Photograph of Students of Navarre Primary School 1940Back ------, Les Hannett, Jack Driscoll?, ---- 2nd Back -----, Jean Rickard, Viva Smale, Val Blake, Pat Clinnick, Eileen Moschetti, John Rickard 2nd Front ----, Marie Clinnick, -----, John Emmerson, ---- Front ----, Tom Driscoll, ----, Lindsay Smalleducation, students

Print in wooden frame The Charge of the 4th. Light Horse at Beersheba /Dusk 31 Oct.1917

Coin found at P.O.W Camp 13 when huts were being dismantled and relocated.German coin featuring eagle crest, date 1940's and German script on one face. on reverse face currency value.camp 13, murchison, coin, germany currency, george taylor, vera taylor

Milk jug cover used by Betty McPhee during 1930's and 1940's.Cream crochet, 25 cm milk jug cover as used in 1930's and 1940's before refrigeration. Design: rings of yellow and blue glass beadsdomestic items, food storage & preservation, handcrafts, crocheting or crochet work

A Group photograph of construction workers - circa 1930's g.o.r; construction-work-circa-1930's;

Sepia photograph of a metal tower with access steps and platforms on several levels."Flagstaff about 1940".flagstaff lookout tower, flagstaff hill near linton

Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The photos in this album are historically and socially significant as a record of recreational activities in the first half of the twentieth century. A number of photographs in the album provide views of sections of the Yarra, as well as areas in regional Victoria, that may otherwise be unavailable.One of 12 sepia [faded] photographs of members of the Victorian Canoe Club. The first photo reveals three of the four club members leaving their clubhouse in Studley Park to travel downstream to the Lower Yarra and beyond to Port Phillip Bay. "Xmas 1930. Leaving Studley Park"victorian canoe club, river yarra, travel -- 1930s, canoeing

This booklet contains the story of the Madden family and the Coach and Horses Hotel. It appears to be signed by Nicholas Madden.Blue covered booklets (4 copies) with 16 buff coloured pages printed with the history of the Madden Family, the Coach and Horses Hotel and local areas. Plus an article reprinted from 'The Age' 26 August 1933 - 'Melbourne's Historic Homes'. Refer also to Reg no. 3634 catalogued book 'Ringwood - Short Notes on its Development 1857 - 1963.' Compiled by Mrs M. Burnside with the co-operation of the Ringwood Historical Research Group. Size 26 x 21 x 2 and with a red and brown diamond pattern on the cover. +Additional Keywords: Madden, Nicholas / Cobb & Co / Burnside, Miss Marie.The Evolution of Ringwood coupled with that of the Coach and Horses Hotel 1850 - 1940. Reprinted from 'The Ringwood Mail', January 4, 1940.; Owned by Miss Marie Burnside who wrote this book.

Detailed account of meetings conducted by the Melbourne Legacy Club for the period December 1940 - December 1941. Moved to Archive cupboard H with all other BOM minutes - number to be reassigned TBCReveals the issues relevant to the Club at the time.Book with blue cover and white pages with financial information red columns. Index. Four sheets of foolscap paper taped to the fly leaf.Spine,vol. xiii, printed in gold. Cover, "Legacy Club / Melbourne / Minutes / B. of M. meetings / Conferences etc. / Dec. 1940 - Dec. 1941" printed in gold lettering.minutes, activities, board of management

Under the auspices of the Deaf Committee of the Adult Deaf and Dumb Society of Victoria - Edited by A. Hull assisted by R. H. LambertThe significance of these newsletters is in the detail of information they contain about the people and activities of the Deaf community in Victoria and interstate.Vol. 1 No. 2 March-April 1930; Size 21.5cmHx14cmWthe victorian deaf, n. armstron, a. c. muir, mr hesketh, andrew clarke, w. bond, w. p. muir, d. piper, a. wilson, g. moore, s. johnson, rev. w. moss, e. newbigin, mrs lewis, mrs s. moss, d. piper, mrs c. e. frewin, j. m. johnston, w. ashby, j. mclean, o'gorman, hawkins, fisher, j. hennessy, h puddy, a. graham, mrs s. ferguson, jean solomon, g mortimer, mrs crompton, taylor, hickey, hatley, salvado, hart, tonkin, george ashley, colin johnsf. cummins, sutherland, utber, boortz, bert hague, walter bladier, winnie gladman, eileen o'gormans. moss, c. ball, r. cram, holmes,j. m. johnston, w. wood, r. h. lambert, f. kendall, o'bryan, g. b. mortimer, e. johnston, mrs e. r. peacock, empson, e. stephens, r. dow, alice smith, b. heggie, w. anderson, guilds, hosckey club, lacross club, victorian deaf and dumb institution, c. f. crosby

