Showing 478 items
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Port Melbourne Historical & Preservation Society
Clothing - Wedding dress (roses, bows, etc), Barbara GARDINER, Alice Mott Hegarty, 1958
... Wedding dress (roses, bows, etc), Barbara GARDINER... made of the ivory brocaded satin Clothing Wedding dress (roses ...Worn by Barbara GARDINER nee HEGARTY at her wedding to Robert GARDINER, at Holy Trinity Church, Port Melbourne on November 1 1958. The dress was made by Barbara's mother, Alice HEGARTY (nee MOTT) and later requisitioned for a party dress for a friend.Barbara GARDINER wedding. Several roses, bow and pieces made of the ivory brocaded satincelebrations fetes and exhibitions, domestic life, costume, handcrafts, weddings, barbara gardiner nee hegarty, alice hegarty nee mott, robert (bob) gardiner -
Coal Creek Community Park & Museum
Khaki Wedding dress, 1870
... Khaki Wedding dress... as a wedding outfit in 1870. Khaki Wedding dress ...Long sleeved short jacket with two rows of vertical buttons down the bodice with matching long skirt. Worn as a wedding outfit in 1870. -
Bendigo Historical Society Inc.
Photograph - WEDDING PHOTOGRAPH ( WEDDING DRESS 11400.750), 1915
... WEDDING PHOTOGRAPH ( WEDDING DRESS 11400.750)... WEDDING PHOTOGRAPH ( WEDDING DRESS 11400.750) ...Photograph. Wedding photograph of Mrs James Mitchell nee Ella Nicholls (Bendigo). Brown cardboard surround. Photograph - black and white 18.5cmX13.5cms. A .5cm wide dark brown border surrounds the photograph, and the edge of the mount. Bride wears a beautiful silk and lace gown, a floral head-dress holds a floor - length veil, and she wears fingerless gloves and carries a large round bouquet.Photo, Eden Studios Melbourne P697. On back of photograph: hand written - About 1912. Mrs James Mitchell nee Ella Nicholls (Bendigo).photograph, person, wedding photo of mrs james mitchell, refer research notes included in clothing box 136 -
Bendigo Historical Society Inc.
Clothing - CREAM SATIN PETTICOAT WORN WITH WEDDING DRESS, 1950
... CREAM SATIN PETTICOAT WORN WITH WEDDING DRESS... WITH WEDDING DRESS ...Petticoat. Sleeveless, with round neck, slightly lower at front. Two small darts at both front and back neckline. Side placket with four metal hooks and hand-stitched loops. Princess line, the skirt flares into a circle, and dips into a small train, 27 cms long. Made by Mavis Roberts the bride.costume, female, cream satin petticoat-wedding -
Nhill & District Historical Society Inc.
Clothing - 1946 Wedding dress of Elvie Schnaars
... 1946 Wedding dress of Elvie Schnaars... motif and on the edge. Clothing 1946 Wedding dress of Elvie ...1946 White crepe frock fashioned with long sleeves and a round neckline with double collar, the bodice is buttoned through to a curved waistline. A wide belt of the same fabric accentuates the waistline, with a long full skirt extended into a graceful train and matching long gloves. The triple layered veil of tulle, with the longest layer draping down the back of the gown, with an embroidered edge and motif, the top layer of the veil covering the face has the same embroidered motif and on the edge.embroidered motif on the points of the veil, as well as the edge. -
Nhill & District Historical Society Inc.
Clothing - 1942 Wedding dress of Lottie Lillian (Dolly) McDonald
... 1942 Wedding dress of Lottie Lillian (Dolly) McDonald... weddings wedding dresses Nhill - Weddings St. Andrew's Presbyterian ...Lottie Lillian (Dolly) McDonald married Richard Clement (Clem) Eastick on 25 May 1942 at St. Andrew's Presbyterian Church, Nhill, Victoria.Both Dolly and Clem were born in Nhill, and continued to live in Nhill after their marriage.A delightful classical gown of white silk velvet with draped bodice and fell from the side of the skirt with soft full folds, the tiny shoulder and hip yokes were embroidered with small crystal beads.Shoulder and hip yokes were embroidered with small crystal beads.1942 weddings, wedding dresses, nhill - weddings, st. andrew's presbyterian church, mcdonald - eastick, textiles - bridal - fashion -
Nhill & District Historical Society Inc.
