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8th/13th Victorian Mounted Rifles Regimental Collection
Weapon - Bayonet
British 1907 pattern bayonet and .303 Lee Enfield rifle was standard issue to the armies of many Commonwealth countries including Australia, in World War One (1914-1918), World War Two (1939-1945), and Korean War (1950-1953). In Australia it was replaced by the 7.62mm Self-loading rifle (SLR) in 1960.British 1907 pattern bayonet with leather scabbard with metal fittings. XOA and L 43 under 1907 with Slazenger on handleworld war one, weapon, bayonet, british, lee enfield -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Kitchen Equipment, Tea Pot, Between 1885 and 1905 after which the backstamp changed to G & S LTD
Earthenware is lightly fired, readily absorbs water if not glazed, and does not allow light to pass through it. Coarse earthenware is made from clay and grog (ground up fired pot). There are two main types of glazed earthenware: One is covered with a transparent lead glaze; when the earthenware body to which this glaze is applied has a cream colour, the product is called creamware. The second type, covered with an opaque white .in glaze, is variously called tin-enamelled, or tin-glazed, earthenware, majolica, faience, or delft. G&S marking could be Grove & Stark, Longton, England (1871-1884). In the 19th century, J. & G. Meakin ,1851 based in Hanley, Stoke-on-Trent, Staffordshire, was known for the vast quantities of cheap ironstone china it produced for the domestic English market and for export to Australia, Canada, New Zealand and the United States. Grove & Stark were taken over by Meakin early 20thC The Mark could also be Gibson & Sons (Ltd), were notably manufacturers of earthenware Burslem, Stoke-on-Trent. Founded around 1885 and traded until the mid 1970's. They were previously Gibson, Sudlow & Co. Manufactured between 1885 to 1905. Small earthen-ware, black-glazed tea-pot. 8 sided. The body of the tea-pot is decorated with hand-painted gold flowers and raised cream flowers. The lid is also hand -painted with green leaves and flowers. This floral pattern is named "Garland" The lid is not of the same pattern as the base. The spout was broken when brush tailed possum entered Cottage via chimney 27/4/2014. Can be repairedOn the base of the tea-pot. Makers Mark is G & S. "Garland". (Pattern), Rg. No. 175153. Also 'Made in England'. Under glaze there is the word: England.crockery, earthenwarre, gibson & son ltd, grove & stark ltd, pioneers, early settlers, bentleigh, market gardeners, moorabbin, cheltenham, pottery, stoke- on - trent, england, longton, burslem, wedgwood -
National Wool Museum
Book - Hughes Knitting Book no. 227, F. W. Hughes Pty. Ltd, 1959
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by F.W. Hughes Ltd and contains patterns for knitted baby clothes.Knitting book, 16pp. Front cover printed in pink and black with a black and white photo of a finely knitted babies layette. Contains photos and patterns for knitted baby clothes.Hughes / KNITTING BOOK 227 / FEATURING / BABY'S / DESIGNS / 6 - 18 MONTHS / TWINPRUFE BABY WOOL / PRICE: 1'9handicrafts - history knitting, f.w. hughes industries ltd, handicrafts - history, knitting -
National Wool Museum
Book - Pattern Book, Patons Knitting Book, No.805, Patons and Baldwins, 1980s
Twenty eight page knitting pattern book featuring black and white text and colour images. The colour cover features five children and a dog on skateboards and rollerskates, all wearing knitted jumpers (except the dog).front: [printed] Patons / EASY TO FOLLOW PATTERNS / ARAN / 8 ply / PURE NEW WOOL / BOOK 805 / PRICE CODE Kfashion, design, knitwear, home made, wool, pattern book, patons -
Flagstaff Hill Maritime Museum and Village
Equipment - Pattern, Briggs Brass Foundry, Early 20th century
The wooden pattern is part of a set that is stored in a strong wooden crate and may be part of another similar pattern. It was used at Briggs’ Brass Foundry for making sand casts. The traditional craft of sand casting is over 2000 years old. The handcrafted process produces brass and copper alloy goods that are well suited to marine use; bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. Briggs’ Bronze mixture is a copper-based alloy made from local ingots of copper, tin, zinc and lead in carefully measured quantities. The finished product is non-ferrous and can last indefinitely. The crate of patterns was donated by the Briggs family in the early years of Flagstaff Hill, along with other related items such as brassware, tools and machinery. The donated items were displayed in a simulated Brass Foundry in the Village along with other working