In 1878, Mrs Charlotte Anderson founded an private school for girls in her home at Bulleen Road, Kew (now 63 High Street South, Kew). She moved her school to ‘Edgecomb’, in Studley Park Road in 1882 and named it Ruyton. Charlotte Anderson retired in 1888, and sold her school to Miss Eliza Bromby. This image was used to illustrate The Ruytonian, June 1915, p2. The date of manufacture of the duplicate photograph is unknown.Black & white duplicate photograph of Mrs Charlotte Anderson with staff and a group of younger students from Ruyton Girls’ School, c.1885. The group is arranged in three rows of seated and standing individuals, and is located on a garden setting. The photograph was taken at ‘Edgecomb’, Studley Park Road, Kew which was the location of Ruyton from 1882-1888. Mrs Anderson is seated in the middle row, third from right. ruyton girls' school, kew, charlotte anderson

Possibly from the Murchison areaB & W matte photo, mounted on grey card, of Mr and Mrs W. H. Nevett seated in a garden. The photo was taken on their Golden Wedding 9/5/1911. Mr & Mrs W.H. Nevett 9/5/1911 Golden Wedding.

Rev. F. Charles Bremer (1886 - 1974). Born in Ballarat. Member of the Primitive Methodist Church in Eyre St. Ballarat. Entered the Methodist ministry in 1912. Married Margaret Webb (1886 - 1946) in 1916. Appointments included Hawthorn, Stawell, Preston and Devonport. Methodist Chaplain in the A.I.F., Methodist Chaplain at the Heidelberg Repatriation Hospital. Home Missions 1953 - 1964. Retired to live with his daughter in the U.K.Oval inset B & W photograph of the Rev. F. Charles Bremmer, dressed in clerical collar and suit, seated in a cane garden chair.rev f. charles bremer, primitive methodist, minister, methodist, chaplain, home missions, margaret webb.

Alec Pederick was born in 1902 and left school at 15 to work on his parents' farm at Wyuna, Kyabrum,Victoria. After receiving a sense of call he trained for the Methodist ministry and was appointed to his first parish at Zeehan, Tasmania in 1927. He was called to serve with the Methodist Overseas Mission in New Britain and New Ireland in 1929. He married Dorothy Clarke just before he left. After four years in PNG he returned through ill-health to Victoria. He was appointed to the Beaufort Circuit in 1933 and then in 1936 to the Methodist Home Missions Department. He was called up as an Army chaplain in 1942 and sent on active service in Papua New Guinea. He was discharged in 1944 and returned to the Home Missions Department. He was appointed acting General Superintendent in 1944 and then General Superintendent in 1946, a position he held until 1962. He also served as Director of the Federal Methodist Inland Mission for a time. He died in 1972.Set of 8 photos (F68-3 has two additional copies) of Rev. Alec W. Pederick L. Th. All six photographs were taken at approximately the same age - late middle age - while still General Superintendent of the Victorian Home Missions department. Mostly bald, bespectacled man wearing glasses and clerical collar and stock and dark suit. All B&W. F68-1 is a cutting from The Spectator. F68-2 shows Pederick looking directly at the camera, unsmiling. F68-3 shows Pederick smiling looking to the right of the camera. F68-4 and F68-5 were taken as he was seated holding a large, open folder of papers, looking at the folder in -4 and to the right of the camera in -5. F 68-6 shows Pederick standing outside in a garden or "the bush" dressed in clerical garb with an overcoat. He is holding what looks like a camera and he is looking away from the camera.All the photos except F68-6 have an identification by name (Rev. A. W. Pederick" and all bar F68-6 have also identified him as General Superintendent and F68-3-5 identify him as General Superintendent Methodist Home Missions. F68-3 has "President of Conference 1955" typed on the back in red ink.pederick, a. w., zeehan, methodist overseas mission, methodist inland mission, beaufort, army chaplain, new britain, new ireland

