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Wodonga & District Historical Society Inc
Work on paper - Haeusler Collection Handmade Child's Notebook c.1920s-1930s
The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This handmade notebook was made by Alfred Haeusler (b.1922) during his childhood in Wodonga in the 1920s-1930s. The notebook is one of several objects in the Haeusler Collection concerning early childhood that provide insight into family and home life in early twentieth century Wodonga. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history. A handmade child's notebook with small white pencil attached by a piece of string. A hand drawn purple flower is on the front cover of the notebook, and the pages are blank. "NOTES/A.HEAUSLER"child, children, school, notebook, flower, flowers, pencil, stationary, haeusler collection -
Orbost & District Historical Society
axe head
Inspected by archaeologist, Joanna Freslov on 2.6.2008. Stone tools were used for a variety of purposes, in ways similar to those of steel knives, axes, hammers and chisels. Ground-edge tools are made from fracture-resistant stone, such as basalt.This is able to withstand repeated impact, and and so was suitable for use in objects such as stone axes. The stone was quarried, and then roughly shaped into a tool blank with blows from a hammerstone. The edges were then sharpened and refined by grinding the tool against a coarse, gritty rock. The necessary tools and equipment for hunting, fishing and warfare were some of the very few items that Aboriginals carried with them from place to place. Most were used for a multiplicity of purposes. Because many were made from raw natural materials, such as wood, generally only partial remains are found today. This artefact is an exaample of the stone tools that Aboriginal people used.A dark stone handmade Aboriginal axe head.aboriginal axe-head stone-artefacts tool -
Emerald Museum & Nobelius Heritage Park
Woven basket, Kay Van Boekel, circa 1996
Made by Kaye Van Boekel whilst studying at Oonah Learning CentreWas taught basket weaving by Auntie Dot PetersHandmade Koori traditional two-handled basket Noneauntie dot peters, kaye van boekel at oonah learning centre -
Orbost & District Historical Society
shawl, Untitled, late 19th century?
In 1896 Albert Richardsonand his bride, Lettice, came to the mill at Tabbara. Their daughter, Mrs Mary Barclay, was born at Marlo in 1897. Her Scottish great-great grandmother who was born about 1800, kept silk worms. When she was about 12, she collected and spun the silk to later make this shawl.This item is an example of a handcrafted item and reflects the needlework skills of women in the families of the early settlers.A handmade shawl of beige silk. Edge is fringed.shawl costume-female handcraft silk -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Dipper, 1940's
Made by internees at Camp 3, Tatura and used there as a domestic utensil/water dipper or dispenser.Handmade galvanised metal cylindrical dipper with handledipper, tatura, ww2 camp 3, domestic, utensils, camp 3 internees, water dipper -
Tatura Irrigation & Wartime Camps Museum
Tin with lid, 1940's
Article made from scrap metal by internee at camp 3 Tatura. Maker of the tin was the uncle of donor Kurt Beilharz. No solder was available so melted down toothpaste tubes was used sparingly as solder.Handmade rectangular metal container - box with lid.tin, rectangle, beilharz k, camp 3, tatura, ww2 camp 3, containers, domestic -
Tatura Irrigation & Wartime Camps Museum
Whisk, 1940's
Made by internee at Camp 3, Tatura and used by internees for food preparation.Handmade wire whisk with flat, metal handle.camp 3, camp cooking utensils, metal whisk -
Tatura Irrigation & Wartime Camps Museum
Whisk, 1940's
Made by internee at Camp 3, Tatura and used there for food preparationHandmade wire whisk with flat metal handlecamp 3, tatura, ww2 camp 3, domestic, utensils -
Clunes Museum
Functional object - BRICK
HANDMADE BUILDERS BRICK, WITH TWO THUMB PRINTS.local history, materials, building materials -
Clunes Museum
Functional object - TOY WASHBOARD
HANDMADE CHILD'S WASHBOARD MADE FROM WOODlocal history, toys, general -
Rutherglen Historical Society
Photograph - Image, 1940-1945
These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland.Small black and white photograph of a handmade quiltquilts, handcrafts, red cross, world war ii, quilt -
