Description of the Dead Dog Gully (1.2) area on Diamond Hill, researched and described by David Bannear, two page document. Dead Dog Gully runs alongside Burns Road, Spring Gully. History of the area is given from 1860 onwards. Reference to Spring Gully Reservoir and water availability for mining in the area.bendigo, mining, dead dog gully

Photo is located on Fyans Valley floor below Bellfield dam,Photo is of nine deer in a grassy paddock with bushland at the rear. A large gumtree stands middle foreground. A dead gumtree stands in the background,Fujicolor papernatural history, feral animals

Psychological Warfare Pamphlet to say that the powerful Republic of Vietnam Armed Forces will destroy you. Picture of dead soldier and planes on the back.pamphlet, psycological warfare, propaganda, nva/vc

Large Bronze Plaque (also known as the "Dead Man's Penny). Bronze cast showing Brittania holding a Trident and standing with lion.The wording " He died for Freedom and Honour." on the perimeter. Name on right side of plaque " Jack Murphy ".

Bendigo Advertiser from Tuesday, May 7, 1985. Article titled: Arts centre project a dead duck by Geoff Oakleynewspaper, bendigo advertiser, capital theatre

A commemorative Textile made by a group of volunteers to commemorate the 50th Anniversary of the Battle of Long Tan. The quilt has a green border and various panels which have been stitched in by the sub branches. 0077.1 is a matching fabric wrap/sheet for storing and transporting the quilt.VVAA Victorian Branch 2016 - on the top. "Honour the Dead but Fight like hell for the living" on the bottom.v v a a – victorian branch, textile, quilt

Poster from the Royal Humane Society of Australia outlining instructions for "Restoring the Apparently Dead". The original poster is printed in black ink on silk .resuscitation, drowning

Four men standing behind a metre tall mound of dead mice in the 1917 mouse plague J. Tolmie R is the Vermin Inspectormice plague, mallee, woomelang, vermin inspector, 1917

Black and white photograph of Table Tennis team Elvis Aint Dead, John Froelich and Rick Harney, runners up at the end of seriessports, table tennis

Henry Browne and Son Ltd, of Barking, made aviation and nautical compasses, clocks and dials. The company made compasses for aircraft notably, Spitfires, Tiger moths and Concord. Henry Browne was born in Lewis, Sussex in 1842 and died in Barking in 1935. His company was a well respected English instrument maker that had been making and selling fine quality compasses, ship's clocks, inclinometers, sextants, and chandlery items for over 140 years. It started in a factory in Brightlingsea, Essex and moved to Barking in 1929. The Trade Mark brand Sestrel was used on all their equipment. Their “Dead Beat“ compass design is well dampened serving to reduce oscillations. It is reported that this design compass was fitted to many Allied ships during WW II. The company went through a boom period in the 1970s but collapsed in the 1980s due to the popularity of cheaper plastic compasses over tradition brass ones. Over more recent years, there has been a consolidation of British instrument makers and the firm of Henry Browne & Son has changed hands a number of times. At last count, it became part of Lillie & Gillie of London in 1985 when John Lilley & Gillie Ltd acquires the assets of Henry Browne & Sons (Sestrel) Ltd, a major competitor for what may be the second time. The model name of Sestral came about via the following.Take first two letters of the word Sensitive then the firs two letter of steady and the firs three letters of reliable hence the trade name of "Sestral". Item relates to the second world war used in many ships of the time merchant and military, It reminds us of a time in our social and world history when most of the world was in conflict.Henry Browne and Sons “Dead Beat“ compass design is well dampened serving to reduce oscillations and was an innervation that many makes of compass of the time din't have as a result the "Sestrel" design was fitted to many Allied ships during WW II.A liquid-filled Sestrel compass, with a brass housing and gimbal ring, wired for an internal low voltage light to illuminate the compass card. Inscriptions printed on face and impressed in metal around outer rim TRADE MARK", "Sestrel Dead-Beat", "No 1724 N", "Barking & London" HENRY BROWNE & SON", additional inscription "AFT No 1724 N". flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, compass, marine compass, henry browne & son barking london, sestrel dead-beat marine compass, navigation instrument, sestrel dead-beat marine compass

This is a copy of a photo of W. Evans and H. Lewis in the Wannon Valley at Christmas 1925.The photo shows two men wearing hats holding up a dead kangaroo by its ears and forefeet. They are standing in a grassed area surrounded by bush."1925" was written on the bottom edge of the original photo.recreation, hunting, wildlife, fauna

