Camera was used by the donor from 1980 to 1990Black bakelite oval camera with black carry cord attached. Camera has a flash button, a zoom button, shutter button, exposure sensor, autofocus windows, finder window and landscape button. The front has a zoom lens, lens and a lens cap. Back has panorama switch, film window and battery chamber cover. On and off button. As per manual 1150.photography, cameras

in 1882 Thomas Maidment paid the Society of Jesus £5,750 for nine allotments along Barkly Road (now Glenferrie Road). Maidment, who had arrived in Australia from the Glastonbury district in England in 1858, owned and managed a number of sheep stations in Victoria and subsequently became an '... eminently respectable ...' member of District society. In 1883 the Rate Books list Maidment's land in Barkly Road as the 'Buxton Hill Estate' and it was given an N.A.V. of £90, while in the following year his property attracted an N.A.V. of £160, suggesting that substantial improvements were taking place. Maidment's two-storey mansion, named 'Butleigh Wooton' after his birth-place in England, was completed in 1885 and was given an initial N.A.V. of £420. While Maidrnent is recorded as the owner of the building until at least 1896, Jane Maidment, his wife, continued the family ownership of the twenty-six roomed house with its extensive grounds until at least 1910. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Butleigh Wooton is a substantial two storeyed house built in the Italianate style common in the 1880s. Its walls are rendered and it has limited applied decoration that includes brackets to the eaves line and engaged ionic columns under a broken pediment over the front entrance. The bowed window unit is of particular distinction and is not at all typical of this type of building. This interior by John T Collins is a view of the staircase from the first floor landing. (Sanderson P. City of Kew Urban Conservation Study Vol 2)Reverse: "JOHN COLLINS / 11 Anderson Road / Hawthorn East, 3123 / Film 395 Exposure 21A / Kew / Butleigh Wooton / Staircase looking up to dome / 8-4-79thomas maidment, butleigh wooton, 867 glenferrie road -- kew (vic.), john t collins

35mm Kodak white cardboard colour slide by Keith Kings of W6 995 in Nicholson St, at the East Brunswick terminus 9/12/1967. Tram has destination of City Spencer St, route 96, In the background is Mike Motor Body Works, Dry cleaning by Maundy and a sub-station. The tram has adverts for Castrol Oil, Vodka Screwdriver and Tiger PawsKeith Kings stamp and number "14-13", with details of exposure. in ink "MMTB W6 995 in Nicholson St cnr Blyth St at East Brunswick." Has a further unreadable note.trams, tramways, w6 class, nicholson st, blyth st, route 96, tram 995

35mm Kodak white cardboard colour slide by Keith Kings of W2 642 leaving or shunting at East Preston Depot, Plenty Road. has the destination of East Preston Bell St, route 11 and a advert for Reddi. Photo 17/4/1968. See Inscription for a note re the roof.Keith Kings stamp and number "22-3", with details of exposure. "MMTB W2 642, Plenty Road East Preston Depot - vent roof and drip rails. 17/4/1968trams, tramways, w2 class, east preston depot, plenty road, route 11, tram 642

This camera was designed by William Johnston in 1904. Production began in 1905. There were many versions, the number indicated the length of film which corresponds to the width of the panorama. Originally designed for photography of large groups of people. Later it was used for landscapes. This camera was used by the local Lorne photographer William Anderson who took photographs of visitors and local scenes. William purchased Norman Brown’s photographic business in December 1899 and worked in Lorne until his death in 1948It is a large format rotating panoramic camera. A concertinaed fine leather tube with the adjustable lens is contained in a black wooden leatherette covered rectangular box. On the top is a metal winding handle, a series of weights and a carrying handle. The lens is a Gundlach - Manhattan rapid recto graph. The camera rotates on a geared tripod through 360 degrees with the film driven past the exposure slot by a clock work motor.cameras, lorne, william anderson,

Yields information about the early use of Ballarat's bogie trams and Sturt St.Digital image from the Wal Jack Ballarat Album of No. 15 in Sturt St at Lydiard St intersection with the Commonwealth bank building in the background. Note the conductor in the second doorway with his cash tin and another passenger preparing to get off the tram. Image has a printing exposure problem on the right hand side. Printed on matt paper. See image i2 for rear of photograph.On rear in pencil "No. 15 in Sturt St, date forgotten, matt, X6 3.9.46" with CRC Field stamp in bottom left hand corner with number "1137aBx"trams, tramways, sturt st, bogie trams, lydiard st, tram 15

These six photographs were most likely taken from the 1960s to the 1980s in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. In photos .1P to .6P the Printing Technician is placing a map film negative on top of the printing plate within a vacuum frame before light exposure. See items 6060.8P and 6191.11P for more photos and information on printing plate processing.This is a set of six photographs of lithographic technicians preparing printing plates at the Army Survey Regiment, Bendigo c1990s. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .4) - Photo, black & white, c1990s, SPR Janet Murray preparing a printing plate in a vacuum frame. .5) to .6) - Photo, black & white, c1990s, printing plate vacuum frame..1P to .6P – there are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

