The annual report outlines the achievements of the year, financial position and client stories. Other articles outline centenary appeal, the redevelopment of Brighton, the introduction of CDs in the library service and expansion of the Community Aged Care Program.3 printed pages with illustrationsassociation for the blind, corporation records

Unknown portrait of an older female, slightly smiling and facing away from the camera. She is wearing a white collared top and a darker coloured cardigan or jumper. She could be either a client or a staff member.royal victorian institute for the blind, portraits

The Leigh Garwood Mobility Training Centre in Kensington provides a safe and realistic environment for clients to train with their new Seeing Eye dogs. This sign was added to Welcome visitors to the centre and acknowledge sponsors involved with it's construction.seeing eye dogs australia, leigh garwood mobility training centre, signage

This book is a diary (1926 and 1927) which appears to contain summaries of letters written to clients of the Warrnambool legal firm, Mackay and Taylor. The summaries give the name of the recipient(s) and the content of the letter. The numbers next to the summaries may refer to the number of the client or the number in the letter book. George Mackay who died in 1926 set up the original legal firm in Warrnambool in 1891 and merged with James Fletcher in 1893 to form the Fletcher and Mackay business. In the early 1920s J. Taylor joined the business then known as Mackay and Taylor. This business with other partners survived in Kepler Street until the 1990s. This book has some significance as it contains the names of many residents of Warrnambool and district during the 1920s and gives some indication of their dealings with their lawyers. It also shows the system used at the time to record the transactions of law firmsThis is a ledger with a black cover and red binding (foolscap size). There are 190 pages, each one ruled with blue lines and a red margin line. The entries are handwritten in black ink. Front cover: ‘Minute Book’ (actually a diary) Spine: ‘Diary’ (in black ink) mackay and taylor

Kate Law met with Anthony Callea backstage at Wicked, and along with some other clients, got an up close experience with the costumes. Marjorie West and an audio description volunteer were also there to provide a better view of the performance.20 digital images on CDvision australia, audio description, anthony callea, kate law, marjorie west, regent theatre

This ledger contains the prescriptions given by a Warrnambool chemist from 1928 to 1931. The entries include information on the clients names, the dates and the contents of the prescriptions. Much of the content of the prescriptions is not intelligible to the lay person today. Unfortunately the name of the chemist is not known.This ledger is of interest because of the names included and these provide information for researchers.This is a ledger with a hard cover with cloth covering and leather binding. The inside covers have a red mottled pattern. The pages contain an alphabetical index at the front, printed red lines and black headings with hand written entries in black ink The leather spine and cover are damaged.warrnambool chemists, prescription book, warrnambool, m j ryan chemist

As buildings were updated and additions made in line with changing needs of clients, plaques are often used to recognise and pay tribute to the benefactors that have enabled this to occur. These plaques were located in the Kooyong building and removed during its refurbishment in 2017.2 plaques acknowledging donors on wallThese services & facilities were made possible by the generous support of the estate of the late Betty Isabel Huon. These services & facilities were made possible by the generous support of the Percy Baxter Charitable Trust.betty isabel huon, percy baxter, fundraising, vision australia foundation

The annual report outlines the achievements of the year, financial position and client stories. Other articles outline centenary celebrations and appeal, the launch of No Sight, Great Vision by John Wilson, the proposed National Information Centre and the changing needs of nursing homes.33 printed pages with illustrationsassociation for the blind, corporation records

The annual report outlines the achievements of the year, financial position and client stories. Other articles outline the extensions at Elanora and Kelaston, the introduction of the first RPH service in Mildura and gaining funding to run Disability Information Victoria on behalf of the State Government.36 printed pages with illustrationsassociation for the blind, corporation records

This ledger contains the names of clients and financial entries of business transactions of an unknown person or firm in the Warrnambool district from 1913 to 1916. The amounts recorded and the names on the loose sheets suggest the cash book may be connected to a stock and station agent of that era. This cash book is of minor interest as the name of the business involved is unknown. The mase of clients listed may be of some use to researchers.This is a ledger of 300 pages. The cover, made of brown hard board with a composite material covering, has a brown leather-covered spine. with a label almost indecipherable. The cover is torn and dirty and in parts missing the covering material The pages have ruled red lines with handwritten entries in blue and black ink. There are several loose sheets possibly relating to the handwritten information. warrnambool businesses in the early 20th century, warrnambool stock and station agents

BHS CollectionLedger book covering the years 1929 to 1932. The book is divided in two parts, at the beginning an alphabetical list of clients followed by 258 pages of double entry accounts. Each name in the alphabetical list is followed by a page number where to turn to check the detailed account for that person or organization. Inside the front cover 4 typewritten pages listing the water rates paid by H.A. Wilkinson dated March 1930- March 1931 and March 1932 also a list of City rates paid by H.A. Wilkinson dated June 1932.organization, business, h.a. & s.r wilkinson real estate, yellow label 595.

