Showing 175 items
matching blackened
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Geoffrey Kaye Museum of Anaesthetic History
Photograph
The image, without a blackened out background was reproduced on page 21 in 'Practical Anaesthesia'. Practical Anaesthesia was the first text book on anaesthesia produced in Australia. Geoffrey Kaye was one of the contributors to this book, which included a foreword by F.H. McMechan, Secretary General, International Anesthesia Research Society. Blood pressure measuring enabled medicine to develop a greater understanding of shock and begin to develop more appropriate measures for resuscitation. Shock was not really understood until the introduction of routine blood pressure measuring in the early 20th century.This item is historically significant because it is a rare photograph of Dr Geoffrey Kaye, as well as being reproduced in Practical Anaesthesia, the first textbook on anaesthesia to be produced in Australia.Black and white photograph showing Dr Geoffrey Kaye during a demonstration of monitoring during anaesthesia in 1932. Dr Kaye is fully gowned and masked and is seated behind the head of the patient who is lying down. Dr Kaye is holding a blood pressure monitor in his right hand which is attached to the patient's arm. Handwritten in grey pencil on reverse: Fig 1 new bookgeoffrey kaye, blood pressure measuring, surgical gown, patient safety -
Orbost & District Historical Society
Functional object - Bell, hand-held, Early 20th century, c.1900s
The settlement of Cabbage Tree Creek is located on the Princes Highway, 27 km east of Orbost in East Gippsland. The creek, which flows through undulating forest, takes its name from the patches of Cabbage Fan palms growing along its course. A school commenced classes in 1913, but enrolment was small and at times the school operated part time with several other small schools in the area. The school building served as a hall for the district. About 1946 two sawmills commenced operations at Cabbage Tree Creek, and the Forests Commission ranger was stationed in the area. The increased population allowed the school to have more teachers and make improvements. In 1953, a new prefabricated building was erected on a new site. However, by the 1970s employment in the timber industry was unstable and the population decreased. By 1974 the school again had only one teacher and eventually closed in 1993 to amalgamate with the Orbost primary School in Ruskin Street, Orbost. (Ref. VictorianPlaces)The school bell is a signal that tells a school's students when it is time to go to class in the morning and when it is time to change classes during the day as well as when students are dismissed from school. In most schools today it will be a tone, siren, electronic bell sound, a series of chimes, or music played over an intercom but often still called "the school bell". This item reflects the history of Cabbage Tree Creek as well as the technological changes in the school system.Brass bell with incised double lines on bottom edge and top near handle, featuring descriptive notation on front face. Bell has long wooden handle shaped and incised with four lines at base before brass housing with singular screw holding handle in place. Object is showing signs of wear, with blackened handle and patches of green oxidisation.SCHOOL BELL / SS No 3812 / CABBAGE TREE CREEK / PRIMARY SCHOOL / 1913-1993 / FORMALLY INCORPORATED / INTO / ORBOST / PRIMARY SCHOOL / 1994cabbage tree, east gippsland, cabbage tree creek, cabbage tree creek primary school, orbost primary school, school bells -
Queen's College
Bird mummy in a coffin, Late Period, 664-332 BCE
This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Cartonnage coffin blackened on inside and out from resin/bitumen used to preserve bird and cover coffin. Remains of gold foil on exterior of coffin where bird's head would rest. Only head of bird extant with remainder of material now gone. It is also possible the coffin solely contained the head and was filled with plant remains, mud or linen.james dodgson, aquila dodgson, flinders petrie, bird, mummy, coffin -
Bendigo Military Museum
Badge - BADGE COLLECTION, 1930' - 45
Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details..1) Badge, metal, blackened brass, crown on round plate with pin. .2) Badge, pressed metal, gold colour .3) Badge, pressed metal, gold colour, crown with red felt insert .4) Badge, pressed metal, gold colour .5) Same as .4) .6) Badge small, pressed metal crown attached to larger backing plate badges, collection -
