Showing 2204 items
matching photographs ww2
-
The Beechworth Burke Museum
Postcard
Taken on an unknown date, depicted is a portrait of a young, unidentified male soldier. He is dressed in an Australian military uniform. It is believed that this soldier was part of The Australian Imperial Force during World War I. This can be inferred by the chevron rank insignia visible on the uniform. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Specifically, the number of chevron stripes - here, there are two - are believed to signify a Corporal rank. The man in this photograph is also wearing a 'Rising Sun' collar badge on his coat. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on card.Reverse: BMM 2640.4 / P RD / Write here for Inland Postage on /military album, aif, australian imperial force, corporal, war, wwi, world war i, rising sun, badge, uniform, military -
The Beechworth Burke Museum
Photograph, 1908
Taken in 1908, the photograph depicts a long line of Australian soldiers riding atop horses. They marching down Ford St, Beechworth. This group were part of the Beechworth Mounted Rifles; a voluntary detachment of the Australian Light Horse Militia. This unit consisted of soldiers from the Euroa, Longwood, Violet Town, Benalla, Thoona, Wangaratta, Rutherglen, and Beechworth Detachments of Victorian Rifles, and subsequently formed into the 8th Australian Light Horse Regiment (Victorian Mounted Rifles). The Victorian Mounted Rifles was gazetted as a volunteer formation on 2 December 1885 with the aim of consolidating all the disparate calvary units dispersed across Victoria into a coordinated and single administrative and military unit. The Victorian Mounted Rifles fought in the Second Boer War (1889 - 1902), although it is unknown if the group depicted in this image were involved in the conflict.The photograph is historically significant due to its connection to the Australian Light Horse Regiment, specifically of the Victorian Mounted Rifles. This unit retains a special significance within Victorian culture, as there is a memorial and monument - erected in 1903 - honouring their service on St. Kilda Road in Melbourne. The record has strong research potential. This is due to the ongoing scholarly and public interest in war, military history, and the ANZAC legend. The historic context of this record can provide insight into Australia's history, military and defence policies. Lastly, as the Victorian Mounted Rifles remain a largely unexplored topic in comparison to other military units and divisions, the record presents a unique opportunity for further and important study and research.Black and white rectangular photograph printed on matte photographic paper.military album, military, war, wwi, world war i, beechworth, ford st, parade, horses, mounted rifles, soldiers, victorian mounted rifles, australian light horse militia -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18 in France, the photograph depicts extensive wreckage of a railway train. There are collapsed buildings, debris, and helmets scattered all across the landscape. There is one unidentified soldier standing in the middle of the photograph. With research that is currently available, it can be inferred that the wreckage depicted in this photograph is from the tragic Saint-Michel-de-Maurienne derailment which occurred on December 12, 1917. The railway accident involved a troop train carrying almost 1,000 French soldiers on their way home for leave from the Italian Front in World War I. As the train descended into the Maurienne Valley, a sudden, uncontrollable acceleration caused a catastrophic crash and subsequent fire. 675 people died in the accident.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Additionally, there is only limited information available about the Sant-Michel-de-Maurienne derailment. The record may be a useful springboard for further investigation into this accident and its history.Black and white rectangular photograph printed on matte photographic paper.Reverse: 6530 / Destruction of train carrying / German helmets (?) to (?) prior to / his retreat at Charleroi /military album, army, war, wwi, world war i, france, charleroi, train, military, wreckage, europe, belgium, saint-michel-de-maurienne, maurienne valley -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18, depicted is a large group of unidentified males. Four of them are dressed in Australian military uniforms. The remaining 19 men are dressed in striped uniforms. The male in the centre of the front row is cradling a football, suggesting that the group was part of a football or rugby league team. It is believed that the soldiers in this photograph were part of the Australian Imperial Force. This can be inferred by the chevron