Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1998oil on board

This work forms a pair with Untitled #4 (fox bones – pattern) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series. This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an orderly fashion according to size and shape / Beige/neutral in colour / Blonde timber frame.No signatures / no personal markings / no framers identified. digital print / fox / bones / ordered / photograph / laughing waters / birrarung / imam / death

This work forms a pair with Untitled #3 (fox bones – ordered) / This work draws on ideas of death and the traces of a body that death leaves behind / The work aims to confront the viewer with the concept of death, but it is not morbid or macabre in its consideration of it / Instead of fear the work presents a quiet and beautiful image that aims to portray a feeling of acceptance in the inevitable destruction of one's body / In this work the bones of a deceased fox were meticulously cleaned, bleached and layed out for photographing / No digital manipulation was used to arrange the bones / The same bones from the same fox were rearranged and used for the other work in this series.This work was completed in 2012 as part of the artist's residency in 2011 at Birrarung, Laughing Waters (Laughing Waters Artist in Residence program - LWAIR) managed by Nillumbik Shire Council / Works produced there take inspiration from the natural landscape and the creatures living within that particular environment.Print - A digital photograph printed on hahnemuhle photo rag paper / edition 2 of 8 + 2 artist prints / Individual fox bones placed/layed out on a white background and arranged in an outward circular pattern. Beige/neutral in colour / Blonde timber frame. No signatures / no personal markings / no framers identified.digital print / fox / bones / pattern / photograph / laughing waters / birrarung / imam / death

Imam is represented in the Nillumbik Shire Art Collection and was the winner of the 2015 Nillumbik Prize for her work "Diagram of sentiment #1" (judged by Linden New Art Director Melinda Martin). She was also a finalist in the Nillumbik Prize 2016, 2015, 2013 and 2010. Imam completed a residency at Laughing Waters in 2011. Imam works within photography, the moving image and installation to create works centred on themes of embodiment and the female perspective. In this work she participates in a dialogue between her body and the Finnish Archipelagos in order to develop a relationship with the islands as both a place and an organic body [of land] where flux and change occurs. Photograph of the artist immersed from the waist down in green moss (landscape).N/Afinnish, archipelago, inkjet, print, photographic, body, island, moss

Drypoint etchingTitled, edition 1/25, signed and dated 1923 under printed imagefactory, industrial, etching, architectural

This work depicts the coast at Black Rock. Figures in early 20th century outfits are dotted on the oxide rocky outcrops in the foreground and beyond the water the hazy Red Bluff cliff dominates the coast.Impressionismoil on canvasbeach, coast, figures, jessie traill, red bluff, bayside, black rock, bathers, port phillip bay, bay, water

etchingbridge, boats, reflection, water, etching, print, jessie traill, melbourne, yarra, river

London : Longmans, Green, 1961 203 p. : ill. ; 22 cm. non-fictionchildren's history, australia -- history -- 20th century.

London : Longmans, Green, 1954 xii, 175 p. : ill. ; 23 cm. non-fictionaustralia - history, history - children's books

Ill, p.131.The experience of Australian nurses as captives of the Japaneseworld war 1939-1945 - prisoners of war - japan, world war 1939-1945 - personal narratives - australia

non-fictionA history of George and Susan Harrison, complete with family trees and copy of diary kept by familyharrison family, swan family

Correspondence re descendants of George Guthrie from Jessie Guthrie, Western Australia July 1975. Interested in whether George (Bendigo Pottery) was a relation of her husband? Information about the author's husband's family in letter to BHS, Reply (Sep. 1975) re George Guthrie and Pottery history. Other names included in the letter are;Dave, Alexander, James, Adam, Charlotte and Mary Guthrie. Also a cousin Colin Guthrie. Mention of Wedderburn Victoria.Jessie Guthrieperson, individual, george guthrie

Describes Mrs Jessie Angus's participation in the Diamond Valley Carol Service over a period of 69 years.Mrs Jessie Angus was a local identity in the Greensborough area. She was a member of the Partington family and involved in local activities.Newspaper clipping. Black and white. Photograph of Mrs Jessie Angus and text.jessie partington, jessie may angus, partington family, diamond valley carols service

JOHN AND JESSIE WILLIS (NEE DAWSON). THE DAWSON FAMILY LIVED FOR MANY YEARS IN ALBERT STREET CLUNES. JOHN WILLIS WAS A SCHOOL TEACHER AT THE CLUNES HIGHER ELEMENTARY SCHOOL.SEPIA WEDDING PHOTOGRAPH OF JOHN AND JESSIE WILLIS (NEE DAWSON)MAYFAIR BALLARATlocal history, photography, photographs, dawson family