National Wool Museum
Photograph - The Australian Eleven, 1935
"The Australian Eleven", from the display board which hung in the Geelong Wool Exchange, Corio St, Geelong until the building was sold in 1985. Sheep were from the "Wanganella" station in Victoria.Panoramic black and white photograph of eleven merino rams in full fleece, standing in a row in front of a wire fence. The photograph has a dark, tree-lined background and each side has been blackened out. Photograph is glued to cream cardboard. Bands of glue are visible where photograph has been fixed to mounting board. Grey paper pieces glued to the back of the cream board.merino sheep, sheep australian, pastoral industry history, geelong woolbrokers' association geelong wool exchange, western district, victoria, 'wanganella' victoria, sheep - australian, pastoral industry - history -
Ringwood RSL Sub-Branch
Uniform, Badges Artillery, Circa WW2
00068.1. Artillery Large Lapel Badges 4.5 centremeters x 2 00068. 2.Rising Sun Collar badge 00068.3 Officers metal shoulder pips Blackened x 6 00068.4. Artillery Buttons brass small for jacket pockets made by Gaunt & sons London x 6 00068.5 Artillery Buttons brass large for jacket same maker as above x 4 -
Bendigo Military Museum
Badge - ACTIVE SERVICE, AUSTRALIA, RSL BADGES, 1) 1939-45, .2) & .3) post WW11
Items relate to Alfred Charles Jury VX66822. Refer 2080 medals for service details also 2083P..1) Shoulder Badge "Australia" blackened metal with 2 lugs on rear. .2) Badge, "Returned from Active Service", Crown over wings, Rising sun, Anchor, Boomerang, 2 lugs on rear for uniform. .3) Badge, RSL Membership, 3 central figures, "Returned Sailors, Soldiers, Airmans Imperial League of Australia. Clip on top with figure "92" meaning financial member 1992..2) "288601 - Issued by the C'Wealth Govt" .3) "V90347 Property of the League"badges, military, membership -
Bendigo Military Museum
Accessory - BADGES & BUTTONS, c. 1939 - 45
See also 2589 & 2590.1), .2) & .3) Badges, blackened brass, word Australia in a curved shape. .4) & .5) Badges, blackened brass, Rising Sun lapel badges. .6) .7) Badges, pressed metal, gold colour, Kings crown. .8) Button, black plastic, RAAF crown over wings. .9) Button, metal, gold colour, crown over map of Australia wording Australian Artillery. .10) Badge, metal, round Red Cross in white & blue. .11) Badge, metal, gold colour, round section with top clasp. Presented to the children of Victoria for the 1954 Royal Visit. .12) Badge with red ribbon on metal clasp. Badge is oval shaped, Red Cross in centre with white scrolls, Australian Red Cross Society 20 Years Service. .13) Coin, half penny, dented by ammunition fire. .14) Coin, one penny, 1943 dented by ammunition fire.numismatics-badges-military, metalcraft - brassware, costume accessories - clothes accessories -
Bendigo Military Museum
Badge - BADGES, MEMBERSHIP, 1939 - 1945, post 1945
.1) Hat badge, Rising Sun, pressed blackened brass, rising sun depiction with crown centre, under in scrolls "Australian Commonwealth Military Forces". On rear two lugs, sewn onto the lugs is a piece 1914 - 1918. Star Ribbon. .2) Lapel badge, Rising Sun, pressed blackened brass, 2 lugs and pin. Same as 2234.2 .3) Same as .2) .4) Badge, Life membership 39th Battalion. Top is oval shape of badge, grey surround with brown over red with "39" centre. Under in a scroll is "Life Membership". On rear is pin and clip. .5) Badge, R S L membership metal centre is a 3 figures. In blue circle around figures is "Returned, Sailors, Soldiers and Airmen". under in red scroll is "Imperial League of Australia". Top is crown with "93" denoting membership 1993. Rear has a pin attachment. Badge number stamped on. ,5 "Badge remains property of the league V 75371”badges, memmbership, uniform, rsl, rising sun -
Bendigo Military Museum
Badge - BADGE COLLECTION, 1930 - 45
Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details..1) Badge, metal, gold colour, centre letters "SCA" under "East Africa". .2) Badge, metal gold colour, crown, shield, scroll, writing unclear. .3) Badge, metal, blackened, crown cross, scroll, "Punjab Regiment". .4) Badge, metal, gold colour, flame over globe, scroll under, "East Africa Engineers". ,5) Badge, metal gold colour, bird with outstretched wings.badges, collection -
