Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, bainbridge drive linear reserve, madine way, water main pipe track

Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, bainbridge drive linear reserve, madine way, water main pipe track

Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, bainbridge drive linear reserve, madine way, water main pipe track

Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, water main pipe track, madine way, eucalyptus road, tadema park

Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, water main pipe track, madine way, eucalyptus road, tadema park

Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, water main pipe track, madine way, eucalyptus road, tadema park

Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, water main pipe track, madine way, eucalyptus road, tadema park

Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, water main pipe track, madine way, eucalyptus road, tadema park

Roll of film taken by Eltham Shire Council officers of roads and houses in the Eltham East area, 3 September 1981 prior to construction of new water main; including views of existing damage to footpaths and gutters and general views of Beard Street. These images provide a perspective of housing estate developments and changes in housing styles and road development which began sweeping in from the mid 1970s with increasing urbanisation of what was once more outlying suburbs and regions.35mm colour positive transparency (1 of 28) Mount - Kodak Kodachrome Cardeltham, infrastructure, roads, water main pipe track, madine way, eucalyptus road, tadema park

Yields information about the a street procession or parade during the 1920's clothing and that a tram was parked to one side.Black and White photograph, of a Labour Day procession in the east end of Sturt St, near Grenville St, during the 1920's. Shows many people, mainly women in 1920's style clothing, watching the procession or parade, standing on either side of the northern half of the street, while a horse drawn car with a person dressed in a long beard proceeds along the street. On the tram track is ESCo tram with a large destination box parked. The tram has a Bushell's Tea on the front panel. In the background are the buildings of Sturt St. Used in The Golden City and its Tramways - page 59.tramways, trams, esco, sturt st, processions, street parade

This photograph was taken in approximately 1870 and depicts four male miners standing in mining sluice at the Three Mile Goldfields. These men are wearing typical attire for 1870s gold miners. They wear white shirts, tan coloured pants with water proof shoes and most of the men are wearing an apron to prevent their clothing from becoming too dirty from the mud. Each man is wearing a wide brim hat and hold large wooden tools used for sorting through the sluice. Three of the four men have full beards. The photograph was donated to the Burke Museum by R. Ziegenbein before 2001 but the photographer and the individuals captured in the photo are unknown. The image depicts the landscape of the Three Mile Goldfields during a period when open cut sluicing was undertaken to reach gold. Open cut sluicing is a method used to extract gold and other precious metals from beneath the surface of the earth. This technique involved the use of high-powered hoses which broke down the soil enabling miners to come along and search this soil for gold. After the gold rush of the early 1850s, diggers had to enlist the assistance of heavy machinery and techniques like hydraulic sluicing in order to reach gold because the surface alluvial gold had already been discovered and removed. This heavy machinery was not used until after 1853. The Three Mile Goldfields was a site of rich alluvial gold deposits located about 5 km south of Beechworth in Victoria. Today, the location of this gold deposit is called Baarmutha. It was a popular area for gold mining in the 1850s but became largely abandoned by the following decade. In 1865, a man named John Pund recognized that the area could be potentially rich if a better water supply could be obtained. He secured a 15 year license with three other miners. Within the next five years, these men had constructed 19 km of water race going from Upper Nine Mile Creek to Three Mile Creek. By 1881, these four men had delivered 950,000 gallons to the Three Mile Sluicing area which is depicted in this photograph. Pund was later go into partnership with John Alston Wallace who would become owner of the Star Hotel in Beechworth. The Three Mile sluicing location continued to be operational until 1950. Sluice box workers were a vital part of gold mining regardless of how inefficient they were in the recovery of gold. After using hydraulic sluicing to cut away the earth, miners would use the big wooden boxes depicted in the image to catch the earth which would then be sifted for gold. However, accidents would occur often which would result in the gold washing away and unable to be recovered. It was not a very efficient system because the gold, which was alluvial and thus very fine, would often pass through the sluice box undetected.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.[illegible] about 1870 / 97 2514.1 / 2594 30three mile goldfields, goldfields, 1870, 1870 gold, australia, australian landscape, miners, gold miners, diggers, gold diggers, beechworth, victoria, sluice box workers, sluicing, sluice, mining