crafts, trades and services found in a Maritime town. The items were on show from the completion of the building in 1986 until 1994 when the building was repurposed. The patterns represent the trades of foundering and metalwork, both supporting maritime industries such as shipwrights and boatbuilders. Farmers, manufacturers and other local industries also needed the castings made by foundries. The Brass Foundry included a historic Cornish chimney set up as a working model, to tell the story of smelted metal heated in furnaces then be poured into the sand moulds. This chimney was made from specially curved bricks and is now about two-thirds of its full height when originally located at the Grassmere Cheese factory. The craft of sand-casting from carved wooden patterns to create metal is an example of skills from the past that are still used today. The foundry pattern set is significant for its association with brass foundries locally and generally in coastal areas of Victoria. Marine industries such as ship and boat building rely on good quality castings for their machinery, equipment and fittings. Briggs Brass was especially formulated using non-ferrous metals to ensure their longevity. The patterns are associated with the long-running firm Briggs Brass Foundry that specialised in cast goods for the marine industry, ready to supply the needs for once-off or mass-produced items. Their products would have been fitted to sail and steam vessels along coastal Victoria including Warrnambool. Briggs Marine was also a bell-founder specialist and is also associated with the Schomberg Bell at Flagstaff Hill, having restored it to is former state as a fine example of the bell from a luxury migrant vessel from the mid-19th century. Pattern; unpainted, square wooden block with a semi-circle of dowel added to the centre of the side with rounded corners. Three short dowel pegs are inserted on one flat side; one below the semi-circle and one near the lower corners in an overall triangle configuration. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912 -
Yarrawonga and Mulwala Pioneer Museum
Knitting, crochet and sewing books x 6, Paton's and Baldwin's, Madame Weigel's Journal of fashion x 2, Paton's knitting book x 2, Weldon's Socks and stockings, Enid Gilchrist's Toddlers clothes, 1942, 1943, 1950's
Madame Weigel's - monthly journal of fashion. Enid Gilchrist patterns - an Argus Production. Weldon's - printed in London, agent for NZ and Australia Gordon and GotchAll six books soft cover, colour print. Patons no 115 Bedjackets, Patons No 267 Jumpers, vest, cardigans, Weldon's sock and stockings for men and boys, Enid Gilchrist book has paper patterns inserted. Madame Weigel's includes advertisements, short stories, sewing, knitting, crochet patternssee photos -
Seaworks Maritime Museum
Parallel Rule- Prop
clear Parallel Rule with metal hinges with numbers and directions marked on itCapt Fields Pattern -
Bright & District Historical Society operating the Bright Museum
Lid
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware lid, glazed on upper surface. BrownChinese pattern on lid.chinese, ginger, jar, glaze, stoneware, lid -
Bright & District Historical Society operating the Bright Museum
Lid
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware lid, no glaze, slightly blackened - possibly been exposed to fire.Pattern on top of lid.chinese, ginger, jar, glaze, stoneware, lid, harrietville -
Stanley Athenaeum & Public Room
Domestic object - Ashtray
Clear glass ashtray square in shape . pattern on side and base -
Trafalgar Holden Museum
Functional object - Saddle cart/ van tree, Circa 1900
used circa 1900 in agriculture and on draught horsesAs manufactured and sold by Holden and FrostShaped to fit on horses back with two straps that fit around horses belly two metal rings for reins two brackets for strapping and a metal buckle on the end of the belly bandPattern etched on backsaddle cart, equine, agriculture -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue decorative design. blue decorative patternpottery, ceramic, archaeology -
National Wool Museum
Book, Knitting, Lincoln Trio Knits Leaflet no. 45
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by the Lincoln Mill, Coburg and contains a pattern for a womans cardigan.Lincoln Trio Knits / LEAFLET No. 45 / 1'6 / THIS PATTERN KNITS 5, 8 & 12 PLY / IN 4 SIZES / LINCOLN KNITTING WOOLS - THE BEST BUY IN ANY PLYknitting handicrafts - history, lincoln mills (australia) limited, knitting, handicrafts - history -
Frankston RSL Sub Branch
Webbing, Belt, Not known
