Showing 192 items
matching bobbins lace
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Australian Lace Guild - Victorian Branch
Textile - Machine made lace: Torchon, Early 20th Century
... Machine made lace imitating Torchon bobbin lace. Insertion... imitating Torchon bobbin lace. Insertion. Costume trimming Textile ...Machine made lace imitating Torchon bobbin lace. Insertion. Costume trimming -
Australian Lace Guild - Victorian Branch
Textile - Machine made lace : Torchon, Early 20th Century
... Machine made lace imitating Torchon bobbin lace. Insertion... imitating Torchon bobbin lace. Insertion - costume trimming Textile ...Machine made lace imitating Torchon bobbin lace. Insertion - costume trimming -
Churchill Island Heritage Farm
Textile - Lace Fichu, C 1860
... Bobbin silk Maltese silk bobbin lace 6 petal tallies. Lace... patterns to be worked on bobbins which made it quicker. The lace ...Fichu is a term used replacing the kerchief or neckerchief and comes from the French. It was worn over the shoulders to preserve modesty for low necklines or to conceal the bodice hooks or laces used for closing. This hand-made Maltese lace fichu is exquisitely worked in silk. Judging by the photos provided it is quite large and would possible used to cover evening décolletage. It appears to be around 30cm in width and about 70cm in length and being silk would be quite warm for the lady wearing it and indicate social status and wealth. Maltese lace became very popular after being displayed at the Great Exhibition in London in 1851. It began as a needle lace but Lady Hamilton Chichester imported lace makers from Genoa in the mid 1800s and converted the needle lace patterns to be worked on bobbins which made it quicker. The lace is worked on long thin lace pillows and usually includes the 8 pointed Maltese Cross in the pattern, it is made in narrow widths which are sewn together to make bigger pieces such as in this fichu. Another feature of Maltese lace is the “wheat ears” or in this case petals made of plaits or tallies. There is so much work in this piece as all of the flowers are worked so close together that they appear to be solid fabricThe Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess womenBobbin silk Maltese silk bobbin lace 6 petal tallies. Lace fichupackaged with note "Fichu Maltese Lace c 1865"janet amess lace collection, lace, churchill island, janet, amess, bobbin, maltese, silk, embroidery -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, 19th Century
... Lace modesty front. Bobbin lace motifs appliqued onto... front. Bobbin lace motifs appliqued onto machine made net ...Modesty front to be worn as a filler with a low cut blouse or dress.Lace modesty front. Bobbin lace motifs appliqued onto machine made net. -
Australian Lace Guild - Victorian Branch
Textile - Mixed lace, 19th Century
... and of Filet. There is a border of Cluny style bobbin lace.... style bobbin lace. Textile Mixed lace ...This cloth belonged to Anna Sptiz (the donor's mother in law) and was part of her trousseau in the late 1800s.Mixed lace cloth with cutwork and insertions of Needlelace and of Filet. There is a border of Cluny style bobbin lace. -
Whitehorse Historical Society Inc.
Accessory - Handkerchief, Silk Handkerchief with Maltese Lace Border, Unknown
... Bobbin lace...Possibly made in Italy, the Maltese lace is bobbin lace...Possibly made in Italy, the Maltese lace is bobbin lace ...Possibly made in Italy, the Maltese lace is bobbin lace in the style of quipure.Square handkerchief with silk centre and Maltese lace border. The Maltese lace incudes leaves and tallies.lace, handkechief, maltese lace, bobbin lace, silk -
Churchill Island Heritage Farm
Clothing - Lace Collar
... bobbin lace...Honiton Linen mimic. Hand made individual bobbin lace... bobbin lace decorative motifs warp weft Honiton Linen mimic. Hand ...The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above. The names of the Amess women who owned the lace are: Jane Amess (nee Straughan) – donor Unity’s great grandmother (pet name Janet, but not used as it will confuse with Unity’s mother). Jane was the wife of Samuel Amess, first Samuel Amess to own Churchill Island. Frances Amess (nee Turnbull) – grandmother, married Robert Lisle Straughan Amess, 4th child of Samuel and Jane Janet Jickell (nee Amess) – mother, 2nd of two children of Robert and Francis, married James Jickell Unity Mary Bright (nee Jickell) was the donor, 2nd of two children of Robert and Francis.Honiton Linen mimic. Hand made individual bobbin lace motifs hand sewn together with bobbin made bridesjanet amess lace collection, lace, churchill island, amess, 1800s, bobbin lace, decorative motifs, warp, weft -
Flagstaff Hill Maritime Museum and Village
Accessory - Handkerchief, 1876
... coloured handkerchief. Drawn thread work with bobbin lace edging. C... thread work with bobbin lace edging. C. 1876 Accessory ...The handkerchief was made and owned by Mary Ann Simmons, born about 1857 in Cuckfield, Sussex, England. She died in 1914 in England. It was then owned by Edith Mary Etherton (nee Upton) born 10-2-1888 at Chatfield Cottages, London Lane, Cuckfield, Sussex, England. Mary died in Yarram, Victoria, Australia 29-3-1969. The next owner was Edith Mary Lodge (nee Etherton) aka Mary Coxedge, born 10-2-1959 at Chatfield Cottages, London Lane, Cuckfield, Sussex, England. She died in December 1998 at Nagambie, Victoria, Australia. The family moved to Australia in 1922. The last owner was Nancy Mavis Lambrick (nee Lodge) born 25-7-1937 at Tarralgon, Victoria, Australia. The handkerchief is a very good example of fine drawn thread handmade needlework and handed down through the family over generations. Ladies handkerchief. Hand worked, fine cotton, off-white coloured handkerchief. Drawn thread work with bobbin lace edging. C. 1876flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, handmade handkerchief, fine cotton handkerchief, drawn thread work handkerchief, ladies handkerchief, mary ann simmons, edith mary lodge (nee etherton), mary coxedge, nancy mavis lambrick, chatfield cottages, london lane, cuckfield, sussex, england, drawn thread work -
Whitehorse Historical Society Inc.
Clothing - Infant's Dress
... White lawn infant's dress with bobbin lace on neck, bodice...' handcrafts lacemaking White lawn infant's dress with bobbin lace ...Probably a Christening Gown.White lawn infant's dress with bobbin lace on neck, bodice, hem of sleeves and dress . Insert of lace near hem of dress. Pink ribbon threaded through eyelet lace.costume, infants', handcrafts, lacemaking -
Australian Lace Guild - Victorian Branch
Textile - Brussels mixed lace, Second half 19th Century
... type Brussels bobbin lace with Brussels Point de Gaze... type Brussels bobbin lace with Brussels Point de Gaze ...The roses show typical tiered petals. (Detail photo shows front and reverse of rose)Irregular shaped piece of Brussels mixed lace. Duchesse type Brussels bobbin lace with Brussels Point de Gaze needlelace inserts. Reclaimed from a much larger damaged piece. -
Australian Lace Guild - Victorian Branch
Textile - Brussels mixed lace, 1875-1900
... Bobbin and needle lace collar.... Fashion Bobbin and needle lace collar Textile Brussels mixed lace ...Use: Domestic. Fashion Bobbin and needle lace collar -
Churchill Island Heritage Farm
Clothing - Lace Collar, circa 1870
... bobbin lace... joined with bobbin-made brides. Honiton lace is characterised...Hand-made individual bobbin made lace motifs hand sewn... lace collar includes Honiton-style motifs joined with bobbin ...This handmade lace collar includes Honiton-style motifs joined with bobbin-made brides. Honiton lace is characterised by scrollwork and botanical motifs. Initially called 'bone' lace due to the bobbins being made from bone, it was developed in the small village of Honiton in Devon. It was thought to be brought from the Netherlands by Dutch refugees in the mid-16th century after the Dutch revolt. It grew in popularity after Queen Victoria chose this style of lace for her wedding dress and veil for her marriage to Prince Albert in 1840. It was again chosen for the royal christening gown which is still in use today. Brides, or bars, are the narrow connections between lace motifs that do not have a mesh background. They are ornamented in line with each individual lace technique, in this case with tiny picots at irregular intervals along the bar. Handmade items were highly sought after for their imperfections and irregularities as opposed to machine-made items which were repetitive in their perfection.This collar is part of a 94 piece collection of small lace items accumulated by four generations of Amess women, starting with Janet Amess in the 1850s. Hand-made individual bobbin made lace motifs hand sewn together with bobbin made brides. Cream colouredlace, churchill island, janet amess lace collection, bobbin lace, lace collar, amess -
