‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Ordinary rice straw is used imaginatively here to create a most functional and beautiful container. Since a set of items in Japan is five rather than half a dozen (five teacups, five cake plates, and the like), this carrier contains just five eggs. Devised by farmers in Yamagata Prefecture in northern Japan, it is an example of packaging born of rural necessity. Interestingly enough, it seems to emphasize the freshness of the eggs. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

This is the original Caretakers or Curators cottage which was built for the first Botanical Gardens curator, George Longley (1858 - 1899) and his family. George and his family, after being made Gardener, moved to the Surveyors Camp where they lived in a tent. Historic significance associated with original Gardens Curatorb/w view of the Caretakers cottage in the Botanical Gardens showing George Longley, Curator (1858 - 1899) with wife and child.b/w, victorian cottage exterior, young family, curator, george longley

This glass was used in the kitchen when cooking and when the age of an egg was unknown. It is pre metric (1960s).Part of the Ron White Collection See KVHS 1282.Clear glass with white text , lines and numbers inscribed around it. Used to measure cups, ozs, quarter lbs, and 'age of eggs'. ron white, kitchenware

Sepia photograph. Used as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 11. Also 2 slides of same portrait Nov 66 M1. Appointed Curator in 1872 until his death. The house he lived in became the rear part of the residence built for C.B. Luffmann (E. Littlejohn 1990)Sepia photograph. Studio portrait of George NeilsonOn reverse, "George Neilson born 1822 Curator Died 1897."george neilson, curator, green grows our garden, a.p. winzenried, c.b. luffmann, principal's residence

Small souvenirs such as plates, cups, mugs, ash trays and jars, showing scenes and buildings in Warrnambool, were first produced in the late 19th century for all towns and cities in Australia and were popular in the early to mid 20th century. They are still produced for tourists today. The Historical Society has several of these souvenir dishes but this is the first souvenir egg cup we have seen. The image of Liebig Street is appropriate as this is the main street in Warrnambool. This souvenir egg cup has no great significance historically but it is representative of the type of souvenir sold to tourists and it is interesting because of its age (1940s). It will be useful for exhibitions.This is a white china egg cup with a coloured image of Liebig Street, WarrnamboolUnder the image – ‘Liebig Street, Warrnambool, Vic.’ On the base – ‘Royal Grafton Bone China, Made in England’ warrnambool, warrnambool souvenirs, liebig street

Pre egg cartons.Home-made with reused 'crate' wooden panels. Higginson and Hollond families - farmers in the Kiewa Valley. Bogong was a property owned by Kiewa Valley farmers. Dave Gibson worked with the SEC in the early days and married Lois Hollond (Robert and Reg's sister). Lois lives in WodongaOld brown wooden handmade box with two panels joined together on each face (sides, bottom, top). The lid fits inside at the top and has 3 smaller panels nailed on, 2 of which have leather straps nailed on one side of the box and fastened (nailed) to 1 side as a hinge. Inside: the box has 2 wooden vertical panels dividing the box into 3 sectionsTop of the lid in yellow paint "Mr D. Gibson/Bogong" on 1 wooden panel and "Eggs with Care" on smaller panel between the side panelseggs, farming. chooks, kiewa valley, higginson family, hollond family

The Curator's Cottage was later extended and modernised to form the basis of the Principal's Residence.Copy of photograph in, "Prize Essays," A.E. Bennett. Shows the original Curator's Cottage, which dates from at least 1872, beside the Entrance Gates which are in line with the Sequoia sempervirens.Later extended and became the Principal's Residenceprize essays, a.e. bennett, curator's cottage, entrance gates, principal's residence, sequoia sempervirens

Note associated with this photograph, "Removed from Record Book (B91.453) labelled, 'Stock Breeding Record,' Purple and Black [cows.]" Note by T.H. Kneen 8 April 1992, "Jersey cows moving from pastures at west end of property past the Egg-Laying Competition pens, heading for the milking shed."Sepia photograph. 3 jersey cows walking beside a fence with egg laying pens behind. Man walking behind them.stock breeding record, cows, jersey cows, egg-laying competition, dairy, lagoon paddock, milking shed, poultry pens, stockman

