Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson is an artist living and working in Ballarat, Victoria where she is Associate Professor in Visual Arts and Deputy Dean in the School of Arts. Carole studied at both the Canberra School of Art and Philip Institute of Technology, now RMIT, in Melbourne and completed a PhD at the University of Ballarat in 2001. Her original training was in printmaking and she was a founding member of Jillposters, feminist poster group, in 1983 and worked at Another Planet Posters, Melbourne. For over a decade Carole Wilson has utilised discarded and salvaged materials such as floral carpets, maps and atlases to create works which engage with aspects of botany, garden history, travel and historical ornament. In recent years she has undertaken residencies in Italy, the US, Malaysia and The Netherlands which have all had a significant impact on her work. 'Woven Mantra: A Visual Expression of Meditation' is the title of Carole Wilson's thesis undertaken for a PhD - Visual Arts at the University of Ballarat in 2001. The research project examines the links between spiritual practice and visual art. More specifically, the research examines the relationships between repetition of a manta, and repetition of an image. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) art, artwork, carole wilson, alumni

Carole WILSON (1960- ) Born Canberra, Australia Carole Wilson is an artist living and working in Ballarat, Victoria where she is Associate Professor in Visual Arts and Deputy Dean in the School of Arts. Carole studied at both the Canberra School of Art and Philip Institute of Technology, now RMIT, in Melbourne and completed a PhD at the University of Ballarat in 2001. Her original training was in printmaking and she was a founding member of Jillposters, feminist poster group, in 1983 and worked at Another Planet Posters, Melbourne. For over a decade Carole Wilson has utilised discarded and salvaged materials such as floral carpets, maps and atlases to create works which engage with aspects of botany, garden history, travel and historical ornament. In recent years she has undertaken residencies in Italy, the US, Malaysia and The Netherlands which have all had a significant impact on her work. 'Woven Mantra: A Visual Expression of Meditation' is the title of Carole Wilson's thesis undertaken for a PhD - Visual Arts at the University of Ballarat in 2001. The research project examines the links between spiritual practice and visual art. More specifically, the research examines the relationships between repetition of a manta, and repetition of an image. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Carole Wilson lectures at Federation University Australia: 2010- Senior Lecturer in Visual Arts, Honours and Research Degrees Co-ordinator 2009-2011 Lecturer in Studio Practice and Postgraduate Co-ordinator 1999-2008 Lecturer in Visual Arts (Sessional) art, artwork, carole wilson, printmaking, alumni

The Bendigo Women's Literary Society, Session 1922. Motto: Our duty is to be useful not according to our desires, but according to our powers. Amiel. President: Miss I Eadie. Vice Presidents: Mesdames Griffin and Slack. Hon. Treasurer: Miss Pethard. Hon. Secretary: Miss E Richardson. Committee: Mesdames Morris, Harper, Jones, Morrison, and Laing, Misses Bankin, Hodge, McIlroy. SYLLABUS - 1922. 1. April 10th- Nomination of Officer. Compilation of syllabus. 2. May 8th- Election of Officers. ''King John'' Resume. Readings. 3. May 22nd- ''King John'' Readings. 4. June 5th- ''King John'' Readings. Papers by Mesdames. Griffin & Jones. 5. June 19th- Travel Talk. Arranged by Miss Bankin. 6. July 3rd- Question Night. 7. July 17th- ''Measure for Measure'' Resume Readings.8. July 31st- ''Measure for Measure'' Readings. Character Sketches. 9 August- Emmerson's Essays. ''Nature'' ''Civilization'' 10. August 28th- ''Evangeline'' (Longfellow). Paper by Mrs Morris. 11. September 11th & 12. September 25th- ''Barnaby Rudge''' (Dickens.) Arranged by Miss I Eadie.13. October 9th- Modern Novel. ''Mr Wu'' (L J Miln.) 14. October 23rd- Magazine Night. 15. November 6th- Australian Literature. Prose. 16. November 11th- Australian Literature. Verse. Bush Ramble. Objects of the Society. I. To Cultivate a taste for Reading. II. To Cultivate Powers of Observation and Thought. III. To Afford Practice in Giving Expression to Thought. IV. To Broaden the Views of Members. V. Intellectual Recreation. This Society meets at ANA Hall, on alternate Mondays, at 8pm`A E BROCKLEY, PRINT, BENDIGOclubs, social, the bendigo women's literarysociety, the bendigo women's literary society, session 1922. motto: our duty is to be useful not according to our desires, but according to our powers. amiel. president: miss i eadie. vice presidents: mesdames griffin and slack. hon. treasurer: miss pethard. hon. secretary: miss e richardson. committee: mesdames morris, harper, jones, morrison, and laing, misses bankin, hodge, mcilroy. syllabus - 1922. 1. april 10th- nomination of officer. compilation of syllabus. 2. may 8th- election of officers. ''king john'' resume. readings. 3. may 22nd- ''king john'' readings. 4. june 5th- . . . . objects of the society. i. to cultivate a taste for reading. ii. to cultivate powers of observation and thought. iii. to afford practice in giving expression to thought. iv. to broaden the views of members. v. intellectual recreation. this society meets at ana hall, on alternate mondays, at 8pm`

The Old Curiosity Shop was q house was built by bricklayer James Warwick, and his wife Caroline, with construction beginning around 1863. It was opened to the public in 1895. What is significant? Construction of the house later known as the Old Curiosity Shop commenced about 1863, the year bricklayer, James Warwick obtained a miner's right for a residential block on the edge of the exhausted Eureka diggings in the newly proclaimed municipality of Ballarat East. James built a modest 4-roomed timber and brick house for his expanding family and continued in the bricklaying trade until retiring around the early 1880s. By then he was pursuing his gardening interests in the local Horticultural Society and was supervising the gardens of many East Ballarat residents. It was during these years that his gardening and building interests converged to find expression in the marvellous permutations of decoration that extend over the house and garden. Using cast-off crockery, glass, ceramic figurine and mirror shards, shells, wallpaper samples, architectural ornament and slag, a place was found for all manner of things, large and small. Children would bring broken china dolls and bits of crockery, and the patient mosaic work preoccupied James and his wife Caroline for the rest of their lives. The work has its origins in the grottoes and shellhouses that ornamented the gardens of large English estates from the 1730s. In the few years before James' death in 1898, the house had become known as the 'Old Curiosity Shop', inspiring associations with the Charles Dickens novel of the same name. By then professional photographs had also been taken and thousands of tourists were visiting it yearly. Caroline obtained copyright for 2 of the photos and began issuing her own postcards before she died in 1903. The Shop passed to their son Charles and then to a succession of owners who added their own mythology to the story of the Warwicks and their work. After attracting tourists for more than 100 years, the Shop closed to the public in 1999. (Vitorian Heritage Database)Brochures on the Old Curiosity Shopold curiosity shop, warwick, ballarat east, james warwick, caroline warwick