This book belonged to John B. Murray and he gave it to Miss Jessie Sandison on their wedding day. It appears that they lived in Scotland. The handwritten family information reveals that George Sinclair married Janet Swanson in 1825 and one daughter, Ann, married George Sandison in 1859. Their child, Jessie Sandison, was born in 1865 and married John B. Murray on 19th April 1888. The births of four Murray children are recorded in the Bible – Annie, John, George and Maggie. The husband, John B. Murray, died in 1916 and Jessie died in 1925. This Bible is both of antiquarian interest and also of interest regarding the connection with the Sandison/ Murray families. But so far there is nothing to link these families with the Warrnambool area. So the item at this stage remains useful only for display. This is a black leather-covered book. The cover is extended at the edges to partially enclose the pages which are gilt-edged. The cover has embossed decorative patterns and the spine has gold lettering. The cover is stained and torn in places and the inscription pages and two others are loose. The inscriptions have been handwritten in black ink and there are two stamps with the name, ‘J.B. Murray’. One page lists the Murray/Sandison family tree information. ‘J.B. Murray’ ‘To Miss Jessie Grandison 19/4/88’ john b. murray, jessie sandison, warrnambool hitory

Donated by Jessie Smith (nee Small)Photograph of approx. 32 San Remo State School children and two teachers all wearing hats. Posed in fern tree setting at Fern Gully Kilcunda. Possibly at a picnic.On back: "Donald Hall, Elsie Hall, Jessie Hall, May Coels, Grayden"kilcunda, phillip island, jessie smith, san remo state school children

This Photograph was donated by Jessie Smith to Stanley Joseph McFee.Sepia Photograph of farming scene at Shetland Heights, probably branding. Jessie Smith's father, Mr. Small, shown with his hands on the fence.local history, photographs, scenes of san remo and shetland heights, sepia photograph, san remo, shetland heights

This display of butter was created by Mrs Jessie Petterson for the Harvest Festival. Ten pounds of butter was used. The Harvest Festival display was always put together by the church ladies ( Orbost Presbyterian Church) and was a family friendly festival celebrating the end of summer. The Harvest Festivals were regular community events in Orbost during the first half of the 20th century. This photograph is associated with that time.A black / white photograph postcard of a butter sculpture, a flower arrangement carved out of butter.on back - "display of butter by Mrs Jessie Petterson, 1900"harvert-festival sculpture-butter petterson-jessie

Jessie Seymour was a resident of the Kiewa Valley and would have been following the reports of the air crash which happened 'behind her home'.Jessie Seymour compiled this history for the Kiewa Valley Historical Society and, as a local, would have had the opportunity to gain first hand knowledge of the people involved including witnesses.Red plastic with clear front cover with 4 plastic sleeves / pages. Includes: A description by Jessie Seymour of the Beaufort Air Crash.jessie seymour; beaufort bomber.

The sketch portrayed is by Ron Reynolds and was printed the book "Greensborough and Greenhills" in 1973. This is a Christmas greeting to Jessie Angus (nee Partington).The Rand St Swing bridge allowed easy access to Greensborough railway station and shops for those who lived on the eastern side of the Plenty River.A white greeting card made from stiffened card and folded at the left side.A personal greeting to Jessie Angus (nee Partington)written on both inside pages.ron reynolds, jessie angus, partington, rand st, swing bridge, plenty river

Junior tennis team Lakes Slazengers Cameron King Jessie Allitt Matt Nicholls Mark Edgely Lakes Entrance VictoriaColour photograph of Junior tennis team Lakes Slazengers Cameron King Jessie Allitt Matt Nicholls Mark Edgely Lakes Entrance Victoriasports, tennis, clubs, recreation

Born 9 May 1901 in Prahran. Her Record of Conduct and Service describes her as being 5' 2½" and 8 stones 3 lbs, with hazel eyes, dark brown hair, a fresh complexion and of good appearance. She belonged to the Church of Christ. She commenced training at the Police Training Depot in 1929. In December of that year she passed the examination for a licence as a Shorthand Writer under the Evidence Act. In 1938 she won first prize for the 'empire-wide' King's Police Gold Medal Essay Competition - the set topic for that year was 'Juvenile Crime - Its Causes and Treatment'. The essay was subsequently published in two parts in The Australian Quarterly. Jessie suffered ill health in later life and died after a stroke on 3 June 1952. She had worked mainly at the Russell Street and the Fitzroy P.C.B. and C.I.B.Jessie Clarey 8507 taken in the early 1930spolice women, clarey, jessie jemima 8507, king's police gold medal, police woman, policewomen, policewoman

Tait collection: item 45 of 62 This is a document giving details of the Letters of Administration following the death of Jessie Wall (nee Wood) who died intestate in Warrnambool in 1897 at the age of 53. She lived in the area in north Warrnambool known as Spring Gardens and left real estate to the value of £400 and personal estate to the value of £484. The estate was granted to her husband, Joseph Wall. The lawyer concerned with this document, Ernest Chambers, had legal offices in Port Fairy, Koroit and Warrnambool at the end of the 19th century and the beginning of the 20th century. He was in possession of this document and it was passed down to successive lawyers occupying legal premises in Kepler Street. It was located in this building in 2014.This document is of some significance as it contains details of the Letters of Administration of Jessie Wall who was a 19th century resident of Warrnambool. Her husband’s father was an important early settler in Warrnambool. The document will be useful to researchers.This is a cream-coloured piece of parchment paper folded in two with handwritten material on two pages (brownish-black ink). One of the pages has hand-ruled black lines on the edges of the page. A seal of the Supreme Court of Victoria is attached with green ribbon and there is also a red stamp of the Master in Equity of the Supreme Court. The document is a little stained but the writing is legible. The document gives details of the Letters of Administration following the death of Jessie Wall of Warrnambool who died in November 1897.In the Supreme Court of the Colony of Victoria In the Probate Jurisdiction In the Will of Jessie Maria Wall late of Spring Gardens near Warrnambool in the Colony of Victoria Married Woman deceased Intestatejessie wall, ernest chambers, warrnambool, tait collection, spring gardens