Clothing - 1964 Wedding dress of Patricia Capp, 1964
... 1964 Wedding dress of Patricia Capp..... Clothing 1964 Wedding dress of Patricia Capp. ...Owned and worn by Patricia Capp of Dimboola, on her wedding day, when she married Mr. Walter Clark of Nhill.Bridal gown of figured de-lustered satin, with a fitted bodice and scooped neckline with long pointed sleeves and a full-length skirt with deep unpressed pleats. The three-tier veil was held by a circlet of flowers in front with a Dior bow, The bride carried a trailer of white roses and lily of the valley.1964 wedding gown, wedding attire, clothing, formal - clothing, textiles - satin -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress
... Wedding Dress... at front. Back falls to a train. Clothing Wedding Dress ...Wedding ceremony on 14th October 1950 at Congregational Church Kew1950's Magnolia satin, vee neckline with collar, button and loops to vee shaped waist. Long sleeves buttoned at wrist, coming to points. Skirt is ankle length at front. Back falls to a train.costume, female -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress, 1978 c.February
... Wedding Dress... underskirt. See also 3597., Wedding Veil Clothing Wedding Dress ...Made for and worn by Jeanette Margaret Bennett at her wedding at Uniting Church, Riversdale Road, Wattle ParkWhite chiffon 1978 round neck line dress with high waist, long sleeves; with cuff and six covered buttons. Hem line and neck trimmed with satin. Dress lined with satin underskirt. See also 3597., Wedding Veilcostume, female ceremonial -
Whitehorse Historical Society Inc.
Clothing - Wedding dress, 28/03/1959
... Wedding dress... and loops. Clothing Wedding dress ...The dress was made by Mrs Alloway of Coburg. The dress was made from two dresses which appeared in 'The Bride' magazine; the top from one photo and the skirt from another. Joan Lorraine McGahey wore this dress when she married Francis William Kerry on 28/03/1959.1959 Full length white lace and net over white taffeta slip. Long sleeves are lace to wrist and has light covered buttons. Front has square neckline with lace appliqued to bodice which falls to dropped waistline. Front panel is lace onto net flounce measuring 30 cm. Back has three net flounces falling from waist to form a train which is attached with lace bow. Back of neck has 8 buttons and loops.costume, female ceremonial -
Whitehorse Historical Society Inc.
Wedding Dress
... Wedding Dress... and third skirt stiffened cotton. The back 52cm train. Wedding Dress ...Purchased in Swan Hill on behalf of the Society by Barbara Keene in February 2001All over lace dress. Sweetheart neckline lined in silk. Three petticoats, one silk, second one tuille with 17cm double flounce in front and third skirt stiffened cotton. The back 52cm train.costume, female ceremonial -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress, 28.9.1936
... Wedding Dress... Clothing Wedding Dress ...Worn for wedding of donor's mother on 26 September 1936. Eric Edward Pearce to Jean Isabelle Mansell at Presbyterian Church, Shepparton, Vic.1936 Cream satin dress with a V neck with pintucking featuring a diamond shape in centre front, also pintucked. Full length full sleeves with cuffs with two buttons and loops. Belt from diamond shaping to centre back panel. Panel opens out to train.|Marriage of Eric Edward Pearce to Jean Isabell Mansell. 26 September 1936 NO3222 Certificate|Wedding photo NP2391|Cake Photo NP2392costume, female ceremonial -
Whitehorse Historical Society Inc.
Clothing - Otterman silk wedding dress, 1968
... Otterman silk wedding dress... (unlabeled) - C 1968 Clothing Otterman silk wedding dress ...Various garments associated with wedding January 1965.- Cream coloured - "A" line - 3/4 sleeves - slightly 'belled" - Organza lined - square neckline - Reputedly Georges manufacture (unlabeled) - C 1968Nilsilk, otterman, wedding, handmade, georges ltd -
Museum of Indonesian Arts Inc.
