Softcoverwalsh st library

Hardcover w/ Dust Jacketwalsh st library

Hardcover w/ Dust JacketTo Rod , Love from Suzy Christmas 1968/inside front pagescience fiction, walsh st library

Hardcover, No Dust Jacket"Mandy Boyd, 158 Riversdale Rd, Camberwell" Inside front coverchildren's adventure story, walsh st library

Hardcoverwalsh st library

Hardcoverwalsh st library

Hardcover w/ Dust Jacketwalsh st library

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Canadian Pavilion, Expo '70, Osaka, Japan. (Architect: Arthur Erickson, with Geoffrey Massey.)Made in Australia / 4 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Canadian Pavilion, Expo 70, Osaka, Japan. (Architect: Arthur Erickson, with Geoffrey Massey)Made in Australia / 3 / MAY 70M3 / 7 (Handwritten)expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Canadian Pavillion, Expo 70, Osaka, Japan. (Architect: Arthur Erickson, with Geoffrey Massey.)Made in Australia / 11 / MAY 70M3expo 70, osaka, robin boyd, slide

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display, a large rock feature made from Australian sandstone and a native plant garden.Colour slide in a mount. John Flynn Memorial Church (1956), Alice Springs, Northern Territory, Australia. (Architect: Arthur Philpott.)Made in Australia / 23 / DEC 66M4northern territory, slide

Penleigh Boyd, Robin and Patricia Boyd's son, writes “Prior to 1950 Robin, like most other amateur or hobby photographers, took black and white printed photographs. The oldest slides date from 1950 when Robin and Patricia travelled to Europe on Robin’s Robert Haddon Travelling Scholarship.” In 1948 Robin Boyd was awarded ‘joint first place’ in the Robert Haddon competition for his design of Mildura art gallery. The scholarship helped fund their first overseas trip. Robin and Patricia were passengers on the Greek ship “Cyrenia” departing in May 1950, passing through the Suez Canal and landing in Genoa five weeks later. For six months, they travelled extensively throughout Europe (predominantly driving themselves) - France, Italy, United Kingdom, Sweden, Denmark, Germany, Austria, Switzerland and Spain.Colour slide in a mount. Governor Arthur Philiip House, 19 Bennett St, Bath, EnglandBath / Ad. Phillips' HSE (All Handwritten)haddon travelling scholarship, haddon, robin boyd, slide

Mounted b/w photograph of a football team. identified.On front: Matson and Frazer 264 Little Collins Street, Melbournesports, football, reddan, jack, hillary, grant, wally, dolan, cahil, mal, mallou, a., fitzgerald, bob, gilligan, gus, hatty, boyd, tom, whelan, ned, daniel, frank, martin, m., o'shea, -, lawlor, d., harrington, harry, cahill, boardman, arthur, murphy, - (mr), diggers rest, sunbury, shire secretaries, george evans collection

Framed Black and white photo of Mayoral Ball, City of Nunawading , Mayor & Mayoress Cr. & Mrs C.F. Rooks.karnaghan, marion, morgan, kevin, charlesworth, albert roy, coombs, miss h., karnaghan, donald, williams, peter, stephens, june, stephens, arthur, caldwell, anne, wicking, walter benjamin, collins, donald, myers, john, oxlade, kenneth, berryman, horton, boyd, bruce, jamieson, geoffrey, edgerton, dorothy, vanderburgh, irene, williams, heather, roberts, marie, debutante ball, debutantes, city of nunawading

.Over two small pages)walsh st library

Discusses the varied contributions of the Boyd family members. Robin Boyd is discussed on p 71. Robin ais still living when this was written and it mentions Expo 70. POL was a monthly magazine, first published by Gareth Powell Publishing in Australia in the late 1960s.pp 68-71walsh st library

a. Hard cover ledger, 242 pages, dark buff colour, paler buff spine and corners. Bellevue Tribute Company ledger 1871 - 1873. Written on spine, on red label 'Ledger". Affixed inside front cover account from Charles C. White, auctioneer, dated September 21, 1872, listing sale of 900 shares, signed by Chas White, agent for the legal manager. Receipt affixed on next page, blue paper, outlining receipts from sale of shares forfeited from the Bellevue Tribute Co. Alphabetical index with details of individual ledger entries. Ledger entries include dividends, wages, crushing, carting, stores and materials, firewood, mining materials, foundry work, management, contractors, treating pyrites, auditors' fees, bullion, drainage, and share calls accounts. Individual share holders' accounts listed: W. Brooks W.J. Scott, W.V. Gilbert, H. Boyd, J.B.Loudan, A.B. Shaw, J. Taylor W. Bentley, J. Cole, Antonio Damiana, Thomas Francis, Peter Strickland, W.J. Dalzell, Arthur O'Neill L. Robertson, J. Wallen, A. Raynor, I.H. Simpson, William Brookes, William Barclay, H Crow, C. Keen, J.B. Loridan, M. Leeds, Arthur O'Neill, M. Sullivan, William Scott, I Britten, J. Cohn, J. Cox, C. Franklyn, E. Fry, I.L. Morley, A. Lennox, J. Penistan W. Smith. b. Brief typed account of some entries in ledger. business, mining, bellevue tribute, mccoll rankin & stanistreet

