Nine Green Victoria 3d duty stamps. Seven block and two block.commerce, office stationary, duty stamps

Believed to be long to Routledge Brothers who ran a general store business in heathcote. They also owned a sawmill and quartz crushing battery.one of three books donated to the Museum, were found by the donors father back in the late 1960's while he was working on renovations to a building in heathcote these books had been thrown onto a pile of builders rubble, he retrieved them. when he passed away some years later his son found them while clearing out his effects, have travel through several house changes till 2010 when the son was doing a cleanup and the books were found again he contacted the Historic Society, date back to first settlement of Heathcote, inside writing is in excellient condition, as if it were written yeaterday. give a daily account of purchases by locals.gives us an insight into persons living and working in Heathcote McIvor district. Not many early items of this era left .Day book, oblong, leather cover, Day book gold blocked on front coverday book routledge, brothers

Note by T.H. Kneen 4 December 1991, "The gentleman supervising could be Mr. J.P. McLennan Principal 1916-21."2 copies black and white print. 4 men digging a deep ditch in the Orchard, a child watching and a man supervising.On reverse, "Draining Cherry Block Oct 1919." digging, draining, j.p. mclennan, principal, cherry block, orchard, students working outside

The Bendigo & Region Branch is the National Trust’s voice in the region. The Branch works with council and the community on local heritage issues. New members are always welcome at any of the Branch’s meetings and events.No 5 Michelsen Street North Bendigo Early Cottage - SlideNo 5 Michelsen Street is now a block of units.history, bendigo, national trust collection bendigo, 5 michelsen street north bendigo

Milliners block of wood-shape comprising of base and four removable blocks set on vertical protruding iron rods, two of the side blocks have lobes.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Snatch Block, 1 sheave wood block with hook and locking mechanism electric blue paint. Short white line marked from centre of block.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Block and tackle.

Snatch Block, 1 sheave wood block with hook. Wood is stained medium brown.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

2 blocks with rope tackle. Top block has single sheave, hook straps and ring. Bottom block has 2 wooden sheaves and wood casing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Headed 2 Commando Company (CMF) Room 31, "D" Block Albert Park Barracks MELBOURNE (Undated). Signed by Peter Seddon, OC 2 Commando Company Written in early June 1955, (Reference details in the letter), shortly after the Unit was raised. The letter was written to John Petty, who was one of the original members of the newly raised Company,, the first of 2 Commando Units (the other in Sydney) raised since the WW2 Cdo Units were disbanded. It portrays the beginnings of the new Commando era.Copy of single page letter, early "quarto" size. Headed 2 Commando Company (CMF) Room 31, "D" Block Albert Park Barracks MELBOURNE (Undated). Signed by Peter Seddon, OC 2 Commando Company Written in early June 1955, (Reference details in the letter).2 commando company, raising of, officer commanding, peter seddon, john petty

A typical example of art work for printing and plastic diary cover. TBCAn example of how embossing was prepared and that Legacy Handbooks were printed with the torch and laurel logo.Navy blue Legacy diary, with the metal art work block used to emboss the words "Melbourne Legacy" onto the cover, also graph paper on cardboard used to mock up the artwork.Manilla Envelope, in black texta Melbourne Legacy Diary/H/Book Cover Art White paper adhered to envelope with the word in red HIOTECH words in brown graphics 50 Cremorne Street, Richmond Victoria 3121 (03) 428 1925 A.C.N. 005313155., between two horizontal brown lines. Thin brown horizontal line at bottom of paper. Handwrittenin black ink, J.D.Harris. Diary cover Legacy logo, MELBOURNE LEGACY in gold. Cover Block, handwritten in gold ink (very faded) between Legacy logo and Melbourne Legacy. Cardboard graph, Legacy logo, MELBOURNE LEGACY, handwritten in blue ink SLS. Metal block, Legacy logo. MELBOURNE LEGACY written backwards. White glossy paper, Legacy logo and MELBOURNE LEGACY stamped onto the paper. handbook, logo

1 sheave metal block with hinged suspension arm with locking pin. Block easily disassembled.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, block

2 sheave wood block with ring & thimble & 2 sheave wood block with hook & straps flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, 2 sheave wood block, wood block

2 sheave wood block with hook and heavy borer infestation. Block has metal hook.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, 2 sheave wood block, wood block, block

2 sheave wood block with straps and becket. Two metal plates are tacked to the side of the block.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, wood block, block

2 sheave wood block with loop & shackle painted white with rope cable around blockflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Hat Block - Wood. Stamped: "Godfrey - Melbourne. Front. 21 1/2. 573"godfrey (melbourne), hat blocks, millinery equipment