1937 British Pattern web equipment was commonly on issue to Commonwealth forces including Australia up to the 1970's. Australian military forces changed colour from green blanco to black paint in the early 1960's.1937 pattern webbing belt with natural brass buckles and keepers. Outer surface stained black.Single engraved arrow on each inside surface of the belt fastening buckles. Printed owner's name "G. Boland" Printed identifier of former owner -3/773536(?) and initials "KFH" (?) -
National Wool Museum
Book - Paragon Knitting Book, Book 54, For Men, Paragon Art Needlecraft, c.1950s
... Patterns ...Sixteen page black and white pattern book containing black and white photographs and printed text. Front cover features blue, black and white graphics showing a man holding a pipe. The back cover shows a man holding a pipe with graphics of skiers in the background.front: [printed] Paragon / KNITTING BOOK / BOOK / 54 / FOR MEN / “Commander” / PRICE / 1/.fashion, women, knitting, crochet, home life, patterns -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
bandolier
Designed from the experience of the British Army in the Anglo Boer War 1899-1902 for infantry and mounted troops. Bandolier included as part of the 1903 Pattern Bandolier Equipment ensemble. Dismounted troops very quickly rejected the Bandolier Equipment and it was replaced by the 1908 pattern Infantry web equipment. Australian horse mounted troops continued using the 1903 Bandolier equipment til they exchanged their horses for motorised vehicles in the early 1940's These bandoliers were worn by soldiers of the 4th, 17th, and 19th Light Horse Regiments and their precedent untis from c. 1905 to c.1942. Current 4/19th soldiers wear a bandolier styled on this bandolier when carrying a lance in Parades.Bandolier, 1903 pattern, 90 rounds mk. 2. Leather, Veg. tan, colour brown, brass buckles studs and triangle.M. A. RISK 1915 (Manufacturers mark and date of manuf.)leather, bandolier, 1903, accoutrements, equipment, 9 pockets -
National Wool Museum
Textile - Wagga Quilt, c.1945
This wagga was made during World War Two from disused patterned rayon patches. The wagga is filled with jute bags. The maker of the quilt is unknown. The wagga was a necessity given the austerity of war, it shows the persistence of wagga quilt making right through the 1940s.Quilt/wagga, patterned rayon cover in mixed patches in blues and greens, with jute lining.quilting history, running stitch group, running stitch collection, quilting - history, world war two, wagga, jute -
Orbost & District Historical Society
Lamp - kerosene, first half of 20th century
This lamp pattern was originally made in USA between 1880 and 1900. The pattern is called Feathered Cartouche and generally had a painted motif on each of the panels on the front. This lamp is probably a copy of the American lamp and made in Australia sometime in the first half of the 20th century. The lamp has an English style collar rather than an American one and the pattern is not as crisp as the American ones. There were several lamp patterns made here that were copies of American patterns and that style of collar was used on most of them. (ref Oil Lamp Antiques)This item is an important example of the early technology of artificial light. It has historical significance in demonstrating lighting devices used before the widespread use of electricity.Ornate clear glass kerosene lamp. Glass chimney is missing. Base is square and patterned with raised oval shapes, as is the stem. Both base and stem are hollow. At the top, the kerosene holder is squarish with round corners.. The wick holder is of brass and has a small wick adjustor.lamp, kerosene lamp, lighting - domestic -
Chiltern Athenaeum Trust
The Wells of Beersheba - book publication by Dalby Davison and Mahony, 1933
The Wells of Beersheba is a short romanticized account of the Battle of Beersheba, which took place on 31 October 1917 in Ottoman Palestine during the First World War between the attacking mounted infantry of Australia and New Zealand and the defending Ottoman garrison. It was written by the Australian author Frank Dalby Davison who was not present at the battle, but had been in the British cavalry during the war. Much of the book, which is more fictionalized reportage than novella, and in which no single character is drawn, reflects the codependency of horse and rider and the shock of battle. This booklet was first published in 1933. It was originally published in Sydney in 1933 by Angus & Robertson under the title The Wells of Beersheba. An Epic of the Australian Light Horse 1914-1918, with illustrations by Will Mahoney. WW1 semi-fictional association with the Battle of Beersheba - 4th Light Horse Brigade Australian Infantry Forces. October 1917. Ottoman Empire Palestine. Booklet titled "The Wells of Beersheba" by Frank Dalby Davison and illustrated by Will Mahony. Semi Cardboard Cover with parchment paper internally. The cover has a light rose colored pattern surrounding the title, author and illustrator details. Front cover has title "The Wells of Beersheba" and author Frank Dalby Davison with illustrator Will Mahony. There is a light rose colored pattern on the front cover. the wells of beersheba - charge of the 4th light horse brigade., book - the wells of beersheba, ww1 battle of beersheba october 1917. -