Bendigo Military Museum
Badge - ACTIVE SERVICE AND MEMBERSHIP BADGES, Post WW11
Belonged to Capt Warick Rosenthal No TX6321 AAMC. Refer 622.3, 775. .1) RSL Membership Badge with clip "53" denoting financial member 1953. Badge has 3 figures with a blue circle around, under is a scroll in red, rear has a clip with pin & numbered. .2) Returned from Active Service Badge, blackened brass, crown over rising sun, wings / anchor / Boomerang under with words "Returned From Active Service" Two lugs and pins on rear..1) "Returned Sailors Soldiers Airmen Imperial League of Australia" On rear "V1314" .2) On rear "211849"rsl, military history, military service, active service -
Flagstaff Hill Maritime Museum and Village
Spoon, circa 1878
This medium-sized dessert spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This dessert spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored dessert spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. 30% red/cream concretion (handle) and balance worn plate, some verdigris and blackened base metal. Spoon is bent.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, dessert spoons -
Bendigo Military Museum
Badge - ACTIVE SERVICE, RISING SUN, DUTY DONE BADGES, Stokes and Sons, 1) post 1914, .2) post WW1, .3) pre 21.7.20
John Killeen No 1323 4th L.H Regt. Refer Cat No 2824 for his service history. .1) Badge, Rising Sun lapel, blackened brass with two lugs on rear with pin. .2) Badge, Returned from Active Service, crown at top, circular centre with Rising Sun and letters AIF under. .3) Badge, “Duty Bravely done - Returned” Top has a soldier standing in front of a Rising Sun, under is a wreath surrounding a plaque with a light and dark blue colour patch presenting 4th L.H Regt..2) “Returned from Active Service-Issued by Dept of Defence” .3) On rear “Presented to Pte J Killeen by the residents of Korong Vale and District on his return from the Great War 1914-19-21.7.20”membership, badges, passchendaele barracks trust -
Bendigo Military Museum
Uniform - VARIOUS AWARDS, CHEVRONS, EMPIRE WOUNDED & BADGE, 1.2) 1916-18. .3) 1914-18. .4.5) post WW1
Empire Wounded Stripes were introduced in 1916. Each time a soldier was wounded and taken out of the field he was entitled to a stripe. Worn on the left sleeve below the elbow on your uniform These items belonged to Frederick Campbell Moller No 2233 AIF. Refer1661.3, 1663P, 1680.3..1) .2) "Empire Wounded Stripes" metal, base plate with Stripe resembling gold braid fixed by two pins through the plate. .3) Rising Sun collar badge, blackened pressed brass with 2 lugs on rear. .4) RSL Membership badge, metal, enamelled, crown at top with two central figures. .5) Association Badge, 3rd Field Arty Brigade, copper wishbone shape and Field Artillery motif blue & red enamel..1) "Service Wounded Stripe" .2) "The Wounded Stripe" .3) "Australian commonwealth military forces" .4) "Returned Sailors, Soldiers Imperial League of Australia"numismatics - badges - military, metalcraft - brassware, wia, rsl, association -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, c.1878
This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Sediment covers 65% of spoon, only 5% of original plate remains, with 10% of surface area bearing aquamarine verdigris. Balance blackened with Silver Oxide.flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, table spoons -
Bendigo Military Museum
Uniform - BADGE AND BUTTONS, 1915 - 1945
.1) Badge "Rising Sun", lapel, pressed blackened brass, Rising Sun with crown centre, scroll under with "Australian Commonwealth Military Forces" 2 lugs on rear. .2) Button, round, metal, has crown above map of Australia. Around outside. "Australia Military Forces". .3) Button, same as .2) .4) Button, round, metal crown at top over a centre cross with 5 stars. Around outside "AUT PAC AUT BELLO'uniforms, buttoons, lapel, rising sun -
Flagstaff Hill Maritime Museum and Village
Spoon, circa 1878
This medium-sized dessert spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This dessert spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Unrestored dessert spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Some 5% verdigris and 15% reddish stained concretion, with balance of spoon showing blackened nickel silver base metal. There is a plain heraldic shield embossed on rear of collar.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, dessert spoons -
Bendigo Historical Society Inc.