Taken in 1920, depicted are four people in a rowing boat on Lake Sambell, Beechworth. From left to right, it is believed that the names of the people are Eric Beard, Mrs Doris Beard, and S/L to Bert Beard. The last two figures are unknown. Lake Sambell is a beautiful Victorian recreation lake and urban park with a unique history. It was created in the mid-1800s by the Rocky Mountain Mining company during the gold rush era and used as a mining site until the early 1900s, which brought Europeans into the area. It was turned into a reserve for residents in 1920 and is considered an icon of Beechworth as it represents the development of the community, human endeavour, and the spirit of the landscape.This photograph represents the community's social use of the lake in 1920.Black and white rectangular photograph print on paper.Reverse: LAKE SAMBELL/ c 1920/ from LTOR/ 1 ERIC? - BERT'S SON/ 2 MRS DORIS BEARD/ 3 S/L TO BERT BEARD/ 4 #beechworth, lake sambell, lake sambell boating, beechworth lake, social, 1920, victoria

Saunders General Store was opened in 1900, overlapping part of the Mensland and Coultons stores. It was called "The ―Melbourne Store" which referred to it being a branch of their Melbourne store.The shop was burnt down in the early 1930‘s. Arthur Scott Saunders was born in 1864 and died 3-12-1913 (49) in Orbost. He was the son of Thomas Frederick Saunders and Lucy Beard Scott. He was a Storekeeper at Orbost, a member of the early Show Committees, a Rechabite in 1893, and was a member of the Board of Guardians of the Church of England from 1894 to 1913 where he served as secretary and treasurer of the Board. He was married to Agnes Louisa Stuart Morris. She sold the business in 1919 to Mr J. H. V. Dale and left Orbost with her two daughters for East Malvern in April 1927. ( more info. on the Saunders family in In Times Gone By by Deborah Hall; Orbost & District Historical Society Newsletter by John Phillips) Robert Pullar Cameron was a Shire Councillor for many years. He married Penuel Hossack and had a family of James, Flora, Penuel and Alex. This item is an example of a hand-written account from an Orbost business of the early 20th century. It is a useful research tool.A white paper account with red lines, hand-written black print. There is a yellow duty stamp and a green receipt from A.S. Saunders, Drapers, Grocer and Ironmonger, to R.P. Cameron.account saunders-family cameron-r.p. book-keeping

This is a photograph of the Saunders Family at Orbost 1888-89. It is Arthur and Agnes Saunders with their children, Beatrice, Cyril, Hilda and Vera. Arthur Scott Saunders was born 1864 in Orbost and died 3.12.1913 in Orbost where he is buried. He was the son of Son of Thomas Frederick Saunders and Lucy Beard Scott. He was a storekeeper at Orbost, a member of the early Show Committees, a Rechabite in 1893, and was a member of the Board of Guardians of the Church of England from 1894 to 1913 where he served as secretary and treasurer of the Board. His wife was Agnes Louisa Stuart Morriss who was born in 1862 and died 26-11-1938 at East Malvern and is buried in . Orbost cemetery. She sold the business in 1919 to Mr J. H, V. Dale. She left Orbost with her two daughters for East Malvern in April 1927. Saunders General Store was opened in 1900, overlapping part of the present Mensland and Coultons. The ―Melbourne Store‖ refers to it being a branch of their Melbourne store. The shop was burnt down in the early 1930‘s. ( info. from Saunders Family Newsletter by John Phillips)This is a pictorial record of a prominent early Orbost family and is a useful research item.A black / white photograph of a family group with the parents seated and their children standing around them. In the background is a wooden fence. It is on a beige coloured buff card.on front - "Saunders family at Orbost" on back - " Saunders family at orbost, 1888 - 1889"saunders-orbost

This toy monkey was handmade by Hilda Kerr (nee Temple), wife of Dr James Kerr. It was made to raise funds during World War 1.This WW1 item is a reminder of the part played by the families and friends of those who were involved in this conflict.Small black handmade soft toy monkey. Light brown hat, white beard and blue pants.handcrafts soft-toy w.w.1 kerr-hilda

The photograph represents the Militia of Warrnambool in 1860, serving the town and area to protect against possible invasion.Photograph, portrait, sepia. Image of a Warrnambool Militia member, bare head, with beard and moustache. Uniform includes light coloured buttons and light coloured sash. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, warrnambool militia member, militia member, militia, warrnambool militia