Kebaya - beaded wedding dress
... Kebaya - beaded wedding dress... iridescent decorations Kebaya - beaded wedding dress ...Cotton Lace, embroidered with pearls, gold and silver beads and leaf like flat iridescent decorations -
Kew Historical Society Inc
Clothing - Watered Silk Polonaise for a Wedding Dress, 1880s
... Watered Silk Polonaise for a Wedding Dress... as well a their age. wedding dresses trains polonaises netta ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This polonaise is part of the Netta Fuller Collection.Netta Fuller and her husband Alec were long-term residents of Kew. As a boy, Alec had attended East Kew Primary School and was later highly involved in the Kew Presbyterian Church during the 1950s and 60s. Netta's passion was for historic clothing and its exhibition. In 1985, Netta Fuller and Elizabeth Pace launched a parade of garments sponsored by Kew Historical Society at Holy Trinity Church, Kew. The parade was called 'Downunder Dressmakers' and included a collection of over fifty items of clothing dating from 1800 to 1984. The collection included dresses, hats, scarfs, capes, sporting costumes etc. The core of the parade consisted of a collection of 19th century costumes worn by the ancestors of a Miss Gertrude Murray, a resident of Blackburn. In sourcing items for her collections, Netta Fuller collected costumes stored in old trunks and wardrobes, or even purchased from opportunity shops. (During the period in which she collected and exhibited costumes, the latter could often be a reliable source for the purchase of historic and aesthetically significant costumes.) Not satisfied with purchasing authentic costumes of the period, Netta also used these as models for artistic recreations. Following her retirement from both collecting and exhibiting, Netta Fuller donated a number of 19th Century garments to the Kew Historical Society's costume collection. A number of garments were parts of costumes such as bodices, while others were complete outfits. Some of the latter exhibit signs of old damage, however very few of the costumes had been modified to enable them to be worn in exhibitions. Provenance, apart from that the costumes were donated by Netta Fuller after 1985 is limited to donor information, although some of her donations may have originally been part of the collection owned by the Murray family. While the costumes are old and therefore historic, provenance is less important than the representativeness and/or rarity of the costumes. Similarly, the costumes need to be evaluated as a group and separately, considering their aesthetic and artistic significance as well a their age.Long train of cream, watered silk taffeta lined with silk net. The shattered silk train is believed to date to the 1880s. wedding dresses, trains, polonaises, netta fuller -
Kew Historical Society Inc
Clothing - Lace Wedding Dress with Matching Cap, c.1947
... Lace Wedding Dress with Matching Cap..., underwear and costume accessories. costumes wedding dresses lace ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Full-length bridal gown, circa 1947, covered entirely with cream coloured lace. The gown has a cream silk lining. The dress is in poor condition due to the lace which is extensively torn/rotted on the bodice. There are a few tears in the lace of the skirt.costumes, wedding dresses, lace, fashion -- 1940s, fashion design -
Kew Historical Society Inc
Clothing - White Crepe Wedding Dress & Lace Coat, Grace James, 1975
... White Crepe Wedding Dress & Lace Coat... with tie belt and lace overcoat Clothing White Crepe Wedding Dress ...Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Full length, heavy cream crepe with tie belt and lace overcoat grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design -
Kew Historical Society Inc
Clothing - Grey silk wedding dress, 1842
... Grey silk wedding dress... to underarm 406.4. Clothing Grey silk wedding dress ...This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing -
Kew Historical Society Inc
Clothing - Gold Silk Taffeta Wedding Dress with Silk Braid & Tassles, 1875-1880
... Gold Silk Taffeta Wedding Dress with Silk Braid & Tassles... examples of morning wear, day dresses, wedding dresses ...Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. Single-piece, floor length, gold silk taffeta evening dress featuring the use of a very long fishtail train to which is attached a silk cord to allow the wearer to hold it above the floor. The dress includes a number of decorative features including the extensive use of box pleats on the sleeves and on the hem of the skirt; contrasting gold and cream braiding and tassles; and the extensive use of ruching on the bodice at the front. Due to the age and fine quality of the silk taffeta used, there is evidence of the degradation of the fabric on one shoulder and a tear in the rear of the skirt. Otherwise the dress is in excellent condition.fashion - 1870s, australian fashion, wedding dresses, costumes, women's clothing, coombs collection -
Orbost & District Historical Society
dress, C 1900
... costume-female handcrafts-dressmaking dress-wedding...This was the wedding dress worn by Mrs Jessie McKinnon (nee...A hand-made, long-sleeved wedding dress of beige satin... gippsland This was the wedding dress worn by Mrs Jessie McKinnon ...This was the wedding dress worn by Mrs Jessie McKinnon (nee Campbell). It has been made for riding side-saddle. Only highly-skilled tailors could produce the complex skirt required for riding side-saddle. It had to curve neatly over the rider’s knees.This dress reflects the fashion of the early 20th century as well as the needlecraft skills of the women at that time.A hand-made, long-sleeved wedding dress of beige satin. It is tapered at the waist and covered buttons from the collar to the waist. There are bows on the wrist. There is fringing at the waist and it is ankle length. There is a huge pocket on the left hand side. There are box pleats at ankle length and a frill of chiffon at the bottom.costume-female handcrafts-dressmaking dress-wedding -
Bendigo Historical Society Inc.
