246 p. : ill. (some col.)Agony down under: Australian artists addressing AIDS /​ Ted Gott Allan from Sadness: a monologue with slides /​ William Yang Art from the Pit: some reflections on monuments, memory and AIDS /​ Simon Watney America: where angels don't fear to tread /​ Thomas Sokolowski The war on culture /​ Carole S. Vance Read my lips /​ Jimmy Somerville For a friend /​ Jimmy Somerville, Richard Coles Self-documentation, self-imaging,: Australian people living with HIV/​AIDS /​ Kathy Triffitt, co-ordinator Aesthetics and loss /​ Edmund White Psycho-cultural responses to AIDS /​ Dennis Altman Faces of AIDS /​ Lynn Sloan Lovers and friends /​ Richard Coles Where the streets have new aims: the poster in the age of AIDS /​ Ted Gott OI: opportunistic identification, open identification in PWA portraiture /​ Jan Zita Grover Don't leave me this way: art in the age of AIDS : catalogue of works.

Newspaper item about the plans to have a tramway operating along the Wimmera River within five years. Ballarat tram No. 41 was given to a Horsham organisation but was later acquired by a Restaurant - see item 4348.Yields information about a proposed Horsham tramway using tram 41 which did not eventuate.Newspaper cutting from The Age 21/8/1972tramways, horsham, tram 41

Newspaper cutting about the position of Melbourne trams in the world in terms of kilometres of track and the number of routes based on Jane's Urban Transport Systems. Has comments from the National Trust, PTUA, and about the tram fleet. Notes the recent growth in the Melbourne system. Item written by Bruce Tobin. How Jane's obtained or intepreted their information is unkinown - a check at the time of cataloguing notes that Prague was 144km and Poznan was about 66km of route - based on their Wikipedia pages. Yields information about Melbourne's position in the world tram list in 1995 - but this is subject to interepretion.Newspaper cutting from The Age 16/1/1995tramways, melbourne, length, routes

Report on the David Larwill tram No. 722 being removed from service and possibly being painted over. Includes notes on the Ministry of Arts contracts, other trams such as Mental as Anything, and photos of four of the trams and David Lawill. Written by Suzy Freeman-Greene. Has a close association with the David Larwill Transporting Art tram No. 722.Newspaper clipping from The Age, 1/4/1992tramways, transporting art, tram 722, david larwill

Photo of VR Tram 23 with a sign "Merry X'Mas", decorated, being used for a Christmas party on Tuesday 22-12-1953. Appeared in The Age, 23-12-1953. Has many children leaning out of the tram waving, The Conductor has a cash bag.Yields information about VR tram 23 decorated for the 1953 Christmas and used as a party tram.Black and white photograph with notes on the rear.In pencil "No. 4, The Age 23-12-53, relic of first rolling stock on Sandringham - Black Rock line? and a newspaper clipping "All dressed up and somewhere to go"tramcars, tramways, vr, sandringham to black rock, tram 23, christmas trams

Article on Pauline Toner, Labor member for Greensborough 1977-1989Photocopy of newspaper clipping from "The Age" 2 March 1989pauline toner

news paper clipping. The Age newspaper from page A11'Editorial Page A11. 13/13/96"parks and reserves, hospital, greek community, people in political roles

Reproduction of a photograph of Bendigo Steam tram No. 2 and Bendigo Tramways Co. Ltd. bogie trailer. Caption "Bendigo's steam tramway at the close of last century." Same photo as that in Keith Kings "The Bendigo Tramways" but the roof ad board on the trailer has been altered to cover the advertisers name. Keith Kings gives the trailer as No. 6, rebuilt from the unsuccessful battery tram No. 1. See item 9464 for a glass plate negative of this photograph.Yields information about Bendigo Steam trams.Newspaper Clipping from The AGE, Saturday July 10, 1943.trams, tramways, steam trams, bendigo, trailers, bendigo tramways co. ltd.

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Alma Figuerola painting in her garden at D'Estaville, Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville, Barry Street, Kew, the home of the artist Alma Figuerola. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

Photo of children who are "overflow" pupils from the State School at Greensborough, seated on the floor.Copy of article published in "The Age" 13 July 1951, text and photograph.greensborough state school, greensborough primary school

This newspaper article records the cycling events and results held by the Geelong Amateurs and GWCC and the winners of the events on Sunday, 29th January, 1930.This article provides details of races and numbers of cyclists involved in competitive cycling racing in 1930.Newspaper article printed in The Age newspaper on Monday, January 20, 1930.geelong amateur cycling club, gwcc, newspaper article, the age.

