A pictorial history of Bendigo of photographs taken by Nicholas John CairePaperback. Front cover has a decorative border enclosing the title of the book.Stamp of Marysville & District / Historical Society Inc / P.O. Box 22 / Marysville 3779bendigo, nicholas john caire, photographer, history, central victoria, victoria, australia

Sepia photograph. View of the Botanical Gardens, White Hills. A path cuts horizontally across the foreground where a young fir tree is growing. Beyond the path there is a small building on the far left, a shed structure with surrounding picket fence, followed by a small cottage and a stand of eucalyptus trees extending to the right. A variety of exotic trees and shrubs both exotic and native border the path. Inscriptions: Printed mount in gold ink 'Views of Bendigo No. 51' on top. 'Botanical Gardens Near The White Hills', 'NJ Caire, Photo, Sandhurst', 'Casey & Wenborn's print', Forbes & Holmes, agents'. These public gardens were first promoted by the Sandhurst Corporation in the year 1965. They cover an area of about 30 acres, and contain many choice and rare plant. The public are admitted everyday in the week from the hours of sunrise to sunset. Mr Gadd is the curator and resides in the gardens. Nicholas Caire (Two copies)Nicholas, J Caireplace, public gardens, botanical gardens, white hills

Sepia photograph. View looking north along High Street, Eaglehawk towards the Eaglehawk Town Hall and Virginia Hill behind. On either side of the street are double and single storied businesses. Wooden slatted tree guards, triangular configuration are close to the road gutter. Some horse-drawn vehicles are on the right side of the street. On Virginia Hill a mine and crushing battery building and chimney along with a few eucalypts can be seen. Inscriptions: Views of Bendigo No. 49', 'Township of Eaglehawk', 'NJ Caire photo Sandhurst', 'Casey & Wenborn's print', Forbes & Holmes Agents'. In grey lead on back of mount 'Mrs Brown, Barnard Street, Bendigo', Stamped 'Royal Historical Society of Victoria, Bendigo Branch'. In image 'Victoria Hotel, Sam Watson?', 'Saddler', 'Exchange Hotel'. History: in grey lead pencil, Mrs Brown, Barnard Street, Bendigo. Three col. Stamped 'Royal Historical Society of Victoria, Bendigo Branch', in ballpoint pen 1959, 71. (Two copies) Nicholas CaireNicholas J Caireplace, streetscape, high street, eaglehawk, the photographic mount

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography. The 1860s marked the beginning of the era of reserves and missions. Six Aboriginal reserves were established during the 1860s. These were under the control of the Board for the Protection of Aborigines. Four were Christian missions receiving government aid. These were Lake Tyers (Anglican) and Ramahyuck (Presbyterian/Moravian) in eastern Victoria for the Gunai/Kurnai clans; Ebenezer (Moravian) in north-west Victoria for the clans of the Wimmera and Lower Murray; and Lake Condah (Anglican) in south-west Victoria. The other two were secular government controlled reserves: Framlingham which, like Lake Condah, was established for the Mara-speaking Gunditjmara and Kirrae-wurrung people of south-west Victoria; and Coranderrk, located about 60 kilometres north-east of Melbourne, for the Kulin clans of central Victoria. In 1863, after a period of devastation to the Kulin people, Coranderrk was established at the junction of the Yarra River and Badger Creek. Reference: http://coranderrk.com/, accessed 24 December 2016An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Albumen silver photograph mounted on boardprinted in ink on support l.c.: SCENE NEAR "CORRANDERRK" STATION. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 9. / SCENE NEAR "CORRANDERRK" STATION. / This scene was taken from the hill near Rourke's Bridge, on the Healesville Road, and displays in the foreground / the River Yarra. The roadway which is seen in the mid-distance has lately been constructed by the Government, / as the old tracks which formerly existed, were liable to be swamped by the periodical overflowing of the River. Mount / Ridell can be seen in the extreme distance immediately behind the roadway. / Corranderrk is the local habitation / for the natives of this district, and is situated on the right hand side of the picture, about a mile and a half / from the roadway. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), coranderrk aboriginal station, aborigine, yarra river, badger creek, first peoples, aboriginal and torres straight islander

Photograph No. 17: Sepia photograph of The Bendigo District Hospital Nicholas CaireN J Caireplace, landscape view, golden square

Photograph No. 20: Sepia photograph of Town Hall City of Sandhurst Nicholas CaireN J Caireplace, landscape view, golden square

Photograph No. 16: Sepia photograph of Savings Bank Sandhurst (Two Copies) Nicholas CaireN J Caireplace, landscape view, golden square

Photograph No. 15: Sepia photograph of Wesleyan church Golden Square. (Two Copies) Nicholas CaireN J Caireplace, landscape view, golden square

Photograph No. 18: Sepia photograph of Interior of the Wesleyan Church Golden Square (Two Copies) Nicholas CaireN J Caireplace, landscape view, golden square