Under the auspices of the Deaf Committee of the Adult Deaf and Dumb Society of Victoria - Edited by A. Hull assisted by R. H. LambertThe significance of these newsletters is in the detail of information they contain about the people and activities of the Deaf community in Victoria and interstate.Vol. 1 No. 3, May-June 1930; Size 21.5cmHx14cmWalex hull, arthur stephens, emma reade, l. p. jacks, katie whitehead, selwyn oxley, a. j. wilson, mrs g. h. hawkins, victor trotman, colin mcnutt, bert savage, myrtle walscott, e. walker, lina virgona, gwen hawkinsm. gibson, mrs g. damman, mrs j. muir, d. hickey, w. chapman, mrs gladman, j boortz, r. white, bert hague, w. grant, r. jose, w. o'bryan, t. tonkins, a. colins, mrs g. damman, mrs g. caldwell, w. rees, e. r. peacock, a. c. muir, mrs f. e. frewin, d. ashby, phyllis johnston, h. puddy, l. sutton, w. anderson, a hatley,

Under the auspices of the Deaf Committee of the Adult Deaf and Dumb Society of Victoria - Edited by R. H. Lambert assisted by H. PuddyThe Victorian Deaf Newsletter is significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 1 No. 4 July-August 1930; Size 21.5cmHx14cmWlord somers, dr f. w. head, a graham, mrs w. taylor, alex hull, w. h. crush, victorian school for deaf children, thomas williamson, mr e. f. carmichael, c. a. buck, h. puddy, ben hall, william newton, lacrosse, tennis, young ladies guild, young mens guild, deaf church

Under the auspices of the Deaf Committee of the Adult Deaf and Dumb Society of Victoria - Edited by R. H. Lambert, assited by H. PuddyThe significance of these newsletters is in the detail of information they contain about the people and activities of the Deaf community in Victoria and interstate.Vol. 1 No. 5, September-October 1930; Size 21.5cmHx14cmWw. ashby, h. puddy, j. o'gorman, kendall, john adcock, w. j. mcaskill, p. smith, w. anderson, s. moss, j. moran, m. groves, h. wilson, mr donaldson, v. west, mrs j. m. johnston, c. hennessey, w. hateley, a. hateley, herbert mark, florrie tyzzer,r. white, s. ferguson, mrs g. damman, mrs j. e. muir, florrie blair, h. mackenzie, r. stewart, c. a. buck, lon chaney, j. d. brook, j. w. booth, mr and mrs bladier, mr and mrs w. anderson, victorian adult deaf cricket club, deaf workers club, young mens club, young ladies club, tennis, hockeynsw deaf and dumb citizens association

Under the auspices of the Deaf Committee of the Adult Deaf and Dumb Society of Victoria - Edited by R. H. Lambert assisted by H. PuddyThe significance of these newsletters is in the detail of information they contain about the people and activities of the Deaf community in Victoria and interstate.Vol. 1 No. 6, November-December 1930; Size 21.5cmHx14cmWn. armstrong, o. r. redman, h. v. s. hersee, peacock, miss graham, mccaskill, abraham, j. b. puddy, h. puddy, m. gibson, m. gladman, s. mitchell, c. buck, h. hockam, mrs swain, n. o. bryan, w. anderson, h. mackenzie, james moran, cricket, miss graham, anniversary rally, hockey elsie stephens, deaf worker's club, deaf women's guild, walter dennis pepper, national association of the deaf of america

The Buddhist monk Guangqia visited Karl Duldig’s studio on two consecutive days, in the company of the noted Chinese writer, Professor Yu Dafu, a friend of Karl’s. Karl made two portraits of the monk, the first depicting him sitting, and the second in a standing pose. The portraits were drawn using a Chinese brush and Indian ink. Surviving sketches in the Studio’s collection indicate that Karl thought about creating a life-size sculpture later on, but this was not realised. Guangqia added inscriptions in his own hand to both drawings and stamped them with a red seal. The seated drawing has an inscription in which he quoted from a Buddhist poem, ‘A Contented Mind’ by the scholar Lingfeng of Mt Tiantai. In the summer I went to visit the Austrian sculptor Duldig with Professor Yu Da Fu. My virtue is slight – I cannot accept your offerings and gifts; I am amply rewarded by the clouds and springs. Rather than a table laden with pearl-like rice, I prefer the wind and leaves falling on my bed. Sitting quietly on my meditation cushion Is sweeter than the wheat offered by a thousand families. The pity is that I am gradually growing old; My bitter journey is not worthy of your offerings. The second drawing has a quote from a Buddhist poem on the study of Chán (Zen) Buddhism, by the famed Chán master, Dàjiàn Huìnéng (638–713): The portrait, with its figure positioned on a scroll-like ground and inscription is reminiscent of traditional Zen Buddhist portraiture. In this school of portraiture, which stretched back to at least the thirteenth century, monks were depicted sitting or standing facing the viewer, and typically the monk added an autographic inscription to the portrait. The portraits were often passed from master to disciple, continuing the disciples’ journey of spiritual enlightenment and were revered for their association with remarkable or holy priests. The Buddhist monk, Guangqai who added his inscription and stamp to the drawings would most certainly have been aware of this tradition. It is likely that Karl was aware of this tradition, one of the points where the studio’s collections of art works from Singapore intersect with the earlier Viennese collections can be found in the Library where a catalogue of an exhibition, 'Ausstellung Ostasiatischer Malerie und Graphik' is held. The Viennese Friends of Asian Art and Culture and the Albertina Museum staged this exhibition of East Asian painting and graphic works in 1932. Such was the internationalism of Duldig’s education in Vienna, that adaption to a new environment and culture in the Straits Settlement was swift, and he was able to interpret the artistic traditions of the place, and make them his own. It is part of the strength of the collection, that in many cases contemporary supporting documentation for the works of art is available. In this case there is a photograph of the Monk with Yu Ta-fu, and Karl and Eva Duldig, outside the studio at the time the drawings were made. Ann Carew 2016The portraits of Guangqai have national and international aesthetic significance. The works of art demonstrate the artist’s skill in capturing the physical appearance and demeanour of his subject, and his ability to adapt his working methods to incorporate traditional Asian materials and cultural practices. The portrait is one of few examples in Melbourne of a central European modernist artists working in, and engaging with Asia, during this period and it is culturally and aesthetically significant for this reason. The portraits are also historically interesting in documenting the life and experiences of Karl Duldig in the Straits Settlement (Singapore). Ann Carew 2016Brush drawing in chinese ink on paper. Seated Buddhist Monk. Chinese calligraphy hand written in black ink. Two red stamps under calligraphy.Signed Karl Duldig in l.r. corner. Dated Singapore 1940 in l.l. corner.

