Showing 402 items
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Bendigo Historical Society Inc.
Negative - ALBERT RICHARDSON COLLECTION: TRANSPARENCIES OF MINE PLANS
Negatives: 9 transparencies ( or could be photocopies of overhead transparencies ) of mine plans in Bendigo. Enclosed in brown paper wrapper. Written on outside ' A ? Transparencies, A. Richardson' NOTE: Other items in Albert Richardson Collection in Box 130. a. Victoria Quartz Mining Co, South Victoria Col North Old Chum, Lansells 180, b. Gibbs, Ballerstedt, Humboldt Co and Wells, Great Central Victoria Co., Adventure and Advance Co., c. South Victori Co, Victoria Quartz Mining Co., Lansells 180 d. Longitudinal section - unmarked mine e. Gibbs, Ballerstedt Humboldt Co and Wells, Great Central Victoria Co., Adventure and Advance Co. f. South Victoria Co., Victoria Quartz Mining Co., Lansells 180 g. Longitudinal section, unmarked mine h. Gibbs, Ballerstedt, Humboldt Co, and Wells, Adventure and Advance Co. i Longitudinal section, unmarked mineLongitudiunanegative, bendigo, mine plans, bendigo, alf richardson, engineering, mining, mine plans. -
Bendigo Historical Society Inc.
Document - CONNELLY, TATCHELL, DUNLOP COLLECTION: RECEIPTS
15 x receipts dated between 6 May 1889 and 11 Dec 1889 with green 1 penny duty stamp attached. Names on receipts: Messrs Le--can and Davies, Messrs Connelly & Tatchell, Mrs Hocking, J W Rymer, Duncan, McPherson, James Armstrong, Delbridge Osborne &Co, McCullock, Welbridge,Grylls, Luxton, Crawford, Jas McCarthy,H Veill, Burton, Samuel Lazarus, D B Lazarus, Delaney, P E Arnfield, J Clark, Holliday, Merron, Weller, Wise, Neill, John Tamlyn, McIvor, Wm Moylan, W H Curnow,Molloy, Stephenson, Richardson, V Hogan, Brown, Building Society, Eadie, Crabbe, Cohen, Kirby. Receipts have decorative edge along the left side, shading where the amount is written in figures and decoration around Received.business, legal, connelly & tatchell, connelly & tatchell collection: returned letters -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Letter written on blue, watermarked paper. Dated 28th April 1868. Letter mentions that Bro. Coath be fined 1/6 for absenting himself without apology. It was found that he was at work and a second time with the same result. He was found at work in the garden planting some seeds.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, commercial hotel, cr skeats, french, philpott, batiste, stoppelbein, weller, clevr, murray, crath, le leiver, hattam, w b evans, finessy, powell -
Port Melbourne Historical & Preservation Society
Photograph, "Port Melbourne Old Timers F.C. 1945", 1945
.01 - Framed black and white copy of Port Melbourne Old Timers Football Club, dated 1945. Frame is metal and photo is well sealed with clear plastic. .02 - photocopy of above with some of the "old timers" namedsport - australian rules football, social activities, port melbourne football club, pmfc, port melbourne old timers football club, stan plumridge, percy allan may, roy kent, reg 'ox' earle, walter 'watty' power, a b smith, ken (?) robinson, ray bragg, fay bragg -
Women's Art Register
Book, Germaine Greer, The Obstacle Race. The fortunes of women painters and their work, 1979
Traces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters.Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life -
Monbulk RSL Sub Branch
Book, Osprey Publishing, Balkan air wars 1991-2000, 2000