rank insignia visible on their uniforms. The placement of this insignia on the sleeve of the right arm suggests that this soldier was either a Warrant Officer or a Non-Commissioned Officer (NCO). Additionally, they are also wearing 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Sport has always been entwined with war. Both sport and war demand peak physical fitness, camaraderie, strategy, and allegiance to a team collaboratively working towards a common goal: to win. The connection between sport and war is especially strong in Australia since these two concepts form the basis of our national identity. The Australian War Memorial has a number of World War I recruitment posters linking war and sport in its collection. One of the posters produced in 1915 by the State Parliamentary Recruiting Committee in Victoria attempted to shame young men into enlisting by juxtaposing the image of an Australian soldier standing guard over his deceased mate with a photograph of a Victorian Football League match. Another poster, produced in 1917, features vignettes of different sports including cricket, bowling, boxing, kayaking and golf. Its slogan reads, "Join Together - Train Together - Embark Together - Fight Together: Enlist in the Sportman's 1000".The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day. Additionally, the record presents a unique opportunity to further explore the relationship between the arts, sport and war. This statement of significance has already established that war is integral to Australia's national identity - and sport is of equal importance. Specifically, the record begs to question how the peak physical fitness and camaraderie valued in team sports were creatively translated into military recruitment campaigns during World War I. Evidently, this record and its historic context demonstrates that there is potential here, and if further research is completed on this topic, it may provide insight into Australian military recruitment tactics used in the past and present, and into the future.Sepia rectangular photograph printed on matte photographic paper mounted on card.Reverse: 6529 / hyossest (?) / (?)1/11/1 /military album, army, military, war, wwi, world war i, sport, football, rugby, aif, australian imperial force -
The Beechworth Burke Museum
Photograph
Taken during World War I from the forecastle of a navy ship, the photograph depicts an eruption of water and smoke as a result of an underwater submarine being bombed from above.The naval war of World War I was a conflict unlike any previous one with the exception of the brief Russo-Japanese War (1904-1905), with naval warfare in World War I being mainly between the German forces and the Great Britain forces. The naval war of World War I proved largely a disappointment to officials on both sides as it did not produce the decisive fleet actions envisioned in the pre-war years. Nevertheless, the war at sea was a crucial part of World War I overall. The German use of the submarine against commerce not only threatened the Allied war effort, but also drew the United States into the conflict. In addition, the British economic blockade of Germany afforded by the Royal Navy’s command of the sea inflicted great damage on the war effort of Germany. Finally, the naval war held great ramifications for the future since many practices employed in the First World War were those pursued in the Second World War.Black and white rectangular reproduced photograph on matte photographic paperReverse: 6527/ (Crown copyright notice from the Imperial War Museum)/ Naval 23/ 23/ A99/ burke museum, world war 1, world war i, ww1, wwi, submarine, submarine warfare, navy, naval vessels -
The Beechworth Burke Museum
Photograph
Taken during World War I on the Western Front, this photograph depicts four soldiers dressed in full uniform and kit walking through muddy trenches on wooden duckboards.On the Western Front, the war was fought by soldiers in trenches. Trenches were long, narrow ditches dug into the ground where soldiers lived. They were very muddy, uncomfortable and the toilets overflowed. These conditions caused some soldiers to develop medical problems such as trench foot. There were many lines of German trenches on one side and many lines of Allied trenches on the other. In the middle was no man's land, which soldiers crossed to attack the other side. 