Bakery established by Peter Klunder in 1876. Sold to Munachens in 1930s and then Wallace, J. Griffin, P. Kliempt, Currans and a. Tallentyre. Shop renovated several times.Colour photograph of Curran's Bakery, Victorian Producer's Co-operative and the Charlton Tribune Office. White Car parked in fron of VPC office. Man crossing the street toward photographer. peter klunder, bakery, munachen, wallace, griffin, kliempt, curran, tallentyre

Stathi Raftopoulos is pictured at his home cinema at his residence in Sylvander Street North Balwyn. In 1949 Stathi Raftopoulos imported the first Greek film into Australia, entitled 'Voice of the Heart'. It was screened at Nicholas Hall in Lonsdale Street. Stathis went on to become a travelling picture show man showing Greek films to the Greeks in regional centres around Australia. He later established a film distribution and exhibition company, The Cosmopolitan Motion Pictures, in partnership with Mr Panayioti (Peter) Giannoudis. With the advent of television in the 1950, former suburban picture theatres were being closed down. Stathi and Peter took over many of these cinemas to show imported Greek films to the post WWII burgeoning Greek community.A coloured photograph of a man seated on a red theatre seat in a home cinema. Posters, photographs and film memorabilia are displayed on the three surrounding wallsWritten on the back : 520/BAhome theatres, greek movies

Coloured slide transparency. Image is of two people hanging their heads out of a train window. One is a woman who has one arm partially extended and the other a man. The words Social Trip - Steam Train to Echuca Wayne Friswell and Judy Daniel have been handwritten on the bottom edge of the border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Black and white photograph, 1 man, photograph of Rookie candidate Leigh Colbert with a football held on his arm. Bendigo Advertiser description on back of photo: 31/8/92 AH Rookie Candidate Leigh Colbert Colcap with story col For Peter Steward onlyrecreations, sports, awards

Ill, p.151non-fictionPeter Firkins has produced a heroic figure comparable in courage and selflessness to that of the legendary 'Weary' Dunlop, and whose story should be known by all Australians in the same way. What a wonderful epitaph to a man born into a humble Yass family at the end of the nineteenth century who, by his own determination and intellect, won a scholarship for his secondary education at St Patrick's College, Goulburn and an Exhibition to study medicine at Sydney University. Almost by pure chance he pursued his medical career in an outpost of the British Empire then known as British North Borneo to become Principal Medical Officer at the time of the Japanese occupation during World War II. The Japanese allowed the civilian medical staff to remain at their posts with the status of 'simple confinement' while at the same time the bewildered local people looked to someone for leadership in their new and unaccustomed circumstances.Aided by his wonderful wife Celia he was imperceptibly drawn into the key role of organising the underground movement among loyal native and giving support to the Australian Prisoners of War transferred to Borneo from Singapore. In 1943 he was exposed to the Japanese, arrested and terribly tortured. Donated by Major General M.P.J. O'Brien, July 2018. Signed by authorworld war 1939 – 1945 - prisons and prisoners - japanese, world war 1939 – 1945 – personal narratives – australia

Index, bib, ill, maps, p.296.non-fictionThe simple tale of Simpson and his donkey is the pre-eminent legend of heroism. It is the story of a humble water-carrier, a rescuer of wounded men, a tale of compassion, stoic persistence, with a tragic end. His tale is an integral part of the Anzac story. Across time, a simple tale can acquire a complicated history. This is what happened to the man with the donkey and is the subject of this book, Simpson's 'afterlife', the legend.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - medical corps - history