Coin found at P.O.W Camp 13 when huts were being dismantled and relocated.Italian coin featuring coat of arms, The date 1940 and currency value on one face. Reverse side features bust of male person with Latin script.camp 13, coin, italian

A studio portrait of Prudence Partington of Greensborough. the family lived at Willis Vale from the 1870s.One of many studio portraits of the Partington familySepia studio portrait of woman in dark dress and bonnet, seated and holding a book. flowers to her left. Mounted on white card with studio name: M.Allan 278 Smith Street Collingwood..On back: Prudence Partington. Born 1858-1930.willis vale, partington family, prudence partington

Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg at the time of the Gallipoli & Beyond Commemoration.The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Blue and gilt enamel on metal membership medallion produced by the Kew Cricket Club for the year 1929-30 and which belonged to Francis Horace Rigg (1882-1946). The medallion is enameled in shades of blue and gold with the initials of the Club, KCC surrounded by the full name of the club and the period for which the member would gain access to games.Kew Cricket Club KCC 1929-1930kew cricket club, membership medallions

Stawell Hospital from Main Street 1930's- 1940's. Wimmera Street on left and Scotland Place on right. J.C. Zala Electrical Contractor and W.E. Coward Carpenter and Joiner signs on right.stawell hospital

This trophy links ten years of domination by the Myrtleford Presbyterian Tennis Club to prominent local families.The trophy acknowledges the dedication and skill of early 20th century sporting clubs, in this case members from the Dalgleish, Robertson, Macaulay, McGeehan and Moore families in the fourth decade of tennis in the district. These families became driving forces in the creation of the public tennis courts in Myrtleford. . Silver-plated metal trophy cup with two handlesPresbyterian T.C., Premiers, 1940tennis myrtleford

Warrnambool Harbour Board General Cash Book 1930 This book has tan coloured leather spine and corners First entry 1st October 1930. Last entry June 30th 1936 No markingflagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, warrnambool harbour board general cash book 1930, warrnambool harbour board

Photograph of workers camp at She Oak River circa 1930's she oak river camp site: workers' campsite, sheoak river, workers camp

A comprehensive catalogue book: Chandeliers and Billy Tea 1880 - 1940. The front cover has brown tonings and shows a full page photograph of many kitchen and household objects from the past. The title is written in different elaborate lettering inside a square shape towards the top of the cover. The author's name, Peter Cuffley, is printed in white lettering at the bottom. Inside is a Contents page with Catalogue references, a Selected Bibliography, Acknowledgements and an Introduction. There are hundreds of black and white drawings and photographs of household items and general life of the times.non-fictionA comprehensive historical catalogue of the life and times between 1880 and 1940 in Australia of household items, the people, favourite pastimes, life outdoors, travel and adventure, packaging, down on the farm, tools of trade and much more.social history, australian history, family history, history

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man in shirt sleeves standing amongst the large cut stones at the back end of the Sphinx. In front of the Sphinx are the ruins of a temple, in the middle background is a large tent and further back are the buildings of a town. The man is Frank Wright and the place is Egypt.Written in pencil on the back - F.W. at Sphinx showing old Temple in background, May 1940frank wright, conductor, egypt, sphinx

Photograph showing workmen clearing blockage on the G.O.R. circa 1940'sg.o.r; road blockage; road-blasting-1940's

Three copies black and white photo of Mitcham Railway Station 1940.mitcham railway station, 1940