Copied from a negative produced by George Legg. Later El Ray Cafe - Crea's burnt 12 August 1964. Lakes Inn Cafe - J & L Mitchelson 1972.Black and white photograph of Hennings Store, on Esplanade. Notice above veranda, of weatherboard building, advertises drinks, fruit, confectionery, pies, tea, coffee, postcards, stationary and stamps. On veranda in front of shop two women in long dresses, one holding a baby, small girl in short frock and hat, man leaning on veranda post. Ten other children in photo. Post and rail fence beside footpath. Lakes Entrance Victoriatownship, retail trade, clothing, people

Black and white postcard of a bend in the Prince's Highway as it winds around Jemmys Point. Steep road cutting on upper side of gravel road, post and rail fence on lower side, schoolboy sitting on fence in foreground, dense vegetation on top of cutting and gully beneath road. Lakes Entrance VictoriaA bend in the Princes Highway, Lakes Entrancefences, transport, roads and streets, islands

The children on the running board are Jocelyn and Lynette Cerini. Jocelyn is the older girl clutching a doll. The woman is likely to be their mother, Ethel Cerini. Date is approximate.Black and white photo of a family around a car with its hood up taken on a country track. The car has registration number 46063. There is a post and rail fence in the background and gum trees on both the left and right of the photo. There are 2 older men, a young man, a women in a cloche hat and 2 young girls.cars, pastimes and recreation, jocelyn cerini, jocelyn hall, lynette cerini

Also 1x Miniature postcard 6cmx8.5cm ' A Glimpse of Lakes Entrance' 01153-4Black and white miniature photographic postcard showing the North Arm Bridge prior 1937; post and rail fence around Kalimna road; township, Club Hotel and stables; jetties in Cunninghame Arm, Methodist Church; and sand hummocks. Telegraph line around hill and across sand flat. Lakes Entrance Victoriabridges, hotels, fences, public utilities

Tickets collected by the donor contains: Sheet 1 - Victorian Railways combined rail / tram St Kilda Brighton line 2 - ditto - most used with part tickets 3 - mainly rail and bus 4 - rail and bus 5 - ditto with some rail only 6 - ditto - with tickets torn in half 7 - rail and bus weekly 8 - Single and return tickets for Sandringham to Black Rock 9 - ditto with tickets torn to cancel them 10 - various rail tickets - mixed including some country and weekly tickets 11 - combined train and bus tickets post 1956 12 - Mixed railway tickets - including first and second class suburban 13 - General railway tickets 14 - Rail tickets just prior to Neighbourhood tickets. 15 - ditto with some NSW tickets 16 - MMTB Section tickets and others systems. 17 - Miscellaneous tickets 18 - Miscellaneous tourist operator tickets 19 - ditto 20 - Train world examples 21 - Metcards 22 - Metcards 23 - Metcards - printed for events etc. 24 - Metcards 25 - Frankston line Connex timetable, V/Line ticket folder and Ganga phone card. Yields information about the Victorian Railways rail and tram ticketing systems.Album - red plastic cover two ring spring binder, with gold block "Swap Card Album" - with a $14.50 price label in the top right hand corner. Contains 25 used or partly used card plastic sleeves and four unused sleves. tickets, st kilda brighton electric tramway, victorian railways, metcard, sandringham to black rock, buses, vr, railways, tramways, mmtb, train world

Postcard was addressed to Mr. H Lindamen, C/o JCD, Bairnsdale. Postcard bears a One Penny red Queen Victoria stamp, franked with number 17. Message on card scribbled out, another stamp has been removed. Also enlargement 16 x 25 cmBlack and white postcard showing P S Tanjil at Bairnsdale Wharf, Victoria. Shed and timber and hand crane on wharf. Industrial buildings, eg, butter factory, foundry behind wharf, post and rail fences, gravel roads and tannery on right, pine trees and end of bridge on far right. Bairnsdale township in background.Bairnsdale Wharf. H.D Bulmer Photo Lake Tyersships and shipping, waterways, wharfs