Photograph - CANTER BURY PARK SPORTS MEETING
B+W photo on cream board. 14 men, 2 children, some in costume, 1 adult with face blackened. Set of flagpoles Maypoles?) behind figures. Two Story building in background. The image appears to be on an oval. Inscription: on B.R. Corner, W.H.Robinson/Photo/BENDIGO'. On Back, hand written in ballpoint pen, 'John Lightfoot/Brazier St,/Eaglehawk. Overseer',' Sports meeting/first back to Eaglehawk'. RHSV stamp Bendigo Branch. Research: James Lerk, 'Canter Bury Park'.W.H.Robinsoncottage, miners, prev. acc. no 'gp66' -
Montmorency/Eltham RSL Sub Branch
Uniform - Helmet, Steel US M-1, Vietnam era, Steel Helmet
Vietnam eraM1 steel helmet used by the United States military from WWII to 1985. Painted textured finish light olive green. The rim edge has a crimped metal band running around it, with a rear seam. Mounted on each side of the helmet there are D shaped swiveled metal loops for a chinstrap. The adjustable chinstrap is made of olive drap coloured nylon webbing with blackened metal clips. A two pice clip system metal fastener is used to connect the two pieces of the chinstrap.On the inside of the helmet is written in black textra the name MORCOM, No 37019, and 1966-67.helmet, headgear -
Bendigo Military Museum
Equipment - AMMUNITION POUCHES, Unknown
1. Rectangular universal utility ammunition pouch painted matt green. The pouch can be attached to the waistbelt or to over the shoulder webbing harness. There is a press stud closure on the front top flap. 2. Khaki rectangular utility ammunition pouch, has a sewn on blackened slider keeper to replace damaged webbing and brass buckle. 3. Rectangular universal utility ammunition pouch. the khaki has been changed and replaced with a green matt dye. there is a press stud closure on the top flap.1. On the inside of the pouch, “Z.L.& T. Ltd 1941” 2. On the rear side of the pouch “3632038?” 3. No markings.passchendaele barracks trust, ammunition pouch -
Flagstaff Hill Maritime Museum and Village
Domestic object - Spoon, circa 1878
This table spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This table spoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The generally common range of marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history Unrestored table spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and a shallow rounded bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Some verdigris and 50% of surface area is covered by sedimentary concretion. Only 10% of original plate remains. There is evidence of where another spoon was attached to back of this complete spoon. Balance blackened in Silver Oxide.flagstaff hill maritime museum, shipwreck coast, great ocean road, loch line, loch ard, mutton bird island, loch ard gorge, electroplated cutlery, loch ard shipwreck, william page and co, birmingham brass plating, table spoon, spoon -
Bendigo Military Museum
Badge - BADGE COLLECTION, 1930' - 45
Items in the collection re Ian McLeod RWAFF, refer Cat No 2262.2 for service details..1) Badge, pressed metal, gold colour, flame over coat of arms. .2) Badge, pressed metal, brass colour, 8 star shaped with cross in centre .3) Badge, metal, gold colour, sphinx over castle, "Eygpt The Essex Regt" .4) Badge, metal, gold colour, lion,m 3 plaques, letters E.M.E .5) Badge, metal, gold colour, lion over coast of arms .6) Badge, metal blackened, ship over scroll, "2nd Punjab Regt"badges, collection -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Richards & Co Ballarat, 19/06/1955 12:00:00 AM
Black & white photograph of the Ballarat Tramways Social Club taken in front of a Grenville St. office (in 1997 was the "The Pancake Kitchen" building. No date. Group of 16 people, men, women and 1 child. HP James second from Right dressed with face blackened. Other people in fancy dress, includes a person in a pram "Baby Thrives on Modern Diary Milk" written on the side. Photograph mounted onto cardboard with a grey textured face and depressed for photo. Has "Richards & Co. Ballarat" printed on bottom rh corner. On rear in Pencil "Ballarat Tramways Social Club (street procession) H.James second from Right" On rear in top left hand corner, white circle with "3" in green ink.trams, tramways, ballarat, esco, personnel, social club -
