vida lahey (1882-1968), annemarie szeleczky, bridget hillebrand, caroline ambrus, isobel davies

carole shepheard, maureen burns, helen ogilvie, lyn plummer, geraldine burke, suzanne bellamy

rosie weiss, carole shepheard, christine johnson, ludmilla meilerts, the aberant object exhibition, joan rodriquez, annie taylor

sadie chandler, noela stratford, helen kavavagh, ailsa graham, caroline barker, meg beckett, dianne beevers, tracey glassci, pat hillcoat

28 page booklet edited by Juliet Peersjuliet peers, april kaye ikinci, juli haas, meg benwell, meg beckett, mary meyer, elizabeth durak, anne graham, guelda pyke, melissa cater, bias binding, gala luncheon, 20th anniversary, reba schutenko, melissa black, jane lennon, pat hillcoat, obituary senator olive zakharov, julie mcdonald, obituary mary macqueen, m. mcguire

30 page bookletlyn pool, maggie mccormack, ewa narkiewicz, kate stones, deborah klein, lyn pool, dianne beevers, gabriella hegyes, olive cotton, bias binding, sally smart, susan morris, anne graham, brenda purtell, jan palethorpe, wendy rew, maggie mccormick, paula lindley, julie rosewarne foster, cowarr art space

lucia taneredi, rosalie gascoigne, nicole voevodin-cash, women's gallery, maryanne coutts, carmelo ferraro, april-kay ikinci, juliette peers

30 page printed Bulletin with articles about women and art.joy hester, juliette peers, janda gooding, kathleen o'connor, m.e.mcguire, kirsty gorter, experimenta, barbie, the women's gallery, april-kaye ikinci, jane whelan, pat hillcoat, judith brooks, patricia piccinni

fiona foley, kerri hall, jillian dwyer, lyn scott-cumming, pat hillcoat, juliette peers, claudia leunig, annette vincent, constance (jenkins) macky

kate ellis, christina gowdie, juliette corkhill, rosslynd piggot, judy horacek, sandra angliss, emily kame kngwarreye, yvonne koolmatrie, judy watson, mural triptych-vgcp, next wave, louisse jennison, kate coching, elizabeth boyee, grcia haby, sue todd and jan trengrove, bianca hester and jan nelson, kim donaldson and emma wooley, violeta caporska, lisa cianci, caroline ho-bich-tuyen dang, ponch hawkes, michele newman, constance (jenkins) macky

Magazineclarice beckett, gail stiffe, liza mccosh, judy horacek, rosemary mangiamele, ethel burrows 1882-1976, amelia burrows 1860-1927, amy lakides 1918-1927, beatrice tait 1922-1993

Photocopied Booklet 14 pages A4dianne beevers, elizabeth milsom, elizabeth james, carol bryan, margaret nixon, nora sumberg, judy bourke, veronica caven aldous, patricia alexander, maxienne tritton young, ann marie power, nu horizons 2003, maggie mc cormick, inter-twined 9, depth of field karen hall and louise tegart

Historical essay and timeline of the Women’s Art Register, including Vision Statement, Chronology, Publications, Associations, Overview of the unique Women’s Art Register including significant events and actions.Display copy of the softcover promotional booklet published by Women’s Art Register in 2005, with essay by Juliette Peers and design by Josephine Fagan. Contents: About the Women’s Art Register; Vision Statement, Pulications, Liasons and Associations, How to use the Women’s Art Register, Advocacy and Leading Issues, Chronology, Short HIstory of the Women’s Art Register, Membership Form, Resources and KitsThe word Corrections is handwritten on the cover.

art, women artists, sculpture, contemporary art, exhibition, women’s art register, textiles, julia boros, katve-kaisa kontturi, anna sandy, bonita ely, richmond, australian artistsart, women artists, sculpture, contemporary art, exhibition, women’s art register, textiles, julia boros, katve-kaisa kontturi, anna sandy, bonita ely, richmond, australian artists