Rutherglen Historical Society
Photograph - Image, 1940-1945
These quilts were made from 10 inch squares and sewn together. Each square had the name of the donor embroidered on it, the quilts were made by Red Cross members. The Shire Emblem was also added. One of these quilts was found after the 1939/45 war in Egypt and sent to the Museum in Rutherglen Scotland.Small black and white photograph of a handmade quiltquilts, handcrafts, red cross, world war ii, quilt -
Ballarat Heritage Services
Photograph, Clare Gervasoni, Hand Made Fencing at St Paul's Church of England, Henty, 2015, 22/12/2015
This church is associated with the Henty family of Merino Downs.Colour photograph of handmade fencing at the church at Henty,henty, st paul's church of england, henty, st paul's anglican church, henty, wire fence, merino downs -
Mont De Lancey
Legging
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Handmade leather legging with 4 metal clips.boot covers, leggings -
Mont De Lancey
Nail Bag, Wandin Thomas Sebire JP
Wandin Thomas Sebire JP (1867-1960) learnt boot-making as a young man. In a small workshop on his property in Sebire Avenue, Wandin he made boots for family, friends & neighbours. He also repaired boots & made other small leather articles. Bootmaking is a complex process requiring a variety of tools. The leather is cut to shape, glazed & burnished (polished) with heated irons. The pieces are stretched onto, & nailed to, a wooden last to form the boot. Once attached to the insole, the boot is finished on a metal last. Uppers are stitched with waxed thread through holes made with an awl. Heels comprise pieces nailed together & neatened with a heel shave. Metal plates, short nails or hob nails driven into the sole & heel, often in a pattern, improved durability.Brown leather handmade nail bag, with strap.tool bags -
Melbourne Tram Museum
Document - Research Essay, Leigh J Harding, "Development of Tram Engine Houses", 1966
Research Essay, possibly the final draft, by Leigh J Harding looking at the engine houses that powered the Melbourne cable tram system from an Engineering and Architectural viewpoint. Has pencil notations to where photographs would be placed. Provides details on the background to their construction by the Melbourne Tramways Trust in the 1880s. Includes notes on the land acquisition, site plan, internal layout plan and notes on the operations and disposal. Notes on the Essendon, Bendigo and Ballarat power stations are included. The author was a Melbourne University Architecture student with this very detailed study part of his course.Yields information about the Melbourne cable tram engine houses and similar buildings.Report - 82 foolscap pages - typed and handmadetramways, tramcars, cable trams, engine house, winding houses, architects, power station -
Whitehorse Historical Society Inc.
Clothing - Christening gown
Style of christening gown used during 1900'sLong white cotton gown, handmade. White cotton lace trim at neck. Handmade lace insertions in bodice, drawstring at waist. Skirt: four panels of six pin tucks and three rows of insertions, bottom frill 8.5 cm handmade lace.costume, infants' -
Robin Boyd Foundation
Book, Ingeborg Pertwee, For Starters, 1984
Hardcover w/ Dust JacketHandmade Christmas card from Clifford Last to Patricia and John inside front cover, Dated 1985.walsh st library -
Flagstaff Hill Maritime Museum and Village
Tool - Set of Tools, 1930-1955's
This set of handmade tools was made by Jim Williams for his own purposes to make designs and components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This set of handmade tools is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This set of tools was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. A set of 6 small, fine wood working and carving tools stored in a ‘Craven A’ cigarette tin. The tools have been handmade by Jim Williams for the purpose of making ship models. This set of tools is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. (Also included is a spare handle.)On the tin; “CORK TIPPED / TRADE MARK / CRAVEN “A” / VIRGINIA / CIGARETTES”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, wood working tool, model making tool, carving tools, handmade wood carving tools, craven a cigarette tin, sovereign of the sea, ship model, hobby, ship model tool -
Bendigo Historical Society Inc.