Churchill Island Heritage Farm
Clothing - Lace Trim
... of the simplest forms of bobbin lace. This lace trim length (3cm x 65cm... of bobbin lace. This lace trim length (3cm x 65cm) which was hand ...Torchon lace, also known as ‘beggars’ lace is one of the simplest forms of bobbin lace. This lace trim length (3cm x 65cm) which was hand made, is off-white in colour. The thread used is thicker than that used on the finer needlepoint laces and was originally worked in linen although cotton was also used. Due to its strength and softness it was favoured to be used as a trim on undergarments.The Amess family owned Churchill Island from 1872 to 1929length of lace trim, off-white colour; hand-made Torchon (duster) lace; used on underwearchurchill island, lace, janet amess lace collection, amess, trim -
Port Melbourne Historical & Preservation Society
Tool - Tool, Probably a bone lace bobbin
... Tool, Probably a bone lace bobbin...Bone implement, probably lace bobbin... implement, probably lace bobbin Tool Tool, Probably a bone lace ...Dug out of donor's garden at 246 Stokes StreetBone implement, probably lace bobbindomestic life, handcrafts -
Churchill Island Heritage Farm
Clothing - Lace Trim
... , it is a fine copy of a handmade torchon bobbin lace, although slightly... of a handmade torchon bobbin lace, although slightly wider than ...A machine made lace trim with a straight upper edge, the pattern being a repetition of spiders and fans this 133cm length is quite wide and luxurious at 6.7cm width. Although machine made, it is a fine copy of a handmade torchon bobbin lace, although slightly wider than the traditional torchon..The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women, see above. machine made lace trim, straight upper edge, picots along bottom edgechurchill island, lace, janet amess lace collection, amess, trim -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LINEN LACE COLLAR, Late 1800's
... Clothing. Large collar of linen Bobbin lace. High round... collar of linen Bobbin lace. High round neckline, with two 16 cm ...Clothing. Large collar of linen Bobbin lace. High round neckline, with two 16 cm deep peaks at the front. A floral design of five petalled flowers. (in groups of three) surrounded by scroll effects. Scalloped edges of the lace surround the outer edge.costume accessories, female, linen lace collar. -
Kew Historical Society Inc
Clothing - Linen Waist Band and Lace Drops, 1900s
... front and back. It curves downward to enable the two bobbin lace... to enable the two bobbin lace panels to hang downwards. Has four ...The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. Curved white cotton band with pin tucked rectangular inset front and back. It curves downward to enable the two bobbin lace panels to hang downwards. Has four crotched buttons. The stiches used are plait stitch, cloth stitch, and mesh stitch.lace, women's clothing -
Churchill Island Heritage Farm
Textile - Lace Trim
... to be a Cluny lace style of bobbin lace which is heavily plaited... style of bobbin lace which is heavily plaited and worked in one ...This fine lace trim at 1.6cm width is quite narrow, the pattern is geometric in style with one side a selvedge and the other a gracefully scalloped picot edging. It appears to be made of cotton although it could be silk, and ostensibly looks to be a Cluny lace style of bobbin lace which is heavily plaited and worked in one continuous piece. Cluny lace is geometric in pattern often with thin radiating wheat ears. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces such as Cluny. The machine developed from a braiding machine and uses bobbins which imitate the hand movement of hand-made lace makers. This fine lace trim may adorn a child’s collar and cuffs or trim a finely pleated blouse. It may also trim a mob cap or a shawl.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.machine made lace trim with selvage edge on one side and scalloped edge with picots, geometric interior churchill island, lace, janet amess lace collection, trim, amess, cluny -
Churchill Island Heritage Farm
Clothing - Lace Collar
