Showing 566 items
matching vase
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Yarrawonga and Mulwala Pioneer Museum
Vase
Pottery vase showing Yarrawonga War Memorial in Belmore Street. Shading of blues,black colour for memorial and two green trees, hand painted with inscription at the base."Fallen Soldiers Monument Yarrawonga" no 50 on the base in black paint (3/9 in pencil) -
Mont De Lancey
Functional object - Vase
Tall cream oval shaped ceramic vase with pink/purple rose flowers on the front, surrounded by green leaves. Contains a selection of pink/cream imitation flowers.vases -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Decorative object - Ornaments, Floral vase, Circa 1890 to 1900
The Royal Winton brand has always been synonymous with quality and design and has roots in Stoke-on-Trent, England that go back over one hundred years. Originally known as Grimwade Brothers it was founded by Leonard Lumsden Grimwade. Leonard had shown a natural talent for modelling pottery and it was in this field that his infant business began, in 1885. He was soon joined in the business by his older brother, Sidney Richard, another potter. The family of Daphne Sturt were early settlers in Moorabbin ShireCirca 1890 to 1900. A Grimwade's floral and black-patterned ceramic vase with detachable "frog" for holding flowers in place. The rim of the vase is trimmed with gold. On the bottom of the vase there is a Backstamp: Grimwade, Winton, Stoke-on-Trent, England. Made in England. The Grimwade's makers -mark is also present.grimwade leonard, ceramics, pottery, stoke-on-trent, early settlers, craftwork, moorabbin, brighton, ormond, sturt lesley, sturt daphne, bentleigh -
Mont De Lancey
Decorative object - Vase, Unknown
A narrow style amber coloured carnival glass vase with an uneven scalloped neck. it has a sunburst design cut on the base. The application of an iridescent shimmer has been applied.vases, containers, ornamental object, functional object -
Mont De Lancey
Decorative object - Vase, Unknown
A tall slim gold vase with two handles decorated with pink roses, gold embossed leaves and trimmed with a raised gold pattern around the fluted top edge and bottom.containers, vases, objects -
Bendigo Military Museum
Memorabilia - TRENCH ART, C. WW2
WW 11 Trench Art vases possibly made from 40 mm shell casings..1) Tall Vase made from shell casing. .2) Tall vase made from shell casing.military armaments, souvenirs, trench art -
Mont De Lancey
Vase, 1884
Owned by Mrs. R.B. LordGlass vase with green crimped rim, milky white under rim and clear glass body, with raised dots of glass in middle section. Has five green claws on base.vases -
Kyneton Museum
Vase
Cloisonne vase with all over design of scrolls, stylised flowers, leaves, butterflies. Background is black with scrolls, flowers are red, yellow, pink, two shades of blue, two shades of green. Outlines are gold, base is gold. Catalogue number on base -
Creswick Museum
pottery vase, about 1970
Early vase made by Doug Alexander, who started Springmount Pottery in 1970.A rare early piece, possibly made before he actually started Springmount Pottery. Doug Alexander became one of Australia's most respected potters.Pottery vase made by Doug Alexander about 1970.Potters impressed mark of "A"doug alexander, springmount pottery, creswick, ceramic, potter -
National Vietnam Veterans Museum (NVVM)
Artwork, other - Vase, Inlaid
A very tall Mother of Pearl inlaid vase on a stand. vase, mother of pearl -
Creswick Museum
pottery vase, Circa 1970
Early vase thrown by Doug Alexander who began Springmount Pottery in 1970.A rare early piece, possibly made before he actually started Springmount Pottery. Doug Alexander became one of Australia's most respected potters.Pottery vase, sloped, made by Doug Alexander about 1970.Impressed marker's mark "A".doug alexander, springmount pottery, creswick, ceramic, potter -
Bendigo Historical Society Inc.