Clothing - Cream Blouse
Emma Thomas Collection: Items were owned by Emma Courtis, nee Thomas. Family lived in Hamelin St, White Hills. Clothing items possibly handmade by Emma or a local person in White Hills area and used around 1890s. Emma's family include Elizabeth Penrose (mother), Solomon Thomas (father), and Richard Courtis, a blacksmith (her husband).Short sleaved, tailored blouse. Handmade with decorative embroidery and crochetwork around neckline and sleaves. Crochet work is also used on both sides of the vertical central panel which is fastened by 7 cream coloured buttons. Seams are used to make this a fitted garment at the waist. There is a "clip" in the front and back of the blouse. emma thomas, emma courtis, blouse, clothing -
Flagstaff Hill Maritime Museum and Village
Clothing - Combination Undergarment, Late 1800s
This handmade women’s combination undergarment features hand-worked lace panels and trim, and fine pintucks. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. The design of this combination undergarment, or ‘combination’, includes a chemise attached to a pair of drawers or bloomers. The combination is divided, or bifurcated, from the waist to the crutch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women’s white cotton and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has a front button closure and is trimmed with hand-worked lace panels on the bodice and lace edging around armholes, the neck, and the bottom of the legs. The left and right sides are divided from the waist to the crutch.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, combination undergarment, all-in-one underwear, combination, ‘combinations’, one-piece underwear, one-piece undergarment, chemise and bloomers, combination chemise and bloomers, divided, bifurcated, split, chemise and drawers, women’s underwear, ladies’ underwear, undergarment, women’s clothing, women’s fashion, lingerie, under-structure, 1900s undergarments, 19th-century undergarment, 20th century, handmade clothing, handmade lace, hand-worked lace, paton family, trefnant, yangery, lady's combinations, ladies combinations -
Flagstaff Hill Maritime Museum and Village
Artwork, other - Wall decoration, Vera Giles, late 19th to early 20th century
During the Victorian era, the period (1837-1901) in which Queen Victoria ruled England. The queen’s influence was felt throughout the world, including in the United States and Australia where Victorian values shaped society and style, especially in home décor. This period’s distinct style presents an eclectic mix of highly ornamented furniture, wallpaper, and knick-knacks. Particularly in terms of furniture, and the characteristic floral patterns and rich, contrasting colours, wall hanging that enjoyed the height of its popularity during the Victorian era were of the spiritual type with an either embroidered or punched paper religious motto or bible quote. Mottoes were commonly hung high up on the wall or in an area of prominence, to remind the viewer of their important message, such as "Home sweet Home “He Leadeth Me” and “Honesty, Industry, and Sobriety.” Short and pithy, they embodied the ideals of Victorian society. Technological advances contributed to the boom of religious mottoes whereas before the Industrial Revolution home décor of this sort was handmade and therefore minimal, now consumers could purchase and fill their homes with all sorts of mass-produced ephemera goods similar to the subject item. Many of these mass-produced period pieces still exist today, often in their original frames, ceramic, or paper formats. Flagstaff maritime museum has many examples of mottoes on display that serve to reflect the period in which values of home, faith, and Christianity were very prominent in everyday Victorian society. For more information on the Giles collection see Acquisition section this document: An item that reflects the social values and attitudes of the late Victorian era that was used to promote good Christian and moral values in many households. These items of decoration were very popular at this time and the subject item is significant as it gives a snapshot into the social norms of past generations. The Giles family collection is of additional social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us an additional view into what domestic life was like in early colonial times prior to Federation.Wall decoration, framed handmade embroidered tapestry with the woven inscription, Frame has velvet cover. This item is part of the Giles CollectionHome Sweet Home, in gothic scriptflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, soft furnishing, wall decoration, home sweet home, wall hanging, handmade wall hanging, giles collection, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century handcraft, mrs vera giles -
Footscray Community Arts
Inclusive, Stephen McCarthy, 2002
MEDIUM: Wood and lino monotype on handmade Bemboka paper -
Orbost & District Historical Society
screen, Untitled, first half 20th century
This item is an example of a handcrafted bamboo piece of furniture.Small bamboo screen with plain and ribbon embroidery. Handmade.screen-bamboo handcraft furniture -
Orbost & District Historical Society
teapot stand
This item is an example of a hand crafted item showing the needlework skills of women in the early 20th century.Square brown and white beaded teapot stand. Handmade. -
Tatura Irrigation & Wartime Camps Museum
Carpentry tools
Articles recovered from Camp 13 site 1989.Handmade wooden carpentry tool with adjustable centre piece.Camp 13carpentry tools, murchison camp 13 -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Bread Tin, 1940's
Used by internees at Camp 3Oblong metal bread tin, lined with paper, handmade.camp 3, ww2, cooking -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Bread Tin, 1940's
Used by internees at Camp .Oblong metal bread tin lined with paper. Handmade.ww2, cooking -
Tatura Irrigation & Wartime Camps Museum
Recorder, 1940's
Made by internees at Camp 3, Tatura. The mataerial was selected from firewood. Eric Bulach tuned the recorder to a perfect pitchHandmade richly coloured (dark brown) wooden recorderrecorder, frank r, doster h, vollmer h, camp 3, tatura, ww2 camp 3, musical, instruments, wind -
Tatura Irrigation & Wartime Camps Museum
Biscuit Cutters, 1940's
Made by internees at Camp 3, Tatura and used there when making biscuits4 handmade metal biscuit cuters of varying sizes.cutter - biscuit, hoefer family, camp 3, tatura, ww2 camp 3, domestic, food, preparation