BHS CollectionBendigo Advertiser ''The way we were'' from Monday, June 9, 2003. Learning: grade five Camp Hill primary school in 1946. Back row from left: Robert Orwin, Unknown, Bruce Freeman, Des Burns, Len Sharlett, Ken Andison, Bill Cartwright, Brian Evans, Bruce Parkin, Arthur Atkinson. Fourth row: Fred Wilson, Bill Knox, Don Bradshaw, Trevor Kennedy, Unknown, John Craig, Norm Boyd, Max McLean, Robin Hilson, Russell Bertam, Gordon Bayne, Bob Lowery. Middle row: Dorothy Dewar, Baby Coher, Rose Forest, Olive Knox, Glenice McGowan, Sylvia Lane, Lorraine Hogben, Margo Hammill, Unknown, Judith Tredinnick, Alma Stephens. Second row: Elaine McLaren, Norma Hinton, Pat Nantie, Mary Comer, Stan Spencely, Ron Buchan, John Strellan, David Sargentson, Ray Ferrari, Margaret Ivory, Coreen Stedman, Mavis Elvey, Pat McPherson. Front row: Norm Dupuy, Peter Shodde, Brian Julian, John Mathieson, Margaret Chapman, John Heil, Roger Bachelor, Bruce Parker, Struan Sutherland. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Walter Withers once lived at the corner of Bolton and Brougham Streets, Eltham. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p105 Walter Withers, one of Australia’s most famous artists, once lived in Southernwood, the weatherboard house at the corner of Bolton and Brougham Streets, Eltham. Withers, one of the first prominent artists to live in Eltham, was known for his lyrical paintings of the Australian bush and is associated with the Heidelberg School of artists.1 Withers was born in 1854 at Handsworth, Warwickshire, England, the grandson of an artist. He studied art at the Royal Academy of Arts, London. But in 1882 his father, opposing an artistic career for Withers, ordered him to go to Australia. However, after working as a jackaroo on several country properties for 18 months, Withers resumed painting in Melbourne, where he enrolled in evening art classes at the Melbourne National Gallery school of painting under G F Folingsby. Employed as a draughtsman by William Inglis & Co, then by Ferguson & Mitchell, lithographic printers, Withers produced portraits in black-and-white for several periodicals. His work was exhibited in the Old Academy, Melbourne. At this time he met and became life-long friends with artists Frederick McCubbin, Tom Roberts and Louis Abrahams.2 In 1887 Withers went to England and married Fanny Finn. They lived in Paris for awhile, where Withers studied at the Academie Julian. After his return to Melbourne in 1889, Withers lived at the artist camp at Eaglemont, then moved close to the Charterisville mansion, where he established a studio and sub-let cottages to other artists. Around 1892 Withers opened a Collins Street studio, had his first exhibition, and started giving painting classes. One of his pupils was Norman Lindsay,3 also to become a prominent artist. Withers had long been attracted to Eltham, but had to wait until 1903 to live there, after the railway line was extended to Eltham in 1902. He could then commute to the painting classes he gave in Melbourne.4 Withers lived on the two and a half acres (1.0ha) Bolton Street property with his wife and five children. They were joined for a short time by prominent painter Sir Hans Heyson who took lessons from Withers. Withers added a studio to the Queen Anne/Edwardian style seven-bedroom home, which had been built in 1891. Each bedroom included a fireplace and most rooms had 12 foot high (3.6m) ceilings. The house retains several fine leadlight windows. Withers painted his largest canvas The Return from the Harvest in 1905, at his Eltham studio. He is represented in national, state and regional galleries, and in many private collections in Australia and abroad. In 1904-05 Withers was president of the Victorian Artists’ Society. Withers at times stayed during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham. Withers lived in Eltham until his death in 1914, aged 60 years. He had been plagued by rheumatism and in later life by heart and lung disease. It is said he died of a stroke peacefully in a rocking chair in front of the lounge-room fire. He is buried at St Helena in the St Katherine’s Anglican Church cemetery.5 In 1983, the auction of the house sparked fears that it would be pulled down, or substantially altered. Fortunately the new owners decided to retain the house. Some security was given to the house’s future when it was later included in the Heritage Overlay to the Nillumbik Planning Scheme. The property is also important because it is one of only a few left in the district, which were once owned by noted artists. These include three in Warrandyte: one formerly owned by Penleigh Boyd, another by Frank Crozier, and the other by Danila Vassilieff; and two in Eltham: Percy Leason’s in Lavender Park Road and Justus Jörgensen’s Montsalvat. A small park at the corner of Bible and Arthur Streets, Eltham is named in Walter Withers’ honour.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, bolton steet, brougham steet, eltham, southernwood, walter withers house