‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here a whole dried and salted fish (a yellow tail, to be exact) has been wrapped in a sheath of straw and wound with a continuous length of straw rope. The effect is attractively rustic, and the tightly wound rope makes a pleasing pattern. When the fish is to be eaten, it is necessary only to unwind the rope part of the way, slice off as much as is needed, and then close the package by rewinding. This rope-wound yellowtail, makiburi, as the Japanese call it, is a well-known product from the city of Kanazawa, Ishikawa Prefecture, in the Sea of Japan. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Japanese rifle used during WW2Japanese rifle with wooden furnitureNo serial numberjapan, japanese, rifle, ww2, ww11, world war 2, world war two, second world war

Medal and ribbon for Foreign Service awarded to service in Occupation of Japan by BCOF. Item in the collection of Richard William McGILVERY, RAAF. Refer Cat No. 7287P for his service details. This medal and ribbon are not part of Defence Honors and Awards.1. Round Service Medal, silver, roaring lion on front and picture of crossed spears with flags through a shield and wings at bottom, connecting to a clasp with occupation of Japan and threaded with ribbon that is red, white, yellow and blue. 2, Small ribbon, red, white, yellow and blue. 3. Small silver clasp with gap to thread a ribbon and inscribed on front is Occupation of Japan.1. Inscribed for "For Foreign Service". Clasp has "Occupation of Japan" inscribed on it. 3. Inscribed "Occupation of Japan", bcof, foreign service medal, richard william mcgilvery

Purchased by Mr. & Mrs. H. N. Lord in Japan in 1960. The Japanese word for cloisonne ware is SHIPPO or seven treasured ware. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. Pale blue Japanese Cloisonne vase with peony flower design in pink and white with green leaves on black wooden stand. vases

Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. Garden with snow, possibly Kyoto, JapanMade in Australia / 16 / APR 70M2 / Japan (Handwritten)expo 70, osaka, robin boyd, slide

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Magazine image of the Communications Centre in Kofu, Japan 1966. Now known as the Yamanashi Broadcasting and Press centre (model). (Architect: Kenzo Tange.)Made in Australia / 2 / OCT 64M / Encircled 61 (Handwritten)japan, slide

centre section is double thickness with blue- rayed sun ; blue sections are decorated with gold coloured cotton french knots symbolizing the district shire where the owner lived. A Khaki coloured tiger faces inwards each end of center. Japanese characters in pink near center shashiko quilting on white rays.costume accessories - male, japan, handcrafts - sewing/ embroidery

The Japanese government-issued Oceanian Pound was one of several issues of Japanese invasion money used during World War II. Consisting of only four denominations, the Oceanian Pound was the shortest set (i.e., total number of denominations) issued. Geographically, the region of Oceania comprises numerous islands across the vast South and Central Pacific which includes the islands of New Zealand.[1] Certain descriptions may or may not include Australia.[2] Oceania has also been defined by island groupings: Melanesia, Micronesia, and Polynesia.[1][3] However, from a numismatic perspective (i.e., the issuance of Japanese invasion money), Oceania consisted of the occupied territories of Guam, Gilbert and Ellice Islands, Caroline Islands, Marianas Islands, Solomon Islands, Palau, and the now defunct Territory of New Guinea.[4] [5] Although officially called "Oceania" the region was considered a financial and currency union under Japanese colonial dominion that included several political jurisdictions rather than a single polity.A blue coloured paper note with picture of fruit and an island beach on the front.On the front reads "Japanese Government One Shilling" and on the reverse the number 1. On the front in red are the letters "OC".money, paper, currency, japanese, wwii, japan, oceania, shilling, one, occupation, japanese government, blue

Unconditional surrender of Japan.

The Japanese type 30 bayonet was used by the Imperial Japanese Army during WWII. Bayonet in wooden scabbard with leather holster. japan, wwii, world war two, bayonet, weapon, war, military

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka. Colour slide in a mount. Interior (staircase and tiled walls), Okayama Prefectural Government Building, Okayama, Japan, 1957. (Architect: Kunio Maekawa.)Made in Australia / 7slide, robin boyd, japan

Japanese Good Luck Flag was given to a soldier and was signed by dignitaries,family and friends often with short messages wishing the soldier victory,safety and good luck. We understand that it was deliberately dyed blue as they had lost the war and surrendered. This flag may have belonged to -Mr Sueji KOMAGI or KOMAKI Silk Dark blue flag with Red sun in middle. Appears to have faded and may have been dyed blue at later stage. Has faded. Many Japanese markings, inscriptions on the front of the flag. See 'notes' regarding translation.Many Japanese hand written inscriptions on face of the flag.Red sun in middle of flag 45cm in diameter. Believe message from people (relatives/community ) To Mr Sueji Komagi or Komaki. world war two, second world war, ww2, japan, japanese flag, japanese good luck flag

Items in the collection re Clarence Shearing, refer Cat No 7089.16P for his service details.Photographs B & W, colour various sizes, 4 are colour enhanced. All photos are of general views, buildings, people, children and Japanese daily life. Four have inscriptions on. On front, "A Japanese Housewife". On rear, " Gisha Kure" "Dance hall girls" "Women and children Kure"photographs, bcof, japan

