Photograph of bride and groom 1925. Caption on back identifies the bride as Chrisie Barber and the year 1925. From the collection of Jessie Partington.Sepia studio portrait of bride and groom, mounted on heavy card.Name and address of studio on front of mount. Handwritten caption "Chrisie Barber 1925" on back of mount.chrissie barber, weddings, jessie partington

Colour slide in a mount. Terrace house, Melbourne, Victoria, AustraliaMount Made in Australia / 14slide, robin boyd

Colour slide in a mount. Unknown location, probably Melbourne, AustraliaMount Made in Australia / 16slide, robin boyd

Photograph of Jessie Partington on her wedding day 09/03/1935. Jessie married Gordon Scholes at the Greensborough Methodist Church.Studio portrait of bride, mounted on heavy card.Studio name and address on front of mount.jessie may partington, jessie scholes, gordon scholes, greensborough methodist church

Staff posed on the entry steps.Colour photograph, mounted. Names are printed at the bottomBallarat University College emblem on mountingballarat university college, bachelor of engineering, engineering staff

Colour slide in a mount. Rupertswood, Sunbury, Victoria, Australia, 1876. (Architect: George L. Browne.)Mount Made in Englandvictoria, slide

This came as part of a large collection of photos from Eric Boardman. Originally catalogued by R Waters on 12.02.1988. There are 3 copies of the original in black & white 20.5 cm x 25.5 cm format. According to information in the supplementary file from Bob Cahill who is the grandson of JF Cahill and son of Malachi Cahill, the identification of the photo is as follows: L to R (standing): James, John Francis (father), John, Malachi; L to R (seated): Mary / Margaret nee Ryan (mother), Polly (Mary), Michael (Mick) and ? (not specified) Margaret. NB/ Nora (Annie) who ran the Ball Court Hotel is missing from the photo. Other details: John Francis Cahill was a blacksmith & bootmaker and thought to be English; he married Mary or Margaret Ryan prior to coming to Sunbury. He built the Ball Court Hotel in 1854. (See 'Bulla Bulla'.) Nora (Annie) married a McGrath; Margaret married a Breen; James did not marry; Mary (Polly) married Justin Ford, Shire President in 1917. Malachi (born in 1878) married Mary Jane English. She was aged forty at the time of marriage & was originally from Ballarat. She worked at 'The Hill'. Malachi was a railway worker & died travelling on a train. There is also information about the Bulla Cahill family in the supplementary file.Mounted black & white photograph of the family of John Francis Cahill. It portrays 5 males and 3 females seated formally in front of a building. The photo is in sepia tonings mounted on a grey mount."Cahill Family" written in blue biro on the centre front of the mount below the photo; "Eric Boardman" handwritten in red pencil on the back of the mount.pioneers, cahill family, cahill, john francis, mary, ryan, john, malachi, polly, michael, ball court hotel, boardman, eric, ford, justin, matson & frazer, george evans collection

Colour slide in a mount. Wrought iron lattice work, unknown locationMount Made in Australia / 18slide, robin boyd

Colour slide in a mount. Wrought iron lacework, unknown location, AustraliaMount Made in Australia / 11australia, slide, robin boyd

Colour slide in a mount. Victoirian verandah, unknown location, probably AustraliaMount Made in Australia / 19slide, robin boyd

Colour slide in a mount. Corio Villa, Geelong. Cast iron house. (Ref R.B. Australia’s Home)Mount Made in Englandvictoria, slide

Colour slide in a mount. Kismet Creek Rail Bridge 1859, near 'Rupertswood', Sunbury, Victoria, AustraliaMount Made in Englandvictoria, slide

Colour slide in a mount. (Possibly) Terrace Houses, East Melbourne, Victoria, AustraliaMount Made in Australia / 21melbourne, slide