Frank Millett and his nephew Hopper Cahill are the two people standing by the building after spending the day shooting rabbits in 1922. They are standing in front of the Aitkens Gap Police Barracks. In the 1860s the gaol and stables were sold to George Millett and added to the Millett property. The Barracks and the new farm homestead were built by Mick Morrison. The Bald Hill Hotel at Aitkens Gap on the Bendigo Road (Calder Highway) was guilt by George Millett in 1854 and functioned until the gold began to run out after the Victorian Gold Rush of the 1850s. The Millett family continued to farm until 1967. The family also and operated hotels in the local area. A black and white photograph backed onto a white board of a man and a child holding some dead rabbits and standing in front of the doorway of a bluestone building. frank millett, george millett, aitkens gap gaol, hopper cahill

A most insightful touching small book of words.J.E.Purtill.has written from his heart and mind.It is obvious that he valued his place in 2/29 BAtt..8th Division and that he valued his fellow 8th Divisioners most greatlyGuests A deeply expressed account of signifigence offering insight into the heartbreak and trauma that manifests from any form of warfare.social and spiritual slgnificance.2 3 page handbook.....oblong portrait....yellowed white paper 23 pages......cardboard cover....declarations on front cover.For their pal ship which l cherished....to my dead cobbers......I dedicate this little book. U

Originally installed in the Kew Presbyterian Church cnr Highbury Grove & Cotham Road Kewexcellent representation of war memorials or honour boards listing the names of those who died or servedCeramic, rectangular, 65cm x 110cmIn memory of our Honoured Dead who gave their lives in defence of Liberty in the Great War 1914-1918

When scrimshaw is mentioned, most people think of carving on sperm whale teeth only. But scrimshaw also includes engravings on skeletal whale bone–such as the jaw bone, called pan bone and ivory from other marine mammals such as walrus. Although scrimshaw is widely associated with nautical themes and designs of the 19th century whaling industry, vintage scrimshaw was also produced as tribal art in many cultures. Today, scrimshaw is recognized as a unique medium in which present-day artists have developed their own modern themes. Scrimshaw reproductions may take several forms. There are - New carvings on genuine ivory or bone with the deliberate intent to create an "antique” - New carvings on genuine ivory or bone sold as signed and dated contemporary art - Clearly marked synthetic museum reproductions and mass marketed - Unmarked synthetic replicas This scrimshaw work is done on a sperm whale's tooth. It is one of two pieces by artist Gary Tonkin in Flagstaff Hill’s collection. Sperm whales can live for 60 or even 70 years, so the tooth could be quite old. It came from the whaling station in Albany, Western Australia, which ceased processing whales in 1978 and is now a whaling museum. The two works were commissioned by Flagstaff Hill in the 1980s. Tonkin could spend from a few days to a few months in intensive work on each piece of scrimshaw. He is a world-renowned Master Scrimshander and a Fellow of the Australian Society of Marine Artists (FASMA), and lives in Albany, Western Australia. Gary Tonkin, FASMA – Tonkin was born in 1949 in Portland, Victoria, and grew up there with a history of whaling and related industries. He moved to Albany in southwest WA in 1971 and worked as an Export Meat inspector for the Federal Government. This small town also had a historical connection to whaling. The Cheynes Beach Whaling Station was still operating, and there were even three whaling ‘chaser’ vessels at the old jetty. In 1975, his employment now permanent, Tonkin bought an old cottage near the bay, purchased some whales’ teeth, and began learning the sailors’ art of scrimshaw, combining this with his artistic skills and knowledge of history. His job gave him access to buy as many whale teeth as he could afford, straight from the whaling station. Tonkin gained further marine knowledge as he sailed on the schooner ‘Esperance’ from Fremantle to Mauritius in 1988. He watched the sailors at work and experienced the rough and stormy sea conditions first-hand. Tonkin later visited whaling museums, galleries and libraries in England and America to gather reference materials and information on all aspects of whaling and scrimshaw. In 1993 he was Commissioned to engrave six large whale teeth, from the Albany whaling station, for the USA Gallery at the Australian National Maritime Museum in Sydney. This work is now in the museum’s permanent collection. From that time, Tonkin began working full-time as a Scrimshander. Tonkin’s work is now in galleries and museums in America and Australia, as well as in private collections. He is the founder of the Albany Maritime Heritage Association and was the inaugural President. In the 1990s he actively and successfully campaigned for the preservation of the Cheynes Beach Whaling Station in Albany, which is now Whale World, an open-air whaling museum. His continuing work as a Scrimshander contributes to the preservation of the art of scrimshaw and the history of whaling. This scrimshaw represents the ancient craft of scrimshaw, associated with mariners in the whaling trade in the early 19th century. The work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia. Scrimshaw; whale tooth carved with an image of two whaleboats hauling a dead whale back to the mother ship. Inscribed Title and signature of artist Gary Tonkin.Inscribed "Bringing in the whale". Signature "G Tonkin"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, maritime museum, flagstaff hill, perth, whaling, whales, australia, scrimshaw, scrimshander, gary tonkin, g tonkin, bone, tooth, craft, albany, western australia, cheynes beach whaling station, whale world, portland, engraving, maritime art, sperm whale's tooth, albany whaling station, albany whaling museum