These six photographs were most likely taken in 1988 in Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo. In these photos the technician preparing printing plates for offset printing. The Printing Technician in photos .1P to .4P is placing a map negative on top of the printing plate in a vacuum frame before light exposure. In photos .5P to .6P the technician is inserting the printing plate in the processor.This is a set of six photographs of lithographic technicians preparing printing plates at the Army Survey Regiment, Bendigo in 1988. The photographs were on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. The photos are not annotated.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho, printing

Print of a double exposed photograph of Ballarat 29 at the SEC depot and then printed back to front. Note tries to identify the tram and with Wal's assistance identifies as No. 29 and it has been printed in reverse. Also has notes regarding the photograph exposure and is dated 24/2/1948. No 29 was a high floor car and unpopular with passengers, did not see a lot of use in traffic.Yields information about tram 29 and what can go wrong in photographs.Photograph, black and white - plain black with notes on reartramways, trams, tram 29, depot

In February 1909 the Trinity Grammar School leased ‘Molina’, a property in Charles Street. ‘Molina’ had been built in 1872-73 to a design by architect Alfred Purchas, for the secular and private Kew High School. The building served as the headmaster’s residence and boarding accommodation. Kew High School had closed in 1908. Black and White photographic positive by John Collins (1907-2001) of 'Meritt House' (formerly 'Molina', and Kew High School) in Charles Street."Kew 'Merritt House' Trinity Grammar School, Off Stanley St. /John Collins, 11 Anderson Road, Hawthorn East, 3123 - Film 396 Exposure 3A" 29-4-79merritt house, molina, trinity grammar school

35mm Kodak white cardboard colour slide by Keith Kings of - Suction track cleaner No. 6, 19/5/1968, at South Melbourne Depot.Keith Kings stamp and number "24-5", with details of exposure. in ink "MMTB No. 6 Suction type track cleaning car Sth Melb Per Way yard 19/5/1968"trams, tramways, track cleaner, work trams, south melbourne depot, tram 6

35mm Kodak white cardboard colour slide by Keith Kings of W2 222 leaving East Preston depot with destination of East Preston Bell St, route 9A, 19/4/1968. Tram has adverts for Ampol.Keith Kings stamp and number "22-20", with details of exposure. "MMTB W2 222 Plenty Rad at entrance to East Preston Depot. Arch roof and metal gutters. 19/4/68"trams, tramways, w2 class, east preston depot, bell st, route 9a, tram 222

35mm Kodak white cardboard colour slide by Keith Kings of - W5 807, fitted with square windshields on a route 57, City via North Melbourne in Union Road at cnr of Geddes St, 7/7/1969. Trams adverts for Aspro, Vaseline Hair Cream, Kings StrasburgKeith Kings stamp and number "56-26", with details of exposure. in ink "MMTB W5 with square cornered glass windshield, Union Road, cnr Geddes St Ascot Vale 7/7/69"trams, tramways, w5 class, union road, route 57, city via north melbourne, tram 807

35mm Kodak white cardboard colour slide by Keith Kings of per way works car No. 15 being used to transport brake shoes (blocks) around the depot. Being loaded at Preston Workshops. 16/4/1968Keith Kings stamp and number "21-36", with details of exposure. in ink "MMTB No. 15 (ex Q 198) being used to transport brake shoes around the depot. Being loaded at Preston Workshops.trams, tramways, work trams, brake blocks, tram 15

35mm Kodak white cardboard colour slide by Keith Kings of W3 664 at Essendon Depot, shortly after withdrawal from service. Taken 7/4/1969. Has adverts for Courage beer, Alitalia and White cough mixture?Keith Kings stamp and number "52-31", with details of exposure. "MMTB W3 664 with weather blinds down, shortly after this class relegated to spare only?" "Essendon Depot 7/4/1969".trams, tramways, w3 class, stored trams, essendon depot, tram 664

Established in 1897, Baker and Woods were initially electricians. The property in Hargreaves was taken over by a saddler and Baker and Woods moved to premises at 313 Hargreaves Street. The business expanded to include photographic equipment, phonographs and phot development. In 1903, Baker and Woods were responsible for converting the gas lighting in the Bendigo Town Hall to electricity. A fire caused by a short circuit caused extensive damage to the building in 1914.Baker & Woods Electrical Engineers and Photo Stock Dealers: Cream paper with black print. At the top is *Hargreaves Street, Bendigo 1914. Brought of Baker & Woods, Electrical Engineers and photo Stock Dealers. Docket no. 221. Hand written in pencil is Prairie. Mr J.R. Stephens. Items purchased were:- 1 No. 3 A film, 6 Exposure cost 1/9. Dated July 18th 1914. Box 625business, retail, photography, hargreaves street. baker & woods.

