl can pay Salter his sick pay.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, commercial hotel, bro salter, jas thos holl, court foresters house -
Bendigo Military Museum
Souvenir - TRENCH ART WW2, 1942
.1) & .2) A pair of steel 20 mm cannon shells made into pepper & salt shakers. Brass nose caps have been drilled out, one has 1 hole & the other 3. The sides are painted red & yellow. A brass shell case is crimped down onto the cannon shell. The copper driving band is unused..1) Salt: “ Nose cap: Lot 2-50424-214-42”, Shell: “Lot 50424-178 1942 KOP M” , Base: “20MM-M21 1942 GMS” .2) Pepper: Nose cap: “Lot 2-50424-214-42”, Casing: “Lot 50424-178 1942 KOP”, Base: “20MM-M21 1942 GMS”military history-souvenirs, trench art -
Friends of Westgarthtown
Jar
Salt-glazed terracotta jar with flanged rim on opening. Two toned brown colouring.S.S written in black marker on base. No 1 27 1/2 engraved on base.domestic items, food storage and preservation, jar, terracotta, two-toned, domestic. -
Friends of Westgarthtown
Jar
Salt-glazed terracotta jar with flanged rim on opening. Two toned brown colouring.QT imprinted on shoulder.domestic items, food storage and preservation, jar, terracotta, two-toned, domestic. -
Coal Creek Community Park & Museum
EPSOM salts jar
8612.1 - Glass jar 8612.2 - Salt 8612.3 - Cardboard label 8612.4 - Rusty lidFaulding's Pure Epsom Salts -
Mont De Lancey
Tin
"Cerebos" Table salt tin - Navy, Light blue and gold tin Weight is 1.5lbs Ideal for the table and all domestic use.tins, containers -
Federation University Art Collection
Ceramic, Steven Cuthilt, Salt Glazed Bottle by Stephen Cutthill, c1986
Stephen CUTTHILL Stephen Cuthill was a potter from Gippsland, Victoria, who exhibited works at the Churchill Switchback Gallery in the 1980s. His mark is an impressed 'Cuthill'. Salt Glazed Bottle with titanium slip glaze Jan Feder Memorial Ceramics Collectionjan feder memorial collection, ceramics, woodfire, churchill, jan feder memorial ceramics collection, steven cuthilt, salt glaze, stephen cutthill -
Federation University Art Collection
Ceramic - Artwork - Ceramics, Bruce Stewart, Set of Five Salt-glazed Pots, by Bruce Stewart, 1979
Bruce STEWART A Diploma Student in Ceramics at the Gippsland Institute of Advanced Education from 1977 to 1979. Jan Feder is an alumna of Federation University having studied ceramics at the Gippsland Institute of Advanced Education (now Federation University Gippsland campus). Jan Feder was respected by all students for her diligence and technical ability. Her tragic death in 1981 evoked an immediate response from her peers for a memorial. Students discussed a number of memorial options, such as funds for equipment, scholarships and awards. The decision to commence a collection was made based on the idea that all future students could benefit from the availability of a collection, whereas only a very few individuals could benefit from a scholarship. Students immediately set about raising money by selling 'seconds' called 'Junque Sales'. A total of $760.00 was raised and the first two works purchased were by Victor Greenaway and Victoria Howlett. Ceramic works were purchased from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Gippsland Campus. The Artist in Residence Program assisted the collection, with many resident artists contributing to the Collection (ie Robin Welch, Anna Zamorska, Sandy Brown), as well as international guests. Ceramic events such as 'Strzelecki Spotkanie 1984' and 'Woodfire 86' also resulted on major contributions to the collection. Salt-glazed pots. Presented to the Jan Feder Memorial Ceramic Collection by Bruce Stewart jan feder memorial collection, jan feder, ceramics, gippsland campus, artwork, artist, bruce stewart, alumni -
Glenelg Shire Council Cultural Collection
Negative - Glass Plate Negative - Bridge across Salt Creek with 'Kingsley' in background, c. 1890
Glass plate negative. Image shows the bridge across Salt Creek with 'Kingsley' in background. -
National Vietnam Veterans Museum (NVVM)
Domestic Object, Salt shaker
Bone plastic conical shaped salt shaker with one hole in the top and a screw-in base7350-66-028-3979 E.F.M. 79salt shaker -
Melbourne Water
Souvenir Salt and Pepper Shakers, 1970s
The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.These souvenir salt and pepper shakers have been curated by Melbourne Water as they represent an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. Additionally, the salt and pepper shakers are aesthetically pleasing as the blue glass and wooden handles demonstrate the design and style of the 1970s. These souvenir salt and pepper shakers feature glass bodies, wooden handles and plastic lids. The salt and pepper shakers are decorated with pictures of koalas, kangaroos and a map of Australia. The text “Maroondah Dam, Vic” has been inscribed on the wooden handles.melbourne metropolitan board of works, mmbw, maroondah, salt and pepper shakers, souvenir, glass, healesville