This bust was commissioned and made in the years before Holroyd's retirement from the bench. It is not known precisely when the bust entered the Library collection or the circumstances of its execution and commission. Justice Holroyd (1828-1916) was a judge of the Supreme Court for 25 years, after a successful career at the bar. Charles Web Gilbert (1867-1925) was a largely self taught sculptor, only tackling the medium of marble in the years before World War One. After the war he made a number of War Memorials, but his best known work is his statue of Matthew Flinders, the explorer, in Swanston Street.The portrait of Justice Holroyd is of interest as an unusual depiction and commemoration of a Judge. It is notable as a work by the distinguished Australian sculptor Charles Web Gilbert.Marble portrait bust of Justice Edward Holroyd. The bust is made of white carrara marble. The pedestal is made of rouge marble. The bust is slightly larger than life size. The head is finely detailed, Holroyd is shown wearing contemporary clothing, but the detail is less fine, than for the head and beard.The bust is signed and dated 1901

This is a shaving mug which, together with shaving cream, hot water, a shaver with a razor blade and a razor strop, were the items used by men to shave faces and/or beards. Today these items have been replaced by the use of an electric razor or a plastic holder containing a razor blade. This item is retained as an attractive example of the mugs used by men for shaving purposes up to the 1950s and 60s. This is a white china shaving mug with a circular base, a handle, a wide-lipped opening and a top bowl with three drainage holes at the bottom. The sides of the mug have coloured painted flowers. On the base of the mug is an article from a newspaper regarding the disappearance of the shaving mug from general use (pasted on) and some handwriting, part of which is indecipherable. The handle and the rims of the mug have originally been gilt-edged. ‘Shaving Mug’ ‘This is quite an antique – used by all the 3 R….’ men’s accessories, warrnambool, history of warrnambool

A colour photograph of a chainsaw sculpture situated in a chainsaw sculpture garden in Marysville in Victoria.A colour photograph of a chainsaw sculpture situated in a chainsaw sculpture garden in Marysville in Victoria. The sculpture was created by a local resident, Harley Morgan, as an attraction for visitors to Marysville.chainsaw sculpture, marysville, victoria, photograph, harley morgan

The painting explores the mental health issues often faced by those who work at sea as a result of loneliness, isolation and illness, amongst other things. This seafarer’s face is made up of thousands of SOS Morse code symbols: dot,dot,dot dash,dash,dash dot,dot,dot. Morse code was used to signal to land that a ship or crew was in trouble. This seafarer is in trouble- his face says it all and speaks volumes. Mental health issues are often hidden when we look from afar but when we take the time to look closer and listen, the signs are often there.Lisa Carman entered this painting to the Maritime Art Prize 2019 and donated the artwork after the exhibition.Naive, Marine artLisa Carman, MTSV Collection Squared shape painting depicting a portrait in blue and dark tones of a sailor with a beard wearing a beanie. His face is made of dots using the SOS Morse code.sos, seafarers welfare, maritime art prize, 2019, lisa carman, morse code, seafarers, sailors, beanie, blue

Frame - Golden timber/mottled. Inner frame - Gold embossed. Mount - brown flecked cardboard. Painting (on glass?) Male - High button jacket (black). White shirt. Black tie. Short beard. Full head hair. Grey background. Facing right.Front: W.T. Pile. Esq. 1880-86-87william thomas pile, mayor of portland, 1880s

Photo of Painting (Painting removed for storage). Male in Navy uniform, white belt, white cuffs, sword, white epaulettes on shoulders, white sash and buttons, pointed helmet, white badge, on stand, 3 books on stand. Mauve background. White hair and beard.

Displayed in History House. Borough of Portland (1864-1949)Large black and white photograph of a man with receding grey hair and a neat rounded white beard and moustache. He is wearing a three-piece suit with a dark tie and white shirt, and holding folded white paper in his left hand. Mounted in a wood veneer matt in a wide wooden frame, under glass.Front: Cr Hill/August 1920-1932/Mayor 1926-27, 1928-29 (engraved on plawue, lower centre frame)civic photography, portrait, councillor, city of portland

Portland City Council. Displayed in History House.Black and white photograph of a man with a full head of hair and a grey beard. Wearing a dark wool jacket, white shirt and thin black cravat. He looks to the left in a formal torso portrait.