In 1963 construction of the new municipal shire offices began and the new offices were opened in October 1963. Over the years other buildings were added to the complex which included the Library and the George Evans Museum.A coloured photograph of the front view of the former Shire of Bull, Shire offices and a part of the garden area in the front with trees and a wooden seat.shire of bulla council offices, shire of bulla, george evans collection

This photo is part of a larger collection donated by Eric Boardman. There are 6 references to O'Shea in Margaret & Trevor Dunn's Directory of Residents in the former Shire of Bulla (1850s-1920s; three of these are for Cornelius O'Shea listed in the 1891 rate books as a state school teacher, in the 1919 voters' roll as teacher and in the 1929 voters' roll as of independent means. Other references are to Joseph Michael O'Shea, Annie Agnes O'Shea and Agnes Mary O'Shea.A family group in a garden setting. There are 5 females and 2 males, with the older male and female centrally seated. A sepia photo mounted on a grey board.On the front in lead pencil in the upper LH corner of the mount board "(School teacher)"; "Eric Boardman" in red pencil on the centre back & "O'Shea family" in upper LH corner of the back of the mount board.teachers, o'shea, cornelius, matson & frazer, boardman, eric, george evans collection

Confirmed by Georgina Whitehead (producing book on Public Gardens.)2 copies black and white photograph. Row of large Elm trees lopped heavily or being lopped. Man seated on stump half way up tree. Long wooden laddersOn reverse of one copy, "Fitzroy Gardens early 1920's."elm trees, fitzroy gardens, georgina whitehead, ladders, tree lopper

Note by T.H. Kneen 4 December 1991, J.M. Ward became the first Superintendent of Horticulture in the Victorian Department of Agriculture in the early 1920's. 2 copies black and white photograph. Group fo men wearing suits, some holding hats, seated and standing . Probably in the Burnley Gardens.On reverse," Top Row: W.J. Allen Fruit Expert N.S.W., G. Quinn " " SA, J.M. Ward " " Tas, E.E. Pescott Principal School of Horticulture Burnley Vic, Bottom Row: Dr. Benjafield Tas, L.M. Shoobridge Esq Tas, Jas Lang " Vic, H. Weeks " S.A., C.C. Tucker "w.j. allen, g. quinn, j.m. ward, e.e. pescott, principal, school of horticulture, burnley, dr. benjafield, l.m. shoobridge esq, jas lang, c.c. tucker, superintendent of horticulture, fruit expert, h. wicks, pomological society

Black and white photograph. Group of 17 students standing and seated in the Gardens. One girl is holding a chain measure. Edna Walling seated on the ground wearing a floppy hat.chain measure, student group, 1917, edna walling

Note by T.H. Kneen 18 December 1991, "Students in photos are of the 1944 graduating year."Black and white photograph. Students seated on an upturned ladder watching an instructor pruning tree in the Orchard. Garden Staff member standing behind.On reverse," Burnley Horticultural College 1936 L to R Tom Trahair-Garden Labourer, Dennis Greiger-Student. Students: Bob Grant, Ian Ball, Grace Douglas (Mrs Tom Walker), Beth Nutting (Mrs Coutts), Gwen Watson (Mrs McCarthy). Lecturer Perc Trevaskis-F.A.I.P.R."burnley horticultural college, 1936, tom trahair, garden labourer, dennis greiger, students, bob grant, ian ball, grace douglas, mrs tom walker, beth nutting (mrs coutts), gwen watson (mrs mccarthy), lecturer, perc trevaskis, f.a.i.p.r., 1944, student outside class, pruning demonstration

A.J. Farrance introduced organised sport to Burnley.5 copies black and white photograph, 2 enlargements. 5 male students seated and standing with 2 Staff members in the Burnley Gardens. One student is holding the Trophy for Intercollegiate Tennis at Hawkesbury 1974.On reverse, "Photograph by Information Branch Victorian Department of Agriculture Ref. No 1974(99-16) to (99-18)." On reverse of enlargement, "Burnley Horticultural College Tennis 1974 Won Intercollegiate tennis at Hawkesbury. Back L-r Peter Brown, Ken James, Jack Farrance, Graeme Kennedy. Front L-r Colin Nish, Rick Eckersley, Gregory Guy.students, trophy, intercollegiate tennis, hawkesbury, 1974, a.j. farrance, sports, burnley horticultural college, ken james, jack farrance, graeme kennedy, colin nish, rick eckersley, gregory guy, peter brown, tennis