Publication accompanying the project, The f Word: Contemporary feminist art in Australia. Curated by Caroline Phillips, this project included multiple components: A Dinner Party: Setting the table; the Regional Feminist Art Forum, the Technopia Tours Feminist Art Bus, and two exhibitions.feminism, feminist art, melbourne, the dinner party, australia, judy chicago, west space, latrobe visual art institute, bendigo, gippsland art gallery, sale, victoria, ararat regional art gallery, ararat, technopia tours, kim donaldson, catherine bell, penny byrne, filomena coppola, kate just, jill orr, clare rae, elvis richardson, kate beynon, karen buczynski-lee, destiny deacon, laurene dietrich, eliza-jane gilchrist, janice gobey, georgia macguire, robyn massey, caroline phillips, louise saxton, inez de vega, lyndal walker, justine makdessi, the great petition, natalie thomas, laura castagnini, lyndal jones, vicki kinai, dot ket, virginia fraser, juliette peers, louise burchill, carolyn barnes, melbourne social equity institute, ebony gulliver, kalinda vary, kate robertson, stephanie alexander, kate macneill, victoria duckett, hana assafiri, victoria bennett, anne marsh, catherine deveny, danni zuvela, jon dale, marcia jane, catherine evans

Shiny covered cover using black text on grey and white abstracted background .non-fictionA discussion paper accompanying the Culture and Democracy Conference in Sheffield , UK 12 and 13 July 1986 activism, socialism, collective, class analysis

non-fictionWomen interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..industrial design, craft, wallpaper, weaving, furniture, design theory, architecture

Black and white text on cover and throughout non-fictionOverview of funded and non-funded organisations focused on women's rights, and the diversity of the South Australian Women's Liberation Movement through interviews and social history. Essays written by artists, writers and women working in women's services.suffrage, voting rights, violence, communism, activism, pascifism

Brightly designed record of posters, pamphlets, vintage books, film promos and comicsnon-fictionDocuments the ephemera used in the USA to warn against the threat of Communismcommunism, propaganda, posters, magazines, comics, vintage, pulp fiction

non-fictionCatalogue for exhibition at National Gallery of Australia 2001 comprising essays, images and list of exhibited works by Mexican modernist artists working in 1930's to 1950s, born in, or influenced by, Mexicomodernism, painting, collage, selfportraiture, portraiture, 1910 mexican revolution, photography

Booknon-fictionMonograph on contemporary South Australian artist Annette Bezor.gender, oil painting, essay, sexuality, identity, digital art, portraiture, laser prints

Booknon-fictionCatalogue accompanying exhibition at National Gallery of Australia in 2001 with two essays interweaving Hester's life and art, 1920-1960.contemporary art society, angry penguins, painting, watercolour, gouache

non-fictionAn illustrated autobiography of South Australian artist Barbara Leslie born 1940. Painter and illustrator Leslie charts her life through three sections. Book 1: letters to her best friend Marilyn; Book 2: written to her inner child; Book 3: a diary format after Merilyn's death.south australian bushfires, art school, drawing, family

Booknon-fictionAnalysis of late 19th century American and European writing, art, science and philosophy exploring cultural misogyny. Discusses the attitude to women as having only sexual and reproductive roles and being depicted as symbols of evil, passivity and sensuality, and ever dependent, while men were free to follow financially independent public and intellectual lives. painting, feminism, sexuality, violence, symbolism, mythology, motherhood, darwinism, pre-raphaelites

booknon-fictionPublished in Italy in 1979 exploring the theme of women and sexuality these diverse images reveal how women see themselves, their bodies and their changing roles, characterised by inventiveness, intimacy and sensuality.portraiture, body, colour photograpy, erotica

fictionA satirical illustrated tale of artist Hephzibah Brown who is persuaded by Cedric the Imp of Perversity to follow him to the recently independent Ghana to compose a tourist book he will write and she illustrate. She follows him but changes it to a novel about two tourists, one pragmatic and one an idealistic, a woman, to examine "real life'' being a form of transience.collage, drawing, travelogue, weaving, sexuality, satire, writing

Booknon-fictionExplores the lives, ideas and artworks of women in the Surrealist Movement including Frida Kahlo, Meret Oppenheim Dorothea Tanning and Leonora Carrington, alongside their more well-known male counterparts.painting, drawing, collage, photography, surrealism

non-fictionTraces three periods of Hanrahan's practice: early development; first major period of printmaking 1963 to 1967 and her second since 1967. Focuses on major themes and motifs and contains a small proportion of images made since 1960, many exploring her family and womens' lives. These themes and the tactile quality of her practice are woven into her 9 published novels, and text often appears in the prints. Includes list of solo exhibitions, a bibliography and biographical details.printmaking, lithography, etching, linocut, screenprinting, wood engraving, writing, sexuality, family, identity, drypoint, popular culture, body, motherhood, ageing, gender

non-fictionA history of Australian women artists, the lives and practice of 24 women are covered to redress their absence in critical and art historical records. painting, water colour, portraiture, print making

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity