THE ECHUCA COALING STAGE. Locomotives would stop alongside to receive coal dropped into their tenders from small overhead rail mounted tipping trays. Water could be obtained from either the elevated tank at one end or the connected standpipe at the opposite end. Locomotive firebox contents could be dumped into pits between the rails from locomotives once they were carefully positioned above them. Such locomotives then could move onto the Engine Shed area for overnight parking. Firebox fires would be re-lit when the locomotive was next needed in a day or so.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencycoal hopper, echuca railway station, george coop collection, k-158, k-class steam locomotive (vr newport workshops)

THE ECHUCA COALING STAGE. Locomotives would stop alongside to receive coal dropped into their tenders from small overhead rail mounted tipping trays. Water could be obtained from either the elevated tank at one end or the connected standpipe at the opposite end. Locomotive firebox contents could be dumped into pits between the rails from locomotives once they were carefully positioned above them. Such locomotives then could move onto the Engine Shed area for overnight parking. Firebox fires would be re-lit when the locomotive was next needed in a day or so.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca railway station, george coop collection, j-500, j-class steam locomotive (vulcan foundry)

THE ECHUCA COALING STAGE. Locomotives would stop alongside to receive coal dropped into their tenders from small overhead rail mounted tipping trays. Water could be obtained from either the elevated tank at one end or the connected standpipe at the opposite end. Locomotive firebox contents could be dumped into pits between the rails from locomotives once they were carefully positioned above them. Such locomotives then could move onto the Engine Shed area for overnight parking. Firebox fires would be re-lit when the locomotive was next needed in a day or so.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencycoal hopper, echuca, echuca railway station, george coop collection, r-727, r-class steam locomotive

THE ECHUCA COALING STAGE. Locomotives would stop alongside to receive coal dropped into their tenders from small overhead rail mounted tipping trays. Water could be obtained from either the elevated tank at one end or the connected standpipe at the opposite end. Locomotive firebox contents could be dumped into pits between the rails from locomotives once they were carefully positioned above them. Such locomotives then could move onto the Engine Shed area for overnight parking. Firebox fires would be re-lit when the locomotive was next needed in a day or so.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencycoal hopper, echuca, echuca railway station, george coop collection, r-727, r-class steam locomotive

Hall designed by H G French erected by E Cowlishew, seated 350, lit with acetylene light, opened with a grand ball 26 September 1907. Later altered, bio-box added to show films. Hall was drastically altered in 1962, demolished 1998. New Civic Centre and library built on site.|This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph Number 02401.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph of the timber Mechanics Hall. Building has gable roof, four ventilators and chimney, foyer at end of building has gable roof, steps leading to doors of foyer and main building. Many windows. Lakes Entrance VictoriaMechanics Hallhalls, township, room display

The Registration Act 1836 established the General Register Office and a new system of national registration of births, marriages and deaths to take effect from 1837. There was a need to set up a system to record births, to aid with the planning of services and to record deaths to enable further study on the causes of mortality. The accurate recording of births and deaths was to be a vital tool in improving population health and would later enable systematic interventions such as vaccination, as well as aiding research and data analysis. ('1836 Registration Act')Round silver medallion with presentation case. Front of medal features portraits of King George VI and Queen Elizabeth in profile. Text encircling the portraits reads 'BIRTHS & DEATHS REGISTRATION & MARRIAGES ACTS". Back of medal carries a lit torch design at centre, encircled by the text "BIRTH . MARRIAGE . DEATH". Presentation case is a square, green, leather box with cream satin and beige velvet lining. There is a central depression within the case in which the medallion sits. Text printed on upper surface of box lid reads "B.D. and M./CENTENARY/1837-1937". Royal Mint insignia stamped in gold inside lid.numismatics

Sunshine biscuits were made in Ballarat from 1921. During WW11 Sunshine biscuits devoted 80 percent of its output to army services. The company was twice devastated by fire. In 1923 the factory was completely destroyed and was rebuilt as a more modern factory on the same site. In 1939, a deliberately lit fire demolished the workshop. Sunshine biscuits continued to be sold until 1991. Biscuits were sold by weight from a large tin in the grocer's shop.This tin seems to be a commercial tin used in a grocery shop. It would have been used in an Orbost grocery store e.g. Dicken's, Baughhaust's or Herbert's.Biscuits were once sold by weight from a large tin in the grocer's shop.This tin seems to be a commercial tin used in a grocery shop. It would have been used in an Orbost grocery store e.g. Dicken's, Baughhaust's or Herbert's.Large rectangular commercial biscuit tin, made from pressed metal, with a lid. There is a paper label on the front which details the contents, and manufacturer details. It has a colourful label which is in poor condition. On label - in a dark blue banner SUNSHINE. Left hand side vertically BALLARAT PRODUCTS LIMITED. Below the SUNSHINE banner - Sweet Assorted, Superior biscuitssunshine-biscuits food biscuits container tin

Bendigo's Cenotaph by Dacre Smyth 1988. Bendigo's War Memorial in the city centre is a half size replica of the famous Cenotaph in London. Some 4-1/2 metres high, the Bendigo RSL President described it as the best country Memorial in Australia during its rededication just before ANZAC Day 1988 following its extensive refurbishment. It had first been dedicated in June 1957 and it is normally flood lit at night. It is not known for sure when the painting was donated to the Bendigo RSL but it was hanging in the Foyer years before the Soldiers Memorial Institute became a Museum in 1998. Frame - Light timber, gold trim, no glass. Original coloured oil painting of the Cenotaph, Bendigo in foreground with Charing Cross buildings & fountain in the background. Label black print on gold bottom centre: "Bendigo's Cenotaph" Rear of painting hand written in black felt pen & black ink: "History of the Cenotaph by Dacre Smyth, 1988" cenotaph, bendigo, painting, brsl, smirsl

House built by Edward Maygar, Robert Whatmough lived there mid 19th century and later sold to Partington family. It was located on the Plenty River at Partington's Flat Greensborough. The derelict Willis Vale house was vandalized later destroyed in 1964 when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough. This photo was taken after the Partington's moved house in 1947 across the river where Alan built their new Alwyn house that had access to electricity.A pioneer home in Greensborough.Digital copy of black and white photograph.willis vale, partington family, robert whatmough, maygar family

The Royal Princess Theatre, 73 View St., Bendigo, was designed by William Charles Vahland and opened on 31/8/1874. It had a capacity of 2000 and was lit by gas until 1898 when electricity became available. The original proprietors were John Croley (1827-1899) and William (Billy) Heffernan (1840-1899). It was Bendigo's first permanent picture house in 1910, with it's first showing being the silent film "The Desert Song". It closed in 1930 before reopening in 1936 after being rebuilt in the Art Deco style. The theatre was finally closed in May 1963 and was demolished.Eight pages souvenir programme. 1874-1955 Royal Princess, Bendigo. Eighty first birthday souvenir programme 31st August 1955. Manager: Don Vincent, price: sixpence, proceeds: cinematograph trade benevolent fund. There is a one-page history of the theatre by Don Vincent. The programme includes stage performances and the screening of "seven brides for seven brothers".royal princess theatre, souvenir programme, eighty first birthady, 1874-1955

This item is from a collection donated by descendants of John Francis Turner of Wodonga It is one of many souvenirs produced to represent landmarks in the Albury-Wodonga district. The Albury and District War Memorial was opened on Anzac Day 1925 by General Paine. Designed by the Architect Louis Harrison, the site was chosen by the town planner Charles Reade. The monument is a white ferro concrete tower, in the form of a tapered lighthouse painted stark white and surmounted by a 'torch of liberty'. This torch is 1.8 meters high and faced with 40 panes of prismatic glass. During the day sunlight plays through this glazing giving the torch the illusion it is lit.This item comes from a collection used by a prominent citizen of Wodonga. It is representative of a items produced to represent historic landmarks or features of the district.A small butter bone china butter dish with scalloped edge with gilt edge trim.It features a black and white image of the War' Memorial in Albury.Below image: "WAR MEMORIAL ALBURY"domestic items, albury souvenirs, war memorial albury

Bismuth and Magnesium tablets were used as a medication used to treat temporary discomforts of the stomach and gastrointestinal tract, such as diarrhoea, indigestion, heartburn and nausea. A clear glass bottle, with a metal screw top, containing 60 Bismuth Magnesia tablets. Bottle Front; DANDS / 60 / BISMUTH / MAGNESIA / TABLETS / DOSE - 1TO 3 TABLETS TO BE / TAKEN ( CRUSHED) IF PREFERED / WITH A LITTLE WATER / AFTER EACH MEAL / FELTON, GRIMWADE /& DUERDINS LTD. / 342-6 LIT. FLINDERS ST., / MELBOURNE BOX Front & Back: DANDS / BISMUTH ...... / The / Powerful Antacid / FELTON .......... Left side: An EFFICACIOUS / REMEDY FOR THE / RELIEF OF / INDIGESTION / FLATULENCE...... Right side:DIRECTIONS / Dose / ........pharmacy, medicines, felton, grimwade and duerdins ltd., dands melbourne, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, bismuth, magnesia, antacids

Willis Vale: House built by Edward Maygar, Robert Whatmough lived there mid 19th century and later sold to Partington family. It was located on the Plenty River at Partington's Flat Greensborough. Land use included farming and orchards. The derelict Willis Vale house was vandalized in 1964 and destroyed when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough. This photo was taken after the Partington's moved house in 1947 across the river where Alan built their new Alwyn house that had access to electricity.Home of the Partington familyDigital copy of black and white photograph.willis vale, partington family, whatmough, maygar family

Willis Vale: House built by Edward Maygar, Robert Whatmough lived there mid 19th century and later sold to Partington family. It was located on the Plenty River at Partington's Flat Greensborough. Land use included farming and orchards. The derelict Willis Vale house was vandalized in 1964 and destroyed when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough. This photo was taken after the Partington's moved house in 1947; across the river where Alan built their new Alwyn house that had access to electricity.Home of the Partington familyDigital copy of black and white photograph.willis vale, partington, whatmough, maygar

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment

Roslin Castle, the seat of the St Clair Family, was founded in 1304. It is partly in ruins. According to legend some millions of pounds worth of treasure being hidden in the vaults. it is said to be under the charge of a lady of the ancient St Clair family. She is to wake from her slumber and point out the spot where the treasure lies. It is located near the village of Roslin in Midlothian, Scotland. It is located around 9 miles south of Edinburgh, on the north bank of the North Esk, only a few hundred metres from the famous Rosslyn Chapel. (See http://en.wikipedia.org/wiki/Roslin_Castle)Three postcards showing different views of Roslin Castle. .1) A stone building on a hill side, with flying flag, .2) The Courtyard, Roslin Castle .3) The Bakehouse, Roslin Castle.1) This a fine view taken from the Glen. Formerly the castle was eight storeys high, five above and three underground. .2) While at Edinburgh I went out to Roslin saw there the Castle and Church. They are both very old dating back 500 hundred years. .3) The hole in the wall is the oven, is an immense thing. A fire was lit in the oven then pulled out and the heat in the stone did the baking.roslin, rosslyn, roslin castle, st clair, spirit, ghost, baking, oven, bread

Bob (Herman) Hymans (a former member of the Royal Netherlands Navy) was born in Bloemendaal, Holland on 30th September 1922. During World War II he fought against the Japanese in the Dutch East Indies (now Indonesia) and was imprisoned in Changi and on the Burma Railway. After gaining qualifications as a Ski Instructor, Bob arrived in Falls Creek in July 1950. Working as an Instructor and Supervisor at Bogong Lodge, Bob decided his future was in accommodation. He was successful in negotiating an indenture for land from the State Electricity Commission (SEC). It took Bob two years to build his Grand Coeur Chalet but, tragically, it was burned down in August 1961. Bob also built the first Chairlift in Australia. This was a single chairlift and the structure was built from wooden electricity poles. He was constantly full of new ideas and proposals for the village. Bob Hymans die on 7th July 2007. This Collection of documents and letters tells the story of Bob's endeavours to develop Falls Creek into the ski village it is today.This item is significant because it documents proposals put forward by Bob Hymans to develop facilities in the Falls Creek Tourist Area.Two unsigned handwritten notes related to signs and developments on SIte 4A at Falls Creek leased by Bob HymansTranscript: Copy keep 22/6/66 I beg to inform you that it is my intention to erect a sign advertising my business. It will be manufactured by a plastic sign firm, be positioned under the eaves of the Four Seasons Chalet and lit you by night. Yours faithfully ________________________________________ I am taking the liberty herewith to I apply for your permission to erect a Ladies Hairdressing Salon on Site 4A Yours faithfully.falls creek tourist area management committee, falls creek administration, plan for ladies hairdressing salon

Willis Vale: House built by Edward Maygar, Robert Whatmough lived there mid 19th century and later sold to Partington family. It was located on the Plenty River at Partington's Flat Greensborough. Land use included farming and orchards. The derelict Willis Vale house was vandalized in 1964 and destroyed when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough. This photo was taken after the Partington's moved house in 1947. across the river where Alan built their new Alwyn house that had access to electricity. Home of the Partington family Home of the Partington familyDigital copy of black and white photograph.willis vale, partington, whatmough, maygar

Magazine - SEC News May 1972 No. 157. Has an article, Bendigo "Trammies Rode into history", on the Trammies of Bendigo following the closure of that system in April 1972 and an article about what was believed to be the last gas lit house in Sebastopol, that was converted to electricity. Features photographs of Bendigo trammies, Jack Hogan, Harold Tueno, Alec Moss, Steve Rowe, Phil Knight, Barry Hopgood, Keith Townsend. Article notes those with over 30 years service with the SEC. The item, "End of the Gaslight Era" about the connection of electricity to a house in Sebastopol features photos of Minnie and Pansy Carnegie, SEC Mechanic Peter McCutcheon and Home Services advisor Gloria Reilly.Yields information about the closure of the Bendigo tram system and the last gas lit house in Ballarat.Magazine - 12 pages, black and white photographs and news items, centre stapled.sec news, secv, bendigo, closure, gas lights, electrical equipment, electricity supply, ballarat, trammie

"The bonfire at Beckett Park was the culmination of the EMPIRE DAY/CELEBRATIONS in Surrey Hills in 1935 and 1936. In 1937 vandals lit the fire prematurely but residents hastily rebuilt it - about / 100 tons including old tyres. A volunteer fire-watcher had his caravan close by until lights-up time on Saturday night. / Courtesy Ian Barkla. / see 180 (handwritten on backing board)." / "BONFIRE BUILDING at BECKETT PARK/EMPIRE DAY CELEBRATIONS IN 1930s/ The celebrations were centred on the/ shopping centres in Surrey Hills and/Mont Albert to boost local business (and/ the spirits of residents) after the Depression./ - from a glass negative - Mr Ian Barkla."Image depicting the building of a large bonfire made primarily from rubber tyres, supported by a wooden frame c1937/8. There is a significant crowd of people watching the erection of the pyre from ground level. Several members of the crowd are seated or holding bicycles. There are multiple persons situated on the pyre or on a ladder propped up against the mound of tyres. The area containing the pyre has been fenced off with rope (?). A white coloured caravan in situated to the right (facing) of the bonfire in close proximity to a dark coloured car. Two stone towers and a park bench are also visible in the image.Black and white, W 25.3 cm x H 20.3 cm, landscapeparks and reserves, beckett park, balwyn, bicycles, crowds, empire day, depression 1929-1939, economic depression, frank leslie barkla, bonfires

Memorial plate 4.2cm ornate frame with a pale yellow matt and a narrow gold matt inside. Under the plate is a printed memorial with the same narrow gold matt. The printing is: In Memory of Elsie May Twitt Charter President of The Inner Wheel Club of Bendigo South Founder of the Flame of Friendship. The plate is a 30.2 cm square plate with gold decorative edges. It is about 2 cm high. The plate is painted with five chrysanthemum type flowers on a multi pale blue, yellow, green blue and pink background. Behind and above the flowers is a blue lit candle with 'Flame of' on one side of the flame and 'Friendship' on the other. The plate was painted by H. MacLeod. The Inner Wheel decal is in the top left corner.bendigo, clubs, inner wheel club south bendigo, inner wheel club south bendigo: memorial plate for elsie may twitt, h macleod, janice grose