Decorative object - CHINA VASE
Blue china vase, 3 cornered basket weave pattern, 3 white china figurines holding vase and forming legs.ornaments, ceramic, vase -
Federation University Art Collection
Booklet - Artwork - bookplate, V.S.Hewett Ex Libris, not dated
Bookplate featuring a vase of flowers and booksV.S.Hewett Ex Librisbookplate, vase, books -
Ballarat Heritage Services
Chinese Vases
Two red Chinese vases on standschinese, vase, carved resin -
Clunes Museum
Decorative object - GLASSWARE, UNKNOWN
.1 Tall glass vase, autumn tones, seaside village scene .2 Blue glass vase, white daisy embossed, bulb base, narrow neck .3 Blue glass, gold rim, boy embossed in white .4 Pink glass, girl embossed in white .5 Tall glass jug, engraved .6 Green vase, white embossed deer, fanned glass other side .7 Small ruby vase, white embossed .8 Ruby jug, ornate clear base .9 Ceramic vase, 2 handles, island sceneglassware, vase -
Dutch Australian Heritage Centre Victoria
Pewter vase (tinnen vaas), KMD Royal Holland Daalderop, Early 20th century
Curved vase with three lines etched around neck, and raised ridge around belly of vase. Dent under ridge, lip dented. Style possibly Art Nouveau or reproduction of earlier model.On bottom: maker's mark curved triangular shield, borders inscribed: Made in Holland, Importe de Hollande Daalderop, Coat of arms in centre with Tiel Holland, KDMvase, pewter -
Federation University Art Collection
Artwork - bookplate, Helen Manifold, not dated
Bookplate featuring a vase of flowers"HELEN MANIFOLD"bookplate, vase, flowers, helen manifold -
Bendigo Military Museum
Souvenir - VASE, Post 1916
This is one of an original pair.Trench Art. Brass shell casing, made into a vase. The top has been flared out, near the top has 3 rolled folds around the diameter. On each side are ornamental handles. Inside is a plastic cylinder to hold water. The surface has been given a roughened appearance going from a bronze colour to black.military history - souvenirs, arms - ordnance, metalcraft- brassware -
Federation University Art Collection
Painting - Oil, et al, [The Green Vase] by David Strachan, c1948
David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Federation University Art Collection
Ceramic, Ino Kiyoshi, [Vase] by Ino Kiyoshi, c1982
Ino KIYOSHI (b 1946, Kyoto Japan, d. 2008) Worked in Australia from 1973–76 and 1978–2008 Ino Kiyoshi was to a family that has been involved in the production of pottery for some 160 years. Working in the family studio while studying at the Kyoto School of Arts and Crafts, he completed his diploma of Ceramic Art in 1969. He then attended the KyotoTechnical School for a post-graduate course in glazing. then lectured in ceramics at the KyotoTechnical School. Following in the footsteps of the famous Japanese potter, Shoji Hamada who had visited Australia in 1965, Kiyoshi Ino visited Sydney in 1973, where he worked with Japanese potter Shigeo Shiga). Kiyoshi took up an appointment as Visiting Lecturer in Ceramics at the Gippsland Institute of Technical Education, Churchill, Victoria, from 1974 to 1976 and returned there as Assistant to the Senior Lecturer in Ceramics in 1979. He ceased teaching at the Gippsland Institute in 1988. Ino was involved in the establishment of a space for artists in the old butter factory at the nearby township of Yinnar and in 1982 the Yinnar Art Resource Collective, commonly known as Yinnar ARC, was established. Ino has exhibited extensively throughout Australia.Australian Studio Ceramics Gift of the artist, 1982Impressed seal for Kiyoshi Ino on baseceramics, gippsland campus, jan feder memorial ceramics collection, ino kiyoshi, japanese ceramics -
Horsham Regional Art Gallery
Photograph, Janina GREEN, Orange vase, 1990
Purchased through the Horsham Art Gallery Trust Fund, 2015 -
Horsham Regional Art Gallery
Photograph, Janina GREEN, Pink vase, 1990 (printed 2012)
Gift of the artist, 2015 -
Nillumbik Shire Council
Pottery (vase): Jack DAVIDSON, Small Flared Vase
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Nillumbik Shire Council
Pottery (vase): Jack DAVIDSON, Straight Sided Vase
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Nillumbik Shire Council
Pottery (vase): Jack DAVIDSON, Bellied Vase
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Nillumbik Shire Council
Pottery (vase): Joan ARMFIELD and David Armfield, Vase with Brush Decoration
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Nillumbik Shire Council
Pottery (vase): Geoffrey DAVIDSON, Inscribed Large Vase
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Nillumbik Shire Council
Pottery (vase): Geoffrey DAVIDSON, Small Inscribed Vase
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Nillumbik Shire Council
Pottery (vase): Geoffrey DAVIDSON, Small Incised Spotted Vase
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Nillumbik Shire Council
Pottery (vase): Elsa ARDERN (b.1918 NZ-d.2006 AUS), Purple Vase