Pair of spectacles made of small circular thick lenses and long silver bendable arms. Price of $43.70 handwritten on the inside of the box. These glasses were donated from the Kooyong Low Vision Clinic, who used and sold them to clients until the 1980's. Green cardboard box holding a pair of silver spectaclesassistive devices, association for the blind

To enhance communication between RVIB head office and the various talking newspaper sites around Victoria, a newsletter was established. Articles from on technical issues, information sessions, what newspapers were being recorded and profiles of clients were distributed to keep the group informed.1 v. (in various pagings)royal victorian institute for the blind, newsletters

Annual report providing overview of activities and achievements including: farewell to Heith Mackay-Cruise from the Board, transition of Library clients to Envoy Connect digital player, relocation of Perth office, and Dorothy Hamilton receives an OAM for her services to the blind and vision impaired community.1 volume with illustrations providing overview of organisational achievementsvision australia, corporation records, ron hooton, andrew moffat, bill jolley, josh frydenberg, nick gleeson, jennifer smith, sir peter cosgrove, mia armsworth, nic hoskins, adam smith, carly vaughan, james christie, julian rait, dorothy hamilton, john tribe, susan diver

Annual report providing overview of activities and achievements undertaken by Vision Australia over the past financial year. In some reports there are individual profiles of clients, staff or volunteers, to acknowledge and recognise the impact and involvement of these groups. Financial summaries are provided, or in some instances, described in a secondary report.1 volume with illustrations providing overview of organisational achievementscorporation records, vision australia, caleb neyenhuis, doug sheers, gerard menses, kevin murfitt, ben demery, shaun hopkins, james young, maritah suki, caleb van senten, alice dynon, amanda pierini, karen pritchard, janet cronin, ray paxton, prue watt, mary beekman, brian marett, vicki sheeren, reg wood, alice shaw, pauline gandel, amanda wilson, susan diver, sandra amery, adam doblinger, marjorie west, debra byrne, christine harding, greg hempenstall, michael simpson, trish egan, paul bunker, tim evans, jennifer gibbons, owen van der wall, keith barton, david blyth, maryanne diamond, paul gleeson, timothy griffiths, renae johnston, karen knight, ron mccallum, ross mccoll, lee smith

Annual report on activities and financial performance of Kelaston, including the success of the Reach Out Appeal to partially fund the establishment of a Low Vision Clinic, the continuing care of 33 residents, the increase of day centre clients and activities, replacement of bedroom furniture and the deficit experienced this year restricting improvements.1 printed volume with illustrationsassociation for the blind, corporation records, kelaston home (ballarat)

This plate was made by Henry Greener and Company of Sunderland England in 1887 or 1888. The company specialised in the manufacture of commemorative pressed glass. They received commissions from British and colonial clients, and individuals and organisations outside the Empire. The glassware typically commemorated prominent individuals or events. https://collection.powerhouse.com.au/object/8811 Amber Glass Bowl with frilled top commemorating Australia's Centenary 1788-1888. Showing Australian coat of arms with Emu and Kangaroo encircled with wording advance Australia. Australia's centenary and 1788 1888 in shieldcentenary 1788 - 1888, coat of arms, amber glass

A wooden tennis racquet with cloth tape, and parchment shoulder reinforcements (around underside), black string whipping, and a fine grooved handle. Inscription along throat on obverse: THE/WINNER. Inscription across throat, on reverse: F.J. BANCROFT/PAWTUCKET/R.I./... Accomapnying decal trademark comprises of an eagle grasping a tennis racquet, in front of the Globe, with motto: USED/THE WORLD OVER. Manufacturing details also feature along left side of shaft. Client details along the right. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Ink, Parchment, Cloth tape, Stringtennis

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red ribbed skirt with elastic waistband.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Red wide ribbed pleated skirt with a plain yoke, navy blue band at bottom edge and elasticated waistband. A purple x is located inside to mark centre back of skirt.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community