Showing 3398 items
matching sarah-clark
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Friends of Ballarat Botanical Gardens History Group
Work on paper - Ballarat Botanical Gardens - The Conservatory, The Robert Clark Conservatory
The Robert Clark Conservatory, Ballarat Botanical Gardens.john garner collection, ballarat botanical gardens, conservatory, gardens, ballarat -
St Kilda Historical Society
Postcard, Ethel Clark
Eldest child of William and Elizabeth Flatman, died 17.12.1952 aged 71. Head and shoulders photograph.sepia portrait, unmounted, original, good conditionEthel Clark (nee Flatman) Eldest child of William & Elizabth Flatman. Died 17-12-1952 aged 71 years -
Stawell Historical Society Inc
Photograph, Studio Portrait of Fred Jim & Sarah Ann Rathgeber
1915 studio photograph of Fred & Jim Rathgeber in uniform standing. Sarah Ann Rathgeber (mother) sitting. Jim was killed in WW1. ww1, military, uniform -
Wodonga & District Historical Society Inc
Decorative object - Gold toned chain from the Sarah Coventry jewellery range, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the gold toned chain has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal chain with a rhombus-shaped attachment next to the clasp, with the Sarah Coventry mark stamped on it."SARAH / COV" which is thought to be first used in 1953.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, gold chains -
Malmsbury Historical Society
Photograph (Item), Percy Clark Of Malmsbury And His Butchers Cart, Malmsbury ca1930s
People - "Clark, Percy" Buildings - House Associated with - Butcher -
Stawell Historical Society Inc
Photograph, Stawell Yacht Club with Mr R A Clark 1954-55
Stawell Yacht Club R.A. Clark 1954-55stawell -
Eltham District Historical Society Inc
Photograph, Sketch from a photograph: Sarah Ann Shillinglaw (nee Kidd)
Photo print copy of copy of a drawing made of an image of Phillip and Sarah Ann Shillinglaw (nee Kidd) and children, c.1878-1879marg ball collection, 1878, sarah ann shillinglaw (nee kidd) (1850-1891) -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Changing Conservatories in the Gardens, From Keel House to the Robert Clark Conservatory
The Changing Conservatories in the Gardens. From Keel House to the Robert Clark Conservatory.john garner collection, ballarat botanical gardens, conservatories, keel house, robert clarke, gardens, ballarat -
Greensborough Historical Society
Photograph - Digital image, Miss McLaughlin - Aunt Sarah, 1880c
Part of a collection of photographs copied from the late Shirley Fraser (nee Black), also descendant of the McLaughlin and Whatmough family. This photograph shows Miss Sarah McLaughlin.Digital copy of black and white studio photograph.shirley fraser, sarah mclaughlin, mclaughlin family -
Flagstaff Hill Maritime Museum and Village
Domestic object - Cooking pot and lid, T & C Clark, 1880-1910
T & C Clark & Company Limited, based at Shakespeare Foundry, was founded in 1795 by Thomas and Charles Clark and grew to be one of the largest iron foundries in Wolverhampton. The firm was the pioneers of Enamelled Cast ironware and the founder Charles Clerk went on to became mayor of Wolverhampton in 1860 after also serving as a Councilor, Alderman, and later Chief Magistrate. The company exhibited many products at the International Exhibition of 1862 at South Kensington, alongside the gardens of the Royal Horticultural Society. The company was also awarded the silver medal for its products at the International Paris Exhibition in 1878. The company's product range included thousands of items, both domestic and industrial. T & C Clark pioneered the use of enamelled cast ironware, after taking out a patent in 1839 guaranteed to be free of lead or arsenic. In the late 1940s and 1950s the company produced acid-resisting enamelled cast iron boiling pans; steam-jacketed pans; stills; square and rectangular tanks; open and closed mixing vessels; flanged pipes; bends and tees; laboratory equipment; small scale plant; evaporating bowls; beakers; sulphonates; and glass-lined mild steel tanks for beer, mineral water, and food. The company is listed as enamelled chemical plant manufacturers in Kelly's 1962 Wolverhampton Directory, but within a few years, the company had ceased trading.The item is significant as it was used as a domestic kitchen or camp fire item used to cook food safely without the concern that the metal may contain lead or arsenic as earlier cooking utensils had. T C Clark innervates the first manufacturing process of cast iron cook ware to have enamel lining in his products to alleviate the possibility of lead or arsenic contamination of food.Oval cast iron boiler or cooking pot, with lid, pot is oval shaped lid is dented and handle buckled.Inscription on base "Clark & Co Patent", "Best Quality", "9 Gallons" and a Trade Mark of a "C" inside two triangles to side of potflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, cooking pot, stew pot, food, kitchen utensil, shakespeare foundry, tc clark -
