An early black and white photograph of a sample acre of tall trees near Marysville in Victoria.An early black and white photograph of a sample acre of tall trees near Marysville in Victoria. After the devastating 1939 ‘Black Friday’ bushfires, Victoria’s tallest known trees were to be found in the Cumberland scenic reserve, 20 km north-east of Marysville. This stand of trees was set aside in the 1920s to preserve a ‘sample acre’ of tall trees. It originally contained 27 trees, the tallest of which was said to be 92 m, whilst the average height was 81 m. A severe wind storm in 1959 blew down 13 trees and left the ‘tall tree’ at a reduced 84 m (Munro 1992). An examination of the crown of this tree by arborist Tom Greenwood (Tom Greenwood pers. comm. 2001) suggested that it was unlikely that it ever reached the original figure of 92 m; the current height is 81.5 m, a figure used as the starting point for this search for Victoria’s tallest trees. This photograph was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.sample acre, tall trees, marysville, victoria, cumberland valley, valentine publishing co, photograph, souvenir, 1939 bushfires, cumberland scenic reserve

An early black and white photograph of a sample acre of tall trees near Marysville in Victoria.An early black and white photograph of a sample acre of tall trees near Marysville in Victoria. After the devastating 1939 ‘Black Friday’ bushfires, Victoria’s tallest known trees were to be found in the Cumberland scenic reserve, 20 km north-east of Marysville. This stand of trees was set aside in the 1920s to preserve a ‘sample acre’ of tall trees. It originally contained 27 trees, the tallest of which was said to be 92 m, whilst the average height was 81 m. A severe wind storm in 1959 blew down 13 trees and left the ‘tall tree’ at a reduced 84 m (Munro 1992). An examination of the crown of this tree by arborist Tom Greenwood (Tom Greenwood pers. comm. 2001) suggested that it was unlikely that it ever reached the original figure of 92 m; the current height is 81.5 m, a figure used as the starting point for this search for Victoria’s tallest trees. This photograph was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.sample acre, tall trees, marysville, victoria, cumberland valley, valentine publishing co, photograph, souvenir, 1939 bushfires, cumberland scenic reserve

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample: ‘Larkspur’ pattern, Foliate design with flowers, red on a paler red background. Original design by Morris in 1872; revised by Morris in 1875. Sample is a later Morris-style wallpaper block reproduction from the 1970s. Pattern No. 133400.Stamped on verso: 133400CI / MADE IN ENGLAND. Inscribed in ink on verso: W. MORRIS / LARKSPUR / 133400 / $7.60decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Polychrome, repeat pattern of a flowering tree among meadow flowers with scrolling green and blue acanthus leaves. Sample is a later Morris-style wallpaper block reproduction by Sanderson & Co from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce

Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce

Section of core sample taken from Eastland Stage 5 Nov 2014 - Donated by Terry Ahern, obtained through Probuild building contractorsSection of core sample taken from Eastland Stage 5 November 2014 +Additional Keywords: Eastland / Ahern, Terry / Probuild

"Kettling and Braun", 1931. Contains fliers, pictures, photos, a textile sample and specifications of textile machinery from the German manufacturer, Kettling and Braun. Includes a quotation to Collins Bros Mill, Geelong for the price of supplying a number of items of textile equipment.Book / catalogue containing specifications, photos, a textile sample and quotations for textile machinery by Kettling and Braun, 1931.textile machinery, kettling and braun collins bros mill pty ltd

This book is a sample book of the various types, thicknesses and colours of hand knitting yarn produced by the Villawood Textile Company under the trade name of 'Villawool' in c.1963. The illustration on the front cover was produced by a designer / design firm called 'Saxton'.Front cover of a book of Villawool knitting yarn samples produced by the Villawood Textile Company, c.1963.THE / FashioN / iN / kNiTTiNG / Villawool SAXTONhandicrafts knitting, villawood textile company, handicrafts, knitting

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. The Museum's Decorative Arts & Design collection includes artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).‘Oak Tree’ pattern. Sample of original Morris & Co wallpaper, designed circa 1896 by John Henry Dearle (1859–1932). Oakleaf and acorns in pale blue on cream ground. Sample manufactured ca.1920–ca.1930. Printed border : OAK TREE / MORRIS & COdecorative arts & design, wallpapers -- morris & co, john henry dearle, wall coverings – history, wallpapers – history, interior decoration – history

