H.M.A.S Watson, navy cap. Cream cap with blue tally band around it and tied bow attached on side. Stitching at the front of blue band - words ‘H.M.A.S Watson’. Two holes on either sides of cap for string to go through. Blue ribbon attached to inside. Also piece of string attached to inner cap, coming off stitching on one side.H.M.A.S. Watson stiched in yellow stitching on blue band at front of cap. A B Young inscribed in pen on inside material in white. 5 also inscripted under A B Young with other text - nnoa? White label stiched inside - AGCF - Australian Government Clothing Factory, VIC RAN Size 6 7/8, Indent No. 8405.66.0756070

Identification plate is for the Royal Australian Mechanical and Electrical engineers (RAME), 3rd Military District, vehicle number 743.Vehicle identification plate used by the Australian Army.Small square shaped steel metal plate. Khaki coloured paint on rear face. Blue, yelow and red horizontal painted stripes on the front face. White coloured numbers with a narrow horizontal white line painted on front face. Small hole drilled through the plate on the top.Horizontal blue, yelow and red horizontal stripes. Number 3 on top of a narrow horizontal white line with the numbers 743 underneath.vehicle, identification, plate, rame, 3rd military district

Vehicle identification plate used by Australian Army HQ post WWIIAuatralian Army vehicle identification plate used post WWIISmall square shaped painted steel vehicicle identification plate. Painted khaki on the rear and front edges. Red, blue and red horizontal painted stripes on front face decal. Crossed swords, khaki painted kangaroo and Queens crown painted on front face decal.Red, blue and red horizontal painted stripes on front face. Crossed swords, khaki painted kangaroo and Queens crown painted on front face decal.vehicle, identification, plate, australian army, army headquarters

The 11 Pound Practice Bomb was used in Australia to train air crews both during and after WW2. When the bomb hit the ground it produced a smoke cloud so that the aircrew could see where their bomb had landed. There was only a small explosive charge in them. Cylindrical, finned steel bomb weighing approx. 11lb painted silver with three stripes (blue, yellow, red) painted around the mid-section. One attachment point/loop. Cast iron nose. None.

Glass framed photo of the HMAS Maryborough insignia. Naval gold coloured crown with blue, red and green jewel inserts located above a gold coloured plaque. The plaque has a gold coloured edge with a gold coloured pig on a blue background on the left, a picture of a building with a frame tower on a red background located on the right, and a picture of trees on a white background located on the bottom. At the bottom of the picture is a gold edged blue ribbon with the words HMAS Maryborough in gold lettering.

Metal RAAF Point Cook crest mounted on a small dark red coloured plaque. The plaque has a mounting slot on the back and foward sloping curved sides meeting at a lower point. The circular RAAF crest has a jeweled crown at the top, black lettering at the bottom, and gold lettering on a circular blue enamel background surrounding a brown coloured line drawing of an eagle flying over water with the sun in the background.Point Cook Royal Australian Air Force First And Foremostraaf, point cook, crest, metal, plaque

Donated by Cpl Bramley who was in charge of our Catafalque party ANZAC Day 2006Blue Dress coat. Corporals stripes on shoulder. Black plastic buttons.Sewn Patch ADI Vic 1992, 8410-66-105-.1389, Size 80, Service No W514342, Name M. Ackroyd clothing, coat

Part of uniform worn by CPL Bramley at Montmorency ANZAC Day 2006.Blue Cotton skirt, belt with chrome buckle.Sewn Patch ADI Vic 1992 Size 70Lclothing, skirt, dress

Donated by Cpl Bramley who was in charge of our Catafalque party ANZAC Day 2006Cotton pale blue dress shirt. Sergeants stripes on shoulder. RAAF emblem patch on arm. Light blue plastic buttons front and chest pockets. Medal Ribbon comprising of Service Medal with Clasp, Australian Defence MedalRAAF Sergeants Stripes, RAAF Emblem. clothing, shirt

Donated by Cpl Bramley who was in charge of our Catafalque party ANZAC Day 2006 Blue cotton, Black elastic strap. Sewn Tag Noone Image Wearclothing

Believed to be US Army Infantry dress blue uniform cap introduced in 1954 Black peaked cap with patent leather peak. Peak is blue underside, and black upper with a row of gold oak leaves and thin leather edging. Black leather chip-strap is secured by two gilt buttons, 17 mm diameter, embossed with a hunting horn surrounded by a wreath of laurel. The sky blue hatband is edged with 2 mm wide gold embroidery. The inner headband is brown leather-like material and the lining is red fabric.Under the lining a metal tab supports the crown at the front of the cap and crown edge is reinforced by wire. The cap badge is missing (2 off 32 mm center holes) noneheadgear

Navy Blue Wool Felt Beret with RAAOC (Royal Australian Army Ordnance Corps) badge. Black polyester/cotton edging and adjustment tape. (inner lining has been cut out) Grey felt badge backing inside beret.Nilheadgear, beret

Pale Blue, linen/cotton material with fringing at each endWhite cotton tape stitched to corner of scarf with W227689 Houget D . Written in black ink.clothing, scarf

