Huttley - Martin FamilyCard: Cream foxed. Stained, worn. Photograph B/W: 1 Woman Seated, white dress holing bouquet hair hair hanging loose over right shoulder, ribbon around head. 1 Male standing to left with arm resting on back of chair, wearing 3 piece suitEmbossed on card: With Best Wishes. Printed on card The Burlington Studios 254 Bourke St Melbourne. O Rear of Card Madge & Ray Huttleyhuttley, martin

Classic Australian Poster Series. Limited edition reproduction No.15. All gifts and souvenirs P/L - Melbourne (03) 328 4025.1. Poster - paper, white print on poster, illustration in colour, woman holding a large bouquet of flowers. Red Cross depicted bottom right corner. Poster stored in cardboard tube. 2, Tube - storage. Cardboard with two plastic caps. Adhesive label in colour depicting small copy of poster and edition information.Printed on poster "Welcome Back - by the/ Australian/ Red Cross/ Society"red cross, poster

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Three postcards and one greeting card. The postcards depict a photograph of a city with text reading "Board of Works" overlaid; a man posing with an early 1900s airplane; and an illustrated cartoon man and woman walking on a road in a rural area in Europe. The greeting card has text that reads "Loving Greetings" and a raised floral bouquet design made of plastic.haeusler collection, wodonga, postcards, postcard, post, mail, airplane, greeting cards

Black and white photographImage shows Governor of Victoria, Sir Dallas Brooks and Lady Brooks (left- hand side). Town Clerk F. Dwerryhouse 3rd from left. Mayoress Mrs Lavis presenting bouquet to Lady Brooks. Mayor Cr. Bert Lavis wearing glasses, Mrs Dwerryhouse.

Black and white photographImage shows State Governor Sir Dallas Brooks and Lady Brooks (left-hand side). Town Clerk F. Dwerryhouse 3rd from left. Mayoress Mrs. Lavis presenting bouquet to Lady Brooks. Mayor Cr Bert Lavis wearing glasses, Mrs. Dwerryhouse.

Sepia photograph large group of men and women outside. 8 Woman + 23 men standing, 4 women with flower bouquets. Men wearing top hats. Mounted on grey board. Inscription: handwritten in ink on the back, 'A.N.A. convention. (note badges)/Bendigo show grounds ± 1900' in bal pen 'Councillor J.H.Curnow at end right back row'organization, club/society, a.n.a

Photograph of four men and two women in wedding pose. The two women are standing either side of a male sitting in a chair, there are two other males standing behind them and on the right of the group is a clergyman. Bride is wearing an ankle length bridal frock with tiara and veil and white shoes, the other lady is also wearing white and both are carrying bouquetsperson, group, wedding party, wedding party

From the Chapman family photograph albumStudio Photograph on card Backing Drop background ferns rail rustic bench. Elderly woman sitting on bench - dark dress with puff sleeves. Dark fascinator tie/scarf. Holding bouquet. Young woman standing in dark suite long skirt fitted jacket - pockets unbuttoned. something attached to breast pocket, white blowers with bow tie. Great Grandmother Henderson (nee Mary Ann McCord and daughter Ruth

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A yellow and blue ‘Wattle Day’ badge featuring a seated girl holding a bouquet of wattle. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide on 1 September 1910. Public support for Wattle Day peaked during World War I, when it was a potent symbol of home for military personnel serving overseas, and a means of raising money for organisations such as the Red Cross."Wattle Day"patriotic buttons, wattle day, first world war (1914-18), badges

Photograph. Wedding photograph of Mrs James Mitchell nee Ella Nicholls (Bendigo). Brown cardboard surround. Photograph - black and white 18.5cmX13.5cms. A .5cm wide dark brown border surrounds the photograph, and the edge of the mount. Bride wears a beautiful silk and lace gown, a floral head-dress holds a floor - length veil, and she wears fingerless gloves and carries a large round bouquet.Photo, Eden Studios Melbourne P697. On back of photograph: hand written - About 1912. Mrs James Mitchell nee Ella Nicholls (Bendigo).photograph, person, wedding photo of mrs james mitchell, refer research notes included in clothing box 136