Bendigo Military Museum
Badge - ACTIVE SERVICE, RISING SUN, MEMBERSHIP BADGES & BUTTON WW1, 1) 1917-19, .2) post WW1, .3) WW1, .4) Post WW1
The items relate to Joseph Frederick Gunston No 3077 38th Batt AIF. Refer Ca No’s1640, 1641, 1642. Item .1) was referred to as a "Sweetheart Badge" made from two uniform badges. .1) Badge, Rising sun lapel, blackened brass, soldered onto a "Australia" shoulder badge. .2) Badge, brass, circular with Rising Sun in centre and crown atop, "Returned from Active Service". 2 lugs on rear. .3) Button, brass, round with map of Australia with crown and "Australian Military Forces" around outside. 1 lug on rear. .4) Badge, RSL membership with 2 soldiers in centre. Returned Sailors, Soldiers Imperial League of Australia. 2 lugs on rear with brass plate..2) "21552" .4) "V64773"numismatics-badges-military, metalcraft-brassware, rsl, badges -
Shepparton RSL Sub Branch
Uniform, Tunic, Circa 1942
WW2 Royal Australian Air Force. Also see statement of Signifiance.Example of WW2 Officers Tunic, this example has a Kings Crown on the sleeve which denotes that the tunic could have been worn as late as 1953, after 1953 it would have been a Queens crown. Crown and eagle denotes Air-Crew. Tunic material can determine which country the tunic came from, Dark Blue- Australia, Light Blue-England, in between, South Africa, Canada and New Zealand.RAAF Officers Tunic, Flying Officer, Dark Blue Wool Serge, with four pockets, inside lining is of black cotton, sleeve lining is of striped sleeve lining material. Five Red Year Shevrons on lower right sleeve, with waist belt with black bakalite buckle held in place by two buttons. Four eyelets to end of waist belt.On lower sleves Crown and Eagle in blackened copper with blue and white rank lace. Number of buttons in correct position (8). Lable in coller MTX Size 8 overwritten in black CRA.On coller lable which says MTX Size Eight, overwritten in black CRA.raaf, officers uniform -
Kew Historical Society Inc
Equipment - Blackened Wood Toolbox with Hinged Lid containing 45 Moulding Planes, 1880-1940
Bertie Greenwood was born c. 1880/81 and died aged 82 in Hawthorn in 1963. His father and possibly his grandfather were also carpenters. Bertie’s work as a cabinetmaker required precise planing to give lovely edges and other elaborate decorations. The major item in the tool collection is Bertie’s wooden box, which houses 45 different moulding planes. Later in his life, he used these skills extensively when he worked as a patternmaker for a plastering company. Bertie worked through his seventies, retiring when he lost a finger. The tool collection was donated to the Kew Historical Society by Bertie’s granddaughter, Pamela Webster Bloom, a former resident of Kew.The blackened wood toolbox contains 45 wooden moulding planes, many made in England. In woodworking, a moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed.Toolbox engraved with the initials ‘BG’ on the lidmoulding plane, bertie greenwood, woodworking tools -
Bendigo Military Museum
Uniform - UNIFORM-LIGHT HORSE OUTFIT, 1)1991 .7) 1961
These items were put together to show a Light Horse Soldier in WW1. Near all are replicas..1) Slouch hat with feathers, pugaree, chin strap and blackened brass rising sun badge on upturned rim. .2) & .3) Gaiter (pair), leather with buckles at top and strap at lower end. .4) & .5) Boot (pair) .6) Jodhpurs, Brown colour complete with plastic buttons and leg laces. .7 Jacket, Battle, Kahki with 2 x “Australia” shoulder badges, 2 x “Rising Sun Epaulette Badges”, 2 x “Light Blue over Dark Blue Colour patches”, all metal buttons complete..1) in texta on inside leather band "PALMER", gold coloured print: "Mountcastle 1991, made in Australia" .6) Inside pants in texts “ALHA” .7) Inside on tag, “C.G.C.F AUSTRALIA 1961 size 54 D & D 9405 64-012 5469”uniforms-army cavalry, costume accessories-hat/footwear accessories, numismatics-badges-military -