Series of Black and White Photos Post War Life for Hill Family & Friends. Total 8 Photos. Kath 'The Ranche' Eppalock September 1919. Kath dressed in 20's ? Dark dress, fur stole around neck, cloche hat, corrugated iron fence with wooden rail on top, garden setting. Arch, wearing white shirt waistcoat and dark trousers, gable roofed house in background, brick chimney left, tree at corner of house roof, Monte Video Queensland July 1924. Four ladies all wearing dark skirts and white blouses, all wearing broad rimmed hats, windmill tank on stand in background, tall post and wire netting, structure to the right, Kilmore October 1919. A Swan on the reservoir unknown place January 1920. lady wearing dark skirt and white blouse and hat, holding ball in left hand, right hand maybe swinging a tennis racquet ( not visible), post and rail fence in the far background. Lady sitting on stool wearing a dark skirt and white blouse, high post and wire netting fence, dark coloured horse to left, post and rail fence far right background, holding a camera bag and camera on stool beside her. Flirt the Dog, standing in doorway, door is broken and leaning to the right, shed has wide timber planks for cladding, 'The Ranche' Eppalock November 1919. Helen Mount Buffalo Tobogganing, wearing dark skirt, jacket with striped sleeves, and hat, August 1924.Hilda Hill Personal Collectionaustralia, history, post war life

Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

This is a photograph of The Avenue leading to the Sunbury Asylum. it is lined with pine trees and post and rail fences. At some stage oak trees were also planted along the avenue. In the late 1990s the trees along the west side of The Avenue were removed as a result of housing development. They were later replaced.The Avenue was the main entrance leading to the former Sunbury AsylumA non-digital copy of a black and white photograph of a tree lined avenue with a white border. Unmounted.Written on the photo: Asylum Avenue/ Sunburysunbury asylum, trees, fences, the avenue, george evans collection

Photograph of wooden bridge over the Yarra River taken from a point just north of the river crossing at Yarra Glen early 20th century. The town of Yarra Glen is to the right (out of frame). A post and rail fence indicates the road to Yering and Lilydale to the east of the bridge. A bend of the river is in the foreground and trees line the eastern bank.On back of postcard at the top "POST CARD". On the left hand side "THIS SPACE MAY BE USED FOR PRINTED OR WRITTEN MATTER". On the right hand side "ONLY THE ADDRESS TO BE WRITTEN HERE". In a box in the right hand corner "A HALF-PENNY STAMP TO BE PLACED HERE". Along the left hand margin "Ajax series. Printed in England" yarra river, post and rail fence, wooden bridge, river crossing, river bridge, yarra glen bridge, yering

This item is part of a larger collection donated to the Kew Historical Society by Anna French. The collection includes personal items from the donor's family, as well as items given to the donor and her mother by a family friend, Lucy Merritt (Jean) Hornby. The item is from that part of the collection inherited or assembled by Jean Hornby. The collection is significant given Jean Hornby's mother's descent from Robert Hornby (1854-1935) and Eva Merritt (1865-1959); her mother the chid of a family who settled in Kew in the 1850s, thus providing a chain of provenance for items dating to the mid-nineteenth century, when her maternal forebears arrived in Melbourne. Other items represent Jean Hornby's contribution to her local and wider community.Sepia photograph, labelled 'BRYANTS CREEK' at lower left. The creek is bordered by a white post and rail fence on one bank. On the other side of the creek are two men. The creek is bordered with remnant vegetation [ie Eucalypts]. Coleraine, in Western Victoria, was initially settled by Europeans in the 1840s. The developing township was aligned with Bryant's Creek with a north-south orientation. Reverse - Inscribed in ink: "Taken by H Bower with Student camera" / Printed: "C.G. Greenham Photographer, Hawthorn / The Herodotus Studio"bryants creek -- coleraine (vic.)

St George's Church of England, Mont Albert was built in 1886 and from 1904 until 1907 was known as Holy Trinity, Surrey Hills. As the population increased there was a need for a church in Surrey Hills. This brick church was consecrated in 1922 and replaced the earlier one built in 1907 on the adjacent site in Union Road. After construction of the brick church, the earlier one became a Sunday School. The copper spire was added in 1926, which dates this photo as post-1926. Norman Carter took many photos of Surrey Hills and Mont Albert in the 1920s; many were associated with events and activities of the Church of England.Black and white photo of the 'newly' constructed brick Holy Trinity Church in Union Road, Surrey Hills taken from near the south-west corner of Guildford Road. Further up the hill is the earlier church. Both buildings are bounded by a simple post and rail fence. Immature street trees are planted on both sides of Union Road.churches, holy trinity church, anglican church, sunday schools, norman carter

Black and white photograph showing view of New Works. Village on dunes at entrance to Gippsland Lakes from ocean - Bass Strait. View shows SS Gippsland at New Works wharf, Cunninghame Arm, part of Bullock Island and mouth of North Arm, post and rail fence along roadway down Jemmys Point. Lakes Entrance Victoriawaterways, islands, settlement