Photograph No. 27: Sepia photograph of View of Sandhurst from Knipe's Castle. (Two Copies) Nicholas CaireN J Caireplace, landscape view, golden square

Photograph No. 14. Sepia photograph of view of East end Pall Mall from the Court House. (Two Copies) Nicholas CaireN J Caireplace, landscape view, golden square

2 copies with inscription below|1 x 9 x 14|1 x 12.5 x 17.5|View of Flagstaff and Rocket Shed from the Eastern Pier of Lakes Entrance, this was the New Works, (photograph 1906c - A Maclachlan)|Enlargement black and white 20.5 x 28|Also copy in Caire P01049Black and white photograph showing two ladies on Eastern Pier, view of beach, dune and flagstaff on right, entrance and northern end of pier and works buildings on left, Kalimna escarpment in background. Lakes Entrance Victoriajetties, boats and boating, waterways

Also three black and white copies 17 x 25First generation black and white postcard of the Kalimna area of the Gippsland Lakes. It shows a residence surrounded by a paling fence at Maringa Creek in foreground, dead vegetation at mouth of creek. Steep cliffs of lake shore opposite low lying Rigby Island. Lakes Entrance VictoriaKalimna and Reeves River. Gen View.waterways, topography

Also black and white enlargement 16 x 25Black and white postcard of the lake below Jemmys Point, Gippsland Lakes, showing Rigby Island opposite the steep cliffs of Kalimna and Nungurner shores of lakes. Small island, known as the Doughboy of Rigby Island. View taken from Jemmys Point with natural vegetation in foreground. Lakes Entrance VictoriaKalimna from Jimmys Pointislands, waterways, topography, boats and boating

Sepia toned copy of a photograph of the punt on the Tambo River, about a dozen people and the punt man on punt in middle of river. Swan Reach Victoria,boats and boating, transport, waterways

Photograph No. 37. Sepia photograph of township of Eaglehawk, showing main street, Town Hall and Post Office. Also printed below photo, Forbes & Holmes, Agents, Casey & Wenborn's Print. Nicholas CaireN.J. Caire - Sandhurstplace, eaglehawk

Photo No. 23. Sepia photograph of Sandhurst City Market. Printed on front below photo: Welch Type, Town Hall, Fire Brigade Depot, Forbes & Holmes, Agents. MP 149 Nicholas CaireN.J. Caire - Sandhurstplace, building, sandhurst city market

Photograph No. 24. Sepia photograph of Pall Mall, Sandhurst, looking West. Printed on top right hand corner. MP 171. Printed below photograph: Welch Type, Forbes & Holmes, Agents. Nicholas CaireN.J. Caire - Sandhurstplace, streetscape

Photograph No. 19. Sepia photograph of view of Golden Square township. Church in centre back of view. Printed below photograph: Welch Type, Forbes & Holmes, Agents. Written on front MP148 (Two Copies) Nicholas CaireN J Caireplace, landscape view, golden square

Photograph 13. Sepia photograph of Shamrock Hotel, Sandhurst. Six horse drawn carriages, many men standing around front of hotel. Printed below photograph: Welch Type, J.W. Forbes, Agent. (two copies) Nicholas CaireN J Caireorganization, business, views of bendigo

Gippsland Heritage Journal is a journal, produced about every nine - twelve months, for those interested in regional, local and family history in Gippsland, Victoria, Australia. It is compiled by Meredith Fletcher, Debbie Squires and Linda Barraclough and includes a diverse range of articles, both academic and non-academic. Since No.24 it has been a partially refereed journal. This copy was used in the library of Orbost Secondary College. This is a useful reference tool on the history of Gippsland.A 64 pp magazine, titled Gippsland Heritage Journal No 10 (June 1991). The cost is $7.00.The front cover is grey with a b/w photograph of detail from "The Ladies Fern Bower' by Nicholas Caire. The magazine contains photographs, articles on the history of Gippsland,

Early black and white photographs of John William Lindt.Early black and white photographs of John William Lindt. John William Lindt (1845–1926), was a German-born Australian landscape and ethnographic photographer, early photojournalist, and portraitist. John Lindt was responsible for a folio of photographs of the Fernshaw and Watts River area and he sold over 25,000 images of the Black Spur from his original negatives. In 1895 he was able to purchase land on the North East side of the Black Spur and subsequently built his home and guesthouse "The Hermitage" from where he continued his photographic career. In 1913 he collaborated with Nicholas Caire to produce a tourist booklet on the area. In 1925 the Argus reported that Lindt "continues to produce remarkable and most artistic pictures of the beauties of mountain landscape. He is not a believer in the blurred effects favoured by many ... instead he is a master of detail." Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.john william lindt, fernshaw, watts river, black spur, the hermitage, nicholas, nicholas john caire, the argus

A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt