This diary was handwritten by Alfred Broch over the course of four months in 1940. It was kept while Alfred Broch was travelling on the HMT Dunera and then during his detainment in the Hay internment camp.Bound with cotton and handwritten in pencil. Bound with cotton and handwritten in pencil.[selected passage translation from German, further translation available] : “Dunera” 10.VII – 6.IX.1940 First impression very depressing. Fears. Confusion with prisoners of war. Never mind. Corrected. Continuing further bad treatment. Boarding the ship assisted by rifle butts. Robbed as soon as we reached the deck. Impression of a death ship. Complete helplessness. No sleeping facilities. All sleep on the floor, on tables etc. Intended accommodation taken up by luggage cases. (barbed wire). Food good but only spoons. Next day: robbery from the cases. Own people steal. Purloined objects even include toothbrushes and toothpaste. Much to eat. Small convoy with one cruiser. In the same convoy a women’s transport which soon leaves us as it is bound for Canada and we are quite surprised. The English soldiers and officers have another side. While in the danger zone they only had a webbing belt and slippers. In case of torpedoes – expecting certain death. Bad air as all vents are closed. Other Inscriptions: Front page, upper right, underlined: "Alfred Broch" Front page, upper, underlined: "Notitz Buch" Front page, centre, underlined: "Hay 1941" Page 1, upper right: "Mittwoch 10. VII." Page 3, upper right: "10. VII. - 6. IX. 1940 Page 4, centre: "[...] ARANDORA STAR" Page 11, upper, underlined: "Von Liverpool Nach Hay / Mittwoch 10 VII" dunera, wwii, internment, jewish history & people

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Works of Alfred Tennyson Vol 4 Lucretius and other Poems Author: A L Tennyson Publisher: Henry S King & Co Date: 1874Label on spine cover with typed text PAT 8212 TEN Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Second loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, the works of alfred tennyson vol 4, lucretius, a l tennyson

colour photograph, unmountedAlfred Square, showing memorial

Coates in formal dress."Alfred John Coates Home Missionary Service, Alexandra 1896 to South Melbourne 1919"alfred coates, methodist, home missionary

Oval China meat dish with dark blue rim and gold design on edge, with matching Gravy boat. "Bleu de Roi China'."Bleu de Roi Alfred Meakin Ltd England?gravy boats

Photo shows W2 349 and W3 661 in Glenhuntly Road / Truganini Road Carnegie (route 4) at the start of the single line to the terminus, with the drivers "exchanging the staff" for the section. The destination of 349 has already been changed. Note the warning sign above the drivers of the Single line section. Photo possibly 1950s.Yields information about the use of the short single line just before the Carnegie terminus.Photograph - Black and White - Trams 349 & 661, Truganini Road CarnegieHas details on rear in ink and John Alfred Stamp.tramways, tramcars, carnegie, truganini road, single line, staff, w2 class, w3 class, tram 661, tram 349, glenhuntly road

Photo shows L class 103 (Route 6). Has the National Bank behind. Note the street lighting standards. Photo during the 1950sYields information about the use of the L class tram in Melbourne during the mid 1950sPhotograph - Black and White - L 103 Swanston StHas details on rear in ink and John Alfred Stamp. tramways, l class, swanston st, tram 103, trams

Photo shows SW6 888 reversing in Victoria Parade Melbourne during the AETA Bourke St tour on 25 June 1955, prior to the Bourke Street lines opening for the public.Yields information about the AETA toursPhotograph - Black and White - SW6 888 Victoria Parade - AETA TourHas details on rear in ink and John Alfred Stamp. tramways, tramcars, tours, aeta, sw6 class, victoria parade, tram 888

Subsequently the area was not fully developed in this manner following flooding in 1863. Some remnants remain.Plan on paper with cloth backing. Inscription, "Designed by Alfred Lynch. Landscape Gardener, Prahran. Printed by De Guchy & Leigh." An inset plan shows position of Experimental Gardens related to the City of Melbourne and Bay. Plan shows layout and plantings of the designated area - fruit, vegetables: the conservatory, nursery, exhibition buildings. This plan was owned by E.E. Pescott. Inscription on cover, "Burnley. E.E.P.." "Ed. E. Pescott." Subsequently the area was not developed in this manner. See inscription on copy made for Centenary Exhibition B92.633. Other copies given to College by N. Lothian (graduated 1934). Jim Sanders, a friend of his, gave them to Dr. G. Moore in 1991. A larger copy, inscribed on reverse, '1861', 'Early proposals for Horticultural Gardens for Horticultural Society of Victoria (now Royal). The lithograph was included as an insert in the Farmers Journal and Gardeners Chronicle 21 June, 1862. It is only in one of the copies held by the State Library of Victoria. 1 large and 1 small photographs of plan. Several photocopies of the plan.Inscription, "Designed by Alfred Lynch. Landscape Gardener, Prahran. Printed by De Gruchy & Leigh." / Inscription on cover, "Burnley. E.E.P.." "Ed. E. Pescott."alfred lynch, experimental gardens, conservatory, nursery, e.e. pescott, n. lothian, jim sanders, dr. g. moore, horticultural socoety of victoria

The Alfred Street Brickworks, Blackburn, was located near the railway line and operated from 1855 to 1895. E.W. Parry managed it and was a shareholder along with T.R.B. Morton. Cross Ref No 3980.The Alfred Street Brickworks, Blackburn. brickworks, blackburn and tunstall property co., alfred street blackburn, morton thomas richard burrowes, parry e w

A short article about Alfred Edgar Pepper and his service in World War 1. Alfred was born in Greensborough.One page, text and colour images.world war 1 project, alfred edgar pepper

Small bowl-dish with rim. Brown daisy pattern.Glo-White-Ironstone / crown symbol / Alfred Meakin / Englandplate, bowl, meakin

Background to the Mayger family in EnglandMayger family were a pioneer family in the Greensborough area3 x A4 pages. Citation from the 1841 England Census for Alfred Mayger, accessed via Ancestry.co. Also pages from National Burial Index detailing Mayger burials in Somerset.mayger family, alfred mayger

A short article about Victor Alfred Barnard and his service in World War 1. At the time of Victor Alfred Barnard's enlistment, he was living in Bundoora.1 Page, text and colour images.world war 1 project, victor alfred barnard

A short article about Alfred George Abbott and his service in World War 1. At the time of Alfred Abbott's enlistment, he was living at Greensborough in the Mount Morey Estate.1 Page, text and colour images.world war 1 project, alfred george abbott

William Alfred Benzley and his wife Mary are the couple in the photograph. William Alfred was the son of Jacob and Amelia Benzley who were early business people and vignerons in Sunbury.A scanned sepia studio photograph with a cream border of a lady and a man. The man is seated and the lady is standing beside him.william alfred benzley, mary benzley, vignerons

John Alfred Punchard stawell

John Alfred Punchard stawell

Portrait of Charles Alfred Dulystawell

Charles Alfred Akins Portrait.stawell

Photo shows - W6 965 (route 4, City) reversing at Elsternwick, using the Point Ormond leg of the triangle of the intersection at the intersection with Brighton Road and Glenhuntly Rd, due to the work to replace the Elsternwick level crossing. Dated 2-10-1960.Yields information about alterations to tram services during a level crossing removal project.Photograph - Black and White - W6 965 reversing at ElsternwickHas details typed on rear, date stamp and John Alfred Stamp. tramways, tramcars, w6 class, elsternwick, brighton road, glenhuntly road, tram 965, route 4

Photo shows - works in Swan Street Richmond to lower the tram tracks under the Railway bridge which were later replaced by an open web girder truss bridge. The track on the left has been completed while on the right, the original road surface can be seen as well as the temporary track. Shows the abutment for a new railway bridge on the right, for the six tracks to South Yarra. Tram W2 330 (left, Camberwell Depot, route 76) and 339 (City, route 77) are passing each other. In the background is a large advertisement for Pattersons home furnishings. Photo dated 1957.Yields information about alterations to tram services during road reconstruction project.Photograph - Black and White - Swan Street track lowering Has details handwritten on rear, date stamp and John Alfred Stamp. tramways, tramcars, swan street, richmond, route 77, railways, bridges, tram 330, tram 339

Huttley FamilyB/w. Portrait (Bust) Young Man, curly short hair, moustache, no beard. 3 Piece suit, light pattened tie.?? (Missing Corner) lbourne "EDEN" Sydney Supior Platinotype. On Reverse: Alfred Huttley (My father) Madge's Fatheralfred huttley, huttley

Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p22. See paper catalogue for more information.Sepia studio portrait. Alfred E. Bennett, copy of photograph appearing in the book, "Prize Essays," by A.E. Bennett c.1894. Also see B91.383 for copy of his Diploma. Also a veresion in black and white.prize essays, a.e. bennett, green grows our garden, a.p. winzenried, student

This colour photograph of a gum leaf painting shows one of the many landscapes done by the well-known self-taught Australian artist Alfred William Eustace (1820-1907). A.W. Eustace, an Australian artist and taxidermist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush painting on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skilful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Colour photograph of an oil painting on gum leaf by Alfred Eustace. Landscape featuring a deep creek surrounded by thick bushland displayed against dark brown backing paper which has a gilt oval surround to highlight the painting. Under glass, in a gold and dark brown metal frame.Sticker on back: 189. (the original registration number)alfred eustace, gum leaf painting, landscape

People - "Williams, Robert Alfred Augustus"

Portrait - Alfred Henry Moulden 1895stawell

Portrait - Alfred Mumford Allard 1834-1909stawell