'Duckboards' (or 'trench gratings') were first used at Ploegsteert Wood, Ypres in December 1914. They were used throughout the First World War being usually placed at the bottom of the trenches to cover the sump-pits, the drainage holes which were made at intervals along one side of the trench. This made it easier to pump out the pits when necessary. The raised edges of the boards in theory helped protect men's feet from accumulated water; walking along them (especially at night and in the wet) was something of an art as it was easy to lose one's footing and slip or trip on the fequently misaligned sections.Sepia rectangular reproduced photograph on matte photographic paperReverse: 6528/ (A copyright and reproduction notice from the Australian War Museum, printed in blue ink)/burke museum, military album, trench warfare, duckboards, soldiers, ww1, wwi, world war 1, world war i, western front -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a house in the bottom right corner. A dotted line has been drawn across the photograph, marking the section of trenches that belonged to British forces during World War I. It is believed that the line marking on this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: A.3FE.O.146 / G2R 29 . 6 . 18 (Y p.m) / F= 10 1/4 / British Line / ------------------------------------------ / P. 250 1040 / 0. 30d. 0010 / 0. 30d. 3070 /military album, military, war, wwi, world war i, france, great britain, trenches, village, rural, western front -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18, the photograph depicts an aerial view of trenches in France. The image mostly shows rural landscape, although there is a cluster of houses in the top right corner. It is believed that this record denotes a section of the Western Front. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. Between 1915 and 1917 there were several offensives along the Western Front. The attacks employed massive artillery bombardments and massed infantry advances. Entrenchments, machine gun emplacements, barbed wire and artillery repeatedly inflicted severe casualties during attacks and counter-attacks and no significant advances were made. Among the most notable of these offensives were the Battle of Verdun (1916), the Battle of the Somme (1916), and the Battle of Passchendaele (1917).The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Black and white rectangular photograph printed on matte photographic paper.Obverse: A.3.FE.2.291 / 62D O.20bd.P.25O.C / 16.7.18 / 12 / F 8 1/4 / Reverse: 6532military album, military, army, war, wwi, world war i, france, trenches -
The Beechworth Burke Museum
Postcard
The photograph on the obverse side of the postcard was taken some time between 1914-1918. Depicted are five unidentified Australian soldiers. They are all dressed in military uniforms. It is believed that these soldiers were part of The Australian Imperial Force during World War I. This can be inferred by the 'Rising Sun' collar badges on their coats. Australia, unlike most other Commonwealth countries, did not adopt metal regimental badges during the First World War. All units were issued with the Australian Army General Service Badge, better known as the 'Rising Sun’ badge. This insignia is almost always identified with the Australian Imperial Force. Another characteristic of the Australian Imperial Force uniform are rectangular colour patches. One is visible on the soldier in the front row, first from the left on this postcard. In March 1915, a new scheme of unit identification was devised to replace the wearing of unit titles. This consisted of cloth colour patches on the right arms of a soldier’s tunic. The sepia nature of the record means that we cannot determine the colour, and therefore cannot establish which battalion this soldier was part of. Furthermore, the man seated in the middle of the front row has an Overseas Service chevron patch on his coat. In January 1918, the Australian Imperial Force approved the wearing of the overseas service chevrons which had been adopted by the British Army. These were embroidered or woven inverted chevrons worn above the cuff on the right arm. Due to a shortage of supply, some men had chevrons privately made. For each year of war service, a blue chevron was awarded, and those men who had embarked in 1914 received a red chevron to indicate that year’s service; however, the sepia nature of the postcard makes it difficult to determine what colours are on this man's patch.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. The first significant Australian action of the war was the Australian Naval and Military Expeditionary Force’s (ANMEF) landing on Rabaul on 11 September 1914. The ANMEF took possession of German New Guinea at Toma on 17 September 1914 and of the neighbouring islands of the Bismarck Archipelago in October 1914. On 25 April 1915, members of the AIF landed on Gallipoli in Turkey with troops from New Zealand, Britain, and France. This specific event holds very strong significance within Australian history. The record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular postcard printed on paper.Reverse: CARTE POSTALE / hyossest (?) / 6538 /military album, army, aif, australian imperial force, postcard, wwi, world war i, portrait, soldiers -