black and white photo on dark gray board. Wedding group: Mr. and Mrs. Arthur Swanwick, ( nee Jessie Campbell ) 3 males, two seated , one stganding, in three piece suits, white bow ties and gloves. Females in white frocks, hats and carrying bouquets. Lace curtains on window. In ball point pen on back ' Mr and Mrs Arthur Swanwick, nee Jessie Campbell'Kalma, Pall Mallperson, group, wedding

sepia photo on fawn board. A group of eight young ladies in fancy dress, as attendants of a queen, taken in the photographic studio of W.Vincent Kelly. The large ermine edged robe is swirled on the floor in front of the standing and seated damsels six of whom are holding bouquets. Inscription: 'W.Vincent Kelly\Mitchell St\Bendigo' on mount. RHSV stamp on back, Bendigo branch. Hand written' with love from Marjorie 1917?'W.Vincent Kellyperson, group, fancy dress, queen and attendants

Jean Stirling , born 1901 in Orbost, married Charles Frances Reginald Joyes on 15th July 1922 in Orbost. Jean's father was John Stirling, son of James Stirling and Ann Gray. Her mother was Robina Harvey McNair, Aged 19 James Stirling arrived in Melbourne on January 26, 1842 with his family - parents, three sisters and two brothers. James Stirling moved around a lot to Whittlesea, Ballarat goldfields, Cunninghame, (now Lakes Entrance), then to the Old Station about 36 miles to the east along the coast near the mouth of the Snowy River and for a time settled there with his wife also from Wigton, Scotland, and their family four sons two daughters (James, John, William, George, Margaret and Polly). The first settler to occupy the Marlo township area was James Stirling around the year 1875. He built a bark hut on the bluff that had two rooms, bark walls, earthen floors and a shingle roof. By 1884, this structure had expanded to a 9 roomed accommodation house and in 1886 became the Marlo Hotel when a liquor license was granted. (more information from “Snowy River Mail”, Wednesday, April 13th 1977: MEMORIES OF MARLO by Mrs Elsbeth Conlon (nee Stirling )This photograph is associated with the Stirling family early settlers of Marlo. It is also a pictorial record of styles of wedding dress popular in the 1920s.A black / white studio portrait / photograph of a bridal couple. The bride on the left is wearing a typical 1920s wedding dress. tTe front is short with a hem that is in different length in front than behind. She is wearing a hat in the cloche-style. She is holding a bouquet of flowers and her train is draped to the left. The groom is wearing a three piece morning suit. he has a with a wingtip collar white dress shirt and a cravat tie.on front - hand - written "Jean Stirling's wedding (Marlo) ? Joyce"stirling-jean-wedding melba-&co wedding-clothing-1920s joyes-charles-francis-reginald

Black & white photograph of a bride. She is wearing a long, white dress with a lace panel starting at about knee length. The bodice is lace and the dress has elbow length sleeves. She has elbow length gloves with a bracelet on her right arm. She has a long veil with embroidery at the lower edge. Her bouquet with it's large white bow is on a pedestal in front of her. Photo is mounted on white cardboard.The Muntz Studio, Puckle St., Moonee Pondsphoto, individual, wedding, foster & wilson collection, photograph

Copy of a photograph of a large group of men in formal dress, all holding bouquets. On the side of the photo there is written : 'Note from Alex H. Stone, probably a photo of the local? Club of the Melbourne Druids Lodge. They would distribute toys and sweets to the children of St. Aidens Orphanage and then take ____? ______? Home on the train? ( The handwriting is very hard to decipher). This photo was sent to the Bendigo Historical Society by D. McFarlane, 5W Water St. Cairns.W. H. Robinson Bendigoperson, group, druids, druids, alex h. stone, st. aidens orphanage, d. mcfarlane

Photograph.The Patricia Coles (nee McLean) collection. Bendigo Easter Parade Queen Competition 1930. Copy of a black and white photograph. Four women and two small girls. The Easter Queen holds a large bouquet. The two small girls are identified. Joyce Jeffries, on the left, daughter of Mary & Joe Jeffries, Quarry Hill hoteliers. On the right, June McLean, daughter of Nellie & Tom McLean, United Kingdom Hotel, Golden Square.bendigo, entertainment, easter parade queen competition, bendigo easter fair. bendigo easter parade queen compettion. mclean family of golden square. united kingdom hotel.