BHS CollectionColour magazine with glossy front and back covers. Front cover has full colour photograph of a man in dark blue overalls and a blue checked shirt leaning against a post and rail fence. Greenery and a shed are in the background. Contains 34 colour pages of artcles and advertorials about various Bendigo businesses and the people who own and run them.Published by the Bendigo Advertiser

Black and white photograph looking uphill at Jemmys Point Road showing post and rail fence on lower side and steep roadside cutting on upper side Lakes Entrance Victoria. Also two other black and white photographs taken along the road to Jemmys Point Bullock Island in background 05002.1 and 05002.2 showing trees along roadside waterways, roads and streets, islands

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of an early 1930's bus parked on the grass in the foreground, with a man standing on the hidden steps of the bus and another man walking in front. In the middle distance rail lines can be seen on an embankment rising behind a post and wire fence and in the background a tower rises on the closest hill. The bus is the St Hilda's Band bus and the place is Llanelly in Wales.Written in pencil on back - Llanelly, Wales, 29/5/34frank wright, 1930's bus, welsh tower, st hilda's band, sthilda's band bus

Black and white photograph of single bogie tram, advertising 'The Argus', above side windows. Old 'bus-like' vehicle to right nest to white post and rail fence. Man with a white flag standing between both vehicles. Reverse: The word 'Basil' printed in black biro. Stamped in grey/black ink 'Dennis O'Hoy 13 Hill Street Bendigo 3550.person, individual, basil miller

coloured photo: family group ? 3 adult females in cloche hats and overcoats, two small females on scenic walk. Path through bush and trees with white post and rail fence. On front board, handwritten ' Lovers Walk, Cowes' Won by Mr. L. Batchelder ( Bendigo Photographer's family ? ) ' Gents Rope Quoits/Bay View Cowes, Feb. 1933 'A.J. Murray, Ciommercial Photographer, Photo Shop, Cosesplace

black and white photo: St. Andrew's Presbyterian Church, Bendigo, In centre of photo, St. Andrew's Church, conceted forecourt, in centre of photo, wooden slat fence with top rail. On bottom of photo: 'St. Andrew's Presbyterian Church, Bendigo, Vic. The Rose Series P 3199.' On back of photo: 'Post Card, The Rose Series Deluxe. A real photograph, produced in Australia'Rose Seriesbuildings, church, st. andrew's presbyterian church, st. andrew's presbyterian church, bendigo, religion

Hilda Hill Collection. A Combination of Sepia & Black & White Photos Total of 5. Jonah dressed in light coloured dress with geometric pattern holding a parasol in both hands, background right is a part of a large tent in striped material, to the left is a light post with a sign attached advertising fairy floss, there are a number of people to the left of the post on a sloped surface at Lake Weeroona Bendigo. Four young ladies leaning on a hand rail of a verandah, to the left is a verandah post with a large pot plant at its base, behind the girls at right is a window partly open with a lace curtain, a white piece of rope extends from the post at an angle to a rolled up blind, directly in front of the girls on the ground is a large plant in a garden, the old V.P.S. Girls Alma, Kitty, Lorna and Hilda Hill. Eileen and Claire standing on verandah with hands on the rail, Eileen is dressed in a pale coloured dress and Claire in a white dress with a line pattern longitudinal, Verandah post to their left and cord going to a rolled up blind, large pot plant at base of post, deck chair at far right, foreground shows shadow of the photographer and garden to the right. Oval photo of Nora on the rocks Feb 1921, dressed in white with material over her left shoulder, and small round topped hat. Elma and Jonah both dressed in light coloured dresses, Elma has sailor neck blouse and her dress has a horizontal line pattern, background right is an old car and behind the girls there are large trees,The Rock 1 January 1923.Hilda Hill Personal Collectionaustralia, history, victoria post war touring boom

BHS CollectionBlack and white photo of a streetscape with various buildings, earth street and wood rail fencing. At the right edge is the Commercial Hotel. In the centre is a building with a veranda with P. Pentreath printed above the veranda. At the edge of the veranda is a sign with Post Office on it. Next is a Dr J W Sibley, Physician next to a bakery. On the left of the photo is a slab building with the windows propped open and a cart in the front of it. A two rail fence is in the front of the hut. There are other buildings in the background including what looks like a church behind the slab hut. The photocopy for this item is not available at this time, 23 Jan. 2020. The original photo for this item is at the bottom of box 621bendigo, history, long gully history group, the long gully history group - streetscape, p pentreath, commercial hotel, dr j w sibley?

Three black and white photos mounted on buff cardboard. Photos depict remains of wall of the Arblaster's Powder Factory with three men inspecting site, thickness of wall 3 ft., and Arblaster's home in Arblaster St., Eaglehawk. House is miner's cottage, with lace iron work on verandah, white post and rail fence outside. Photos taken by unknown person, however, could be Albert Richardson ?business, mining, arblaster's powder factory, arblaster's powder factory, arblaster, explosives, eaglehawk, bendigo, mining

The number of cattle in this photo suggests that it was a small holding, at the beginning of the dairy industry in Bacchus Marsh. This industry became a major source of employment in Bacchus Marsh. By the early twentieth century, the Bacchus Marsh region was a significant contributor to the dairy industry in Australia. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. This is a photo of a dairy farm in an unknown location in the Bacchus Marsh district. It has been taken from an elevation looking down at the farm. On the left, the roadside can be seen running alongside a stream or river which is fenced off by a line of trees and a post and rail fence. Parked on the road outside the farmhouse is a wagon which is unhitched. The wagon has a white rooftop and on the side can be seen a professional logo, details unclear. This wagon is most likely the wagon used by the photographers to access outlying properties with their photographic equipment. The farmhouse itself faces the road with side doors giving onto the yard. The roof is partially covered by new slates, possibly slate covering bark. Six milking sheds of post-and-rail construction adjoin the farm yard. In the first and fourth stalls (l to r) the farmer and his wife can be seen seated, miking cows. The rest of the herd are awaiting milking in the yard which also has a post-and-rail fence. A bull of milking shorthorn breed stands outside the fence. The milking herd itself is of various breeds; Herefords, roan shorthorn and roan and white shorthorns can be identified. On the right is a shed of rough-hewn boards and a shingle roof. In the yard at the back of the house stands a cart or dray. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. dairy farms, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Photograph of four policemen leaning against a fallen tree with the words Kelly's log painted on the tree. One of the men is holding a gun and another has a sword at his side. There is a post and Rail fence visible in the background with bush land behind. A deputation from the Bendigo Historical Society presented a copy of this photo to the Beechworth Museum. They did not have it in their colllection. Reference: Newspaper article, Bendigo Advertiser, dated 26.3.1969person, group, policemen, kelly's log

The railway extended through to Mont Albert in 1882, but it wasn't until 1890 that a station was built with funds raised by a syndicate of local landowners.The buildings on the south side of the railway were built in 1910-1911 in the Arts and Crafts style by architect, K W Hardy. The land occupied by the Hamilton Street shops was subdivided in the 1880s and the first purpose-built shop was 'Pope and Moran, Grocers'. This shop later became Tom Morris' Grocery. By 1930 shops stretched along both sides of Hamilton Street and part way along Churchill Street. The donor, the late Norman Carter held a significant collection of photos taken around Mont Albert and Surrey Hills, in particular subjects related to the Church of England.Black and white photo taken from the centre of the road in Churchill Street, Mont Albert. Mont Albert station is on the RHS fenced off by a post and rail fence. Shops can be seen at the intersection of Hamilton and Churchill Streets. There do not appear to be any shops in Churchill Street. There are newly planted street trees within paling guards on the LHS. There does not appear to be any curb and channelling at the side of the road.Rear in blue biro in Jocelyn Hall's handwriting "Mont Albert Station 1919".mont albert station, railways, hamilton street, churchill street, shops, arts and crafts style, norman carter

Black and white image of seventeen men dressed in uniform and holding instruments. One of the men has a small drum sitting in front of him. A man and a woman are visible in the background, behind the band members, sitting on the ground. Further behind them is a post and rail fence with three men standing behind it and a child sitting on the top railing of the fence. Image has been mounted on dark grey card.Text, handwritten, front: ABOUT 1910 LINTON BRASS BAND W. TODD BANDMASTER / Mr TRENGROVE DRUM MAJOR. Text, handwritten, reverse: BACK ROW: GEO PRESTON PADDY TODD / BILLY TODD Mr J SHEPHERD / WILLIAM TODD BAND MASTER / MILTON TODD Mr TRENGROVE DRUM / MAJOR / (HOLDING BATON) / Mr GEO BENNETT Mr ANGUS / DIDDY POWELL / FRONT ROW: ALBERT SIMPER / SOMER DONALDSON ERN CHING / CHARLIE ROBERTS DRUMMER / ARTHUR POWELL PERC ROBERTS J BERSEY / HOSPITAL SUNDAY RECREATION RESERVE / ABOUT 1910.brass bands, musicians, geo preston, paddy todd, billy todd, mr. j. shepherd, william todd, milton todd, mr. trengrove, geo bennett, mr. angus, diddy powell, albert simper, somer donaldson, ern ching, charlie roberts, arthur powell, perc roberts, j. bersey, linton