The Beechworth Burke Museum
Photograph, 5 November 1917
Taken on the 5 November 1917 by James Francis Hurley, this photograph depicts the a war damaged Ypres. The shell damaged wall of the Cloth Hall is featured in the centre of the photograph, with an army vehicle and personal are located on the street beneath the ruined wall.First Battle of Ypres, (October 19–November 22, 1914), first of three costly World War I battles centred on the city of Ypres (now Ieper) in western Flanders. Attempted flank attacks by both the Allies and the Germans failed to achieve significant breakthroughs, and both sides settled into the trench warfare that would characterize the remainder of the war on the Western Front.Black and white rectangular reproduced photograph printed on mate photographic paperReverse: 6525/ (A copyright and reproduction notice from the Australian War Museum, printed upside-down in blue ink)military album, burke museum, world war one, world war 1, ww1, ypres, belguim, ruins, first battle of ypres, james francis hurley -
The Beechworth Burke Museum
Photograph
Taken some time between 1914-18, the photograph depicts an aerial view of Villers-Bretonneux in France, a region which was part of the Western Front during World War I. The image mostly shows rural landscape. The Western Front was the main theatre of war during World War I. Following the outbreak of war in August 1914, the German Army opened the Western Front by invading Luxembourg and Belgium, then gaining military control of important industrial regions in France. The German advance was halted with the Battle of the Marne. Following the Race to the Sea, both the French-British and German armies dug in along a meandering line of fortified trenches, stretching from the North Sea to the Swiss frontier with France. The First Battle of Villers-Bretonneux occurred between 30 March - 5 April 1918. It took place during Operation Michael, part of the German Spring Offensive on the Western Front. The offensive began against the British Fifth Army and the Third Army on the Somme, and pushed back the British and French reinforcements on the north side of the Somme. The capture of Villers-Bretonneux, close to Amiens, a strategically important road and rail-junction, would have brought the Germans within artillery-range. In late March, troops from the Australian Imperial Force were brought south from Belgium as reinforcements to help shore up the line. In early April, the Germans launched an attack to capture Villers-Bretonneux. After a determined defence by British and Australian troops, the attackers were close to success until a counter-attack by the 9th Australian Infantry Brigade and British troops late in the afternoon of 4 April restored the situation and halted the German advance on Amiens. The Second Battle of Villers-Bretonneux occurred between 24 - 27 April 1918, during the German Spring Offensive to the east of Amiens. It is notable for being the first occasion on which tanks fought against each other. A counter-attack by two Australian brigades and a British brigade during the night of 24 April partly surrounded Villers-Bretonneux, and on 25 April, the town was recaptured. On 26 April, the role of the Moroccan division of the French army was crucial in pushing back German units. Australian, British and French troops nearly restored the original front line by 27 April.The record is historically significant due to its connection to World War I. This conflict is integral to Australian culture as it was the single greatest loss of life and the greatest repatriation of casualties in the country's history. Australia’s involvement in the First World War began when the Australian government established the Australian Imperial Force (AIF) in August 1914. Immediately, men were recruited to serve the British Empire in the Middle East and on the Western Front. Additionally, the record's significance is enhanced by its depiction of Villers-Bretonneux. The battles that occurred in this town during World War I are especially historically significant to Australia as this is where the Australian Imperial Force had one their greatest World War I victories. An Australian flag still flies over Villers-Bretonneux in the present. Furthermore, a plaque outside the Villers-Bretonneux Town Hall recounts the battles fought to save the town in 1918. Kangaroos feature over the entrance to the Town Hall, and the main street is named Rue de Melbourne. More officially, recognition of the significance of the battle in Villers-Bretonneux is found at the Australian National Memorial, which was built just outside the town. It commemorates all Australians who fought in France and Belgium and includes the names of 10,772 who died in France and have no known grave. Each year, a small ceremony is held at the memorial to mark the sacrifice made by the soldiers. Lastly, the record has strong research potential. This is due to the ongoing public and scholarly interest in war, history, and especially the ANZAC legend, which is commemorated annually on 25 April, known as ANZAC Day.Sepia rectangular photograph printed on matte photographic paper.Obverse: yAE.2.35. / 125 / 62d.2834.35.36.VA.5. / 12.G.18-11 / F.