Druids are known to exist from around the 3rd century B.C. Their name may have come from a Celtic word meaning “knower of the oak tree.” Many of their ceremonies were carried out in oak groves, which they considered sacred and members were, at that time a mix of priest, judge, doctor and philosopher. The Druids enjoyed a revival in the 19th century and were taken up enthusiastically during the Victorian era. Druidry was believed to have been introduced into Australia in 1851 with the setting up of the first lodge in Melbourne under the name United Ancient Order of Druids. Unlike the Freemasons, the Druids were not a secret society and were not selective in who they let in, as long as they paid their dues and acted more like a benevolent society than a spiritual movement. "They originally operated when there were few benefits available from the government or employers and the introduction of sick leave and other employer provided benefits, combined with the gradual introduction of government subsidised medicine, caused the need for them to diminish." Druids House — in Swanston Street, was opened by the Lord Mayor in 1927 and was designed to be the movement's national head office. It was completed at a cost of 19,000 pounds. This photograph was believed to have been commissioned by the Druids of Bendigo to the Licensees of the Queens Head pub where they regularly met, situated on the corner of the Bendigo-Maryborough Rd & the Calder Alternate Hwy ( Lockwood Cross Roads). The old Marong Council offices were situated opposite from 1864 until around 1908 when new offices were then built in Marong. It is believed that this photograph and a photo of the pub were given to Marong Shire by descendants of the publicans, probably in the 90’s. Framed black and white group photographic portrait of 37 members of the Sandhurst Chapter of the Druids staged and shot outdoors. Each of the gentlemen is carrying a bouquet of flowers. The photograph has a gold inner mount with the second mount cut to give the impression of a frame. The outer mount is hand painted with botanical motifs and elaborate text c.t. DRUIDS Sandhurst Lodge/ No 247. l.c Presented to Mr and Mrs Chadwick / Lockwood / in recognition for kindness rendered.W. G. Robinson / Photo and J.H. Gribble / Long Gully / 1,11,10robinson photographer, j.h.b. gribble artist, chadwick, shire of marong, city of greater bendigo portraits, city of greater bendigo community groups

Object. A rectangular reinforced cardboard green silk and velvet covered chocolate box. Inlaid with a trapezoid of green silk padding and screen printed silk decoration of 2 ladies in Edwardian costume holding a bouquet of flowers. Centrepiece is bordered in green binding. Lid has a gold clasp and base has 4 brass round feet but one is missing. Tag on Base Pure Concentrated Cocoa By Special Appointment J.S. Fry & Sons Limited Bristol & London.J.S. Fry & Sons Limited Bristol & London.domestic equipment, food storage & preservation, container chocolate box

The article in the Herald of the day describes the event: "WEDDING AT SEAMEN'S CHAPEL Reception at Hotel Windsor The pretty little chapel at the Seamen's Institute was packed with interested friends this afternoon, when Miss Dora Walker, one of the Mission's most enthusiastic and efficient voluntary helpers, chose it as the setting for her marriage with Mr H. P. Simpson, son of Mr and Mrs J. H. Simpson, of Mornington. A group of her fellow workers decorated the chapel with lovely pink and white gladioli, carnations and roses. The ceremony was performed by the Rev. J. R. Weller, chaplain of the Mission, and the bride was given away by her father, Mr A. W. Walker, of Manning road, East Malvern. She wore a lovely ivory georgette frock, the finely tucked skirt being fashioned with a deep transparent hem of Chantilly lace. Over it fell a beautiful Honiton lace veil mounted on tulle and arranged to give the ef fect of a train. Fragrant white roses composed her bouquet. Two attendants followed her down the aisle — her sister, Miss Molly Walker, and Miss Ella Kendall — both wearing dainty shrimp pink georgette frocks and large crinoline straw hats in the same shade with a dainty edging of tulle. They carried bouquets of pink cactus dahlias nnd delphiniums. Mr Louis Buscombe was best man, and Mr George Thompson grooms man. After the ceremony Mr and Mrs Walker entertained about 50 guests at the Hotel Windsor."In 1928 there were not many stained glass windows in the chapel, giving that bright light inside.2 original prints and a reprinted versionwedding, dora walker, st peter chapel, flinders street, dora simpson, lhlg, amy dora walker, molly walker, elle kendall, reverend j.r. weller, harry simpson, missals, flowers, bookcase