... of guipure, bobbin lace. The Maltese lace in particular gave..., bobbin lace. The Maltese lace in particular gave the Bedfordshire ...Although well-worn and somewhat damaged, this elegant lace collar is handmade and is a combination of some different styles. Bedfordshire lace, or simply Beds lace, and also known as Bedfordshire Maltese lace, was based on local lace forms traditionally produced in the English Midlands and on the Maltese lace that was developed in the early nineteenth century and on show at the Great Exhibition in London in 1851. Maltese lace, and Bedfordshire lace, are forms of guipure, bobbin lace. The Maltese lace in particular gave the Bedfordshire lace its rounded leaf patterns and in this case its delicate brides and edging. The motifs appear to have been added and are most likely to be examples of Cluny lace which is of French origin and is a heavy plaited bobbin lace which is geometric in design often with radiating wheat ears. The motifs in this lace collar bear a very strong resemblance to Carrickmacross lace which is Irish in origin and is crafted by placing first the pattern, then fine muslin through which the pattern can be seen and then stitching around the pattern and finally cutting the excess muslin away. The pattern is decorated further with needle run stitches.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Maltese bobbin (NGV) Bedfordshire Cluny style hand made plaited lace janet amess lace collection, lace, churchill island, amess, collar, garment, clothing, maltese, bobbin, handmade, plaited, bedfordshire cluny -
Mont De Lancey
Bobbins
... A pair of wooden lace making bobbins.... equipment A pair of wooden lace making bobbins. Bobbins ...From the home of Mrs. H.N. LordA pair of wooden lace making bobbins.bobbins, sewing equipment -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: LACE COLLAR SQUARE SHAPE, Late 1800's early 1900's
... profile at front and back. Cream linen Brussell's bobbin lace... and back. Cream linen Brussell's bobbin lace, with an all over ...Clothing. Rectangular in shape, the collar has a square profile at front and back. Cream linen Brussell's bobbin lace, with an all over small daisy ( 1.5 cm diameter ) design. Rounded at the neckline, with one opening, probably at the back of the neckline, the collar is 14 cm deep. Outer edge is scalloped - 3.5 cm wide scallops.costume accessories, female, large lace collar square shape -
Churchill Island Heritage Farm
Clothing - Lace Trim
... Here we have a generous length of a bobbin lace (2.5 x... a generous length of a bobbin lace (2.5 x 298cm). Half of the lace ...Here we have a generous length of a bobbin lace (2.5 x 298cm). Half of the lace next to the selvedge is diamond shaped net with spiders interspersed at regular intervals while the top edge alternates between crosses and a segmented citrus design reminiscent of Valenciennes lace. It was finished with a delicate scalloped edge. This style of lace was never used for fashionable clothing but was suitable for bed linen, lingerie and the fichu (the outer scarf worn over a woman’s shoulders)The Amess family owned Churchill Island from 1872 to 1929length of white lace, Half pattern is net, other half is alternate four petal flowers and six petal flowers. Scalloped edge.churchill island, lace, janet amess lace collection, amess, trim -
Churchill Island Heritage Farm
Textile - Lace Trim
... lace machine was developed in Germany on the 1890s. Its bobbins... of the bobbins of a handmade lace maker and it made perfect copies ...This sample of lace trim is Torchon lace in the Cluny style with the geometric pattern and the classic wheat ears/leaves appearing between the filled ‘v’ shapes. At 5cm in width, it would be a beautiful trim or insert piece on bed linen and undergarments. It would certainly have been made on a Barmen machine. The Barmen lace machine was developed in Germany on the 1890s. Its bobbins imitated the movement of the bobbins of a handmade lace maker and it made perfect copies of Torchon and other similar bobbin laces. This style of bobbin lace was the simplest to make and therefore the cheapest lace to buy. In the Elizabethan era, the wearing of lace was reserved for the nobility and anyone of lesser standing than a knight who dared to wear lace would be publicly whipped. As the years passed, the restrictions lessened gradually and in the late Georgian and Victorian eras, ladies of the nobility sought to perform good deeds by teaching women and girls of the poorer classes to make lace and thus it became known as beggars lace. Bobbins were expensive and use was made of animal bones and even fish bones to perform as bobbins therefore another common name was bone lace. Many noble women entered a religious order and these nuns would also teach to skill to willing participants as well as making lace for clerical garments. Although the monarchy restricted the wearing of lace for some time, many royal figures in history did a great deal to popularise it. Two noteworthy examples were Queen Adelaide (1792-1849) and Queen Victoria (1819-1901).The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by three generations of Amess women - Jane, Janet and Unity. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island.machine made Torchon and Cluny lace trim with both edges similar, v shape design and 8 braid geometric design in centrechurchill island, lace, janet amess lace collection, amess, trim, torchon, cluny -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