-(?)" /military album, wwi, world war i, villers-bretonneux, australian imperial force, aif, france, war, army, conflict, germany, 1918, battle -
The Beechworth Burke Museum
Photograph, c1914
Aerial photograph of a battle field in France during World War OneBlack and white rectangular photograph printed on photographic paperObverse: Railway / British Line (in pen) / Reverse: Villers Brut /military album, burke museum, beechworth, beechworth museum, world war one, wwi, trenches, aerial photo, aerial photo trenches -
The Beechworth Burke Museum
Photograph, c1914
Aerial photograph of a battle field in France during World War OneBlack and white rectangular photograph printed on photographic paperReverse: 6534 / Australian Official Photographs, No. E1253 /military album, burke museum, beechworth, beechworth museum, world war war, wwi, trenches, aerial photo, battlefield -
Geelong RSL Sub Branch
Photograph - Jenin Palestine 21 September 18, Early 20th Century
... World War. This photograph portrays a scene the day after... of the Sinai and Palestine Campaign of the First World War ...The Capture of Jenin occurred on 20 September 1918 during the last months of the Sinai and Palestine Campaign of the First World War. This photograph portrays a scene the day after the Battle 21 September 1918. Australian Commanders and Units were involved.This is a photograph of the Jenin area the day after the Capture, 21 September 1918. Australian Commanders and Units were involved in the Capture of Jenin.A black and white photograph on a cardboard backing.On the front of the backing - Jenin, Palestine. 21.9.18. On the bottom right corner of the photograph the figures 259. On the back of the backing - B259 Australian War Musuem, Wool Exchange, King Street, Melbourne. Copyright. Prosecution will follow Infringement.ww1, capture of jenin. september 1918. palestine. -
Geelong RSL Sub Branch
Statue and Photograph, Not known, Fuzzy Wuzzy Angels, Late 20th Century
The photograph was taken by George Silk on Christmas Day 1942 near Buna, Papua New Guinea. George Silk was a War Photographer for Australian Government, his appointment began in 1939. He was in New Guinea with the AIF when this photograph was taken.The photograph shows the work and assistance of the Fuzzy Wuzzy Angels to Australian Servicemen who were Serving in Papua New Guinea during WW2.Photograph - black and white copy of the original in a wooden frame. Statue - free standing bronze statue on a wooden block.Photograph has a information on the bottom of the frame describing the picture and who is the photographer - George Silk. The men in the photograph are Pte G C Whittington 2/10th Battalion AIF and Papuan Raphael Oimbari. The photograph was taken on Christmas Day 1942 near Buna, Papua New Guinea.ww2 fuzzy wuzzy angel, qx23902 pte g c whittington, raphael oimbari, george silk -
Geelong RSL Sub Branch
Photograph HMAS Bathurst
HMAS Bathurst (J158) named after the City of Bathurst NSW is the lead ship of 60 Bathurst class corvettes that were constructed during WW2. The Bathurst was constructed in 1940 her early career was spent operating with the British Eastern Fleet. Bathurst returned to Australian waters in 1944 and was deployed to New Guinea i n 1945. Bathurst was paid off in 1946 and sold for scrap in 1948.There were 60 Bathurst class corvettes constructed during WW2 the photograph in this collection is HMAS Bathurst the lead ship of 60. In this collection there are photograph albums, diaries and documents relating to W2156 Noel G Hernan, Stoker, including Sailor's Pay Book, Balmoral Naval Depot Identity Card, Entitlement to War Gratuity, Clothing Ration Card 1945-46 Issue, letters, newspaper cuttings, train tickets, a booklet 'V for Victory, Notes for Guidance in the Wearing of Campaign Stars and War Medals on Civilian Clothes. All of these items are the originals of W2156 Noel G Hernan and the photograph albums and diaries are those collected and amassed by W2156 Noel G Herman. Photograph of HMAS Bathburst., An oblong photograph, colour, kodac paper, a colour photograph of HMAS Bathurst a Bathurst Class Corvette.There is an enlarged print of this colour photograph, framed. The large framed version is hanging in the Geelong RSL 1st Floor. -