In 1915 Arthur Swanwick from Bendigo enlisted in the AIF. He left for overseas service in March 1916. He wrote a message to his sweetheart Jessie Campbell, placed it in a bottle and threw it overboard from HMAT A18 "Wiltshire". The bottle was found on a beach near Robe SA and the message was sent to Jessie. Arthur returned home and he and Jessie married in 1918. Arthur died on 11 April 1968. Arthur's niece sent the updated information after the story was shared with the family who knew nothing about it. A hand written letter on lined green paper sent to BHS providing an update on the story of a "Message in a Bottle" written by Arthur Swanwick to Jessie Campbell. A black and white wedding photograph of Arthur and Jessie, a black and white photograph of dedication plaques from the Bendigo RSL WW1 Honour Board and a Thank you card form Arthur's niece thanking someone for letting the family know about the story (18 October 2013). ww1, message in a bottle, swanick

The girls in this photograph have not been identified, though the sender of the card, ‘Emmie’, may be one and the other may be the recipient, ‘Jessie’. The identity of Jessie is known – she is Jessie Browne who later married John Bennett, the first Manager of the Warrnambool Woollen Mill and there is a Jessie L. Brown listed as a pupil of Warrnambool High School which commenced in 1907. This is an important and interesting photograph with more research needed on its subjects. This is a post card with a black and white photograph of four school girls from the late 19th or early 20th centuries on one side. Three are seated and one is standing and all are wearing skirts and fitted tops with white blouses and straw boater hats. The clothes are not identical. The hats are identical with a badge attached to each. One girl has longer curled hair. All are wearing gloves. On back of photo: ‘To dear Jessie, With all best wishes for a joyous New Year, Loving friend, Emmie’ In different writing: ‘W’bool High School’ jessie brown(e), warrnambool high school

This book is one of the series of Royal Readers (Scotland) introduced into schools in Victoria in 1877 to replace the Irish Readers. They were in use until the 1920s and at first contained mostly British material (as does this copy which has no Australian content and features many articles on animals). By the late 19th century the Royal Readers used in Victoria contained some Australian material and it is presumed that this copy is an early edition. The Bonnett families were associated with farming in the Mepunga area and Jessie Edith Bonnett, the daughter of Frederick Bonnett and Charity Bonnett (nee Phillips) was born in Allansford in 1897. Jessie Bonnett spent her life on the family farm at Mepunga and was the last of the Bonnett families in that area. Mepunga East State School was established in 1886 with Ruth Broadway as the first Head Teacher. It has now closed. This book, though tattered, is of interest as an example of the Royal Readers used by pupils in Victorian schools in the late 19th and early 20th centuries. It is also important as a book belonging to Jessie Bonnett, a member of the Bonnett family of farmers in the Mepunga area. The Warrnambool and District Historical Society holds in its collection some other items that belonged to Jessie Bonnett, including an important World War One scrapbookThis is a hard cover book of 186 pages. The cover was originally a dark blue-green colour but it is much faded and is now almost detached from the binding. The spine and several pages at the beginning and the end are missing. The text contains many black and white illustrations and some have been coloured in. Some of the pages are torn and stained. There is much scribble on the front and back covers. The inscriptions are handwritten in black ink.‘Jessie Edith Bonnett, Mepunga East State School No. 2762’ jessie bonnett, mepunga east state school

This note-pad and holder perhaps belonged to Jessie Bell whose name is written on the first page. There are several entries on the pages and the dates range from 1908 to 1929. The entries include references to a Banquet for Mr J. Duffus, Purnim, 1912, Jack Ross’ Wedding Party, Dennington, 1912, R.J. Jones’ Dance, Woolshed, 1928 and Leila Jenkins’ 21st Birthday Party, 1928. This notebook and holder is of interest because it is an example of the type of appointment book used by the more affluent in the early 20th century. This is a heavily-embossed silver note-pad holder with a hinged lid on the front and clips at the side to hold a pencil. The writing material inside the pencil is missing. The back of the holder has a blank space in the middle where a name can be inscribed. At the top of the holder is a ring, holding a chain with an ornamented clip at the end. This enables the holder and pad to be hooked over a belt or lapel. Inside the holder are fifty paper pages on which to write appointments or notes. The pages are gilt-paged. The paper contains several notes handwritten in pencil re dances, parties etc. First Page: ‘Jessie A. Bell, Warrumyea, Wangoom, Warrnambool’ jessie bell, appointment book, warrnambool history