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Federation University Art Collection
Oil, Jacqueline Slaymaker, Untitled Nude by Jacqueline Slaymaker, 1993
Jacqueline SLAYMAKER This work was undertaken in 1992 when Jacqueline Slaymaker was a 3rd Year student at Ballarat University College. The catalogue for the End of Year exhibition in 1992 states "The figures importance is purposeful. The strong sculptural form of the torso, tensions of the skin and volume are the aspects I focus on. Drawing is vital to my painting. The heavily layered works that I sand, scratch and rub back into eventually resolve some of the problems associated with painting. I believe this constant re-addressing creates a sense of history and building a texture creates a sense of history and build up of texture illustrates the concrete solid way I see the figure. I draw resource from ancient sculpture in particular Etruscan coffins and tomb wall painting. More recently I am interested in the draftsmanship of Jim Dine and monoprints of May Frank.' This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed life painting of a female nude. art, artwork, jacqueline slaymaker, nude, life study, oil on canvas, alumni, end of year exhibition -
The Dunmoochin Foundation
Drawing, Untitled (Nude Study), 1970
Drawing of a female nude on brown paper. Inscribed (L.r) 'Drawn by Fred Williams. During a drawing session at Dunmoochin with John Olsen and myself in 1970, Clifton Pugh'. On reverse inscribed ' The model by Judith Laycock'.fred williams, drawing, female nude, dunmoochin -
The Dunmoochin Foundation
Drawing, The Woman you Sleep with (Head of Adriane), No Date
Portrait in felt pen of a female head. Signed (L.r) 'Drew' and (L.l) 'For Cliff/ The woman you sleep with'.andrew southall, drawing, female head, adriane, clifton pugh -
Montsalvat
Terracotta Sculpture, Untitled
Terracotta Sculpture of a seated female nude. Nonematcham skipper, scuplture, terracotta, female, nude -
Montsalvat
Terracotta Sculpture, Untitled (Female Nude)
Terracotta sculpture of a crouching female form. Nonematcham skipper, sculpture, terracotta, woman, nude -
Montsalvat
Terracotta Sculpture/ Iron Column, Untitled (Female Nude)
Terracotta Sculpture of a kneeling female nude. Nonematcham skipper, sculpture, terracotta, woman, nude, column -
University of Melbourne, Burnley Campus Archives
Slide - Glass slide, 1891-1905
Female students in nursery glass house.miscellaneous horticultural, female, student, nursery -
University of Melbourne, Burnley Campus Archives
Photograph - Colour print, Arboriculture
Female student learning to climb a tree.female students, tree climbing, arboriculture -
Montsalvat
Plaster Relief, Untitled
Plaster relief depicting a female nude. Nonematcham skipper, relief, plaster, female, nude -
Montsalvat
Bronze Sculpture, Nude Torso
Bronze sculpture of a female nude torso. Nonematcham skipper, sculpture, bronze, female nude, torso -
Montsalvat
Terracotta Sculpture, Untitles (Crouching Female Nude)
Terracotta sculpture of a crouching female nude. Nonematcham skipper, sculpture, terracotta, female nude -
Stawell Historical Society Inc
Archive, WW2 Red Cross Female Enrolments 1939, 1947
148 Cards Female Red Crossstawell, ww2, war -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Hat
Tricorne, white. Female Petty Officerheadgear, current, ran -
Mission to Seafarers Victoria
Artwork, other - Stained glass window, Brooks Robinson & Co, 1935
This window, in memory of Ethel Godfrey, was unveiled in December 1935, by Archbishop Head. In June 1936 two other memorials were unveiled: brass tablet in the Williamstown building, and a sectile tablet in the Port Melbourne building. (Jottings 1936). The funds were raised by the Mission.Arched windows depicting the female figure altar, st peter chapel, flinders street, mission to seafarers, seamen's mission, mission to seamen, st peter, sailors, seamen, anchor, stained glass windows, win, memorial chapel, hope, ethel augusta godfrey 1861-1935 -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTO OF THREE FEMALES
BLACK AND WHITE PHOTO 3 femalesphotograph, person, female -
Stawell Historical Society Inc
Photograph, Weights and Measures ( former shire of Stawell)
Opening of Weights and Measures display in old court houseColour Photograph of four People two fare lef Male and Female, One Male Centre cutting ribbon, one female right -
Tatura Irrigation & Wartime Camps Museum
Photograph, No 28 Camp Hospital staff, Original 1942, copy 1989
Nursing staff and senior medical officer of No 28 camp hospital (Waranga Hospital) at Tatura 15 June 1943. Back row (l to r): Sister L G W Anderson, Sister D A McLeod, Sister A I Barden, Sister I A Paterson. Middle row (l to r): Sister B Moore, Major J Morlet, Sister D J Steed. Front: Sister M W Trott and Sister K Heaphy. Black and white photograph of 4 female nursing staff standing, 2 female nursing staff and male Army officer seated and 2 female nursing staff seated on ground. Tree directly behind them. Hut nearby to the right.internment camps, tatura internment camps, internment camp hospitals, internment camp hospital staff, captain morley, sister beatrice moore, waranga hospital, sister l g w anderson, sister d a mcleod, sister a i barden, sister i a paterson, sister b moore, major j morley, sister d j steed, sister m w trott, sister k heaphy -
The Beechworth Burke Museum
Animal specimen - Barking Owl (Female), Trustees of the Australian Museum, 1860-1880
Barking Owls are a nocturnal, medium sized bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Average size ranges between 390-440mm in length. Females are generally slightly smaller than males and they are only one of a small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from a 'woof woof' barking dog sound, to shrill, human-like screams, which reportedly alarmed early European settlers to Australia. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The female call is slightly higher in pitch than the male, and males and females often duet, contrasting low and high pitches. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Barking Owl is of an average size. It has brown, grey and white spots and vertical streaks. The face and breast are lighter in colour than the wings and the dorsal plumage. The glass eyes are large and dark in colour while the tarsi and toes are yellowish. This specimen stands on a wooden perch with identification tags attached to its leg. [torn] / 16. / Winking Owl / See catalogue Page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology -
Bendigo Historical Society Inc.