Hat Block - Wood. Stamped: "Godfrey - Melbourne. 20 1/2. 339"millinery equipment, hat blocks, milliners

Hat Block - Wood. millinery equipment, hat blocks, milliners

3 sheave wood block with becket & loop missing sheaves painted grey & broken side of blockflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Snatch Block, 1 sheave wood block with hook and locking mechanism. Wooden sheave is white inside.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Item used to simulate or play being a tram conductor, about 15 tickets from each block have been used or removed. Received with a "conductors" badge and cardboard cut out coins. See items 8604 and 8605. Wording and parts of the layout on the ticket typical of a Melbourne tram ticket. Manufacturer not known or the date, possibly mid 1950's based on the cardboard coins. The donor, who lived in Melbourne, recalls that they were part of an outfit which consisted of these items, a conductors cap and bag, similar to a Melbourne conductor's bag. Demonstrates a toy or item used by children to simulate or play being a tram conductor. Heavy cardboard folded to form a tram ticket wallet containing four blocks of tickets, individually numbered. Secured with staples. Values of 1d, 3d, 6d and 1/- stapled into wallet. tickets, toys, conductors, tramways

Left to Right, Elenor Musumeci, Jill Riddler, Myriam Scott, Unknown Four women outside standing in front of an entrance sign.Entrance in white raised letters on a grey stone block.biarri

Paradise Estate layout also included in Land Sale Brochure Titled Eureka Plan Book - Seven Delightful & Valuable Ringwood Estates - circa 1925, Reg. No. 5100.Subdivision plan of Paradise Estate, Ringwood, showing allotments for sale, with typed page attached showing block sizes and prices.Locality plan showing land for sale south of Canterbury Road, 1 Mile south of Ringwood Railway Station. Subdivison includes Canterbury Road and Dandenong Road (later Wantirna Road). Surveyors - McKenzie Aisbett & Webber, surveyors & engineers, 440 Little Collins Street, Melbourne, Telephone Central 11540. Subdivision for Mr Grenwood at Ringwood. Additional typewritten price list showing footage, price per foot, and price per block for Lots No. 1 to 60. Paradise Estate layout also included in Land Sale Brochure Titled Eureka Plan Book - Seven Delightful & Valuable Ringwood Estates - circa 1925, Reg. No. 5100.

The badge belonged to Edward Harold Hildebrandt VX 25591 2nd AIF. Refer 546.2 for service history also 1028.2, 1029.2P.Badge, TPI, medal set inside a perspex block, front and rear of block is black but enables to see badge."Life subscriber TPI, Totally and Permanently Disabled Soldiers Association"badges, tpi, incapacitated

The (logging) truck carries a representation of John Glover’s painted landscapes, which Cox has painted on a solid block of wood. John Glover is one of Australia’s most celebrated colonial landscape painters. Born in England, he was a highly successful water-colourist and painter of landscapes in the tradition of French artist Claude Lorrain. Arriving in Australia in 1831, Glover adapted his picturesque style and luminous technique to his new surrounds, creating naturalistic and atmospheric paintings of Australian nature, settler life, and Aboriginal culture. Working out of doors, Glover developed an understanding of the unfamiliar Australian landscape, especially the twisting forms of native eucalyptus trees. His direct experience of nature, as both pioneer settler and painter, resulted in a new approach using a subtle palette of olive greens, ochres, misty greys and intense blues, and layered glazes of mauve, grey and gold, to portray Australian light and atmosphere. Dale Cox continues the ongoing preoccupation and tradition of landscape painting in the Nillumbik area and our impact on the environment in a contemporary way. The truck creates a playful nexus between painting (representational landscape) and sculpture, purposely bluring boundaries across these traditionally distinct disciplines. ‘Ghost’ seeks to convey the idea that when we remove something significant from a location, like the landscape itself, the remaining ‘place’ changes to become a new ‘place’. This may seem self-evident until we think more deeply about location and landscape. The white truck is a ghost, an ethereal, transient being that spirits away an entire place, forever removed from itself, and forever changed. Logging wild trees can never be like harvesting a ‘crop’. Logging removes a landscape, and changes a place forever. The ‘packaging’ of this painted landscape highlights the anomaly between commodity and our environment. Dale Cox was a local artist and this work was highly commended at the 2012 Nillumbik Prize. White plastic toy (logging) truck with a landscape painting on a wooden block. The landscape painting is reminiscent of paintings by colonial artist John Glover. N/Alandscape, truck, sculpture, environment, john glover, colonial, painting, ghost, nillumbik prize

Hexamine Stove & Hexamine Blockequipment, vietnam, army