... lace machine was developed in Germany on the 1890s. Its bobbins... of the bobbins of a handmade lace maker and it made perfect copies ...This sample of lace trim is Torchon lace in the Cluny style with the geometric pattern and the classic wheat ears/leaves appearing between the filled ‘v’ shapes. At 5cm in width it would be a beautiful trim or insert piece on bed linen and undergarments. It would certainly have been made on a Barmen machine. The Barmen lace machine was developed in Germany on the 1890s. Its bobbins imitated the movement of the bobbins of a handmade lace maker and it made perfect copies of Torchon and other similar bobbin laces. This style of bobbin lace was the simplest to make and therefore the cheapest lace to buy. In the Elizabethan era the wearing of lace was reserved for the nobility and anyone of lesser standing than a knight who dared to wear lace would be publicly whipped. As the years passed the restrictions lessened gradually and in the late Georgian and Victorian eras ladies of the nobility sought to perform good deeds by teaching women and girls of the poorer classes to make lace and thus it became known as beggars lace. Bobbins were expensive and use was made of animal bones and even fish bones to perform as bobbins therefore another common name was bone lace. Many noble women entered a religious order and these nuns would also teach to skill to willing participants as well as making lace for clerical garments. Although the monarchy restricted the wearing of lace for some time, many royal figures in history did a great deal to popularize it. Two noteworthy examples were Queen Adelaide (1792-1849) and Queen Victoria.(1819-1901).The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Machine made Torchon lace in Cluny style, with geometric patterns and wheat design, probably on a Barman (Swiss) machine. janet amess lace collection, churchill island, lace, trim, amess, barman, machine -
Churchill Island Heritage Farm
Clothing - Lace Piece
... of a bobbin lace with a plaited octagonal ground. The Leavers machine.... The pattern in the piece is a copy of a bobbin lace with a plaited ...This length of machine made lace could only be made on either the Raschel or the Leavers machine, however the Raschel only produced an hexagonal ground, therefore we must lean towards the Leavers machine. The pattern in the piece is a copy of a bobbin lace with a plaited octagonal ground. The Leavers machine could reproduce all sorts of grounds, it was very versatile and operated from the mid 19th century until the present day. This lace is quite fine and would look lovely as a trim on a fichu or mob cap.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries.length of machine lace with repeating 'spoked wheel' designs, trimmed on one side with a scalloped edgechurchill island, lace, janet amess lace collection, amess, machine -
Kew Historical Society Inc
Textile - Lace Edging, 1920s
... reflected this diversity. This form of bobbin lace is made... this diversity. This form of bobbin lace is made in Malta ...The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. This form of bobbin lace is made in Malta. It is a guipure style of lace. Maltese lace is worked as a continuous width tape lace on a tall, thin, upright lace pillow called a "Trajbu" and the Bobbins are called "Combini" . Bigger pieces are made of two or more parts sewn together. Lace made in Malta was originally needle lace, from the 16th to the 19th century, when the economic depression in the islands nearly led to the extinction of lacemaking there. But in the mid 1800s, Lady Hamilton Chichester sent lacemakers from Genoa to Malta. They used the old needle lace patterns and turned them into bobbin lace, which was quicker. It was not long after its introduction that the Maltese lace developed its own style from Genoese lace. Maltese lace was shown at The Great Exhibition of 1851 and it became popular in Britain. The style was copied by lacemakers in the English Midlands, and it was one of the sources for Bedfordshire lace. Maltese lace usually has the following characteristics which are useful for identification: It is usually made from cream silk. There is often the 8 pointed Maltese cross as part of the pattern, worked in whole or cloth stitch.The pattern may also have closely worked leaves known as “wheat ears” or “oats”. These are plump and rounded in shape, rather than the long narrow leaves of other types of bobbin lace. Maltese lace edging. It shows the Wheat ears, characteristic of Maltese lacelace, maltese lace, lace tape -
Bendigo Historical Society Inc.