Medal - 1919 Victory Medal
In 1919, Australian schoolchildren received a special commemorative medal to mark the end of World War I. This medal, known as the “Peace of 1919” medallion, was issued by the Defence Department and distributed to schoolchildren throughout Australia. The medallion is circular with a plain edge and an integral suspension loop. On the obverse side, it features a symbolic female figure of Peace, holding a sword and standing on a plinth marked “PEACE 1919.” A dove flies behind her, and two figures freed from shackles are at her feet. The reverse side showcases a central panel surrounded by laurel leaves, topped by the King’s Crown with the word “VICTORY” over rays of the rising sun. A sailor and a digger stand at ease on either side of the panel, which bears the inscription “THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE.” Below the leaves, a small panel displays the words “THE PEACE OF 1919” and the manufacturer’s name. The medallion was issued to commemorate the signing of the Versailles Peace Treaty in 1919, which officially ended World War I. Originally, the medals were suspended from a narrow piece of red, white, and blue striped cotton ribbon. This medallion served as a reminder to a generation of the service and sacrifice of Australians during the war. It symbolized the achievement of peace, albeit at great cost. Each child in Australia aged 0-14 years (and up to 16 if their parents were in the armed forces) received this small but meaningful token of remembrance12. Small medallion with faded red, white and blue ribbon with pin. Female on the front. Wreath on back with two males either side with uniformmedals, 1919, ww1 -
National Wool Museum
Ribbon
Awarded at Agricultural show.MALDON & BARINGHUP AGRICULTURAL SOCIETY 1970 Champion FEMALE STANDARD HEAVY BREEDagricultural shows, maldon and baringhup agricultural society, maldon, victoria, baringhup -
National Wool Museum
Ribbon
Awarded at Agricultural show.BALLARAT A. & P. SOCIETY - SPRING SHOW 1971 Best FEMALE HEAVY STANDARDagricultural shows, ballarat agricultural and pastoral society, ballarat, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.BALLARAT A. & P. SOCIETY - SPRING SHOW 1972 Best FEMALE HEAVY STANDARDagricultural shows, ballarat agricultural and pastoral society, ballarat, victoria -
National Wool Museum
Ribbon
Awarded at Agricultural show.BALLARAT A. & P. SOCIETY - SPRING SHOW 1970 Best FEMALE HEAVY STANDARDagricultural shows, ballarat agricultural and pastoral society, ballarat, victoria -
Hume City Civic Collection
Photograph
This photo is part of a larger collection donated by Eric Boardman. There are 6 references to O'Shea in Margaret & Trevor Dunn's Directory of Residents in the former Shire of Bulla (1850s-1920s; three of these are for Cornelius O'Shea listed in the 1891 rate books as a state school teacher, in the 1919 voters' roll as teacher and in the 1929 voters' roll as of independent means. Other references are to Joseph Michael O'Shea, Annie Agnes O'Shea and Agnes Mary O'Shea.A family group in a garden setting. There are 5 females and 2 males, with the older male and female centrally seated. A sepia photo mounted on a grey board.On the front in lead pencil in the upper LH corner of the mount board "(School teacher)"; "Eric Boardman" in red pencil on the centre back & "O'Shea family" in upper LH corner of the back of the mount board.teachers, o'shea, cornelius, matson & frazer, boardman, eric, george evans collection -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO PEOPLE
Christmas Party Date and Location Unknown - Female standing near sink, 2 other females (one wearing Christmas hat) getting foodPolaroidperson, group, christmas party -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Training School 7
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.black and white of fifteen nurses in uniform in three rows. Front row, one female sitting on the floor. Middle row, seven females sitting on chairs. Back row, six females and one male standingin the middle. taken on 25 April. 1951 ndsn, school 7 -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - Training School 3
The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.Black and photo of 11 female and 2 male nurses in 2 rows, front row 6 females siting, rear row 1 males on each end and 5 females in the middle all standing. Window in the background. PTS3 26th July 1950northern district school of nursing, training school 3 26 july 1950 -
Federation University Historical Collection
Photograph - Black and White, Ballarat School of Mines Sculpture Student, c1992
A female student poses beside her sculpture.sculpture, ballarat school of mines -
University of Melbourne, Burnley Campus Archives
Photograph - Sepia print, 1, 1929
5 female students seated outside the Pavilion. Burnley April 1929.female students, pavilion, 1929 -
University of Melbourne, Burnley Campus Archives
Photograph - Sepia print, 3, 1928
2 female students acting out a "drama". Burnley.female students, drama