35mm Kodak white cardboard colour slide by Keith Kings of - W5 727 at South Melbourne depot for a TMSV Tour, with the centre doorway removed and panelled over. Tram showing Special.Keith Kings stamp and number "58-9", with details of exposure. in ink "MMTB South Melbourne depot for TMSV Tour, W5 727 modified with narrow middle doorway, doorway deleted and panelled over and glazed."trams, tramways, w5 class, tours, tmsv, south melbourne depot, tram 727

35mm Kodak white cardboard colour slide by Keith Kings of W2 605 at Preston Workshops following an 01 or 02 overhaul. Keith notes fitted with shorter hand rails.Keith Kings stamp and number "39-38", with details of exposure. "MMTB W2 605 The first 01 or 02 tram with shorten (hand) rails, painted green, Preston W/S 2/11/1968"trams, tramways, w2 class, east preston depot, plenty road, route 11, tram 605

Four rows of male and female persons in formal attire photographed with brick building [probably church] in background. Biro caption Second Top Row Mum's Mother' and Top Row 'Auntie Carrie' not contemporary with photograph exposure. Probable WG Dahl connection. Stamped upon reverse, WH Dahl, 79 Lansdownie St, Blairgowrie, 3942, Phone 86641. W H Robinson, Photographer Mundy St Bendigo stamped upon reverse.W H Robinson Mundy St Bendigobendigo, history, w g dahl family

35mm Kodak white cardboard colour slide by Keith Kings of 10/10/1968 of the concreting of the track to connect St Kilda Road into the junction further to the south and Wellington St replacement - Queensway. Note the temporary tram stop. Note the overhead trucks in the distance. The Junction Hotel in the far distance. See Keith's slide notes.Keith Kings stamp and number "41-30" and exposure details. In ink "St Kilda Jtn Bypass works - temporary junction in St Kilda Rd, south of new junction, replaced by new track, 1050am Sunday.trams, tramways, st kilda junction, fitzroy st, st kilda rd, trackwork, high st, tram stops

Dry plate photography was a photographic technology invented by R.L. Maddox in 1871. Images were captured on a glass plate covered in a gelatin emulsion, which acted as a photographic negative. A negative could then be stored to develop at a later time in a dark room. The introduction of this technology allowed for greater flexibility in photographic practice outside of indoor studios, as earlier wet plate photographic technology required immediate exposure and development. Dry plate photography was superseded by the invention of celluloid film in the early twentieth century. This object forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of social life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and the history of photography.Box of dry glass negative plates for developing photographs. In pencil on face of box "MR PHIL GEEPER/46 THOMAS MITCHELL DRIVE WOD"photography, wet plate photography, dry plate photography, photos, haeusler collection, history of photography, historical photographs, technology, wodonga

A telegraph key or Morse key is a specialised electrical switch used by a trained operator to transmit text messages in Morse code in a telegraphy system. Keys are used in all forms of electrical telegraph systems, including landline (also called wire) telegraphy and radio (also called wireless) telegraphy. An operator uses the telegraph key to send electrical pulses of two different lengths: short pulses, called dots or dits, and longer pulses, called dashes or dahs. These pulses encode the letters and other characters that spell out the message.Metal device with black knob mounted on a wooden base. A plaque with printed text is also attached to the base.Printed: GIVE A SERIES OF DASHES INSTEAD / OF A STEADY EXPOSURE WHEN CALL- / ING FOR LIGHT, OR SHOWING LIGHT. / USE THE PLUG IN No. 1 / SOCKET AS LONG AS THE / LIGHT IS GOOD ENOUGH. / THEN CHANGE TO No. 2 THIS WILL / LENGTHEN THE LIFE OF BOTH BULB / AND BATTERY.morse code, communication, telegraph key, messages, pulses

35mm Kodak white cardboard colour slide by Keith Kings of - trailer No. 20 at Preston Workshops 16/4/1968. MMTB W2 419 as cut down to a flat car (trailer), not used as such due to safety problem when being pushed.Keith Kings stamp and number "21-35", with details of exposure. in ink "MMTB W2 419 as cut down to a flat car (trailer), not used as such due to safety problem when being pushed. Preston W/S No. 20".trams, tramways, w2 class, work trams, trailers, preston workshops, tram 20