Exposing the true scale and significance of the deployment of air power in the Balkans, this book details the activities of NATO and UN aircraft as well as local pilots in the former Yugoslavia. From bombing by B-2 stealth bombers to air-to-air combat; from moving ground troops by helicopter to 'food-bombing' for refugees, air power has played a vital role in ''Europe's Vietnam'', and there is little sign that the fires of conflict are being extinguished. Debate amongst air power practitioners has yielded little agreement as to the degree of damage inflicted on the Yugoslav 3rd Army in Kosovo.Ill, maps, p.63.non-fictionExposing the true scale and significance of the deployment of air power in the Balkans, this book details the activities of NATO and UN aircraft as well as local pilots in the former Yugoslavia. From bombing by B-2 stealth bombers to air-to-air combat; from moving ground troops by helicopter to 'food-bombing' for refugees, air power has played a vital role in ''Europe's Vietnam'', and there is little sign that the fires of conflict are being extinguished. Debate amongst air power practitioners has yielded little agreement as to the degree of damage inflicted on the Yugoslav 3rd Army in Kosovo. balkan conflict - aerial operations, european history - 20th century -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE STAFF AND STUDENTS 1928
A very dark black and white copy of a photo of staff and students at Bendigo Teachers College in 1928. The men are all in suits with collar and tie and the women are in skirts or dresses with stockings and formal shoes. Back row - R. Burton, A.J. Ure, F. Clarke, A .Smith, H. Prentice, R. Mason, F. Chapman, W. Porter, H. Parker, L. Soulsby, E. Daniels, S. Pollock, E. Bunny, J. Baines, C. Ellis, E. Harvey. Second row - W. Ballantine, J. Turner, M. Bourke, E. Atkinson, V. Bunworth, I. Burbury, M. Ruby, D. Lloyd, E. Ruby, H. Alexander, E. Puckey, M. O. Smith, K. Gillies, M. Cork, G. Pearson, M. Ryan, J. Fyfe, M. Lee, D. Allan, H. Fulford. Third row - M. Betts, N. Lupton, M. Tobin, E. Graham, E. Earnshaw, F.R. Sides, F. Sunderman, P.G. Samson, D.A. Mackay, T.F. Scott (Principal), M. McGawley, L. Waide, M. Renshaw, B. Lockhart, D. Russell, E. Wells, M. Ward, M.M. Smith. Front row - F. Muller, C. Greenway, C. Le Grande, M. Daffey, W. Rye, L. Murphy, H.G. Nixon. See 3320.100bendigo, education, bendigo teachers' college, la trobe university collection, collection, bendigo, education, tertiary education, teacher training, photo, photos, photograph, photographs, photography, bendigo teachers' college, teacher training, miss j.c. burnett, mr. geoff. pryor, teaching, r. burton, a.j. ure, f. clarke, a. smith, h. prentice, r. mason, f. chapman, w. porter, h. parker, l. soulsby, e. daniels, s. pollock, e. bunny, j. baines, c. ellis, e. harvey, w. balentine, j. turner, m. bourke, e. atkinson, v. bunworth, i. burbury, m. ruby, d, lloyd, e. ruby, h. alexander, e. puckey, m.o. smith, k. gillies, m. cork, g. pearson, m. ryan, j. fyfe, m. lee, d. allan, h. fulford, m. betts, n, lupton, m. tobin, e, graham, e. earnshaw, f.r. sydes, f. sunderman, p.g. samson, d.a. mackay, t.f. scott, m. mcgawley, l. waide, m. renshaw, b. lockhart, d. russell, e. wells, m. ward, m.m. smith, f. muller, c. greenway, c. le grande, m. daffey, w, rye, l. murphy, h.g. nixon -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: ATTENTION
Bendigo Advertiser "The way we were" from Friday, November 7, 2003. Attention: then 2nd Bendigo Cub Scout group on October 4, 1953. Pictured I. Shadforth, J. Graham, J. Samson, A. Wells, M. Tootal, J. Thomas, K. West, R. Boulton, I. Yandell, D. Woods, I. Dalrymple, R. Pocock, B. Ivory, B. Hocking, G. Dalrymple, P. Woods, G. Peacock, B. Richie, G. Gould. Other names unknown.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Document - KELLY AND ALLSOP COLLECTION: THE BANK OF AUSTRALASIA, BENDIGO, CHEQUES
Document. KELLY & ALLSOP COLLECTION. 2 off cheques drawn on The Bank of Australasia, Bendigo. [a] Cheque No. A133,851 dated 20 April 1894. Ten Pounds five shillings payable to 'Self' and signed by Alfred Cothers.(?) [b] Cheque No. A180,585 Dated 29 March 1897. Fifteen Pounds ten shillings payable to 'Self' and signed by Bridget Wells. Cheques printed by Sands & McDougall Ltd.Bank of Australasiabusiness, stockbroker, kelly & allsop, kelly & allsop collection, the bank of australasia, cheque, alfred cothers, bridget wells -
Deaf Children Australia
Postcard, N.J.Caire, Girls' Gymnastic Class, 1909