The egg preservation material offered in this tin was during a period in Australia's history (especially in the rural areas) when the "freshness" of produce was not able to be maintained by refrigeration means. Rural towns did rely on the "Ice Works" providing block ice for prolonging "produce shelf life" however semi remote and smaller communities did not have that facility. It was products such as this egg preserving ability that enabled these smaller rural communities to maintain a constant source of healthy "short life" organic produce.This tin which contained egg preservative powder is very significant to a rural region (Kiewa Valley) in the late 1800's to early 1900's. It details the type of food preservative methods that were available to rural areas which lacked proper refrigeration means at their disposal. Basic foodstuff which required "special" preservation means to extend their "shelf" life were sometimes regarded as luxuries by semi remote communities. Kiewa Valley and its regions were typical of these remote communities in the time frame of this egg preservation product. The ability to keep products that deteriorate due to "normal" outdoor temperature (bacterior prone produce) was a factor of rural living.This round "tubular" tin has a indented lid which fits snugly into the top opening. The lid has a rolled out lip which ensures a degree of "air" tightness. The tin is pressed and folded together and has no synthetic inner cover to protect the egg preservative powder from the raw tin surface. This "raw" method was the typical application for all tins containing dry food stuffs in this period(mid 1900's) of goods manufacture. The outer tin surface has a tightly pressed laminated paper label with product and manufacturer's information (promotional, preservation "tips" and usage details - will preserve sixteen dozen eggs). On the "front" side "EGG PRESERVATIVE" underneath "OVO" ,underneath "REGISTERED" and in a double lined enclosed square "AWARDED TWO GOLD MEDALS" underneath is a sketch of a mixing dish containing fourteen visible eggs. The bottom label has within an oval boundary (white print on a blue background) "FOR HOUSEHOLD USE" underneath "OVO" and underneath "PRESERVES EGGS PERFECTLY WITHOUT MESS OR TROUBLE" On the opposite side of the tin is printed "VICKERY'S FIRST & ONLY ORIGINAL EGG PRESERVATIVE - in red print. Underneath this is a "round stamp" with the figurehead(royalty) and these encircling words" TASMANIAN INTERNATIONAL EXHIBITION" with a scrolled "GOLD MEDAL HOBART 1895" with another medal like "medallion" showing another female face with a "warrior" headdress and these encircling words "HONOR TO WHOM HONOR IS DUE". Below this within a scrollis printed "GOLD MEDAL BALLARAT 1896" underneath this is printed "MANUFACTURED BY OVO PROPRIETARY LIMITED BALLARAT"egg preservation, rural food storage, kitchen preservation facilities

Commissioned by Nillumbik Shire Council - 1997 The selection panel in the commissioning process to this 'extraordinary acquisition' was Rhonda Noble, Director of La Trobe University Museum of Art, Jeph Neale, Eltham Roundabout Advisory Group, Chris Marks, NSC Curator of Collections, Geoff Glynn, NSC Manager of Infrastructure Development.'Nest' highlights the indigenous flora and fauna of the Shire. The stiff, coarse grass used to create the nest is indigenous to the area and the eggs are like those of the spotted quail thrush, a ground-nesting bird of the Shire. The circular flow or placement of the eggs recalls the revolution of the seasons and nesting cycles. There is a tall light pole above the eggs, shining down at night. The effect is of a giant incubator. Enrichment and nurturing of the larger environment can be associated with this sculpture. This work resembles a large bird's nest, with three egg-like forms of fibreglass covered in a pebble render, set on sand. The nest is positioned within the paved boundary of the roundabout. The nest shape has been created out of stiff, coarse indigenous grass, periodically trimmed so the view is not obstructed. The eggs are a brown-speckled, creamy yellow colour. The three eggs are arranged in a ring, with the narrow end of each pointing to the large end of the next, in a circle that mimics the flow of traffic. N/Apublic art, nest, eggs, eltham, ekphrasis2017, mosaic, pebbles, roundabout, spotted quail thrush

Metal egg scales, missing the egg holder.balances

Hand painted egg in brass egg cupeggs, decorated eggs, eggcups

Belonged to John Philip Bennett, Uncle of Barbara Gardiner, Secretary of the Society. Mr Bennett was born on 13-3-1908, near Wedderburn. The family had a poultry in Elgar Road, Box Hill. In 1926 He moved to Thames Street, Box Hill where he kept 'chooks' until about 1994.German egg scales, for weighing eggs. Egg sits in bowl attached to swinging pendulum. Three legged stand.domestic items, weighing

The Bulla Primary School was holding a sports day where all students participated in a varied choice of events. It took place on in the school grounds. The egg and spoon race was one of the traditional events included in school sports programs.The sports day was part of the physical education program included in the curriculum. A coloured photograph of five children setting off on an egg and spoon race on a netball court. A teacher in a green track suit is at the starting line and another one is at the finishing line watching the children. The photo was taken with a traditional film camera.egg and spoon race, bulla primary school, sports day

Silver egg warmer. Egg shaped with egg holder insert and spirit burner. Three animal shaped legs, with a dove and leaves on the lid.5 hallmarks 14380egg warmer, silver, utensils, tableware

Double sided paper licence mutton birds, a. f. may., lifestyle

White china egg holder with handle for holding 4 eggs with gilded decoration.domestic equipment, food consumption, kitchen

Now Gift to MDL through late Mrs. Cooke's Solicitors.White China egg cruet, comprising 4 egg cups and 1 holder with handle.eggcup stands