'Information Night' about development and advertisement for the sale of 16 lots adjoining Yarran Dheran Reserve [access from Casella Street, Mitcham] Agent: L.J. Hooker, Blackburn. In the Nunawading Gazette.advertisement for the sale of 16 lots casella street, mitcham, yarran dheran, moorakyne place, land subdivision

Memorandum - yellow paper titled "Visibility of tramcars at Night" .1 - foolscap sheet from the Designing Engineer Mechanical and Electrical to the Chief Engineer, dated 23/3/1960 outlining four proposals for improving the visibility of trams at night, signed by B. J. Roberts. .2 - half foolscap sheet - from Chief Engineer to the Chairman, forwarding report and asking what further action to be undertaken - signed D. Eakins and dated 25/3/1960.Has number "102553" and "6704" on original memo.trams, tramways, mmtb, tramcars, lights, tramcar equipment, night lighting

Rehearsal night at Ormond Hall for the 1981 RVIB Carols by Candlelight performanceCol. negatives of Carols by Candlelight rehearsalcarols by candlelight, royal victorian institute for the blind

Night time view of Beach St looking West towards West Gate Bridge James LAURITZ print of Port Melbourne, laminated (one of 18). Copies of slides produced for Port Melbourne Councilbeach street, local government - city of port melbourne, built environment, james lauritz, engineering - bridges, west gate bridge

Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp

Written on back of photograph, "Ringwood Cricket Club Presentation Night. L. to R. F. Hodgkins, L. Salvana, R. Spencer, W. Holloway, C. Beaumont".

To celebrate the 75th Anniversary of the School of Mines and Industries an Open Night was held on Thursday, October 25 (1945) from 7 to 9.15 p.m. The Principal was Mr A Heseltine and the Registrar was Mr F Ferguson. Members of the School Council included E J Tippett, M G Beanland who have a building or walkway named after them. A map of the buildings shows the various areas and information is given for each department. Though it was an Open Night it would also serve as an Information Night for student enrolling for the following year.Paper folded in half and printed on each of the four sections. Map showing layout of buildings. Information on each department of the school.ballarat school of mines and industries, 75 anniversary, a heseltine, principal, f e ferguson, registrar, e j tippett, m g beanland, open night, information night

Book is a biography of John "Cat's Eye's" Cunningham, an RAF night fighter ace.382 page black buckram hardcover book with dust jacket. Includes maps and B&W photos. Dust jacket is dark blue with black silhouette of an aircraft's tail with another aircraft in the background and text in white and yellow.books, military history, aircraft

Program of events for the Charter Night of the Rotoract Club of Greensborough. includes names of charter members.Digital copy of colour program rotoract club of greensborough

Heidelberg Golf Club: Jazz night with Old Melbourne Jazz Band: members enjoy a dance1 Colour photograph and captionladies' golf, hgc women's golf, new melbourne jazz band

white night melbourne, melbourne, night, lights, projections, arts centre, hamer hall, southbank

Admission tickets to the Christian Brothers College Annual Speech Night at St Kilda Town Hall on 18 November 1954.Blue card (discoloured with age) printed in black on one side, perforated down the middle.cbc - st kilda, christian brothers college

Jazz Night 2001: Heidelberg Golf Club. The New Melbourne Jazz Band with John Murray and crowd sitting on the grass.2 Colour photographs and captions.hgc course, jazz night 2001, john murray, new melbourne jazz band

The Kew Lions Club was formed in 1954 under the auspices of the Melbourne Lions ClubArthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. Special programme held to on 1 May 1954 in the Kew Recreation Hall in recognition of the formation of the Kew Lions Club. The programme includes lists of officers, staff, and charter members. The food served on the night is described as well as the entertainers. 8 pp.arthur dear collection, lions club of kew, kew recreation hall - wellington street -- kew (vic.)

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Programme issued by The Kew Repertory Players for a performance of Night Was Our Friend by Michael Pertwee. The performances took place in the Kew Recreation Hall in March 1956. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.night was our friend, michael pertwee, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, kew repertory players