Greensborough Historical Society
Photograph, Home in Tobruk, 1941c
... soldiers during World War II. mick evans rats of tobruk tobruk ...Casual shot of Australian soldiers in Tobruk. These soldiers are among those later known as 'Rats of Tobruk'. Caption: "Home in Tobruk": L-R Gos.Gawthorne, Geo. Walters, Ernie (Mick) Evans, unknown, Ross (Junior) Williams.An informal photograph of Australian soldiers during World War II.Photograph of five soldiers in desert (Tobruk). Pinkish tinge to photograph. Accompanied by caption with names of soldiers.mick evans, rats of tobruk, tobruk, world war ii, australian army -
Greensborough Historical Society
Photograph, Mick Evans (in Middle East), 1941c
These men are Ken North (standing) and Mick Evans (seated), serving with Australian Army in the Middle East. this photograph was sent home to his daughters by Mick Evans and is inscribed "To Betty, Shirley and June". Mick later served with the 'Rats of Tobruk'.This is a memento sent from father to children during World War II. Photograph of two soldiers, one seated. Mounted in timber frame. Frame size: 25 x 20 cm.Inscribed "To Betty, Shirley and June"mick evans, ken north, rats of tobruk, tobruk, world war ii, australian army -
Greensborough Historical Society
Newspaper clipping, Glimpses of the Past, 18/03/1986
The article was written by Linley Hartley on the reminiscences of Lorraine Coates (nee Poulter) of her life in Greensborough. There are a lot of references to her ancestral families, particularly the Poulters and also the Roys and Hewitts. The article also refers to Lorraine's family's activities during World War 2 in Richmond.Poulters, Roys and Hewitts were all local pioneer families.An A3 sized photocopy of a Diamond Valley News story. Includes photograph of Lorraine Coates and two scenes of 'old' Greensborough. Copy 2: Item 522.Some minor biro markspoulter, hewitt, roy, greensborough, lorraine coates, richmond, st helena cemetary -
Greensborough Historical Society
Photograph, Red Cross Fete during World War 1, Greensborough, 03/11/1917
... Fete during World War 1, Greensborough. 2 x A4 pages ...This photograph shows the Greensborough Ladies Auxiliary of the Red Cross during World War 1. Taken outside the Rechabite Hall during the Red Cross Fete. See caption file for names. (Newspaper Article dated 3/11/1917 about a Red Cross Bazaar [1914-1918])Shows many of the early residents of Greensborough. An example of the social work being undertaken in the area in the early 20th century.2 x A4 pages, photocopied. One of photograph and second of caption for photographgreensborough, red cross, red cross ladies auxiliary -
Greensborough Historical Society
Family History, Ernest "Mick" Henry Evans - ANZAC, 1947_
Written by his daughter, June Hall, this is the story of Ernie (Mick) Evans during World War II. He fought as an ANZAC with the Rats of Tobruk. In 1947 the Evans family moved to Greensborough.A recollection of Greensborough residents in the mid-20th century.2 typed pages, black and white photograph.evans family, ernest evans, mick evans, june hall, rats of tobruk, world war 2 -
Greensborough Historical Society
Family History, Victor Edwin Splatt - ANZAC by Val Wilson, 07/02/1893o
Val Wilson recounts the story of her great uncle Victor Splatt and his heroism during World War I.A recollection of the war service of a Greensborough resident.3 typed pages illustrated with photographs.splatt family, victor splatt, val wilson, val rolfs, anzac, world war i -
Greensborough Historical Society
Folder, Greensborough Historical Society et al, Major Anthony Beale, St Katherine's Church St Helena and World War I Veterans buried at St Helena Cemetery, 1858o
Folder contains articles on the Beale family of St Helena, St Katherine's Church St Helena and local World War I Veterans buried at St Helena Cemetery.2 folders of articles, text and photographs.major anthony beale, st katherines church st helena, st helena cemetery, world war 1 -
Greensborough Historical Society
Article, John Gibson, Len Warren - an Aussie soldier in World War Two, by John Gibson, 2017_12
Account of Len Warren's war service, after enlisting in December 1941 at the age of 18. He served mainly in the 2/43rd Australian Infantry Battalion, in the Middle East against the German forces, and in Papua New Guinea and Borneo against the Japanese. He was wounded, and suffered several bouts of malaria before being discharged in July 1946. A more detailed version of this story is available at GHS.9 p. typescript with photographsworld war ii, leonard william warren, australian army, len warren -
Phillip Island and District Historical Society Inc.