Eltham District Historical Society Inc
Photocopy, Miss Wingrove by Prue Clark
Photocopy from extract of book (?) featuring Prue Clark's memories of Miss WingroveDigital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes. beryl bradbury (nee stokes) collection, wingrove, wingrove cottage -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, David Clark, 17/02/1971 12:00:00 AM
Yields information about the Ballarat's tramcars in the early 1970's, the City Loop parking area and the Grenville St buildings.Black and white photograph of Ballarat No. 11 and 26 in the City Loop with the Grenville St buildings in the background. Photo by David Clark 17/2/1971. No. 11 and has the destination of "City". In the background are the Big W, Dickins store and Clifford and Young shops.On the rear in ink "Tram No. 1`1 & 26 in Sturt St at Lydiard St. looking to Bridge St. 17/2/71. Ballarat Tramways, Photo 27, Taken by David Clark", with David's address stamp "4 Adeney Ave Kew 3101" with "Melbourne" underneath.tramways, trams, sturt st, grenville st, bridge st, city loop, tram 26, tram 11 -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Grave of John Albert Clark, St Helena Cemetery, 06/10/1943
The Grave of John Albert Clark (died 06/10/1943) St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photographst helena cemetery, john albert clark -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, Lady's half Petticoat c1890, Circa 1890-1900s
The donor of the petticoat is Ms Nancy Maggs. Nancy's grand-mother, Sarah Flagg, was the owner of the petticoat. Sarah Flagg and her family arrived in Melbourne in the 1840s.Sarah Flagg was the original owner of the petticoat. Sarah was the grand-mother of Nancy Maggs. Nancy Maggs had the petticoat in her possession before she donated it to the City of Moorabbin Historical Society.White half, floor-length petticoat with 3 tiers. A light blue ribbon woven around at knee length of the petticoat. Broderie anglais trimming round the first two tiers and through sections of the bottom half of the petticoat. There are 6 panels of the same embroided floral design which runs around the outside of the petticoat, between the Broderie anglais sections. There is a small side slit on the top right-hand side of the petticoat. Two small buttons are located down the side of the slit, but the third button is missing. The garment is in good condition, with mild discolouration in certain areas.petticoat, underwear, undergarment, waist slip, white, 1900s, sarah flagg, nancy maggs, broderie anglais, embroidery, blue ribbon, needle lace, lace, moorabbin, bentleigh, cheltenham, dressmaking, sewing, craftwork, brighton, market gardeners, pioneers, early settlers -
Clunes Museum
Photograph - PHOTOGRAPH SEPIA AT MT BECKWORTH, CLARK, C 1912
PHOTOGRAPH, SEPIA, GROUP OF MEN AND WOMEN AT MOUNT BECKWORTH.CLARK ON MT. BECKWORTHevents and celebrations, mount beckworth -
Clunes Museum
Photograph - PHOTOGRAPH AT MT BECKWORTH, S. CLARK. PHOTOGRAPHER, C 1912
.1 PHOTOGRAPH, SEPIA, GROUP OF MEN AND WOMEN AT MOUNT BECKWORTH. MOUNTED ON CREAM COLOURED MAT BOARD AND DEFINED BY SILVER OUTLINE .2 Black and white reproduction of the above photographS. CLARK, PHOTOlocal history, group photograph at mt beckworth -
Ballarat Heritage Services
Photograph - Digital photograph, Matron Sarah Jane Ellis
Sarah Jane Ellis was the longest serving matron at the Ballarat Female Refuge (1903-1921). The Female Refuge was situated in Scott's Parade, Ballarat East. Caselli and Figgis were the architects of the Home. Victorian Heritage Database - State SignificanceBlack and white photograph of a matron in apron and cap.ellis, sarah ellis, ballarat female refuge, ballarat, welfare, town and city mission, women -
Greensborough Historical Society
Photograph - Digital image, Grave of Sarah Wiggins, Edward Wiggins, Frances Wiggins and James Wiggins, Greensborough Cemetery, 29/06/1875
Grave of Sarah Wiggins (died 1875), Edward Wiggins (died 13/07/1887), Frances Wiggins (died 1912) and James Wiggins (died 1916) in Plot# NM01/M02 Greensborough Cemetery.Greensborough Cemetery was created when land was given for the cemetery by Mr William Poulter, a local settler, about 1864. The cemetery holds the graves of many early settlers in the district. Digital copy of colour photograph of grave/headstone.sarah wiggons, edward wiggins, frances wiggins, james wiggins, greensborough cemetery -
Greensborough Historical Society
Photograph - Digital image, Marilyn Smith, Grave of Katherine Rose Clark, St Helena Cemetery, 17/07/1944
The Grave of Katherine Rose Clark (nee Beale) (died 17/07/1944) St Helena Cemetery.St Helena Cemetery was originally the burial place of the Beale family and friends. The first burials took place in the 1850s. There are now over 200 burials.Digital copy of colour photographst helena cemetery, katherine rose clark -
Wodonga & District Historical Society Inc
Decorative object - Gold toned rope chain from the Sarah Coventry jewellery range, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the gold chain has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Gold toned metal rope chain from the Sarah Coventry jewellery range, with a small rhombus-shaped attachment at the clasp which has the Sarah Coventry mark on it. "SARAH COV" - stamped on the small rhombus-shaped attachment at the clasp. This maker's mark is thought to be first used in 1953.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, gold chains, sargem -
Whitehorse Historical Society Inc.
Craft - Framed embroidered sampler, 04/03/1831
Came from Glen Waverley, family home of donor Melva Horne nee RichardsonFramed embroidered sampler dated 1831. Worked by Sarah Ann Gauntless, aged 6 Triumph over death And must this body die? This mortal frame decay? And must these active limbs of mine lie mouldering in the clay? March 4 1831As abovesampler, biblical motifs, sarah ann gauntless, children's needlework, embroidery -
Eltham District Historical Society Inc
Photograph, A.W. Burman, Sarah Shillinglaw, c.1880
Possibly photographed shortly before marriage to Charles Edward Aldous in June 1880. Sarah is not wearing a ring in this image. (Duplicate copy in Album 2 (05664) Photographer: A.W. Burman, Artist Photographer, 209 Bourke Street East, Melbourne According to Sands & McDougall Melbourne Directory, Arthur W. Burman was active 209 Bourke St East, Melbourne from 1878 to circa 1885-1890 Sarah’s hairstyle is late 1870s/early 1880s . The children could possibly be Sarah Ann Shillinglaw (1873-1878) and Caroline Shillinglaw (1876-1956) which would date the photo early 1878 or Caroline Shillinglaw (1876-1956) and William Shillinglaw (1877-1891) which would date the photo early 1879 as Sarah was pregnant with Elizabeth Ann Shillinglaw who was born Aug 1879.. Daughter Jane Shillinglaw (1876-1876) had died prior to the date of this image. CARTE-DE-VISITE (cdv) 1857-1890 Cartes-de-visite (cdv's) are the most common form of photograph from the nineteenth century, generally measuring two and a half inches by four and an eighth inches (6.3 x 10.5 cm) when mounted, sepia toned, mounted on a card which was generally printed with the photographer's name and address on the back or beneath the portrait. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991a.w. burman photographer 209 bourke st east, marg ball collection, shillinglaw family photo album 1, 1878-1885, 1880, sarah aldous (nee shillinglaw 1854-1925) -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1960s
Rev. Graham Clark was ordained in 1963 and retired in 1981. He was stationed in: Alexandra 1960 - 1963 Mooroopna 1964 - 1967 Ballarat South (Skipton St.) 1968 - 1974 Warracknabeal 1975 - 1981B & W matte, head and shoulders photo of the Rev. Graham W. Clark wearing a black preaching gown and clerical collar.Rev. G.W. Clark 1969 - 1974. -
Stawell Historical Society Inc
Photograph, Gilbert Family Group in Patrick Street Stawell at the old Tom and Sarah Berry home circa 1912
Gilbert Family Group in Patrick Street Stawell at the old Tom and Sarah Berry home circa 1912. Three gentlemen two ladies two children dog and duck standing in back yard of old weatherboard home.stawell building -
Ringwood and District Historical Society
Photograph, Wedding, Clark to Mr Rutherford, 30 leaving St. Paul's Church, Ringwood
Catalogue card reads, 'Ringwood wedding. Miss Linley Clark to Mr. W. Rutherford, 30 Mt.Dandenong Rd., East Ringwood leaving St. Paul's, Ringwood'. -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, David Clark, 17/02/1971 12:00:00 AM
Yields information about the Ballarat's tramcars in the early 1970's and operation in Albert St Sebastopol and schoolchildren being picked up.Black and white photograph of Ballarat No. 42 in Albert St at the Grey St Loop (Bala St) with a number of school girls standing at the front of the tram. Photo by David Clark, 17/2/1971. The Tram has a "Bliss Bombs are Anti Gloom" Roof advertisement and has the destination of Sebastopol.On the rear in ink "Tram No. 42 in Skipton St at Bala St passing loop (looking to Sturt St , Ballarat City). Ballarat Tramways, Photo 25, Taken by David Clark", with David's address stamp "4 Adeney Ave Kew 3101" with "Melbourne" underneath.tramways, trams, sebastopol, albert st, schools, tram 42 -
Greensborough Historical Society
Advertisement - Digital Image, Frank Clark Men's and Boys' Wear 1969, 12/07/1969
Advertisement for Frank Clark Mens and Boys Wear of Watsonia Road Watsonia. Copied from a Diamond Valley Football League football record from 1968.Digital copy of advertisement from booklet.diamond valley football league, frank clark mens and boys wear, watsonia road watsonia -
Federation University Art Collection
Ceramic, Sarah Mischker, 2023
Focusing on personal memories, the Creatures of Change series is a collection of sculptures and objects that depict and embody memories of change. The works are stylistically and thematically divided into two groupings: one focusing on memories of growth, the other on death. Utilising organic shapes and lines, the works aim to express the need for life, death and change within our lives as these natural forces shape and mould us into who we are. Influenced by organic shapes, textures and colours, the two groupings are characterised by specific physical attributes. The growth works exhibit shapes of seeds or blossoming flowers, they grow outwards representing the outward growing we experience throughout life. They exhibit signs of expansion and movement through cracked surfaces and exude life as signified by the colour green. The death shapes are represented by tree stumps, a common gravestone symbol. The dead shapes are textured with broken and crumbling edges and sharp corners, symbolic of the feelings those in mourning experience. The death works are decorated with a deep, moody blue, conjuring up sadness and thoughtfulness. Accompanied by small hanging pieces which represent fragmented memories, the two sets of sculptures share a sense of druid creation. These creatures, with jointed legs, have a sense of life and movement. Born of memory, they embody a sense of willingness to change and respect for nature. Change as brought by life and death is a force beyond our power, these works endeavour to show the grasp change has on us and the power of our memories. Sarah MISCHKER (1996- ) Born United States Arrived Australia 2017 In 2023 Sarah Mischker completed a Bachelor of Visual Arts at the Federation University Arts Academy. Her final folio focused on the 'Creatures of Change' series, a collection of sculptures and objects that depict and embody memories of changeceramics, dvc art award, alumni, sarah mischker -
Orbost & District Historical Society
grain grinder, circa 1920
This domestic appliance is typical of the period when food processing was done at home. It would have been before the time of mass food processing factoriesBlack metal grain grinder. Top slides off to collect the ground grain. Opening at top to pour in grain. The back has holes to screw or nail to bench. There is a long grinding arm of metal with a wooden handle.Underneath -3 Under storer - T&C Clark & Co - Wolverhampton Bottom of handle - Clark & Cogrinder food-preparation domestic clark-t&c -
Clunes Museum
Domestic object - IRON BOILER POT, Late 1800's
With lid, handle attached, hanger loop on handleOn side of boiler; CLARK & CO. On base of boiler; CLARK AND CO. 4 GALL Further markings indecipherable cast iron boiler, domestic object