.1 - Insurance Policy - six fold - titled "Public Risk Contractors and/or General Policy" from "The Ocean Accident and Guarantee Corporation Limited of London - Victorian Branch" to the Albion Quarrying Company Limited, dated 1/12/1912, expiring 30/6/1913. Gives details of the policy, who was covered, amount, premium and conditions. Endorsed by the Insurers Manager as to the requirement that all openings and excavations be lit at night. Possibly for the Construction of the Malvern Tramway but not detailed as such. .2 - handwritten receipt on preprinted sheet No. 15101, receiving the premium for the above policy, dated 26/11/1912. Gives details of the sum assured, signatures and has a State of Victoria stamp duty stamp on the left hand side."38" in ink in top right hand corner.trams, tramways, construction, pmtt, insurance, contracts, employees, receipts

View of Greensborough from Willis Vale. The people in the photograph were visitors and not identified. Willis Vale: House built by Edward Maygar, Robert Whatmough lived there mid 19th century and later sold to Partington family. It was located on the Plenty River at Partington's Flat Greensborough. Land use included farming and orchards. The derelict Willis Vale house was destroyed in 1964 when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough. [Ellen died on 13/10/1903 - Some think this photo is thought to have been taken shortly after, at her funeral.]Digital copy of black and white photograph.willis vale, greensborough, partington family

Candles were the main source of lighting during the Colonial era. The candles were made at home from tallow, or animal fat, which was readily available and inexpensive. The tallow was soft, often had an unpleasant smell, band burned with a low, quickly fading light. Beeswax candles could be bought ready-made and lasted longer when lit. Bayberry wax could also be made into candles but was the process was labour intensive and time consuming. Spermaceti was from whale oil, a growing industry in the late 1800's, made firmer candles. Around this time wooden candle moulds were invented and uniform size and shape candles could be produced using the spermaceti wax. The candle mould is significant in the evolution of household lighting. It was an asset to the 19th century homemakers, allowing the production of their own candles in a uniform size. Candlelight allowed for the extension of time available for duties.Candle mould of tinplate for one dozen (12) candles. The tubular moulds stand upright, three rows of four, in a fitted tray. Another concave tray fits over the top ends of the moulds and has a hole above each of the candles, which is used for filling the moulds with melted wax. Ends have wire-reinforced edges.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, candle mould, candle making, lighting, candles, tallow, beeswax, bayberry wax, spermaceti was, whale oil, candlelight

Close up photograph of a section of brickwork at Willis Vale. This is the end wall under the roof. Willis Vale built by Edward Maygar, Robert Whatmough lived there mid 19th century and later sold to Partington family. It was located on the Plenty River at Partington's Flat Greensborough. Land use included farming and orchards. The derelict Willis Vale house was vandalized in 1964 and destroyed when a fire originating from North Plenty Gorge - Kurrak Road - was lit by two teenage boys and made its way several kilometres down to Partington's Flat Greensborough. This photo was taken after the Partington's moved house in 1947 across the river where Alan built their new Alwyn house that had access to electricity.Part of Willis Vale, a pioneer home in the Greensborough area.Digital copy of black and white photograph.willis vale

VR Commissioner's Special train, steam locomotive D3-639 filling up with water at the coal hopper, Echuca Railway Station, 1962. The tender has been all polished up. THE ECHUCA COALING STAGE. Locomotives would stop alongside to receive coal dropped into their tenders from small overhead rail mounted tipping trays. Water could be obtained from either the elevated tank at one end or the connected standpipe at the opposite end. Locomotive firebox contents could be dumped into pits between the rails from locomotives once they were carefully positioned above them. Such locomotives then could move onto the Engine Shed area for overnight parking. Firebox fires would be re-lit when the locomotive was next needed in a day or so.Digital TIFF file Scan of black and white print enlargement on textured paper (14.5 x 21 cm)coal hopper, d3-639, d3-class steam locomotive, echuca railway station, george coop collection, vr commissioner's special train