Sports Clubs in Kew in the final decades of the 19th century and in the early 20th century were often umbrella organisations with facilities for a number of sports. Typically in Kew, this included teams in lawn bowls, tennis and croquet. The Kew Bowling Club was formed in 1880 while the privately owned Auburn Heights Recreation Club was opened in 1904. By 1998, the two Clubs decided to amalgamate at the Auburn Heights site in Barkers Road, forming the Kew Heights Sports Club. The combined club was itself taken over by the Melbourne Cricket Club in 2012 becoming MCC Kew Sports Club. In 2017 MCC Kew closed and its landholding was subsequently sold to Carey Baptist Grammar School. Both the Kew and Auburn Heights Clubs assembled important collections. These historically significant and large collections were donated to the Society in 2020. The collections include manuscripts, pictures, trophies, plans, honour boards etc. The combined collections of the four sporting clubs making up the collection number hundreds of items that are historically significant locally. They are also significant to the sporting history of the greater Melbourne area and to the sports of lawn bowls and tennis in Australia in the 19th and 20th centuries. The collection illuminates two of the Victorian historic themes - 'Building community life' through forming community organisations and 'Shaping cultural and creative life' by participating in sport and recreation.Navy blue and white printed pennant with a gold fringe. The pennant describes the competition, and in the spaces provided, the winning team has inscribed their team and personal names,BLACKBURN & DISTRICT NIGHT TENNIS ASSN / PREMIERS / SPRING 2012 / SECTION 9 / LADIES 'KEW DELIGHTS' / ANNE WRIGHT, ANNIE RUSSELL, ANDREA MURRAY, SALLY SWINGLER, SANDRA DOWNSkew heights sports club - 397 barkers road - kew (vic), kew heights tennis club - competition trophies

Announcement that young architect Robin Boyd is speaking at Union Night. The talk is titled "Why is Australian Architecture So Bad?" and will be illustrated with films.walsh st library

A night scene looking west along Sturt Street during the Centenary Celebrations in 1938. The Town Hall Tower can be seen in the background.sturt street, centenary, town hall, ballarat

Presentation night, c. 1980s, with Lionel Krongold as Acting President of the Parents' Association. Please contact [email protected] to request access to this record.presentation, 1980s, parents' association

Boyd article: ‘A Night at the Opera House’ Architecture Plus, Vol 1 No 7 (reprint) pp. 48-55. Journal issue is item P1244.Six copies, one incomplete pp. 49-56architecture, sydney opera house, utzon, walsh st library

Sheet of paper, printed both sides to give a guide to Melbourne Tram and bus Routes, with listing of routes, numbers, times of first and last trams and buses and all-night and Sunday Morning services. Dated Feb. 1948. Provides details of trams services on Sunday morning from termini, first and last services from major points, depots, for weekdays, Saturdays, and Sundays. Gives details of all-night services and connections. Also details fares. Notes shoppers should travel between 9.30 and 4pm for comfort, Wattle Park Chalet and Family Excursion tickets. Folded when printed into nine portions.On front cover in top right hand corner "Inspector L.J. Denmead" and under MMTB names "Ballarat Tramway Preservation Society Catalogue No. 504".mmtb, buses, routes, times, all night services

Fold out sheet coloured map, 12 portions or folds, - title - "Map of Melbourne's Trams and Bus routes and all night services" map shows trams lines, route numbers, terminal points, bus routes, railway lines, blow up of city area with places of interest and key. On rear details, places of interest, suburb index, index to routes, first and last services, Sunday am services, all night bus services and locations of depots and head office. 2nd copy added 11-8-2006. Images of document - scanned to A3 size and overlapping added 30/10/13 On rear "out of date" stamp and 1 "cancelled" stamp - red ink.trams, tramways, melbourne, map, tram & bus services, all night services

Framed pastel titled: "Fauna in the night" painted by Dorothy Turnball. Features a possum perched on a branch amongst red blossoms. Set in grey card window mount with red and grey trim. Grey painted wood frame. Brass engraved plaque affixed to lower edge.

Program for Elwood Central School's Annual Speech Night, held in the St Kilda Town Hall on 15 December 1954. Contains details of staff, prizewinners and evening events.White paper, discoloured with age, printed in blue on both sides and folded in half.elwood central school, elwood - schools

Jock Clutterbuck is a sculptor and printmaker of national significance, known for his sophisticated abstract forms with underlying esoteric mysticism. Clutterbuck overlapped with Baldessin when he studied sculpture and printmaking at the Royal Melbourne Institute of Technology, RMIT (1965-66). He taught at RMIT from (1969-73) before lecturing in sculpture at the Victorian College of the Arts (1974-2000). He is represented in many national and international public art collections and is a recipient of many National prizes and awards. George Baldessin (1939-1978) was a printmaker and sculptor who built his bluestone studio at St Andrews (Nillumbik) in 1971. The bluestone studio was hand built by George, his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.‘Frosty Night Cartouche’ is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. Following a visit to the Press in 2015, Clutterbuck was reminded of a suite of paintings he had produced some thirty years earlier inspired by plein-air drawings of the night sky. This print attempts to capture something of the enchantment, mystery and drama of a frosty rural property where Clutterbuck spent many years. It is a frost dreaming; a subtle personal homage to Baldessin, embodying the reverence of a fellow artist towards an old friend. In pencil (handwritten): low plate: left '14/25' (edition); centre 'Frosty Night Cartouche' (title); right 'Jock Clutterbuck' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)ekphrasis2018, symbols