Set of five colour slides taken the SEC Bendigo depot, Jan. 1969. .1 - inside depot, show two bogies and one Birney on one road and the pit arrangements. .2 - ditto, slightly different exposure .3 - trams 21, 24 and 5 at the front of the depot .4 - Scrubber tram by the depot extension. .5 - Looking across the depot yard with the scrubber in the foreground and depot in the background. Kodak cardboard mount slide, taken by Peter Moses, Jan. 1969. On the rear of all the slides "P. Moses" in black ink .1 - "Jan 1969 Bendigo / Depot" in blue ink and on the opposite side of the slide in red ink “28” .2 - "Jan 1969 Bendigo / Depot" in blue ink and on the opposite side of the slide in red ink “27” .3 - "Jan 1969 Bendigo / Tram Depot" in blue ink and on the opposite side of the slide in red ink “29” .4 - In red ink "31" .5 - "Jan 1969 Bendigo / Depot" in blue ink and on the opposite side of the slide in red ink “30”. tramways, trams, bendigo, depot, scrubber tram, tram 21, tram 24, tram 5

Black and white photo of W2 520 and a SW6? in Victoria St. Melbourne. Both trams are facing east. 520 has destination of Camberwell, route 7 and the SW? has destination of Toorak - Glenferrie Rd route 8. Both are fitted with advertisements: /////????. In background are parts of the Carlton United Brewery buildings and a State Savings Bank on the North west corner of Bourvie and Victoria Sts. Image is dark, and has a dark patch in centre of photograph, exposure or printing error. On Ilford paper.On rear in black biro "520 MMTB"trams, tramways, melbourne, victoria st , tram 520 &

Black and white photographs of Bendigo No. 7 and 19 at Charing Cross 12/1971. Photos by George Bishop. .1 - 19 and 7 at the Charing Cross stop, with a man getting off the tram. Has a over exposure line across part of No. 19. 3BO sign on the Beehive buildings in the background. .2 - Close up of the ends of the both trams - note both have destinations of "Golden Square". Both trams have two SEC roof advertisements for electric cooking.On the back of two of the photos in ink No. 7 and 19, at Charing Cross Bendigo Dec. 1971 / G. Bishop photo"tramways, trams, bendigo, charing cross, pall mall, tram 7, tram 19

35mm Kodak white cardboard colour slide by Keith Kings of W5 839, the last built W5 at the West Maribyrnong terminus 7/6/1969. See Inscriptions for further notes re the driver cabins windows.Keith Kings stamp and number "56-28", with details of exposure. in ink "MMTB No. W5 839 the last built round corner glass windshields (the other end has been converted to half drop windows, West Maribyrnong terminus.)trams, tramways, w5 class, preston workshops, west maribyrnong, tram 839

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Half-length studio portraits of an unidentified woman photographed using the daguerreotype process. The portrait is contained within a pinchbeck frame, bound in a brown-tooled leather cases, with red, cut-velvet binding. The portrait of the woman is notable for her centre-parted hairstyle with the fullness of the hair drawn into a single chignon at the base of the neck. This style set off the tilted-back angle of bonnets and hats. The seated woman wears a dark silk day dress with a voluminous skirt. The bodice is set-off by a large lace collar on its high neckline and at the cuffs. daguerreotype, portraits

One of a pair of separate half-length studio portraits of an unidentified man and a woman photographed using the daguerreotype process. Both portraits are contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding. Each daguerreotype required an individual negative, presented to the sitter as a positive, and was not reproducible. Due to an exposure time that could extend to many minutes, people were often seated for portraits. Sitters were almost exclusively drawn from the middle to upper classes because of the cost of production of the photograph. It is assumed that the subjects of the two daguerreotypes were unidentified members of Gwen Steele's family. They are the earliest photographs in the pictures collection.Three quarte-length studio portrait of an unidentified man photographed using the daguerreotype process. The portrait is contained within pinchbeck frames, bound in brown-tooled leather cases, with red, cut-velvet binding.daguerreotype, photograph, portrait

Percival Rueben Carne No 775 enlisted in the 7th Batt AIF on 18.4.18 age 28 years 6 months. Embark for Eygpt 19.10.14, embark for Gallipoli 5.4.15, promoted to L/Cpl 30.4.15, promoted to Sgt 14.5.15, hospital 16.7.15 with Shock and Ear trouble. Embark for France 26.3.16, WIA 23/26.7.16 GSW to right arm, Appointed 2nd Lieut 15.5.15, hospital 27.1.19 with Influenza, embark for Australia 9.8.19, appointment in the AIF terminated 7.12.19. He served in the peace time army for many years after the War. .1 Kodak No 3 Special camera. Front has small copper badge. .2 Brown leather case with strap and metal clasp..1 On copper badge "F Honeychurch Bendigo". .2 Stamped on case lid "PR Carne 775 D Coy 7 Btn AIF". Inside of case has handwritten exposure instructions and "Weldon 5 Spring Gully Rd Bendigo".photography-cameras, camera accessories, trades-leatherworking