WANGARATTA URBAN FIRE BRIGADE 2ND PLACE STATE DEMO-BAIRNSDALE 1980 C CLASS SIX MAN HOSE AND REEL BACK ROW: Michael Smith, Peter Graham (coach), Eric lawn, Neil Jensen FRONT ROW: Tom Philp, Peter Hargreaves, Wally ThorneWANGARATTA URBAN FIRE BRIGADE 2ND PLACE STATE DEMO-BAIRNSDALE 1980 C CLASS SIX MAN HOSE AND REEL BACK ROW: Michael Smith, Peter Graham (coach), Eric lawn, Neil Jensen FRONT ROW: Tom Philp, Peter Hargreaves, Wally Thornemichael smith, peter graham, eric lawn, neil jensen, tom philp, peter hargreaves, wally thorne, running team, 1980

This item shows Vietnam serviceman Corporal Peter Sims of Headquarters, Australian Force Vietnam (Army Component), 1969-70 on R & R.Faded color photograph of two people-a man and a woman-seated with a crowd in the background. They are formally dressed and there is food on a table in front of the female. The photo is surrounded by a white border.On the back of the photo " Best hotel for R&R approved by the B&R Centre Bangkok Hotel: Tapei, Taiwan. No 76.........Road Taipei Taiwan. R.O.C. Tel 559589-9 (all in blue ink) R&R 1970 see receipt written in black pen.peter sims oam jp., nvvm, sims, r&r, vietnam war

An in-depth look at the man who has captured the imagination of America!north, oliver, united states. marine corps - biography

Book brought from Jaffa, Palestine in 1941 by the Drescher family, internees at Camp 3, Tatura.Soft yellow coloured card covered book with black and white comic like illustrations. Cover shows man lying down with fee in air, small boy looking down at him. Title in handwriting- German gothic script.Peter Dreschercamp 3, drescher, children's books, peter drescher, vater und sohn, father and son

Book brought from Jaffa, Palestine in 1941 by the Drescher family, internees at Camp 3, Tatura.Soft red coloured card covered book with black and white comic like illustrations. Cover shows man sitting on a swing with a young boy holding a Winnie the pooh toy. Title in German Gothic script.Peter Dreschercamp 3, children's books, peter drescher, german internees in camp 3

Book brought from Jaffa, Palestine in 1941 by the Drescher family, internees at Camp 3, Tatura.Soft yellow coloured card covered book with black and white comic like illustrations. Cover shows man lying down with fee in air, small boy looking down at him. Title in handwriting- German gothic script.Peter Dreschercamp 3, drescher, children's books

Camp 3 class mates from 1938 at a reunion in 1988. Colour photograph of 5 people seated at a table, on the right hand side a royal blue cloth with a white line. Behind head of man on right with adjacent back drop grey with yellow stripe. Informal get together. Photograph is on coreflue class mates reunion, peter drescher, camp 3 reunion

The Sturzenhofecker family were German internees at Camp 3 during WW2. Photograph taken 10 March 1945. Back row, left to right (standing): Albrecht, Peter, Dr Alfred, Roland; Front row (sitting): Irene holding baby Armin. Gottfried is leaning on his mother.Black and white photograph of a man standing behind a lady holding a baby, a child leaning against her, two children to her left and one boy to her right. Hut on left and on right behind a tree. Shrubs behind the group. 840albrecht sturzenhofecker, peter sturzenhofecker, dr alfred sturzenhofecker, roland sturzenhofecker, irene sturzenhofecker, armin sturzenhofecker, gottfried sturzenhofecker

Photograph is of Private Peter Charles Begnone who was a guard in Camp 4 in 1946/1947.Sepia photograph (copy) which has been cut to take out some of the background. Photograph is of a man (head, shoulders and chest) in uniform.High Street Studios Melbournepeter charles begnone, camp 4 guard

The sketch was drawn byartist Hans von Gruenewaldt. The pilot is Peter Mueller, a Luftwaffe navigator/bomber in North Africa in WW2. Both men were POW's in Camp 13 during WW2. Colour photograph copy of a sketch (on foam backing) of a grey haired man wearing a brown wool lined flight jacket with wool collar. He is holding a pipe in his mouth. 3 stripes (sergeant) on his sleeve.hans von gruenewaldt, camp 13 artists, camp 13 internees, peter mueller