Note by T.H. Kneen 4 March 1992, "Students (facing camera) identified as Robert Allen (Left) and Bill Cox (Right)" and on 8 July 1992, "Probably 1961."Black and white photographs. (1) 4 copies, 1 an enlargement. 7 male students standing and seated with 2 Staff members in the Burnley Gardens, one student holding Premiers flag. See B96.618, Flag. (2) 2 copies, one a very similar enlargement, 3 students playing basketball in Burnley College grounds.On reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. 1974(99-19) to (99-21)." On reverse of enlargement, "Burnley Horticultural College Basketball-1974 Won 'D Grade' Premiership. Back L-r Ken James, Colin Nish, Peter Boyle, John Sorrel, Niel(sic) Jones, Jack Farrance. Front L-r Brian Simpson, Peter Leneghan, Paul Scannel." sports, premiers flag, burnley horticultural college, basketball, 1974, d grade, premiership, ken james, colin nish, peter boyle, john sorrel, niel jones, jack farrance, brian simpson, peter leneghan, paul scannel, students, robert allen, bill cox, green grows our garden, a. p. winzenried

3 copies black and white photograph, 2 enlarged. Group photograph Third Year Diploma of Horticultural Science. Group standing and seated in the Burnley Gardens.On reverse, names of students and, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No. 1975(247-7)."diploma of horticultural science, dip iii 1975, student group, diploma

This photograph was made by A.P. Winzenried in 1990 as a possible illustration in, "Green Grows Our Garden." Note by T.H. Kneen 18 March 1992, "Query: date recorded on photo 8 March 1935. M. Younger is recorded as graduating 1938 in, "Green Grows Our Garden" and was probably a student in 1936 & 1937. Similarly for M. Atkins. Pearce & Wakeford are recorded in 1937 Class List." 2 copies of a black and white photograph of a newspaper cutting. The caption reads, "Girl students at Burnley Horticultural Gardens are now able to enjoy lunch in the sunshine-and even a game of cricket afterwards." Seven female students seated on stools outside eating lunch.Underneath the photograph handwritten, "M. Younger, J. Bacon, J. Wakeford, M. Atkins, J. Teed, E. Pearce, A. Arw? "The Sun". 8-8-35.female students, m. younger, j. bacon, j. wakeford, m. atkins, j. teed, e. pearce, a.p. winzenried, green grows our garden, a. armstrong, cricket, recreation

Photograph made by A.P. Winzenried to be considered as an illustration in, "Green Grows Our Garden." Note by T.H. Kneen 18 March 1992, "The male student fourth from left could be one of the Dodgshun brothers - Frank worked later at the State Research Farm."2 copies black and white photograph. Copy of a photograph made by A.P. Winzenried. Group of students, 1 male, the remainder female, standing and seated on the ground, in the Burnley Gardens.On reverse, "Student Group 1917 Noelle Vaughan ( Kendall) 2nd from left."a.p. winzenried, green grows our garden, students, noelle vaughan ( kendall), frank dodgshun, state research farm, student group 1917

Photograph made by A.P. Winzenried for, "Green Grows Our Garden," p73.Colour photograph. Copy made by A.P. Winzenried. Photograph appeared in the "Sun News Pictorial," July 10, 1934. The caption reads, "Things are never down on the farm at Burnley Horticultural School while Don, the old dray horse, is on the job carting his load of happy students back to the lecture room after a session of practical work. Most of the 30 pupils now at the school are engaged in the study of pruning." See B94.-902. A large group of male and female students seated on a cart darwn by a draught horse.a.p. winzenried, green grows our garden, don, dray horse, students working outside, draught horse, students, orchard, newspaper cutting