The Board of the VDDI wanted to provide for the spiritual, moral and physical well-being of the pupils. Gymnastic classes were run separately for girls and boys.B&W photograph by N.J.Caire, on a postcard, of the Girls' Gymnastic Class at the VDDI (Victorian Deaf and Dumb Institution) On Front of postcard: "VICTORIAN DEAF & DUMB INSTITUTION, ST. KILDA RD., MELBOURNE./Girls' Gymnastic Class/N.J.CAIRE, Photo, 4 Darling Street, South Yarra, Victoria." deaf children australia -
Dutch Australian Heritage Centre Victoria
tourists bicycle pennants, mid 20th century
TourismHow people went on holiday. A memento of simple holidays. The tradition of camping as the holiday of choice.calico, triangular pennant. One edged in blue, the other in red.4089.R1 - blue edged pennant, showing the tourist sites around a place called Epen in the southern part of the province of Limburg. This is known because the name of the town is in large red letters. Three locations shown 1. Kamper Boerderij - A farm providing camping grounds. 2. Kasteel Beusdael - The Beusdael Castle 3. Wingbergermoelen - Wingberger Mill Also a little tent beneath the name of the town, with refers to the camping holiday. Also a maker's mark on the pennant, a small triangle with the letters L, A & B within it. 4089.R2 - red edged pennant, showing the area around Vaals in Limburg province, the name is in large red letters. The scene shows the meeting point between the Netherlands, Germany & Belgium - "Drie Landen Punt" (Three Country Meeting Point) Also shows the height of the viewing point (193m), as well showing other features including: - Hotel Bellevue - Uitzichttoren - viewing tower - Panorama Aken - Panorama of Aachen, Germany - Spoorbrug-Moresnet - Railwaybridge-Moresnet in Belgium. Small makers mark. Black triangle, possible the same as that shown in the other pennant, though obscured. -
Dutch Australian Heritage Centre Victoria
(a)Leesplankje with (b) Letter Collection
Although beautifully finished with a clear coating this could well be a home made edition. The large variety of these boards prove that different districts, religious groups and colonies had their own versions.(a) Leesplankje (Reading board) with collection of letters to enable words to be built on the traditional reading board known as "Leesplankje". (b) Collection of Letters in round plastic boxThe board is covered with 18 pictures and words; the letters are used by children to copy the words. -
Geoffrey Kaye Museum of Anaesthetic History
Bottle of anaesthetic ether, Woolwich-Eliott Chemical Company Pty. Ltd
Large brown glass bottle in original packaging once contained 1lb of ether. The bottle is wrapped in brown paper wrapping with black and red print on a white label. It reads [in red ink] POISON /NOT TO BE TAKEN / WOOLWICH ELLIOTT [logo] / [black ink] 263 61 / Anaesthetic Ether / B. P. / NET 1 LB. / This ether contains 0.002% w/v of Hydroquinone as a / preservative, in accordance with the B.P. / [red ink] CAUTION: Keep well corked in a cool, dark place / [black ink] WOOLWICH-ELLIOTT / CHEMICAL COMPANY PTY. LTD. / SYDNEY / USE BEFORE JAN 1964 / [in red ink] HIGHTLY INFLAMMABLE / [black ink] MADE IN AUSTRALIAether, anaesthetic, poison, glass, bottle, woolwich-eliott chemical co, sydney, anaesthetic ether, hydroquinine, inflammable -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Inhaler, Hewitt, George Barth & Co. Ltd, c. 1895
Sir Frederic W. Hewitt (1857-1916), an accomplished and well respected English anesthesiologist, was an expert in the function and use of the Clover Ether Inhaler. In 1901, Hewitt described his modification of the Clover Inhaler. Often referred to as the Hewitt Wide-Bore Inhaler, Dr. Hewitt introduced changes in order to make it easier to breathe through the device and improve the ventilation of oxygen and carbon dioxide. In 1901, Hewitt was recruited to anesthetize King Edward VII for emergency abdominal surgery. This was just a day or so before the new King was to be coronated. He recovered well, and Hewitt became the first anesthesiologist ever to be knighted. (Source: Wood Library Museum)Tall black round topped box with brass hooks at the sides and brass hinges at rear. There is a brown fabric handle on the top. The box has red padding inside the lid and red lining inside the base and sides. There is a round section in the base of the box for holding the round clear glass bottle for ether. There is also a ellipse-shaped metal inhaler on small metal base with a thin metal handle and pipe with bakelite plug attached via a small metal chain. A brown mask is made of brown leather and celluloid which is connected to the inhaler. There is a metal ether measure for pouring the ether.On notecard in box: (B) HEWITT'S INHALER 1895, MADE BY GEO. BARTH & CO LTD., ADVERTISED AS THE SOLE MAKERS OF THE INHALER AND RECOGNISED BY HEWITT IN HIS TEXT BOOK - ANAESTHETICS AND THEIR ADMINISTRATION - AS THE MAKER OF HIS INHALER. / GIVEN BY DR. E.S. HOLLOWAY IN 1951, WHO ACQUIRED MUCH OF HOWARD JONES' EQUIPMENT AFTER THE LATTER'S DEATH. Stamped on underside of glass bottle in a circle: WUBW [illegible] Blue sticker on inhaler: O.2.13. Printed on inhaler under handle: Geo Barth [illegible] / SOL [illegible] Printed on body of inhaler: Full Printed on body of inhaler: 1/2 Printed on inside of leather mask: F35hewitt, sir frederic, jones, howard, inhaler, geo. barth & co. ltd., ether -
Geoffrey Kaye Museum of Anaesthetic History
Decanter, Waterford Crystal
This object was presented by Dr Dennis Moriarty (Dean of the Irish Faculty of the RCSI) to Professor A B Baker (Dean of the Faculty RACS) at the 6th International Conference of Reciprocating Examination Boards of Anaesthesia (CIREBA) in Wellington, New Zealand 1990. The crystal decanter, made by the manufacturer Waterford, is well known as the first glass making factory in Ireland. The hallmarks on the sterling silver plaque also verify this piece was made in Dublin.Large Waterford Ship's crystal cut decanter with ball-shaped stopper and Irish sterling silver plaque and chain around neck.[on plaque] FACULTY OF ANAESTHETISTS RACS / FROM FACULTY OF ANAESTHETISTS RCSI / MAY 1990 [hallmarks on plaque] TW / Dublin hallmarks / cursive script Dmoriaty, dennis, rcsi, baker, ab, cireba, waterford, crystal -
B-24 Liberator Memorial Restoration Australia Inc
Pratt & Whitney R 1830 Radial Engine, TR 261
This motor was assembled over a twelve-month period (c.2007) from various components the B-24 Liberator restoration group had stored. It was the first exercise to allow the group to understand the configuration of these motors as well as get experience in general methods of repair. This motor was nicknamed 'The Bitza', referring to how it came to be. While it may not be of a high standard, it is capable of being run on the test rig for visitors. The Pratt & Whitney R 1830 is a double row 14 cylinder air cooled radial engine with a capacity of 1830 cubic inches, (30 litres), developing some 1200 horsepower at a maximum 2700 rpm.Engine Number TR 261radial engine, pratt & whitney -
B-24 Liberator Memorial Restoration Australia Inc
Oral History:, B-24 Liberator Memorial Australia Inc.,Return of the Australian POW's 1945
B-24 Liberator aircraft and their crews were important in the repatriation of thousands of former prisoners of war at the end of the war in the Pacific in 1945.In May 2015 the B-24 Liberator Restoration group organised an exhibition to commemorate the role of B-24 Liberators and their crews in the repatriation of former POWs in 1945 at the end of the Second World War. It was believed that no such exhibition had been organised previously and that the memories of surviving veterans might be lost if no effort were made to record them.This collection includes oral testimonies of 9 surviving veterans who were crew or support staff for Liberators involved in these important missions. It also includes a 7 page summary of the historical context, including statistics of POW numbers, information on Government decisions about repatriation arrangements for South East Asia and the South West Pacific areas, as well as an evaluation of the role of B-24 Liberators in repatriating the former POWs.Approx 25 pp printed on A4 paper in plastic sleeve.Black-and-white illustration of B-24 Liberator at top of front cover. B-24 Liberator Memorial Australia Inc. Return of the Australian POWs 1945.Tribute to the Liberator Crews who repatriated World War II POW.'They couldn't get home quick enough' -