The sketch was drawn by artist Hans von Gruenewaldt. The sketch depicts Peter Mueller acting in the role of Custodian Krach in Hosterhaus, a play put on in camp 13. Both men were POW's in Camp 13 during WW2. Colour photograph copy of a sketch (on foam backing) of a red haired man wearing a white jacket which has double lines running down and a single line across. He has a red scarf tied around his neck and a red vest with 6 buttons. He has his thumbs in his armholes and fist closed. Trousers are white with black stripes running vertically. Standing behind a corner shaped wooden divider with 6 uprights. A black top hat on his head.hans von gruenewaldt, camp 13 artists, camp 13 internees, peter mueller

The first article 'Boyd was a fighter' by Keith Dunstan, is a personal tribute of the man. The second article, 'Australia carries his creative mark', reports on what various people said at the funeral, including Henry Bolte, Peter McIntyre, Osborn McCutcheon, Joseph Burke, Roy Grounds, B.B. Patten.p 23henry bolte, peter mcintyre, osborn mccutcheon, joseph burke, roy grounds, b.b. patten, walsh st library, tribute

The first article 'Boyd was a fighter' by Keith Dunstan, is a personal tribute of the man. The second article .'Australia carries his creative mark' reports on what various people said at the funeral, including Henry Bolte, Peter McIntyre, Osborn McCutcheon, Joseph Burke, Roy Grounds, B.B. Patten.Handwritten in pencil top left names of organisationshenry bolte, peter mcintyre, osborn mccutcheon, joseph burke, roy grounds, b.b. patten, walsh st library

Softcoveraustralian architecture, canberra, walsh st library

The Eadie family were early settlers and entrepreneurs in Sunbury. The family properties in the town included Ben Eadie and Dunblane.A black and white photograph of a young man sitting on a bamboo and wicker chair. He has a moustache and is wearing a dark suit with a white shirt and bow tie and a spray of flowers in his lapel.eadie, peter (jnr), ben eadie, dunblane, george evans collection

THE LADY WHO APPEARS TO BE ON DAIS IS MRS. SKELLET SISTER TO MR. KEMPSON, REPORTER TO GUARDIAN AND SON AND DAUGHTER OF PETER KEMPSON FIRST HEAD TEACHER OF SCHOOL ON TALBOT RD.FIRE BRIGADE MEMBERS AND BAND MEMBERS IN FRONT OF FIRE STATION..1 Lady who appears to be on a dais is Mrs. Skellet, sister to Mr. Kempson reporter of Guardian and son and daughter of Peter Kempson first head teacher of the school on Talbot Rd .2 Man with beard and bell topper is Mr. Roberts, bandmaster & meine host of Duke of Edinburgh Hotellocal history, photographs, fire brigade

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Solitary male figure wearing a long hooded coat clutching his hands underneath his chin in shock. Surface treatment is textured. Dark metallic brown colour. Hand carved on base, back of figure '2/6 WEGNER 10'wegner, bronze, figurine, black saturday, sculpture

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires.This work is by a local contemporary artist with a national and international reputation for figurative and portrait works. The 'Black Saturday' series is a powerful investigation of emotion and grief as experienced by many Nillumbik residents during the 2009 'Black Saturday' bushfires. A cluster of bronze figurines either stand alone or embrace in groups. Their expressions and gestures of despair are made more pertinent with the raw like application and surface treatment of the material used. The 'Black Saturday' series is a challenging work, but one that encourages healing, connection and empathy. Two men embrace in despair. One man throws his arms around the other man's shoulders. The other man holds the other's back. Surface treatment is textured. Dark metallic brown colour with figures starting to turn a green patina. Note stuck with tape underside of sculpture 'Savage Art Prize Peter Wegner (phone number) The Embrace 2011'wegner, bronze, figurines, black saturday, sculpture

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin