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National Wool Museum
Document, Geelong's Pre-Eminent Place in the Textile Industry
woollen mills history, textile mills history, geelong, woollen mills - history, textile mills - history -
National Wool Museum
Catalogue
Catalogue of textile machinery made by Taylor, Wordsworth and Co., Leeds, England.Catalogue of textile machinery made by Taylor, Wordsworth and Co., Leeds, England.textile machinery, taylor, wordsworth and co. -
National Wool Museum
Certificate
Certificate of Life Membership to the Geelong Textile Society, presented to WP Harrison.Certificate of Life Membership to the Geelong Textile Society, presented to WP Harrison.geelong textile society, harrison, mr w. p. -
National Wool Museum
Book, Practical warp gaiting
"Practical warp gaiting"- W Middlebrook, "Textile Manufacturer" Monograph No 7"Practical warp gaiting"- W Middlebrook, "Textile Manufacturer" Monograph No 7textile industry - education textile machinery, textile manufacturer, warping, weaving looms, textile industry - education, textile machinery -
Warrnambool and District Historical Society Inc.
Textile, Dress, promenade, 1880s
There is no information available on this dress which has been in the Historical Society’s collection for many years. It may have been a wedding dress. This is an interesting item as an example of a woman’s dress worn about the 1880s. It is a wonderful display item. This is a claret-coloured dress with a full length skirt with bustle. It is made of good quality heavy satin mounted on organza with a back fastening. There is a rosette in the same fabric with two pendant panels. There is a matching fitted jacket with hooks and eyes to fasten and full length narrow sleeves edged with claret lace (much tattered). The jacket is faded and torn in parts. Machine and handsewn. claret-coloured dress, warrnambool, 1860's ladies dress -
Warrnambool and District Historical Society Inc.
Textile, Pair of pillowslips
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Kew Historical Society Inc
Textile, 68 Eglinton Street, Kew, 1980-2000
Framed embroidery, 68 Eglinton Street Kew. Undated. Home of the Bogle family during the First World War. Thomas Bogle Reg No. 479 Church of England, Single, Labourer, Father William Bogle (same address), enlisted 1915 29th Battalion B CompanyNoneSmall framed tapestry of 68 Eglinton Street, a single-fronted weatherboard cottage in Kew.68 EGLINTON STREEThouses - eglinton street - kew (vic), tapestries -
Kew Historical Society Inc
Textile, Lace
Piece of very finely constructed coffee-coloured lace probably removed from the bodice of a dress.fashion and textiles collection - kew historical society, textiles - lace -
Kew Historical Society Inc
Textile, Ribbon Lace, 1900-1914
Coffee coloured lace edging.fashion and textiles collection - kew historical society, textiles - lace -
Kew Historical Society Inc
Textile, Lace
Cream coloured lace edging.fashion and textiles collection - kew historical society, textiles - lace -
Kew Historical Society Inc
Textile, Fringed Crocheted Cot Cover, Twentieth Century
Heavy off-white white open crocheted cot cover or throw. The item has a central hexagon, surrounded by smaller row of hexagons, surrounded by a third row of larger hexagons. cot covers, baby shawls, crochet, throws -
Kew Historical Society Inc
Textile, Marcella Piqué Shawl of Throw, Twentieth Century
Heavily fringed small Marcella Piqué shawl of throw, possibly used as a cot cover.cot covers, baby shawls, marcella piqué, shawls, throws -
Kew Historical Society Inc
Textile, Damask Tablecloth embroidered with the Greenlaw Crest, 1882-1890
When the newly married William and Anna Maria Greenlaw acquired the property in 1862, an existing house known as Studley Villa stood on the land. John Hodgson probably built the latter soon after he bought three portions of land here in 1853. The Greenlaws changed the name of the residence to Villa Alba in about 1870 and in 1882-84 rebuilt the house to create the present mansion. After William Greenlaw’s death in 1895, John Ballinger rented the house until 1914. The lease then passed to Samuel and Esther Fripp, who went on to purchase the property in 1918 after Anna Maria Greenlaw’s death in 1918.This rare textile is associated with the most significant period of Villa Alba's history and is an example of the colonial aspirations of its citizens in the boom years of the 1880s before the crash that engulfed the owner.Small white damask tablecloth or napkin embroidered with the crest of William Greenlaw, the owner of Villa Alba in Walmer Street, Kew. The embroidery of the crest and borders of garlands are completed in multicoloured silk thread.Greenlaw crest - griffin holding thistle in beak over initials WGvilla alba, william greenlaw, tablecloths -
Warrnambool and District Historical Society Inc.
Textile, Handkerchief cream embroidered WW1, Circa 1918
Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief embroidered in cream silk white work.The edge is done in blanket stitch on a scalloped edge. The embroidery is patterned around the edge in a wide border.warrnambool,, world war 1 hankerchief, hankerchief, redman hankerchief, embroidered hankerchief -
Warrnambool and District Historical Society Inc.
Textile, Handkerchief Pink Green embroidered, C 1918
Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with gold coloured blanket stitch on scalloped edge. Hot pink flowers with green leaves and stems are embroidered in each corner.warrnambool, silk hankerchief, embroidered hankerchief, ww1 embroidered hankerchief, redman -
Warrnambool and District Historical Society Inc.
Textile, Handkerchief Pink edge, C1918
Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with soft pink edge in blanket stitch Embroidered with cluster of flowers and leaves in each corner with embroidered mauve butterfly. Smaller embroidered flowers above each butterfly. All done in colours of pink mauve, green and cream.warrnambool, embroidered hankerchief, ww1 embroidered hankerchief, redman hankerchief ww1 -
Warrnambool and District Historical Society Inc.
Textile, Handkerchief white edge, Circa 1918
Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home. Cream silk handkerchief with cream blanket stitched edge with three cream and one pink flower embroidered in each corner. Stems and leaves worked in green.redman, hankerchief, warrnambool, ww1 hankerchief, souvenir ww1 -
Bendigo Military Museum
Textile - CROSS STITCH, FRAMED
Trish hand stitched this cross for her husband - ex veteran. It was a birthday present as his birthday was on Remembrance Day.Textile - Cross stitch hand made 'Remembrance Day' picture in colour with 100% cotton and Aida fabric. Light grey, grey and black lettering. Illustration - in colour, poppies with background silhouette of soldier and 4 crosses. Framed - clear varnish on timber, MDF book, glass front.textile, remembrance day -
National Wool Museum
Book, Negative dobby shedding motions
"Negative dobby shedding motions"- W Middlebrook, "Textile Manufacturer" Monograph No 10"Negative dobby shedding motions"- W Middlebrook, "Textile Manufacturer" Monograph No 10.textile industry - education textile machinery, textile manufacturer, weaving machinery, weaving looms, textile industry - education, textile machinery -
National Wool Museum
Catalogue, Ateliers Diederichs: weaving looms and preparatory machines for all textiles
"Weaving looms and preparatory machines for all textiles" - Ateliers Diederichs, Bourgoin, France"Weaving looms and preparatory machines for all textiles" - Ateliers Diederichs, Bourgoin, France.textile machinery, ateliers diederichs, weaving looms, weaving machinery, warping machinery, reeling, winding machinery -
National Wool Museum
Postcard
Postcard of the Metalexport building in Warsaw, Poland. Metalexport was the sole exporter of textile machinery from Poland.Postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland. Back of a postcard of the Metalexport building in Warsaw, Poland, 1959. Metalexport was the sole exporter of textile machinery from Poland.METALEXPORTtextile machinery, metalexport -
National Wool Museum
Costing estimates
Set of eight costing estimates with cloth samples, for Godfrey Hirst textiles 1924-1925.Set of eight costing estimates with cloth samples, for Godfrey Hirst textiles 1924-1925.July 1st 1924 to June 30th 1925..textile industry - history textile production, godfrey hirst and co. pty ltd excelsior woollen and worsted mills, blankets, cloth - woollen, cloth - union, textile industry - history, textile production -
National Wool Museum
Trousers
Suit pants, cream, natural, wool. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
National Wool Museum
Photograph, Scouring Machines, Unknown
Photographs were most likely used for promotional purposes. Room filled with wool scouring machines in an unknown textile mill.Sepia photo of a room filled with Scouring Machines in landscape format, located a textile mill.textile machinery, wool manufacture, wool, scouring -
National Wool Museum
Book, Winding, warping and weaving: mill practice and management
"Winding, warping and weaving: mill practice and management" - W Barker, "Textile Manufacturer" Monograph No 1"Winding, warping and weaving: mill practice and management" - W Barker, "Textile Manufacturer" Monograph No 1textile industry - education textile fibres weaving textile machinery, textile manufacturer, winding, warping, dressing, dyeing, textile industry - education, textile fibres, weaving, textile machinery -
National Wool Museum
Jacket
Suit jacket, cream, natural, wool and cream silk lining. Part of the three piece suit which set the "Sheep to suit" record by Melbourne College of Textiles in 1982Part of the 'Sheep to Suit' event outfit.A product of the Clothing School, MELBOURNE COLLEGE OF TEXTILES/ PURE WOOLtextile production fashion shearing weaving sewing, melbourne college of textiles australian wool corporation sunbeam corporation limited, spinning, highlights of the national wool museum: from sheep to suit - exhibition (22/09/2001 - 02/12/2001), textile production, fashion, shearing, weaving, sewing -
Warrnambool and District Historical Society Inc.
Packaging, Blanket Box, 1990s
This item has been made to package a ‘Dream Sleep’ underblanket. This item was produced by the Warrnambool Textiles factory in the 1990s. In 1910 the Warrnambool Woollen Mill was established and it produced blankets, rugs etc with a staff of over 700 in the 1940s. In 1958 the Mill became the first in Australia to manufacture electric blankets. In 1968 the business was sold to Dunlop and in 1982 Dunlop sold the Mill to Onkaparinga Woollen Company. In 1983 Onkaparinga was taken over by Macquarie Worsteds and the Warrnambool Woollen Mill then traded as Warrnambool Textiles. In 2000 the Mill closed. This packaging is of some interest as a memento of the old Warrnambool Woollen Mill which operated in Warrnambool for 90 years and was a major industry in the town/city and a major employer of local residents. It is still remembered fondly by many local people today. This is a cardboard sheet for packaging an underblanket for Warrnambool Textiles. It has white printing on a dark blue background on one side and is white and unmarked on the other. It has an image of a sheep, three symbols for ‘Pure New Wool’, a symbol for ‘Naturally Flame Resistant’ and one for ‘Moth-Resist Treated’. The sheet is designed to be folded in four places to cover an underblanket. This is a cardboard sheet for packaging an underblanket for Warrnambool Textiles. It has white printing on a dark blue background on one side and is white and unmarked on the other. It has an image of a sheep, three symbols for ‘Pure New Wool’, a symbol for ‘Naturally Flame Resistant’ and one for ‘Moth-Resist Treated’. The sheet is designed to be folded in four places to cover an underblanket. warrnambool woollen mill, warrnambool textiles, onkaparinga woollen company -
National Wool Museum
Book, H. Krantz, Aachen
"H. Krantz, Aachen", c.1930. Contains fliers, pictures and specifications of textile machinery from the German manufacturer, H. Krantz.Book / catalogue by H. Krantz of Aachen containing details re: textile machinery, c.1930.textile machinery, h. krantz s?? -
National Wool Museum
Envelope
Envelope contains three photographs of delagates to the 1955 Wool Textile Conference in Australia.1955 Conference/ INTERNATIONAL/ WOOL TEXTILE RESEARCH/ CONFERENCE/ IN AUSTRALIA/ W R Langwool - research textile mills textile mills, gordon institute of technology, lang, dr w. roy, wool - research, textile mills -
National Wool Museum
Wine glass
Stemmed wine glass inscribed with wording "BRITISH WOOL TEXTILES/ THE DORCESTER/ OCTOBER 7TH-9TH 1985". Part of a collection of Australian Wool Corporation promotional memorabilia believed to have used in the era of Sir William Gunn.BRITISH WOOL TEXTILES / THE DORCHESTER / OCTOBER 7TH-9TH 1985textile industry, australian wool corporation, gunn, sir william