National Vietnam Veterans Museum (NVVM)
Vehicle - Centurion A41 Battle Tank, c.1948
A41 Centurion Main Battle Tank.This tank carried a crew of four - a Commander, Gunner, Loader and driver. It was powered by a Rolls Royce V12 Meteor petrol engine and it had a top speed of about 34 kph. It had a 5 speed crash box transmission and drum brakes. There was a twenty pounder main gun and two machine guns. This tank has been fitted with items that were used in Vietnam as well as the items carried by crews for their own comfort. These items cover the four tours by Centurion MBT in Vietnam - C Sqn, B Sqn, A Sqn & C Sqn, who served two tours. Most tanks also carried several stretchers, mainly for use of the infantry. Army registration number/ serial number: 169016, Unit marking 106, WIDOW MAKER on gun barrel. centurion tank, tank, transport -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 3 School Children
Group of 38 Camp 3 school children and 2 teachers, classes 11/A and 11/B with 2 teachers. Photograph taken 10 March 1945. Back row: Frau Zischler (teacher), Gerhard Stoll, Hannelore Streicher, Helga Schnerring, Rolf Beilharz, Lilo Wagner-Thaler (teacher). 3rd row: Harald Graze, Ernst Bergmann, Heinz Beilharz, Irmgard Bacher, Helga Girschik, Waltraud Doster, Brigitte Beck-Glockemann, Waltraud Lammle-Lubitz, Gerda Rossteuscher, Volker Bulach, Winfried Bitzer, Roland Sturzenhofecker. 2nd row: Heinz Minzenmay, Mathias Lechner, Gudrun Beck, Ilse Frank-Beilharz, Marianne Dannenberg, Gretel Kubler, Friedl Lippmann-Weller, Marianne Kirsch, Waltraud Gunthner-Blaich, Heidi Frank-Vollmer, Helga Weinmann, Gisela Sawatzky-Bulach. Front row: Helmut Palmer, Walter Cluss, Martin Winkler, Jochen Metzner, Gunther Schnerring, Ulrich Krafft, Herbert Blaich, Herbert Lobert, Ernst Wied, Ulf Metzner. Black and white photograph of a large group of children standing, sitting on a plank and sitting on the ground. 2 teachers are standing at the back of the children, one on left and one on right. Behind to the left, and also on the right, is part of a hut. A few trees are in the background. the number 835 is in front of the childrencamp 3 school children, 835, else zischler, gerhard stoll, hannelore streicher, helga schnerring, rolf beilharz, lilo wagner-thaler, harald graze, ernst bergmann, heinz beilharz, irmgard bacher, helga girschik, waltraud doster, brigitte beck-glockemann, waltraud lammle-lubitz, gerda rossteuscher, volker bulach, winfried bitzer, roland sturzenhofecker, heinz minzenmay, mathias lechner, gudrun beck, ilse frank-beilharz, marianne dannenberg, gretel kubler, friedl lippmann-weller, marianne kirsch, waltraud gunthner-blaich, heidi frank-vollmer, helga weinmann, gisela sawatzky-bulach., helmut palmer, martin cluss, martin winkler, jochen metzner, gunther schnerring, ulrich krafft, herbert blaich, herbert lobert, ernst wied, ulf metzner -
Tatura Irrigation & Wartime Camps Museum
Book, Pompey Elliott, 2002. This edition 2015
Pompey Elliott was one of the most successful and admired Army Brigaderes during World War 1. A comprehensive , deeply researched biography tells Elliott's fascinating story. It examines Elliott's origins and youth, his peacetime careers as a lawyer and politician, and his achievements - as well as the controversies he aroused during his years as a soldier. Pompey Elliott officially opened the Victory Hall in Hogan Street Tatura, on September 14th 1925.This work retrieves a significant Australian from undeserved obscurity. It reassesses notable battles he influenced, including the Gallipoli Landing, Lone PIne, Fromelles, Polygon Wood, Villers - BretonneuxA biography of Pompey Elliott, by Ross McMullin. Paper back edition with colourful portrait of Pompey on cover. (Portrait by Bill McInnes) with thanks to the Australian War Museum) 718 pages, B/W photos, and maps Foreword by Les Carlyon. -