Possibly relates to The Walter Brothers from Pyalong WWI.1) Black cotton/rayon cushion cover with red rayon backing, outdoor scene stitched on front, yellow fringes, press stud fasteners. .2) Black cushion cover cotton backing, stitched on front, red braid around edge, scene of palm tree & male figure leading camel..2) "Souvenir of Jerusalem"manchester-furnishings, military history - souvenirs, cushion covers

Warrnambool people and places. Small. medium and 1 large photographShow people and places in and around Warrnambool. WW11Maroon leatherette cover with linear embossing. 22 black thick paper pages laced and tied on front cover with two cords. Loose and photographs arranged on pages with photo corners. Some photographs removedEmbossed with gold printing and line decorationphotographs, album, photos, warrnambool photographs, warrnambool

The Lady Barbara Grimwade Costume Collection is comprised of Lady Barbara Grimwade's personal apparel and includes 145 pieces of clothing, 10 hats, 19 handbags, 66 pairs of shoes and assorted accessories of gloves, belts and scarves. In its breadth, this significant acquisition ranges from the mundane to the memorable, therefore giving a balanced representation of one person's taste. Following Lady Barbara Grimwade’s death in March 1990, Ararat Gallery formally accepted the generous gift of clothing and accessories donated by Lady Grimwade's son, Mr Angus K Grimwade, on 28 August 1991. Subsequent smaller donations in 1995 enhanced the collection. Lady Grimwade's Scottish forebears, the Gaerloch Campbells, first settled in Australia in 1861 in the Ararat-Beaufort district. Her great great grandfather, Mr Henry Campbell, died on the voyage to Australia. His widow, Jane, with 10 of her 13 children, farmed and grazed land, firstly at Stockyard Hill then at Fiery Creek, near Buangor, before leaving the shire in 1873. Lady Grimwade held a privileged position in Melbourne society. As the wife of Sir Andrew Grimwade, a prominent businessman, Chairman of several boards and a Trustee of various committees, Lady Grimwade met with royalty, heads of state, politicians, corporate directors, and horse and cattle breeders. Excerpt from 'Hot Pink Summers' catalogue essay, Helen Jackson, 1995.

? WWIIPaper folding Japanese ladie's fan with bamboo slats and green paper. Painted with Japanese characters Japanese characters meaning unknownfan

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. Communications Centre in Kofu, Japan 1966. Now known as the Yamanashi Broadcasting and Press centre (model) (see also S0594) - image from a page of a magazine. (Architect: Kenzo Tange.)Made in Australia / 5 / OCT 64Mjapan, slide

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Here candied papaya from the tropical island of Okinawa is wrapped in a betel-palm leaf to create a simple but strikingly effective package. Like many of the other packages shown in this book, this one has a distinctly regional flavour and, for mainland Japanese, an exotic flavour as well. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Australian servicemen who served in the Second World War often returned home with souvenirs from battle. Whilst the provenance of this particular flag is not documented, it may be a Good Luck Flag or yosegaki hinomaru; a flag signed by family members and given to Japanese servicemen deployed during the Second World War.Large black frame with gold inner surround. Charcoal fabric mounting. White part of flag is covered with Japanese writing in black ink around red circle in center.Japanese writing in black ink on front. flag, japanese, japanese flag, wwii, world war 2

Swords were a common item of equipment of Japanese officers and soldiers in WWII. Representative of souvenirs brought back following the end of WWII.Japanese Samuari Sword with 70mm hand guard with wooden handle wrapped with red and white and brown tape - blade length 700mm. Common souvenir brought back by returning servicemen from the Southwest Pacific area following the Japanese surrender.japan, samurai, sword, wwii, world war two

1. "I.W.A. KUNI" - City in Japan. 2. " B.C.O.F." - Japan 1946-48. British Commonwealth Occupation Forces (Japan).1. Banner - framed cotton fabric, light blue background with screen printing in black colour letters and centre unit insignia black, yellow and red colours. 2. Banner - framed cotton fabric, white background with screen printing in black colour letters and centre unit insignia red, yellow and blue colours. 1. & 2. Frames - timber, black colour paint, glass front, timber housing.Screen printing - black ink. 1. "BCAIR/IWA KUNI/ R.A.A.F./R.A.F./ R.N.2.A.F./R.I.A.F./JAPAN " Unit insignia 'ROYAL AUSTRALIAN AIR FORCE' 2. " R.A.N./H.M.A. SHIPS/ B.C.O.F./ AUSTRALIA - JAPAN/1946-1948"military, ww2, japan, banners

The Ideal Clipless Paper Fastener is what is known as a stapleless stapler. It uses the Bump fastening method which was patented in the U.S. in 1911. The Ideal measures 4.75″ H x 3.125″ W x 1.875″ L and weighs 6.5 ounces. It was manufactured and sold in Japan but also exported to England. The case is made of stained wood with the fastening mechanism made of polished steel. From unsubstantiated sources I understand the wood is Japanese Boxwood, but I cannot verify that at this time. The markings on the front and reverse are done in black paint. The two patents listed on the reverse side of the fastener are Japanese patents. They were granted in March and September 1918 respectively. The patents were granted to two different men. The letters CK on the reverse of the fastener seem to be the initials of the two patent holders. If the design of a C superimposed over the K is a trademark as indicated, it would imply that the two patent holders went into business together to manufacture the Ideal Fastener. I’ve been unable to determine fully the names of the patent holders, but the K seems to refer to a Mr. Kuroda who was the author of the later patent. The Ideal fastener was sold alongside the Clipless Stand Machine (available 1911-1923) and Bump Fasteners in Japan. The latest patent number on the Ideal is from September 1918. Furthermore, there was also an all-steel model of the Ideal Clipless Paper Fastener being sold in 1922. While the available evidence is both sparse and largely circumstantial, I believe the Ideal Clipless Paper Fastener would have been sold from 1919 until about 1923. Furthermore, with the availability of an all-steel model in 1922, it is likely that this newer model would have been introduced as the replacement for the wooden-cased version giving me further reason to believe that this would not have been sold after 1923. The fastener was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. Dr. Angus was in England in the 1920’s and could very well have purchased the Ideal Clipless Paper Fastener during his study time there. It was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” and includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. [References; Ideal Clipless Paper Fastener, Antique Outings http://antiqueoutings.com/ideal-clipless-paper-fastener/ ; Australian College of Ophthalmologists, Vol 11, 1970.; Medical Directory of Australia listing, alphabetical says 1929, Royal College of Surgeons Edinburgh says 1928; Documents re Dr Angus from daughter Berry McDade, received at Flagstaff Hill Maritime; Portland Examiner, June 13, 1969; The Advertiser (Adelaide) 14th Nov, 1910 - Blind restored to sight – Dr Edward Ryan, Melbourne; The Hamilton Spectator, Wed 15th April 1914 – Ararat man with eye affliction attended to by Drs E & T Ryan; The Nhill Hospital, first 100 years, 1885-1985, by Jan Doust; The Horsham Times, Tuesday 6th January 1885 – Dr Edward Ryan appointed to Nhill Hospital; People who passed this way – Warrnambool and District Historical Society; Warrnambool Base Hospital Report 1969-1970 The Standard, 22/6/1990; The Argus, 1970; Letter to Mrs G Angus from John Lindsay, Flagstaff Hill, 8/5/1973; ] This Ideal Clipless Paper Fastener is significant as a rare example of a clipless paper fastener used as office stationery of the 1920’s. This Ideal Clipless Paper Fastener is significant for its association with the W.R. Angus Collection, which is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Paper fastener, clipless or stapleless. Part of the W.R. Angus Collection. Branded Ideal Clipless Paper Fastener, made in Japan. Push down action on wooden handle, metal cutting mechanism cuts and folds the cut flap to join two pieces of paper. Stained wood base, sides and handle, floral fabric under base. Inscriptions on sides and base are in black paint print. Early to mid 1900’sPrinted on sides “IDEAL CLIPLESS PAPER FASTENER” and “TRADE MARK (K with a C through it) PATENT NO. 45105 46743” and stamped into base "MADE IN JAPAN"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, ideal stapleless stapler, ideal clipless paper fastener, ideal paper fastener made in japan, paper fastener, office stationery, patent 45105 46743, ideal clipless paper fastener ck, logo ck c over k

STANLEY BAYLISS (VX138816) enlisted on 7.5.1943 & discharged on 26.3.1946. On discharge he was listed as being posted as a Private to 2/108 General Transport.Photo of a soldier with a Japanese landmine, Tarakan“Japanese Landmine, Tarakan”photography-photographs, military history - army, mine

These cameras were made in Japan by the Canon Company which dates from the 1930s. Canon cameras were, and still are very popular as they are compact and have a simple ‘point and shot’ mechanism. The taking of family photographs has been a hobby for over 100 years.These cameras have no known local provenance but are retained for display purposes. .1 This is a Canon Elph Camera. It is rectangular in shape and mainly silver-coloured with a black lens. A black cord for holding the camera is attached. The camera is in a grey cloth bag. .2 This is a Canon Sprint camera. It is rectangular in shape and has a black body. A black cord for holding the camera is attached. The camera is in a buff-coloured cloth bag. This is slightly scuffed. .1 Canon Elph Canon Inc. Made in Japan 3104104 .2 Canon Sprint Approved JC11 canon cameras, history of warrnambool

Japanese tins which hold the nose caps for shells. Taken from store in Balik-Papan, Borneo. .1) Metal tin, cylindrical shape, yellow colour paint, black Japanese printed writing on sides & on white paper on lid. .2) Metal, brass nose cap for shells with graduated markings on circumference..1) Black Japanese printed writing on sides of cylinder & lid. .2) Graduated markings “0 - 30”, Japanese writing on top section nose cap.weapons, shell, borneo, passchendaele barracks trust