Photograph made by A.P. Winzenried for, "Green Grows Our Garden," p73Colour photograph. Copy of newspaper article, made by A.P. Winzenried. Caption reads, "Down on the Farm-at Burnley. New recruits at Burnley Horticultural School drove in rustic state to gather the maize crop yesterday. So popular has the school course become that there are no more vacancies for students this season. These beginners tackled a tall job, for the maize produced in the school paddock is 10 to 11 feet high." Horse drawn cart with 6 female students seated on it and one astride the horse.a.p. winzenried, green grows our gardern, maize crop, students, students working outside, west orchard, horse-drawn cart, draught horse

Therefore the earlier comment about seated man would not be correct.2 copies black and white photograph. House and surrounding garden. Building is of stucco and timber, slate roof, 4 chimneys. The original sections of the house date from 1872. The seated gentleman on a bench in front of the house is probably Mr. E.E. Pescott.Reverse of larger copy, "from box the Garden/Land 1909." On reverse of smaller copy, "Photograph by Information Branch Victorian Department of Agriculture Ref. No. 1981(889-2.)" Further copy: handwritten on reverse, "Early 1900 certainly before 1909. Caption "Directors residence (1909) was a major feature of the garden. sadly it was demolished in 1980 now leaving none of the early college buildings outstanding." In different handwriting, "Principals House before 1909."e.e. pescott, principal's residence, principal's house

Black and white photograph. View of the Ornamental Gardens taken from the Administration Building looking towards the Emily Gibson beds and the Luffmann/Lily Ponds behind. @ female students, wearing dresses, are seated on a bench in the foreground near a labelled tree, a Ginkgo.On reverse, "Ginko" (sic) and, "Photograph by Publicity Branch Victorian Department Of Agriculture Ref. No. C.1769.C."gingko, garden view, emily gibson beds, luffmann ponds, lily ponds, students, garden bench

Black and white photograph. Group of 5 students standing and seated on the lawn in the Ornamental GardenOn reverse, "1922-23 Group of Students Jean Borrett, ?, ?, Fred, seated Dorothy Allender."j.l. provan, jean borrett, dorothy allender, student group 1922-23, r. fred gillespie

Copy of Godfrey Hirst family videos/photograph on CD. Including 1951 floods at Mill. All video content filmed at Godfrey Hirst Woollen Mill, Swanston Street, South Geelong. Godfrey Hirst's children. Family home in Newtown and holiday home in Eastern View.Compact disc (CD) containing colour video footage. Film has no audio content. Visual content outlined below: 00:00 – 00:05 – External view of brick building – Godfrey Hirst & Co. Pty. Ltd. 00:05 – 00:10 – Exterior garden setting, three men in suits with fabrics and object 00:10 – 00:28 – Exterior garden setting showing eight women, most likely on a break from working at the Godfrey Hirst factory. The footage shows them all getting up and walking back towards the building at the end. 00:28 – 00:38 – Exterior garden setting, showing seven men in white shirts and ties seated and standing around a table, turning pages on a folder on the table. 00:38 – 00:52 – Interior factory setting, showing four men in coats handling green and red wool. 00:52 – 1:08 – Three men in suits in an exterior garden setting looking at paperwork. 1:08 – 1:23 – Four men in coats in a garden handling coloured wool samples. 1:23 – 1:42 – Four men in suits in a garden setting handling woven fabric. Two of the men are holding pipes. 1:42 – 1:57 – Interior factory setting showing men operating machinery. 1:57 – 2:05 – Exterior factory setting showing a man driving machinery carting wool bales. 2:05 – 3:14 - Flood scenes, showing the exterior of the Godfrey Hirst building with a man rowing a boat down the street, and a horse and cart in flood waters. There are scenes of flooded streets, exterior of flooded buildings and people standing in flood waters. 3:14 – 3:40 - Interior building views of flood waters in factory with people, machinery, equipment and textiles in flood waters. 3:40 – 4:03 - Exterior views showing a tractor, boat, horse and people in flood waters. 4:03 – 7:02 Exterior setting showing crowds of people watching a fashion parade. The fashion parade is of women in various clothing, including suits jackets, skirts, coats and hats. 7.02 - END"Hirst family films 1936-1964 Incl. Godfrey Hirst and co P/L Woollen mills"geelong, godfrey hirst & co. pty. ltd., family films, factory, flooding, 1950s, wool processing, fashion, textiles, horse and cart, wool bales, transport, machinery, fashion parade, working life