The order of service of the event at the MCG attended by the Queen on 25 February 1954. It was held by the ex-servicemen and ex-servicewomen of Victoria and the War Bereaved. Legacy played a part. A Legacy ward presented the Queen with a bouquet of flowers and the junior legatees performed for her by forming the letters 'E.R.' on the ground. This was organised by the instructors of the girls and boys classes including Miss Enez Domec Carre. It was the official commemorative document of the occasion. The Queen visited the MCG twice during her visit to Melbourne, once was this exservicemen rally when Legacy children attended, and a second time when it was for all school children. Pathe News footage of the ex-servicemen rally show a two legacy children presenting a posy (see photo above). An article in the Legacy Newsletter in July 1954 featured the event and says Beverley Emsley and Trevor Rees were the children presenting the bouquet and they were accompanied by an escort of: Cam Secombe, Gordon Spong, Dan Craig, Lawrence Challis, Tony Minogue, Elaine Turner, Marie Hunt, Margaret Paltridge, Glennis Foder, and Judith Bishop. The newspaper article for the children's rally said "Legacy wards Brenda Mutimer, 11, of Princes Hill Central school, presented a posy to the Queen and John Barker, 14, of Box Hill High school handed the Duke two Australian animal books for Prince Charles and Princess Anne." After the visit there was an Essay Competition and the winners were published in the newsletter. 1st for juniors was Rosemary Wilson, 1st for Intermediate was Beth Hudson, 2nd Intermediate was Marion CameronA record of Legacy being involved in the royal visit of Queen Elizabeth and the Duke of Edinburgh in 1954.Printed programme x 4 pages for the ex-servicemen event at the MCG for the Queen on 25th February 1954.royal visit, junior legatee outing

Scrap book in school exercise book (Miss Pike or Pyke -?) of 'Toorak House', Mollison St, Bendigo. Contents include newspaper cuttings, nature, royalty. Plus certificates 1891 and 1892 of prizes in shows of the Bendigo Agricultural and Horticultural Society, Melbourne Royal Horticultural Society of Victoria; Eaglehawk Horticulltural Society; Bendig Horticultural Improvement Society. Also - copy of 1888 Bendigo Science Society lecture on the 'Queensland Mudfish' given by MacGillivray; Newspaper cutting on a bouquet presentation to Lady Quick.person, individual, scrapbook

Photo of a wedding group. Photo has black & brownish colouring. There are six men and six women in the group. One man and three women are seated and the rest are standing. All the men are wearing 3 piece suits and 5 of the women are wearing light coloured dresses and the 6th one has a dark dress with a white collar. They are all wearing hats. 3 of the ladies are holding large bouquets. Photo mounted on cream cardboard with raised frame 10 mm from the edge of the photo.W. Vincent Kelly Mitchell St Bendigophotograph, portrait, group, foster & wilson collection, photograph, wedding photo

Photograph. The Patricia Coles (nee McLean) collection. Bendigo Easter Parade Queen Competition 1926. Copy of an original black and white photograph of 5 women and two small girls posed with bouquets. The two children are identified as Shirley McLean on the left and June McLean on the right. Gwen McPherson is second from right. She was the daughter of McPherson, a senior policeman in Golden Square. Shirley and June were the daughters of Nellie & Tom McLean of the United Kingdom Hotel, Golden Square and sisters of Patricia.bendigo, entertainment, easter parade queen competition, bendigo easter fair queen parade competion. mclean family of golden square.