Standard issue slouch hatStandard issue slouch hat individualised by Corps badge and unit colour patch Khaki Australian Army slouch hat (fur felt) with khaki cloth puggaree. White above blue with purple square superimposed 42 mm square colour patch (142nd Signal Squadron) on right hand side of puggaree. Royal Australian Corps of Signals cap badge on front of puggaree. Brown sweatband. Brown leather chinstrap. Mounted on plywood mounting board.Latiners 1986 55 (size) gold stamped on sweatbandheadgear, slouch

Brown peaked hat with dark blue hat band with gilt and blue enamel metal Zimbabwe Republic Police cap badge. Chin strap and attaching buttons missing. Brown leather sweat band. Clear plastic crown liner with manufacturer and size label. Hand written owners details.Head band, crown edge and crown front reinforced. Manufacturer's Label "Botswana Cap Mfrs., Lobatse" Size Label "55" Red marker pen "824201Y Ellis S"headgear, cap

In 1888 a company was formed to acquire and subdivide the land of the Mountjoy Brothers. The land totaled 197 acres and included Erskine House. The land colored red was that of the Mountjoys. The subdivision map was printed in 1889A paper map of the Mountjoy Estate Lorne , showing allotments, with their owners, and naming land use. It has four black and white line drawings , Erskine House, Mountain View’s, the Rapids, Erskine House sea view and Erskine Falls. The map is largely black and white with red and blue colouring. The map is mstuck to brown paper. lorne, subdivision map, erskine house, mountjoy brothers,

This photograph is part of the Alan Charles Quinn collection of photographs and letters. Alan was sixteen years old when he went to sea and left behind a photographic autobiography.This photograph has been taken from the Brooklyn Docks and has a view of the Petali docked in port and downtown Manhattan in the background.Blue/green ink, handwritten: 26.9.49 The corresponding page in the original photograph album reads: "Downtown Manhattan from the Brooklyn Docks."missions-to-seamen, america, manhattan, brooklyn, docks, petali, new york, united states, ships, allan charles quinn, mission to seamen, seamen's mission, mission to seafarers

Alan Charles Quinn went to sea at the age of 16 and photographed his work and the places he visited. In keeping all of his photographs he created a pictorial autobiography. Also included in the Alan Charles Quinn Collection are letters written to and from his mother during his time at sea.Black and white photograph of the bow of the Queen Mary taken from a "street-level" view. On the very front of the ship there is a person visible as well as several people to the left of the photograph, peering over the railing.Blue/green ink, handwritten on reverse of photograph: "14.9.49" Handwritten on original page within photograph album: "Bow on at pier ninety"allan charles quinn, queen mary, ship liner, passenger ship, passenger liner, new york, usa

Panorama of 7 colour photos. View of Municiple Offices over bay. Shows History House, Cannons, Charles Street, War Memorial and Court House.Back: For History House - Taken 1987 while employed as cleaner for City Council/Regards/Robert (?) Morris.... (?) (blue pen, upper centre)

Glenelg Shire Council Records. Portland Development Committee.Aerial view of Thomas Borthwick & Sons, Abattoir, PortlandBack: Blue stamp - Portland Development Commitee. Greylead - Thos. Borthwick & Sons (Australasia) P/L.borthwicks, thomas borthwick, abattoir

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck?, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 Back: 18

UnknownPrint of a landscape scene in upper half of print. In a blue and orange sky are three roundels with (l-r): an indigenous soldier (c. WWII) overprinted with red and yellow, a depiction of the view of Earth from space, and a curled snake in reds and browns. In the landscape scene are line-drawn figures, a montage of items of modern technology and a child-like drawing of houses and cars in garages.Front: 26/30 (lower left) "Unentitled" (lower centre) Rex Davies Vicki Gordon Bruce Robert Peagram Maria Gibbs P. Tsernjavski Barb Sharrock (lower left) (pencil) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint with two birds (wrens) in the foreground. The birds sit on a branch with multi-coloured leaves and flowers. The background features a coastline with breaking waves and a light blue sky.Front: 5/11 (lower left)(pencil) Remember "Wren" it was like this? (lower centre)(pen) Signature (lower right) (pencil) Back: 5

Port of Portland Authority archivesFront: (no inscriptions) Back: 4 -3/8 (centre left, red pen) P (centre, blue pen) 6½ (lower centre, red pen) 12.12¾ (upper right, pencil) 8036 (upper right, blue pen)port of portland archives

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of outlined figures of two women and two birds over a coloured patchwork background. Female figures are sitting up with their head turned to the right and left hand across their chest. The background patches are blue, yellow, red and grey.Front: (no inscriptions) Back: 41

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of several birds (gannets). In the foreground is a white seated bird with a peach coloured head. Behind this bird are seven standing birds and one seated. The birds are printed on dark blue background.Front: Leanne Hollis (lower left) Back: 21

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.Front: 40/60 (lower left) "Dawn of an Error" (lower centre) CJ Snook '84 (lower right) (pencil) Back: 29

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33