Uniting Church Archives - Synod of Victoria
Photograph, 1921
Banner comprising individual signed panels with embroidered signatures surrounding a central rectangle with "From St Andrew's Branch Church to Settlement House" and the Latin motto of Labor Omnia Vincit (Work Conquers All) and a representation of a badge. Photo was in a collection of St Cuthbert's Presbyterian Church Ballarat photographs, but the title of the group (Senior Girls Missionary Union) has connections with the Baptist Church as well.B & W photographst. andrew's church, ballarat, settlement house, senior girls' missionary union, presbyterian, st. cuthbert's -
Uniting Church Archives - Synod of Victoria
Photograph, undated
The Wesley College motto, Sapere Aude, appeared in the first College Prospectus of 1866. The words occur in the Epistles of Horace (I.ii.40): ‘Dimidium facti, qui coepit, habet. Sapere aude: Incipe’ or ‘Well begun is half done. Dare to be wise: make a beginning.’B & W exterior view of Wesley College Prahran. The image shows the wrought iron school gate with badge "Sapere Aude" - Dare to be Wise.wesley college melbourne -
Uniting Church Archives - Synod of Victoria
Photograph, c. 1977
Linda Blundell had been employed as a social worker to help Broadmeadows families who had fallen into financial difficulties. The Rev. Brace Bateman had established the position within the Maribyrnong Valley Presbytery. Linda herself had experienced financial difficulties in earlier life, brought about by the unscrupulous tactics of some local businesses who encouraged over-spending and borrowing, so she was well equipped to assist families work through the difficulties.Linda Blundell was the first person to be employed as a social worker in the Presbytery of Maribyrnong Valley.B&W photo of Mrs Linda Blundell talking to the Rev. Brace Bateman.linda blundell; brace bateman; presbytery of maribyrnong valley; broadmeadows, social worker, broadmeadows -
Uniting Church Archives - Synod of Victoria
Photograph, 10 April 1974
Michael Bordeaux was well known for his work in supporting Christians in the Soviet Union, including smuggling bibles into the Soviet Union.B & W photograph of Michael Bordeaux seated behind a table on which are several books which he authored. He is wearing glasses, coat and tie.michael bordeaux; russia; soviet union; communist; christians; bibles -
Uniting Church Archives - Synod of Victoria
Photograph, 1979
Alan Anderson Brash was born 5 June 1913 and died 24 August 2002, aged 89. He was well regarded as a leading Presbyterian minister in New Zealand, was a committed ecumenist, and Moderator of the PCNZ in 1979. Married Eljean Hill, three children. Pacifist during WW2. B & W head and shoulders portrait of Rev. Alan A. Brash. rev. alan brash; presbyterian church of new zealand; moderator of pcnz; ecumenist. -
Ruyton Girls' School
Magazine, Ruyton Girls' School, The Ruytonian, 1919
In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Due to the age of the record dating back to 1919, we can infer it is one of the few remaining complete, intact and original examples of The Ruytonian from this period. Therefore, it can be considered an outstanding representation of its type, and is a reference example for research in early Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on papyrus coloured paper. 29 pages.Front Cover: THE / RUYTON / IAN / RECTE ET FIDELITER. / II III> B IV IV VIV / JUNE, 1919 /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2008
1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology -
Victorian Aboriginal Corporation for Languages
Book, Bruce Pascoe, The little red yellow black book : an introduction to Indigenous Australia, 2008