At 5pm on 2 May 1975 at Christ Church, Hawthorn, the wedding took place between Kathryn Gwynn Marx of Mason Street, Hawthorn, and William Peter Reeve of Mountain Grove, Kew. The bride's dress was purchased from the 'House of Franke, Stuart', 612 Glenferrie Road, Hawthorn, a very popular place in the 1970s for brides. Kathryn was educated at Ruyton Girls' School with Margaret Franke so it was a nice connection. Margaret's family business had been in operation since 1926. I loved my wedding dress. It was soft and comfortable to wear and kept me warm on the May evening. It was elegant and I knew I would never get the chance to wear something with a long train again. Walking down the staircase at the Windsor Hotel in Melbourne felt very grand; a memory I still hold today. (Kate Reeve, 2022) [Note: Two photos and a newspaper article which are viewable in the image carousel are held in the donation file]Strong local provenance to Hawthorn, Kew and Boroondara due to owner and retailer. It is a representative example of wedding dresses sold in the 1970s. The wedding dress is made of fine soft white jersey with guipure lace around the neckline, wrists and bodice. The long train has three small discreet loops along the hemline which can be slipped onto a finger for a draped effect giving ease of movement for dancing etc. A satin trimmed veil covered the length of the train and was secured on the head with a satin coronet. White leather shoes were worn. The bouquet Phalaenopsis orchids. (Note: the veil and shoes were not part of the donation)Label: Franke Stuart / Hawthornfashion & design - 1970s, wedding dresses, kate reeve, peter reeve, franke stuart, retailers - glenferrie road - hawthorn (vic.)

This wedding dress and headpiece were worn by Emily Elizabeth (Betty) Cock (1907-2001) when she married Euston Murray Nutchey at St Andrew's Church, Brighton, on 28 April 1938. The bride's great-grandmother, Emily Cock (nee Smith), was married in the same church 69 years earlier; Emily's dress is also in the Brighton Historical Society collection. The dress was made by Melbourne dressmaker Beatrice Cook, with distinctive blue beaded panels worked by Betty's younger sister Margaret (1915-2006) to match the wedding's blue-and-pink colour scheme. The dress was accessorised with a pale blue tulle veil and a bouquet of blue hydrangeas, delphiniums and pale pink roses.Satin dress cut on the bias, originally ice-blue, now faded to cream. The dress features a long train and broad v-neck. The bodice and waist are softly ruched and gathered on either side of a finely beaded centre panel running from the neckline to the hem. The beadwork features a design of small cream-coloured leaves winding between large stylised blue flowers and leaves, all bordered with silver beads. Full-length sleeves are slightly puffed at the shoulder, narrowing to a close fit, with beaded cuffs matching the centre panel. The dress is accompanied by a matching blue, cream and silver beaded coronet or headpiece; this was originally worn with a pale blue tulle bridal veil.Label, woven mauve on beige silk, centre back: Beatrice Cookbetty cock, betty nutchey, emily elizabeth cock, emily elizabeth nutchey, euston murray nutchey, beatrice cook, wedding dress, st andrew's church brighton, 1930s, frances margaret cock, frances margaret ward

Photograph of President John Sullivan presenting flowers to Mrs Ruth Ellis for her 89th birthday. Also another photo of her involved with a preparing newsletters for posting with other widows. The yellow paper label says: "Legacy widow, Mrs Ruth Ellis, would not let the fact the it was her 89th birthday interfere with her 'work' at Legacy House. For the past 14 years Ruth has faithfully helped prepare the fortnightly bulletin ready for posting. But Legatee President John Sullivan, did not let her escape without presenting a beautiful bouquet of flowers on behalf of his fellow legatees and staff at Melbourne Legacy." It was with a group of photos from 1990/91 in a folio with paper labels.A record of a widow being appreciated for her volunteer work at Legacy and reaching 89 years of age.Colour photo x 2 of the 89th birthday of Mrs Ruth Ellis.Yellow paper label describing her 89th birthday in black type.widows, birthday, widows club

Wooden cigar box which would have held 25 cigars made by Henri Wintermans in Holland. Henri Wintermans first started production in The Netherlands in 1904. The brand covers all sizes of cigars.Black velvet label with grey pictures of tobacco plant, two lighthouses and the words "Henri Wintermans" on top. Sticker on side: "Fabrikaat & Bouquet" gold & black "Henri Wintermans". Bottom: Stamp 8-57 (possiby a date) / Stamp - 25 cigars, HOLLAND Inside: Same velvet label with gold printing of tobacco plant and "Henri Wintermans. Etched into both sides: "Henri Wintermans". smoking, cigars, henri wintermans