Left to Right Lola Paulett, Jennifer Wortley, Bev Murdock, Rae Clough, May Hall (Captain), Maureen McIntoshSix Girl Guides in uniform at Sundial Seat at North Park Stawell Guides who attended Government House Garden Party 1955guides

Huttley - Martin FamilyB/W/ : Backyard, Pailing fence garden stalks. 2 rows. Back 5 men in 3 piece suits. 1 woman in knee length dress Front Row 2 children seated eithe rside of woman in floral dress who is shielding face with a hat.madge Huttley in centrehuttley, martin

Family Photograph in garden setting of George Anthony Bone, Annie Elizabeth Bone, Emma Bone, Alice Lilla Bone, and Anthony Bone.Photograph of 5 Bone Family members around a table set for tea in garden. Standing to the left is George Anthony Bone and Annie Elizabeth Bone on the right. Seated to the left is Emma Bone with Alice Lilla Bone beside Anthony Bone seated on the far right.

Silk programs, at that time, were only produced for a very prestigious night at the theatre. Historical note: The town of Gisborne was named after one of the members of the first committee of the Mechanics’ Institution (renamed in 1872 to Melbourne Athenaeum), formed in November 1839. His full name was Henry Fyshe Gisborne 1813-1841. The program, crafted of printed silk with a silk fringe all around the four edges is unique in the program collection. The program reveals an interesting fund-raising entertainment held at the Melbourne Athenaeum theatre in 1884. As the theatre was available for hire by everyone in the Melbourne community, over the course of its history it was hired by a large variety of theatrical performers, political groups, sporting and arts groups, in addition to fundraising groups, as found here. Proceeds of this concert were donated to the Melbourne-based Sick Children’s Hospital and the Upper Macedon Episcopalian Church – an unusual combination of charities. The Mount Macedon area became a popular place for holiday- makers from Melbourne in the 1870s and many professional people built holiday retreats with beautiful gardens in the area. The development of the area created a further need for places of worship. The names of the people taking part numbered over 70, several having the same family names as those listed as members of the Melbourne Athenaeum at that time but there is no proof that the people involved with the performance were subscribers to the Melbourne Athenaeum. At the time the Athenaeum hall consisted of a large flat space requiring chairs to be placed in lines, with hand-written alphabetical signs to indicate the rows and individually numbered chairs. The hall seated 900 patrons. When the hall was used for balls, banquets and exhibitions all the chairs were removed and stored under the stage and in a room at the side of the hall. The layout of the hall can be seen in this photograph from the archives, taken in the early 1900s. This fringed, silk program was produced for a concert held on 9-10 October 1884 under the patronage of the Governor Sir H Brougham Loch at the Athenaeum Hall in aid of the Convalescent Fund of the [Melbourne] Sick Children’s Hospital and the Episcopalian Church of Upper Macedon. The evening of light entertainment comprised eleven solo musical performances and thirteen tableaux, some humorous, referencing biblical and classical themes from plays, paintings and operasm enhanced with painted scenery and a multitude of costumes.melbourne athenauem hall, the sick children's hostipal, episcopalian church

People - "Morgan, Bill" Buildings - Malmsbury Botanical Gardens

Associated with - Rose Series P4840 Buildings - Walkway Seat

Black and white photograph of a man and a woman seated on a garden bench in front of a veranda.On back of photo: "Mr and Mrs Ready"ready family, roy ready, royston ready

The Boroondara General Cemetery is registerd by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital image of the Springthorpe Memorial in the Boroondara General Cemeterycemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, springthorpe memorial

The Boroondara General Cemetery is registerd by Heritage VictoriaFrom Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, cussen