A man was Tasered by armed police on a Melbourne tram after he allegedly threatened to kill passengers on board.Has a photo inside tram of armed policeNewspaper clipping from the Age titled: "Man with knife Tasered on tram"route 48, tramways, trams, police, king street, collins street

The rollout of accessible tram stops has come to a halt almost six months after missing the deadline to make all tram stops accessible. Has photo of person in mobility scooter alongside D2-class tram number 5018Newspaper clipping from the Age titled: "Brakes slammed on tram accessibility"tramways, trams, accessibility, tram stops, d2-class tram

photograph taken 1972black and white photographCharnwood Cres 3 Banff 3.3.1972 Stamped with The Age

In 1888 Joseph Bosisto, M.P. was presented with this collection of seeds by the English firm, Sutton's. He, in turn, presented the collection to the R.H.S.V. for permanent display. It remained on display at Burnley College until 1951. Note by E.B. Littlejohn 25.6.1992, This is part of the Youth Employment Scheme class 1939 with A.W. Jessep, Principal, demonstrating use of secateurs in preparing cuttings."Black and white photograph. 9 male students sitting at wooden desks in a class in the Pavilion. A. W. Jessep, Principal, is standing in front of the group holding secateurs and a few pieces of scion wood. The wall of the classroom is covered with a display of Sutton's Seeds.On reverse, " 'The Age' and 'The Leader' 233 Collins Street, Melbourne."students, sutton's seeds display, joseph bosisto, m.p., rhsv, burnley college, youth employment scheme, 1939, a.w. jessep, principal, royal horticultural society of victoria, secateurs, cuttings, pavilion, publicity

News item showing report of Public meeting to name township growing at Griffiths Point. Suggested by Mr Fraser that it be named San Remo. 1888Newspaper cutting with highlighted item "Griffiths Point Saturday" taken from The Age.July 9, 1888. No. 421local history, documents, newspapers, griffiths point, san remo, local area development, black & white newspaper clipping, newspapers san remo

Article on Ian Campbell's illegitimate disqualification in the triple jump at the 1980 Olympics in Moscow. Ian's family lived in Watsonia, and he attended Watsonia Primary School. The school named their oval after him.Clipping from "The Age" Saturday 25 July 2015 pp. 1 and 57Note across top of clipping: "Ian Campbell - Watsonia Primary School names their oval for him. Ian attended Wats.P.S. Campbells lived in Watsonia"olympic games, moscow, 1980, ian campbell, watsonia primary school

royal botanic gardens, jeff crowhurst, begonias

Interview with Yarra Trams CEO, Carla Purcell. Appointed to CEO role by Yarra Trams owner Kelli's Downer in November 2022, but started in April 2023 after returning from maternity leave. Tender process is underway for next tram franchise, currently worth $500M per year. Yarra Trams have operated the network for 13 years with current contract expiring at end of 2024. Tram patronage currently at 75% of pre-Covid levels. Melbourne's tram network currently consists of 475 trams, 250 km of track, 2300 employees servicing 200M annual passengers.Informative interview with Carla Purcell, CEO of Yarra TramsNewspaper clipping from the Age titled: "Trams CEO on a track to lift service"tramways, ceo, yarra trams, keolis downer-edi, tender documents, trams

Item reports on the launch of the 3rd Melbourne Tramcar Restaurant, No. 939, named "Valentine". Gives the story of the company, its development, the business with comments from Craig Opie, the Managing Director. The tram became Ballarat Tramway Museum Cuthberts 939 in 2016. Item written by Clare Kermond, photo John Lamb.Yields information about Melbourne Tramcar Restaurant business and No. 939, Valentine.Newspaper clipping over two pages from The Age, 10/2/1995.tramways, conductors, colonial tramcar restaurant, tram 939

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Part of a photographic series which is historically and aesthetically significant. The photographs record the interiors and exteriors of D'Estaville, an historic Kew mansion in the 1960s, and also its owner, Alma Figuerola, a pupil of Max Meldrum, and a notable Melbourne artist who lived in Kew.Interior, D'Estaville. A chiffonaire owned by the artist Alma Figuerola and located in her house, D'Estaville in Barry Street, Kew. This is a newspaper photograph, part of a series by The Age on the artist Alma Figuerola, and is still under copyright. Alma Figuerola was a foundation member of the Kew Historical Society. She died in 1970, so the photograph predates this.australian artists, d'estaville -- 7 barry street -- kew (vic), alma figuerola

Picture of late 19th century double storey, double fronted mansion with wrought iron pillars and balcony lace work on upper ballistrade. Built for Moritz Michaelis in 1870Michaleis Moritz, black and white photograph, unmounted, poor condition with water damage to right side.Linden 14-4-1972 Age photo 1758/59'