Photograph, Submarine in Westernport
... black & white photograph world war ii submarine cowes pier ...From Jessie Smith's collection of Island Events & Landscapes. Submarine tied to JettySubmarine tied to jetty. Black & White close up with sailors at middle left in a group. Two masts on towerlocal history, photographs, navy, cowes jetty, naval vessel, black & white photograph, world war ii, submarine cowes pier, jessie smith collection, stan mcfee -
Phillip Island and District Historical Society Inc.
Sepia Photograph, 1920
This album was presented to the Earl of Sradbroke by the Fathers of Soldiers and Returned Soldiers 16/2/1923. The photo is of rear The Pinnacles, Cape Woolamai, Phillip Island. One of a collection of photographs presented to The Earl.Sepia Photograph of The Pinnacles, Cape Woolamai Rose Series Postcard p.682. Near The Pinnacles, Cape Woolamai, Phillip Is, Victoriaphillip island, the earl of stradbroke, world war i soldiers, the pinnacles, cape woolamai -
Phillip Island and District Historical Society Inc.
Photograph, 1940's
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip Island. Photograph showing The "Alacrity" after being purchased by the American Navy on her way up the Australian Coast in 1941. She was blown up by the Japanese a few weeks later.Photograph of the Ketch "Alacrity" sailing north on service in World War IIlocal history, photography, photographs, maritime technology, boats, the ketch "alacrity", shipping, ketch alacrity, world war ii service, john jenner, bryant west -
Phillip Island and District Historical Society Inc.
Photograph
... cross workers black & white photograph red cross world war i ...One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the juvenile Red Cross workers holding Tea Tree walking sticks made for soldiers wounded in World War I Back row: E Bennell, R Forrest, H West, W Smith, W Wilson Teacher, R Smith, T Burton, C Cleeland. Middle row: C Leeson, J Cleeland, A Jackson, A West, N Leeson, F Forrest, S Smith, K West. Front row: A Jenner, J Jenner, C Jackson, D McLardy, A Jackson, R Jenner, V Leeson, S Jenner.local history, photography, juvenile red cross workers, black & white photograph, red cross, world war i, john jenner, bryant west -
Greensborough Historical Society
Newspaper clipping, Glimpses of the Past, 18/03/1986
The article was written by Linley Hartley on the reminiscences of Lorraine Coates (nee Poulter) of her life in Greensborough. There are a lot of references to her ancestral families, particularly the Poulters and also the Roys and Hewitts. The article also refers to Lorraine's family activities during World War 2 in Richmond.Poulters, Roys and Hewitts were all local pioneer families.An A3 sized photocopy of a Diamond Valley News story. Includes photograph of Lorraine Coates and two scenes of 'old' Greensborough. Copy 2 of Item 177.Some minor biro marks -
Greensborough Historical Society
Photograph - Digital image, Workers on roof of State Library of Victoria Dome 1947, 1947_
This photograph shows two workers on the Dome of the State library of Victoria in 1947. The workers are removing the World War 2 blackout material from the dome. Les Smith is on right. Melbourne rooftops in background.Digital copy of black and white photograph.rex smith, les smith