A Framed Black and White Photograph of a young dead girl next to a cart. A tank and jeep are in the background. The girl was killed in Hue during the 1968 TET Offensive.photograph, hue, tet offensive (1968)

History of Ballarat RSL Memorial Days and Services Mistory of the Rising Sun Hisrtory of the Slouch Hat Dead Man's Penny History of the Poppy Emblem History of the Rosemaryliterature, ballarat rsl, ballarat

"Bulli" Iron Single Screw Steamer, collier wrecked 28th June 1877 at Erith Island. Four Wooden Dead Eyes, Three Large and One Small

Newspaper cutting, yellowed, printing is in black ink, the title is in large print. In the centre is a black square with the words “Hitler and dreams of Conquest dead”. Mounted on a black plastic board. ww2, german defeat, newspaper cuttings

William Dower took up 10 acres at Mt Dandenong in 1898. He secured a property known as Cambridge Gardens which was located between the present Mt Dandenong Tourist Road and Yarrabee Road. William and his wife Elizabeth had seven sons (Will, Harry, Bert, Walter, Joe, Edgar and Robert) and four daughters (Emmy, May, Ada and Ruby). There was a two room slab hut on the property when they took possession and they added another five rooms using trees from the property. The Pig and Whistle Tea Rooms referred to in the inscription is now Tatra Hut. Sepia coloured photograph (copy of an original) showing a cottage in the centre of a cleared area with a fence at the front and a significant dead tree left of centre. There is an inscription typed below the photograph.1911 Cambridge gardens, Mt Dandenong (Opposite Pig and Whistle Tea Rooms showing the original Main Road)dower, william dower, elizabeth dower, will dower, harry dower, bert dower, walter dower, joe dower, edgar dower, robert dower, emmy dower, ada dower, ruby dower, may dower, tatra hut, pig and whistle, cambridge gardens, yarrabee road

B & W photograph of group of City of Port Melbourne dignitaries & friends.Mum third lady from left. Dad dead center Back row Port Melbourne Council Social eveninglocal government - city of port melbourne, henry melville fennell, jim hall, sydney anderson, herbert edwards, archibald (arch) todd, maude edwards, mrs aanensen, andreas (andy) t aanensen, fred jackson, bill thackray

View of Sassafras showing many dead trees c1920s.Sepia coloured Rose Series postcard P. 153 looking down across Sassafras.On reverse REAL PHOTO POST CARD. THE "ROSE' SERIES DELUXE. PRODUCED IN AUSTRALIA. PUBLISHED BY 'THE ROSE STENOGRAPHS" Armadale. Victoriasassafras

This is a photo of the exposed swimming pool of Myrtlebank, which became exposed in Lake Bellfield during the drought years (2007 - ). The view is looking towards the dam wall.Photo shows an exposed swimming pool (Myrtlebank Pool) in a very low reservoir (Lake Bellfield). There are dead branches in the water behind the pool and the dam wall can be seen in the background.recreation, swimming pool

An excellent example of Australian First World War recruiting posters aimed at women, rather than potential soldiers. The poster suggests that in helping defeat Germany, women were really defending themselves.During the First World War, governments needed to convince their citizens to contribute to the war effort. In the absence of radio and film, the poster was the most effective method of mass communicationDepicts a woman with arms raised, her clothing torn and right breast exposed. Two children lie dead on the round at her feet, while the town behind her burns. Full poster text: 'Women of Queensland! Remember how women and children of France and Belgium were treated. Do you realise that your treatment would be worse? Send a man today to fight for you'poster, ww1, women of queensland

Refer to Cat 112P for Service Record. Missing presumed dead.Flying suit inner - brown colour cotton sateen fabric with kapok lining. Metal zipper at front. Tape ties to aqnkles. makers label back below collar.Maker's label - black ink print on white cotton "W>P> 1019 KAPOK LINING/Size 2/Height 5'5" to 5'6"/ Breast 33"/35"/ Waist 30"/32"/ Seat 36"/38"/ Leg 28"/ H174255/ 40/ C.I.L. (D)/ 1941". Faint black ink stamp above label - "(Crown)/ A.M."uniform, raaf, ww2