Warrnambool Art Gallery
Oil lamp, c. 100BC
It is unknown how this came into the collection at the Warrnambool Museum. However, during the 18th and 19th centuries it was fashionable for young men of means to undertake a 'grand tour'. During their travels they would often pick up souvenirs with these sometimes being ancient artefacts from classical Greece or Rome. It is thought that the item most probable came to the museum in this manner.From discussion with specialists at the British Museum and the University of Reading it was ascertained that the oil lamp is indeed ancient Roman and over 2000 years old. The marking on the top could be Venus although it is quite worn away so it is difficult to tell for sure.A terracotta oil lamp housed in a wooden box. On the top of the lamp are 3 circle incisions and in the centre of the circles is a depiction of a figure. There is a small finger sized handle on the side of the lamp. The handle has 2 incised lines leaving 3 raised ridges. It is squared off at the top. The top of the oil lamp has a hole in which to place a cloth wick and a spout from which the smoke would have come out. The spout is blackened from smoke. The container box is guessed to be from the time of acquisition which would be around the early 1900s and is made from a polished wood. Light in colour.In the box was a label saying, 'Venus coming out of the gate of the temple'. It also stated that the lamp may have been placed at the feet of the dead in the catacombs.oil lamp, roman, terracotta, classical, archaeology, victorian, grand tour -
Eltham District Historical Society Inc
Book, Glenvale School (Lilydale, Vic.). Committee of Parents and Friends, Firestorm : Black Saturday's Tragedy, 2009
This book is dedicated to all who lost so much on the darkest Saturday in Australia's history. Australia's worst natural disaster was a tragedy beyond belief that scarred Victoria physically and the whole Australian nation physiologically. Extreme temperatures, tornado-like wind speeds and tinder-dry land, culminated in the disaster we now know as Black Saturday. Before the sun would set on the blackest day in Australia's history, thousands of hectares would become blackened landscape and an unparalleled loss of lives could only mean that many areas would never be the same again. This graphic pictorial record takes you through the conditions prior to the day, the horrific fires that destroyed both bush and townships alike, the amazing bravery of emergency services personnel and the tragic aftermath. Accounts from eye-witnesses describe a fire like never seen before, a wild fire that outran every warning system. "A comprehensive account of Australia's worst natural disaster ever"black saturday, bush fires, bushfire, fire damage - buildings, victorian bushfires - 2009 -
Bendigo Military Museum
Badge - BADGES VARIOUS, 1) Wallace Bishop, 1) 1940, .2) pre 1939, .4) 1939 - 45, .5) 1945
.1) Badge metal 6 sided crown at top, centre has Coat of Arms, one lug on the rear and numbered. .2) Badge pressed brass squarish shape scroll at top and bottom, centre has a figure "8", two lugs on rear. .3) Badge pressed metal gold colour crown at top, centre has letters "ER" surrounded by circles and a wreath, two lugs on rear. .4) Badge pressed metal blackened with Rising Sun depiction crown at top. .5) Badge round silver colour, one side is map of Australia with person over, rear has map depiction of the world..1) On front, "Reserve Occupation", on rear, "A17936", "Issued by the Commonwealth Govt". .2) On front, "8th Aust Inf Regt, cede Nullis". .3) On front, "Royal Australian Army Service Corp". .4) "Australian Commonwealth Military Forces". .5) On one side, "1945", on other, "Victory Medal".badges, uniform, headwear