Arthur Edward Mansfield. Records are confusing but it appears he initially enlisted on 1.5.1916 in 20th reinforcements 5th Bn age 19 years 10 months, discharged medically unfit 15.8.1916 not due to misconduct. He was accepted again for specific duty on 20.9.1917 No 19332 in the AAMC and embarked on 25.9.1917 on the No 2 Australian Hospital ship as an Orderly. He was discharged at the completion of his service on 8.3.1918.Sepia photo of Private A E MANSFIELD. Head / shoulder portrait. Wearing peaked cap & great coat with upturned collar. Photo has white border & mounted on dark green background on cardboard.RHS bottom corner in white print: “Darge Photo 177 Collins Street Melbourne”photograph, mounted, ww1

Sepia photo, head & shoulders portrait of soldier in uniform. Slouch hat, 2 pocket jacket with Rising Sun badges on collar. Mounted with oval shaped tan veneer cardboard border & tan cardboard backing.photograph, mounted, unknown soldier

"Group portrait of the surviving members of D Company/ 7th Battalion after the Battle of Krithia, Ottoman Empire:/ Turkey, Marmara, Chanak, Gallipoli Peninsula/1915"Photograph - black and white photograph on paper, group portrait of 27 soldiers. Board mounted photograph on timber with satin finish.photograph, mounted, 7th battalion, ww1

Colour slide in a mount. Prince of Wales Hotel, 1 Nelson Place, Williamston, Victoria, AustraliaMount Made in Australia / 13victoria, slide

Sir Dallas Brooks at a Legacy Bowls tournament. Names of the legatee with him is not known. The trophy awarded to the winner was named after Sir Dallas Brooks who was a patron of Melbourne Legacy when he was Governor of Victoria (1949-1963). It shows a close relationship between Legacy and the Governor of Victoria. Melbourne Legacy held regular bowls tournaments for Legatees. Some events were as a fundraiser for Legacy and well as a social event for legatees. The date is estimated to be the 1960s as it was with other slides from that period. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of the type of activities Legacy provided as a social outlet for the Legatees and the patronage of the Governor.Colour slide of Sir Dallas Brooks at a Bowls Tournament in Kodak mount.The mount is imprinted with a slide number (19).bowls, legatee event, dallas brooks, governor of victoria

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The Regent Parrot has two separate populations separated by the Nullarbor Plain: one in the Mallee regions of eastern Australia, and the other in the Wheatbelt region of southern Western Australia. Though the populations are widely separated, the birds of each region do not appear especially different, one being a little duller than the other. There are, however, other differences between the two populations, especially in how they have fared: eastern populations are endangered, while the western population is thought to be increasing. The Regent Parrot eats seeds of grasses and plants and cereal crops, especially wheat. It also eats buds and flowers, insect larvae, psyllids and lerps. It forages in pairs or small parties, usually on the ground, but also in the canopy of trees or in spilled grain on the ground. The Regent parrot is endangered in NSW and Vulnerable in VIC This Particular specimen has been mounted correctly.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.A slim parrot with a long, dusky tapering tail and back-swept wings. It is mostly yellow, with blue-black wings and tail. There is a prominent yellow shoulder patch and red patches in the wings. The bill is deep pink. It is mounted on a thin wooden branch that is attached to a wooden mount with the scientific name located Label: T.L. 430MM / W.S. 540MM / WT. 200GMS / SEX [female symbol] Mount: Polytelis / Anthopeplus / Regent Parrot taxidermy mount, regent parrot, taxidermy, animalia, burke museum, bird, parrot

A studio portrait of A. F. Daniel, a former Shire President of the former Shire of Bulla.Mounted b/w photo of A. F. Daniel. Black cardboard mounting with gold writing.Printed on front of mounting: Gourelle 69 & 71 SWANSTON ST / MELBOURNEshire of bulla, shire presidents, daniel, a. f., gourelle, photographers, george evans collection

Photograph of Jessie May Partington as a child.Jessie Angus was a Greensborough identity for her work with the local choral society and as a member of the pioneering Partington family.Postcard Studio portrait of small child in lace dress. Photograph in oval mount.In pen on mount: Jessie May Partingtonjessie may partington, jessie angus, jessie scholes, partington family

The Little Pied Cormorant is commonly seen in Australia's wetlands. These birds reside amongst large flocks in locations where fish is plentiful. On the occasion that this bird is seen on inland streams and dams they will be solitary. This particular species willingly mixes with similar sized birds including the Little Black Cormorant. They feed on aquatic animals ranging from insects and yabbies and are labelled as benthic feeders because they find their prey on the seafloor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Little Pied Cormorant specimen is a small bird with white and black colouring. The back of the head, neck, wings and tail are black while the undersides are a creamy white. The feet are webbed and are also dark in colouring. The bird has pale glass eyes and a medium sized bill and a long tail. This specimen is styled to look over it's left wing with its long neck bent to look in that direction. It stands on a wooden mount with a paper identification tag attached to the bird's right foot. The mount has the number 152 written on the wood.Swing tag: 21a. / Pied Cormorant / Catalogue page 41 / Mount: 152 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, cormorant, little piet cormorant, waterbird

See attached excerpt from The Minervan Dec 1956, p18-19Grayscale large photograph on mount with hand-scripted border and titleOn Mount: Ballarat College / H.M.S. Pinafore / 19561956, h. m. s. pinafore, gilbert & sullivan, ballarat college, dramatic productions

Leagtees hold comradeship events through the year. This appears to be when a Legatee received an award. Date is estimated to be in the 1960s as it is being held in Legacy House in Swanston St and was with other slides from that period. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of past social events for Legatees.Colour slide x 6 of a Legatee Comradeship event in white plastic Agfacolour mounts with navy reverse side.The mounts are handwritten 1 to 6.legatee event, comradeship

Original plans for the Mount Buffalo Chalet, framed architectural drawings for the Chalet, titled " Additions to Government Chalet Mt Buffalo. Dated 1909. Signed Jas G Spence & E F Leary. "Ground Plan, first floor plan, elevation, Section M5 and side elevation –beautiful coloured plan, hand price onit of £970, also called Drawing No. 1.Beautiful plan suitable for reproduction for graphic work." (Pg 45. Heritage Impact Assessment, September 2013. MGS Architects and McDougall & Vines, Conservation and Heritage Consultants) 'The Mount Buffalo Chalet opened in April 1910 as a remarkable Victorian State government venture into alpine tourism and recreation. Designed by Public works Department architect, George Austin (1860-1921)." (Pg 4 Historica, 2011). "The collection of ephemera builds on the Chalet's holding of archival material with a range of interesting, original items. Dinner menus., stationery., luggage labels, tickets, dockets and plans help to interpret the structured routine and social conventions of the Chalet that held sway for so many years." (pg 127 MBCC) These plans drawn were most likely to have been drawn upon recommendation by Government Tourist Officer, J.C.Boyce. John Newton (the Lessee) suggests the addition of 2 new wings (24 rooms) and creation of a billiards room. Treasury approved money for these extensions which were not completed until1914. Listed in Draft Inventory of Significant Collection Items. Four framed hand-drawn and coloured drawings / plans of the Chalet. Framed and mounted behind glass. 1: Dated 1911 -1912. 2: -dated 6th oct 1909 3: -Dated 25th Sept 1909. 4: -Dated 6th Oct 1909.Handwritten at the top of each drawing," Mount Buffalo / Wood Chalet"

Black and white photograph, mounted on cardboard, of a group of people posing at a lookout. Written at bottom of mount: "The Horn, Mt Buffalo"the horn, mt buffalo, victorian alps, great dividing range, mount buffalo

Donated by Mrs Carracher, GaelBlack & white wedding photograph, unframed, mounted on cardboard. Subjects unknownOn bottom corner of mount "Tasma, Newtown, Sydney"weddings

Oval black and white photograph, mounted on cardboard, of David Hamilton.At bottom right of mount: "Thalma - Ilsley Opp P.O. Rutherglen Written on back of mount: "David Hamilton | Father of Norman, Jessie and Rita"david hamilton, hamilton family, norman hamilton, jessie hamilton, rita hamilton