Photograph - UNKNOWN FAMILY COLLECTION: PHOTOGRAPH
... PORTRAIT OF A FEMALE. WEDDING DRESS.... of a female in her wedding dress, flowers around her waist, collar... wedding dress, flowers around her waist, collar and bouquet ...Photograph - black and white. A full lengh portrait of a female in her wedding dress, flowers around her waist, collar and bouquet on floor, veil hanging at back of headpiece.Richards & Co., 19 Sturt Street, Ballarat.person, individual, female portrait, portrait of a female. wedding dress. -
Nillumbik Shire Council
Painting: Adriane Strampp (b.1960 Wisconsin, USA), Adriane Strampp, Into the Night, 1987
... wedding dress... marriage painting". The wedding dress and horse, "a symbol... of the painting looking away from a ghostly white wedding dress.... 'Into the Night' is Strampps' "own marriage painting". The wedding dress ...Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp -
Whitehorse Historical Society Inc.
Document, Wedding Invitation, 1938
... Note stating wedding dress was made by Mavis' sister Ivy... in Ballarat in 1938. Note stating wedding dress was made by Mavis... Mitcham melbourne Note stating wedding dress was made by Mavis ...Invitation to the wedding of Mavis Brown and Arthur Duke in Ballarat in 1938.Invitation to the wedding of Mavis Brown and Arthur Duke in Ballarat in 1938. Note stating wedding dress was made by Mavis' sister Ivy Brown. Ref NP 2502Invitation to the wedding of Mavis Brown and Arthur Duke in Ballarat in 1938. weddings, brown, ivy, brown, mavis, duke, arthur -
Whitehorse Historical Society Inc.
Shawl, 1930's
... dress NA3494 for her niece, Mary (Molly) Sprunt for her wedding... into a Vandyke pattern.|See also NA3495 - Wedding veil & NA3494 - Wedding... the wedding dress NA3494 for her niece, Mary (Molly) Sprunt for her ...Indian shawl owned by Edith Brydon who made the wedding dress NA3494 for her niece, Mary (Molly) Sprunt for her wedding on 12 March 1938Cream cotton net, stamped with gold metallic thread into a Vandyke pattern.|See also NA3495 - Wedding veil & NA3494 - Wedding dresscostume, female -
Kiewa Valley Historical Society
Photograph - Wedding Photographs x 2 - McKendrick, 11th January, 1958
... wedding dress, clothing, mt. beauty, social history... dress, Reta Vyner. Note: Wedding Dress is stored in Box 66.... Note: Wedding Dress is stored in Box 66. Wedding Photo ...Photographs of Ian and Margaret Rose McKendrick (nee Vyner) on their wedding day. Margaret was the daughter of Reta and Harry Vyner who were early residents of the Kiewa area during the construction of the Hydro Electric Scheme. Margaret and Ian were married at St. Mathews Anglican Church, Albury on 11th January 1958. The cream dress that Margaret wore was her Mother's dress, Reta Vyner. Note: Wedding Dress is stored in Box 66. Wedding Photo is in KVHS 0970(B) This wedding dress was part of a display in the Information Centre and is part of the social history of Mt. Beauty and Bogong Village during the construction period of the Kiewa Hydro Electric Scheme. It is typical of the apparel worn in the 1950's. Two photographs, one black and white and one sepia tone No inscriptions or markingswedding dress, clothing, mt. beauty, social history, mckendrick -
Brighton Historical Society
Clothing - Dress, Day dress, circa 1878
... wedding dress... goldfields circa 1878. It may have been worn as a wedding dress... worn as a wedding dress. However, additional documentation ...This dress is of uncertain provenance. BHS records indicate that it was owned by Marion Jane Ellen Devlin, nee Stokes (1845-1936), who married Oliver Devlin on 2 April 1877 in Victoria. The dress is believed to have been worn on the Bendigo goldfields circa 1878. It may have been worn as a wedding dress. However, additional documentation discovered in August 2019 suggest that the dress belonged to Margaret Cocking, nee Carr (1850-1936), who married Gustavus Cocking in Bendigo in 1877.A grey-green circa 1878 dress comprising a matching jacket and skirt. The jacket (.1) features a standing collar that gathers to a low point at the throat. This point is concealed behind a bow with raw edges which may not be original. The centre front of the jacket has been secured with nineteen concealed metal hook and button holes. The centre front features fifteen sets of single fabric covered glass buttons secured in a diagonal pattern and appearing