Flagstaff Hill Maritime Museum and Village
Domestic object - Plate, Johnson Bros, Early 20th century
This white oval plate with a dainty green border and self-pattern was made by the famous ceramics manufacturer Johnson Brothers of England. The pattern was patented on April 15th 1902. The serving plate is typical of dinnerware brought into Australia by migrants or importers of pottery and used in Australian households, giving many years of service. The Johnson Brothers firm was established by Frederick Johnson in 1883, at works in Hanley, Stoke-on-Trent. Frederick was later joined by his brothers Henry and Robert. The company's focus was to supply the export market. In 1968 the company became part of the Wedgewood Group. J. & G. Meakin Eagle Pottery temporarily took over the tableware division in 2000, and China took over all Johnson Bros. products in 2003. All of the Wedgewood Group was taken over by Fiskers in 2015, who discontinued the Johnson Brothers line of products. This serving plate is an example of domestic crockery used in Australia in the late 19th and early 20th centuries. It originated from England and was made by a well-known ceramic manufacturer.Plate, oval, earthenware, scalloped edge with impressed pattern and border of small green leaves. Maker's mark and name is on reverse. Pattern was patented on April 15th 1902. Made by Johnson Bros. of England.Maker's Mark; [Crown symbol] above "JOHNSON BROS, ENGLAND" "PATD APRIL 15TH 1902"flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, dinnerware, serving plate, johnson bros, english serving plate, green leaf border, oval plate, platter, chinaware, plateware, crockery, chine, porcelain, earthenware -
Montmorency/Eltham RSL Sub Branch
Knife, Clasp, with Marlin Spike and Tin Opener, WW1 era to late 1930s
Knife, Clasp, with Marline Spike and Tin Opener, manufactured in England to the Standard Pattern 6353/1905, as modified in 1913 with specific dimensions to the tin opener. This pattern was used by British forces, and was one of the patterns issued to members of the Australian Infantry Force during WW1. This pattern was used up until the late 1930s, where it was superseded by other patterns.Knife, Clasp, with Marlin Spike and Tin Opener, manufactured to the standard British pattern 6353/1905, as modified in 1913 with changed dimensions for the tin opener. The hilt of the knife has two chequered pattern sides secured by five metal rivets. The underside of the hilt has two recesses to allow storage of the blade and the tin opener. A tapered steel Marline spike is mounted on the other side of the hilt, pivoting at the opposite end to the blade and tin opener. A copper wire shackle is also secured at this end of the hilt that was used to attach the knife to a lanyard or belt clip. A fingernail indentation is located near the top of one side of the blade. The tin opener has bevelled edges tapered to a point on one side, with a steel post mounted in the middle of the other side.J. CLARKE & SON SHEFFIELDknife, clasp, ww1, steel, marline spike, australian infantry force, milirary -
National Wool Museum
Book - Gloves, Stockings and Socks by Stitchcraft, c.1950s
... Patterns ...Twenty page black and white pattern book featuring designs for gloves, stockings and socks. Book contains black and white photographs and printed text. Front cover shows a colour image of a woman seated on the floor wearing a long jacket, stockings and knitted socks, gloves and scarf. front: [printed] Gloves Stockings / and Socks / BY Stitchcraft / 8 D. fashion, women, knitting, crochet, home life, patterns -
National Wool Museum
Book - Crochet and Knitwear Novelties, No 31, New Idea, c.1950s
... Patterns ...Eighteen page black and white pattern book with colour front and back cover. Book contains black and white photographs and printed text. Front cover shows a colour image knitted items, a chicken tea cosy, knitted dolls outfit, and two crocheted textile items. front: [printed] FUN TO MAKE AND FUN TO GIVE / CROCHET AND KNITWEAR / Novelties / No 31 / 9 d. / A “NEW IDEA” PRODUCTIONfashion, women, knitting, crochet, home life, patterns