The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co

The wood sample is one of two pieces in the Collection from the wreck of the sailing ship Schomberg that were carried on the tides and discovered on a New Zealand beach along the coast. The samples have been positively identified scientifically as part of the timber from the Schomberg. ABOUT THE SCHOMBERG (October 6 to December 27, 1855)- When the ship Schomberg was launched in 1855, she was considered the most perfect clipper ship ever to be built. James Baines Black Ball Line had commissioned her for their fleet of passenger liners. The Aberdeen builders designed her to sail faster than the clippers designed the three-masted wooden clipper ship to be fast. The timber used for the diagonal planking was British oak with layers of Scottish larch. This luxury emigrant vessel was designed for superior comfort. She had ventilation ducts to provide air to the lower decks and a dining saloon, smoking room, library and bathrooms for the first-class passengers. The master for Schomberg’s maiden voyage was Captain ‘Bully’ Forbes. He drunkenly predicted at her launch that he would make the journey between Liverpool and Melbourne in 60 days. Schomberg departed Liverpool on 6 October 1855 with 430 passengers and 3000 tons of cargo including iron rails and equipment intended the build the Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. The poor winds slowed Schomberg’s sail across the equator. She was 78 days out of Liverpool when she ran aground on a sand spit near Peterborough, Victoria, on 27 December; the sand spit and currents were not marked on Forbes’s map. The ship’s Chief Officer spotted the coastal steamer SS Queen at dawn and sent a signal. The master of the SS Queen approached the stranded vessel and all of Schomberg’s passengers safely disembarked. In 1975, 120 years after the Schomberg was wrecked, divers from Flagstaff Hill found an ornate communion set at the wreck site along with many other artefacts. In 1978 a diamond ring was discovered under the concretion in the lid of the communion set, which is currently on display. Former Director of Flagstaff Hill, Peter Ronald, had salvaged most of the artefacts from the wreck. This wood sample is significant for its connection with the wreck of the Schomberg, as part of the vessel's structure. It is scientifically important as evidence that shipwreck relics can move a long way for the site of the wreck. The Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significance because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes.Wood sample with layers of different coloured timber. The sample has holes along a portion of the edge and a fur-like appearance along one side. In places it has the appearance of charcoal. The sample is a piece of the hull from the wreck of the Schomberg. The sample was washed up on a beach on the coast of New Zealand. flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, schomberg, 1855, clipper ship, black ball line, luxury ship, emigrant ship, captain forbes, bully forbes, ss queen, wood sample, new zealand, james baines & co

An early black and white photograph of a sample acre of tall trees near Marysville in Victoria.An early black and white photograph of a sample acre of tall trees near Marysville in Victoria. After the devastating 1939 ‘Black Friday’ bushfires, Victoria’s tallest known trees were to be found in the Cumberland scenic reserve, 20 km north-east of Marysville. This stand of trees was set aside in the 1920s to preserve a ‘sample acre’ of tall trees. It originally contained 27 trees, the tallest of which was said to be 92 m, whilst the average height was 81 m. A severe wind storm in 1959 blew down 13 trees and left the ‘tall tree’ at a reduced 84 m (Munro 1992). An examination of the crown of this tree by arborist Tom Greenwood (Tom Greenwood pers. comm. 2001) suggested that it was unlikely that it ever reached the original figure of 92 m; the current height is 81.5 m, a figure used as the starting point for this search for Victoria’s tallest trees. This postcard was published by the Valentine Publishing Co. Pty. Ltd. as a souvenir of Marysville.Tall Timber at Cumberland/ Valley. Oct. 47. 39sample acre, tall trees, marysville, victoria, cumberland valley, postcard, valentine publishing co, souvenir, 1939 bushfires, cumberland scenic reserve

A Textile Designer’s Fabric Sample Book is an important tool for keeping a record of past designs. This is useful in order to showcase a designer’s previous work; functioning like a portfolio or a résumé. They also serve as a source of inspiration, sometimes even providing a template to re-release iconic designs. The National Wool Museum has a large collection of Fabric Sample Books. They reveal the colour and daring designs produced by textile mills across various time periods. This Fabric Sample Book is from the 1920s and gives us insights into design trends that are now over a century old.The cover of this book has a brown/grey marble. It carries many marks and oils from the hands, after more than a century of use. A strip of red tape has been added to the spine of the book in order to give it integrity. The book internally has white pages that have turned a brown/cream with age. These pages have a faint blue line printed horizontally across them, to assist with handwriting. The contents of the pages are fabric samples which have been staple to them, as well as handwriting with a blue ink. The pages also include technical drawings, relating to the fabric samples and how such samples were woven together.textile design, textile manufacture

The Johnson Fare Box Co. was a manufacturer of Fare Boxes that enabled the viewing as the coin was deposited and receipt of a fare from a passenger - see reference. The MMTB Footscray X1 class trams used fare boxes in 1926 and this may have been a sample coin to show how it worked. See item 7470 for an associated pamphlet that notes the use of Fare Boxes. Further research is required.Demonstrates an item from the Johnson Farebox Co. of Chicago.Sample coin? - round, stamped aluminium with a piece of green felt glued to the rear."Johnson Fare Box Co. Chicago" in raised letters on both sides.trams, tramways, fares, tickets, fareboxes, fare box