as double headed buttons. From the shoulder through the body the jacket is shaped with decorative panels with grey silk detail. Beside these panels shaping into the waist and under the arm are a further two pleats. On the left side waist is a small pocket with decorative flap, grey silk trim and button. The base line of the jacket features a decorative horizontal panel that wraps around the jacket. The sleeve head is small and sits on the natural shoulder line with a slim fitting, curved, full length sleeve. At the base of the sleeve, there is a decorative panel reminiscent of a formal cuff, with a decorative turn back and two buttons. Secured underneath this turn back is a bow like decoration. From the back the jacket features a V shaped decoration, an extension of the front two decorative panels. From the shoulders the jacket is shaped by four panels curving tight into the waist and flaring out again to fullness of the bustle. These seams are also finished with decorative binding. This peplum-like shape features two decorative flaps and six covered buttons. The skirt (.2) is shaped to the waist with pleats and secures on the front left hand side, the original waistband and fastenings have been replaced. The skirt front features a large decorative panel of the same fabric that curves from the front at approximately shin length, upwards towards the back securing underneath the bustle decoration. A second panel, plus a pleated panel finish the hem of the skirt continuing around to the back. At the back the skirt features two deep pleats with a large decorative bow that would sit out over the bustle. The skirt is long featuring a small train at the back. The dress is lined in a brown waxed cotton.wedding dress, 1870s fashion, marion jane ellen stokes, oliver devlin, margaret carr, gustavus cocking, bendigo -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Newsletter, City of Moorabbin Historical Society Oct 2010 jpg, pdf, October 2010
... wedding dress..., FoMRGS, has donated her mother’s wedding dress to Box Cottage... wedding dress to Box Cottage Museum, and John O’Callaghan, Glen ...The City of Moorabbin Historical Society was formed c 1960 by a group of Moorabbin residents who were concerned that the history of the area should be preserved. A good response to a call for items related to the historical area of Moorabbin Shire brought donations of a wide variety of artefacts which are now preserved by the current members of CMHS at Box Cottage Museum . Helen Stanley, Secretary of CMHS, began producing a Newsletter for members in April 2007 to provide current information and well researched items of historical interest. This Issue celebrates the 50th Anniversary of CMHS Helen Stanley has produced a bi-monthly Newsletter, 2007 - 2013, for the members of the City of Moorabbin Historical Society that contains well researched interesting historical items, notification of upcoming events, current advice from Royal Australian Historical Society , Museums Australia Victoria and activities of Local Historical Societies. The Newsletter is an important record of the activities of the CMHS and this month Celebrating the 50th Anniversary of CMHS.Issue 18 of the bi-monthly, City of Moorabbin Historical Society Newsletter produced by Society member and Secretary, Mrs Helen Stanley in October 2010. . Notice of AGM October 30th and Celebration of 50th Anniversary of CMHS. The Founding Members of CMHS are thanked and praised for their foresight, generosity of time and energy and for organising the collection of historical artefacts that created ‘Box Cottage Museum” as it is today. Mrs Dorothy Booth, FoMRGS, has donated her mother’s wedding dress to Box Cottage Museum, and John O’Callaghan, Glen Eira Historical Society, will donate a rebuilt computer. We are now commencing a Catalogue of our Library Books. The Story of the Elster Creek is attached.CITY of MOORABBIN HISTORICAL SOCIETY / OCTOBER 2010 NEWSLETTERcity of moorabbin historical society, stanley helen, booth dorothy, melbourne, moorabbin, brighton, cheltenham, ormond, bentleigh, market gardeners, pioneers, early settlers, elster creek, moorabbin shire, box cottage museum, state library of victoria, vicnet, city of moorabbin, box william, clothing, wedding dress, friends of mentone railway gardens, glen eira historical society, o’callaghan john -
Bendigo Historical Society Inc.