Domestic Object - PATCHWORK, EMBROIDERY, NEEDLEWORK, CROCHET, LINEN & LACE, Unknown
... 1 Mesh Grounded Bobbin Style Tape Lace Clothwork Table...://www.lynxlace.com/kindsoflace.html 1 Mesh Grounded Bobbin Style Tape Lace ...1 Mesh Grounded Bobbin Style Tape Lace Clothwork Table Cloth or Doily.manchester, table linen, lace tablecloth centrepiece/doily, https://www.lynxlace.com/kindsoflace.html -
Churchill Island Heritage Farm
Textile - Lace Piece
... is a bobbin lace characterized by the diamond shaped net. Unlike... machine. It is Valenciennes in style which is a bobbin lace ...This lace appears to be a beautiful product of the Leavers lace making machine. It is Valenciennes in style which is a bobbin lace characterized by the diamond shaped net. Unlike comparable Mechlin lace it does not have a gimp thread outlining the pattern. Valenciennes lace originated in France but perhaps due to religious persecution later moved to Ypres in Belgium and was very popular in the 18th century. It was simpler to produce than Mechlin lace and was never used on expensive garments but reserved for bed linen, lingerie and the fichu. By the 19th century it was made by machine which made it cheaper and even more accessible.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide representative examples of techniques from the late nineteenth to the early twentieth centuries. Machine made Valenciennes lace with a floral design on a fine mesh background, and one scalloped edge.lace, churchill island, janet amess lace collection, amess, machine -
Whitehorse Historical Society Inc.
Craft - Sewing and Embroidery Threads
... thread. One Coats 60 thread bobbin lace white on a wooden reel... thread. One Coats 60 thread bobbin lace white on a wooden reel ...Five embroidery threads in skeins of shades of yellow (2) and green (3). One large wooden spool with small amount of brown thread. One Coats 60 thread bobbin lace white on a wooden reel. One Sylko 24 beige thread on wooden reel. One small wooden reel with no labels and pink thread. One ball of DMC 12 Perle thread in pale pinkCoats - J & P Coats 1000 Beste Qualitat meter vier fach Spezialertzeugnis fur fabrikanten 60. Dewhurst's Sylko Machine twist 24 Silk Substitute Shells. DMC Coton Perle 12 Made in France 10grams 141 yds. Anchor Soft Embroidery Fast Colour 110m/10.9 yd. Lesh & Handsley Perline Mercerised cottons . Sylko Trademark Embroidery Shade no 13 Made in England Silk Substitute J Dewhurst & Sons (Skipton) Size A color 334 -
Whitehorse Historical Society Inc.
Textile - Lace Piece, 2022
... Blue lace piece, 7 circles, Teneriffe lace and bobbin.... piece, 7 circles, Teneriffe lace and bobbin. Textile Lace Piece ...Lace made by Vicki Jones EvansBlue lace piece, 7 circles, Teneriffe lace and bobbin.lace