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., pattern. Monochrome, repeat pattern of a front facing bird contained in a roundel in pale grey on a darker grey ground, regularly interspersed on a geometric design. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Wallpaper sample of a Morris & Co., dado border design. Monochrome, repeat pattern frieze of flowers in an urn with an alternating design including a facing fox and flamingo in black on a red ground. Sample is a later Morris-style wallpaper block reproduction from the 1970s. decorative arts & design, wallpapers -- morris & co, wall coverings – history, wallpapers – history, interior decoration – history, wallpapers -- dado borders

The samples are examples of products made at the Returned Sailors and Soldiers Mill in Geelong but discontinued before 1960. They were used to show shops what materials were available. The samples were given to Mr Robert Anderson, an apprentice fitter and turner at the mill between 1960-1965. His mother, Mrs Lucy Anderson, sewed the samples into quilts in the early 1960s. This is one quilt of three.A brown quilt made from woven samples of woollen striped fabric in browns and olive greens. The pieces are machine stitched together. It has an off-white backing which is machined and hand sewn into place.handicrafts, returned soldiers and sailors mill, wagga, anderson, mr robert anderson, mrs lucy, geelong, victoria

Weaving samples sent from Mr FK Brodie from Gordon Institute of Technology Textile College to the Australian Wool Board, then returned, in 1963.Weaving samples sent from Mr FK Brodie from Gordon Institute of Technology Textile College to the Australian Wool Board, then returned, in 1963.weaving, brodie, mr fred k. - gordon institute of technology, textile department farnworth, mr arthur j - australian wool board

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).E.W. Coles & Sons reproduction of a Morris & Co. pattern. Manufactured in 1970s. Sample created for the Werribee Mansion.Verso: "A34384"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).E.W. Coles & Sons reproduction of a Morris & Co. pattern. Manufactured in 1970s. Sample created for the Werribee Mansion.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

Notice to traffic staff C881, dated 1/12/1965 about the introduction of a new design of prepaid tram tickets. Samples provided for Hospital Travel for both Adults and Children, incapacitated soldiers, and PMG (Post Master General) employees. Gives details of the sections printed for and that old tickets are not to be accepted. The new style of tickets were to commence on 5/12/1965.Yields information about the style of prepaid tickets introduced during Dec. 1965.Notice - printed on both a sheet of quarto and foolscap paper with actual sample tickets glued on.Has in ink in top right hand corner "D/O" and "303"tramways, tickets, prepaid tickets, pmg

Bill Macauley, RSLT Random Sample Laying Tests, retired after 42 years with the Department Of Agriculture. W.J. Nicholls was on the Staff at Burnley 1946-1979 (Field Superintendent).Black and white photograph. W. McCauley, Curator Random Sample Egglaying Competition talking to W. J. Nicholls, Staff at a retirement party.On reverse, "Retirement 13/7/72 Mr. W. McCauley Curator RSLT W.J. Nicholls."retirement, 1972, curator, rslt, w.j. nicholls, random sample laying tests, department of agriculture, staff, field superintendent, w. macauley, bill macauley, poultry, egglaying competition

A sample set from what would have been a class set of games for each student to work through. The book explains how to use the game board as a vocabulary building aid.This is an early example of an educational aid, used in schools in the 1970s. Sample book and game board from the Tutor Systems teaching aid. The game board consists of a lidded tray with 24 tiles inside.tutor systems, educational games, lower plenty primary school

Possibly a sample of a product, Melbourne Tram Passport, that was compiled or put together by Go Public in 1995 as a promotion to use Melbourne trams and receive discounts at various venues. No evidence is known of its actual use in practice. On the last page of the Guide Book are the names of David Miller and Frank Pallay and Go Public's Elsternwick PO Address. Similar to the "Melbourne Met Pass" of 1988 - see item 2843 Yields information about the concept of a tourist travel promotion using Melbourne's trams.Green plastic partitioned folded containing sample tickets, map, pamphlet and guide books.trams, tramways, melbourne tram passport, tickets, the met, public transport

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).E.W. Coles & Sons reproduction of a Morris & Co. pattern. Manufactured in c.1970. Sample created for the Werribee Mansion.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).E.W. Coles & Sons reproduction of a Morris & Co. pattern. Manufactured in c.1970. Sample created for the Werribee Mansion.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).E.W. Coles & Sons reproduction of a Morris & Co. pattern. Manufactured in c.1970. Sample created for the Werribee Mansion.Verso: "PR 15234 * 19 [pounds] 50pdecorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).E.W. Coles & Sons reproduction of a Morris & Co. pattern. Manufactured in c.1970. Sample created for the Werribee Mansion.Verso: "PR 15274 * 15 [pounds] 50p"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history