Clothing - AILEEN AND JOHN ELLISON COLLECTION: WEDDING DRES WITH DETACHABLE TRAIN (11400.514B), 24.9.1949
... Wedding dress...Cream coloured long sleeved wedding dress made of crimplene... COSTUME Female ceremonial Wedding dress Cream coloured long ...Cream coloured long sleeved wedding dress made of crimplene fabric. Fabric has horizontal all-over scallop pattern. Dress is fully lined with white satin fabric. Dress is an empire line shape with A line skirt. Bodice has two side darts and darts from the empire waist line. Below the waist line the skirt has two inverted pleats. The front has a wide scooped neckline with narrow shoulders. The back of the bodice has two darts from the waist line and the skirt has two darts from the waistline. The dress has a back opening from the neckline with a 43cm zipper. Set-in long sleeves are bell shaped to the wrist with a 17cm slash at the front of the sleeve. Inside each shoulder are ribbon strips with press studs to secure underwear straps.costume, female ceremonial, wedding dress -
National Wool Museum
Textile - Dress, Wendy Waugh, 1996
... Wedding dress originally made for Farmvision '96 from wool...Wedding dress, made from wool top slivers. Halter neck...-and-the-bellarine-peninsula Wedding dress originally made for Farmvision '96 ...Wedding dress originally made for Farmvision '96 from wool slivers produced by Geelong Wool Combing Ltd. Designed and made by Ann Wisby and Wendy Waugh of Gordon TAFE with the assistance of their students from Creative Studies Department. This dress has been modelled, professionally photographed and displayed at Farmvision '96 and National Wool Week '96 and '97. The dress was then given back to GWC and then donated to the Wool Museum.Wedding dress, made from wool top slivers. Halter neck, embroidered and appliqued bodice, long skirt. Also includes head dress and bouquet.fashion, geelong wool combing ltd, wool tops, waugh, ms wendy - gordon institute of tafe wisby, ms ann - gordon institute of tafe -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, B&W, John Box 1841 - 1913, c1900
... mary box wedding dress... Wedding Dress is on display at Box Cottage Museum . Martha... for the Wedding Dress worn by Mary Closter at her marriage to Alonzo Box ...John Box 1841 - 1914, the 4th son of George and Mary Box, was born in Withyham, Sussex England and came to Australia in 1856 with his parents. He lived and worked on his fathers market garden in East Brighton ( now Bentleigh) for several years and then rented a property in Tucker Road in 1862. John married Martha Sheldrake and they had 10children. Rebecca Anne b 1863 was in the first party from Australia to go to the China Inland Mission in 1890 and was known as 'Faith' because of her evangelical zeal. The Mission Post was invaded by the Boxers during the Rebellion 1900-01and she was moved to the safety of Shanghai by Nicholas Viloudakia, a Greek silk merchant whom she later married. Rebecca sent the bolt of hand embroidered silk material to her brother Alonzo for his marriage to Mary Closter. Mary Box nee Closter's Wedding Dress is on display at Box Cottage Museum . Martha Sheldrake died 1895 and John married Eleanor Rushall b1866 and they had 3 children. John was well respected in the community and was a Methodist lay preacher. John Box is the brother of William Box who, with his wife Elizabeth Box, lived in Box Cottage . John Box was a pioneer market gardener in East Brighton now Bentleigh. He married Martha Sheldrake and they had 10 children. The eldest daughter Rebecca was a Methodist Missionary in China and Alonzo, their 9th child, served in the Army WW1 at Gallipoli, France and Flanders. Rebecca sent the hand embroidered Chinese silk material for the Wedding Dress worn by Mary Closter at her marriage to Alonzo Box 1918. After Martha died he married Eleanor Rushall and they had 3 children. John was well respected by the community and also a Methodist lay preacher. Box Cottage Museum, a reconstruction of an early settler hut, is named after the Box family who resided there 1865 -1913 . William Box who, with his wife Elizabeth Avis Box and 13 children, lived and farmed on the block of land in Jasper Road, East Brighton ( now McKinnon / Ormond) that was part of the Henry Dendy Special Survey 1841. Inscribed in Album “ The early photos in this album were found by Mr (Laurie) Lewis when he was demolishing the Old Box Cottage. He gave them to Mrs Avis Box Eldridge who in turn gave them to me. They were not identified. I believe they rightly belong in the Cottage. I have attempted to identify them and present them in a way they can be preserved as a historical record of the era.” A B Leigh A black and white professional photograph of John Box c1880Photographed by J. Read Brennand / 83 Chapel St. Prahranbox william, box elizabeth, box george, box john, sheldrake martha, box alonzo, box mary, box rebecca, rushall eleanor, moorabbin, bentleigh, brighton, ormond, market gardeners, pioneers, early settlers, withyham sussex england, boxer rebellion 1900, methodist chinese missionary, methodist china inland mission, shanghai china, silk merchants, mary box wedding dress