The Little Red Yellow Black Book is an accessible and highly illustrated pocket-sized guide. It's an invaluable introduction to Australia's rich Aboriginal and Torres Strait Islander histories and culture. It takes a non-chronological approach and is written from an Indigenous viewpoint. The themes that emerge are the importance of identity, and adaptation and continuity. If you want to read stories the media don't tell you, mini-essays on famous as well as everyday individuals and organisations will provide insights into a range of Australian Indigenous experiences.maps, b&w photographs, colour photographsindigenous history, culture, art, sport, health, education, employment, reconciliation, resistance, governance -
Victorian Aboriginal Corporation for Languages
Conference proceedings, Mary Jane Norris, Endangered languages beyond boundaries : community connections, collaborative approaches and cross-disciplinary research =? Langues en pe?ril au-dela? des frontie?res : connexions communautaires, approches collaboratives, et rechecrche interdisciplinaire : proceedings of the 17th FEL Conference Carleton University, Ottawa, Ontario Canada 1-4 October 2013, 2013
Session 1: Collaborations with language and cultural organizations, and governments Session 2: Collaborations with universities, researchers, institutes and schools Session 3: Strategies/issues across language, culture, geography, place and generations I: standardization and dialects Session 4: Strategies issues across language, culture, geography, place and generations II: Minority languages, regions and rural/urban areas Session 6: Language and culture connections: Health, well-being, and educational outcomes Session 7: Strategies/issues across language, culture, geography, place and generations III: Generations and families Session 8: Language assessment, documentation and diversity: Indicators of vitality, endangerment and the implications of data collection Session 5: Poster sessions I: Hard copy: Community connections, collaborative approaches, cross-disciplinary research Session 5: Poster session II: Electronic: Collaborative approaches with information and computer technologiesmaps, b&w photographs, colour photographs, illustrations, graphscollaboration, community involvement, cross disciplinary research -
Victorian Aboriginal Corporation for Languages
Book, William B McGregor, Encountering Aboriginal languages : studies in the history of Australian linguistics, 2008
"This edited volume represents the first book-length study of the history of research on Australian Aboriginal languages, and collects together 18 original papers on a wide variety of topics, spanning the period from first settlement to the present day. The introduction sets the scene for the book by presenting an overview of the history of histories of research on the languages of Australia , and identifying some of the major issues in Aboriginal linguistic historiography as well as directions for future investigations. Part 1 presents three detailed investigations of the history of work on particular languages and regions.The eight papers of Part 2 study and re-evaluate the contributions of particular individuals, most of who are somewhat marginal or have been marginalised in Aboriginal linguistics. Part 3 consists of six studies specific linguistic topics: sign language research, language revival, pidgins and creoles, fieldwork, Fr. Schmidt's work on personal pronouns, and the discovery that Australia was a multilingual continent. Overall, the volume presents two major challenges to Australianist orthodoxy. First, the papers challenge the typically anachronistic approaches to the history of Aboriginal linguistics, and reveal the need to examine previous research in the context of their times - and the advantages of doing so to contemporary understanding and language documentation. Second, the widespread presumption that the period 1910-1960 represented the 'dark ages' of Aboriginal linguistics, characterised by virtually no linguistic work, is refuted by a number of studies in the present volume."B&w photographs, maps