Catalogue card reads, "Cheers in the Ringwood camp for Ringwood's third premiership. Among Ringwood supporters Mrs. Gordon Lindsay was just smiling, but the lady on the end had the volume of a prima donna. 19/9/1957".

Newspaper report of retirement of Jack Voerworg, San Remo Postmaster - detailing family's postal history.Two smiling men in suits at top of news item. Jack Voerworg and Don McCrae - headed "not the end, the beginning". Retirement of San Remo Postmaster Jack Voerworg after 48 years, being congratulated by Don McCrae, Bass Shire Councillor.local history, documents, newspapers, commercial development - san remo, postmaster, newspapers san remo

Black and white photograph, 1 man, close-up photograph of another man in a white tank top smiling at the camera called Wolf Heiden. Bendigo Advertiser description on back of photo: Wofl Heiden Winner of Eaglehawk to Bendigo. with HME 24.51Katerecreations, sports, athletics, wolf heiden.

Article relating to the main character of a television drama that was to be made for the bicentenary of Australia about the experience of Vivian Bullwinkel [Statham] during WWII. Article quotes her on her current feelings towards the country that held her captive as a POW.Newspaper clipping with two embedded close up head shots in black and white of the same woman. One photograph shows her looking serious with her hand to her chin, in the other she is smiling. There are three columns of text between the photographs.vivian bullwinkel, vivian statham, japan, bangka island, willesee's australians

Won in 1920 at a raffle for the Mechanics Hall, Orbost.A celluloid kewpie doll with painted eyebrows and eyes and smile, wearing a tulle land ribbon skirt/dress. The doll's joints are held together with elastic. Its hands and feet are not naturalistic and its legs are moulded together. Overall, it does not have a naturalistic appearance.doll kewpie-doll celluloid-doll

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Major Mike Crawford Commander of 104 Battery Royal Australian Artillery at Fire Base Betty, Long Bien, Bien Hoa Province responds with a smile to a comical incident at 4 RAR/NZ (ANZAC) Headquarters at the Fire Basephotograph, artillery, 104 battery raa, fire base betty, long bien, bien hoa province, 4 rar nz, maj mike crawford, gibbons collection catalogue, royal australian artillery, 4 rar/nz (anzac), commander, denis gibbons

These proof sets cover the launch of Carols by Candlelight. In one set, Marina Prior and Santa launch the Carols ticket sales, whilst in the other a group of people stand outside RVIB St Kilda Road building, with glasses in their hands. Rhonda Burchmore and Geoff Harvey smile and laugh for cameras.2 x B/W proof sheets from the 1992 Carols by Candlelight launchcarols by candlelight, marina prior, rhonda burchmore, geoff harvey

Colour slide of a legatee delivering wood to a widow in Melbourne. He is met by a widow in apron at the rear of the property judging by the corrugated iron fence. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. Other slides show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of a legatee in overalls delivering wood at the rear of a property, where a widow is waiting, in Melbourne during Operation Firewood in brown Anscochrome cardboard mount.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Grateful smiles' in blue pen. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.operation firewood, wood

John Wicking and Arthur Wilkins smile for the camera outside Government House (Victoria), after receiving their awards. Mr Wicking was awarded a Member of the Order of Australia for his service to the welfare of handicapped persons, whilst Mr Wilkins was awarded a Medal of the Order of Australia for service to the welfare of visually handicapped persons. B/W photograph of President John Wicking and Arthur Wilkins with their medals.john wicking, arthur wilkins, association for the blind

Bendigo Advertiser "The way we were" from Thursday, June 3, 2004. Service: it was all smiles from Elva Lynch, Norma Koch, Betty Excel, Maureen Spry and Marian Lynch as they attended to customers at the local dry-cleaning shop in the mid 1950s.newspaper, bendigo advertiser, the way we were

Three day ticket to the World Expo in 1988 held in Brisbane from 30 April 1988 to 30 October 1988. Stylised sun and smiling faces in yellow on the left. Australia Post symbol - bottom right. Red trip on bottom with "Concession" printed in white.WORLD EXPO 88 Front: THREE DAY TICKET / AUSTRALIA POST / CONCESSION (colour - red, blue, yellow. Back: No. 6266929 31 Jul 1988 - 1 Aug 1988 / Signed: EDITH G. LAWN / For lasting memories visit the Australian Post Pavilion. world expo 88, australia post, edith lawn, 1988

Wall calendar from 1967. Picture of two young girls smiling on a swing. With compliments from Bendigo Preserving Co. Ltd. Garsed Street, Bendigo, Victoria. Phones: 30571 (all lines) - Jams, canned fruit, pickles and tomato products. Ask for Bendigo brand.business, retail, bendigo preserving co.

Bendigo Advertiser "The way we were" from Tuesday, August 3, 2004. Crackerjack: all smiles after their success in the pairs titles at the Country Week Championships were Mrs. W. Flett and Mrs. H. Benckensell (c). The photograph was taken in 1951 by L. Hughes.newspaper, bendigo advertiser, the way we were

Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph of the comedian, comedienne, musicians and back-up singers of the official Mar-Apr 69 West Australian Concert Party, keep the Diggers at 1st Australian Task Force Base Nui Dat, at Luscombe Bowl guessing and smiling as they wait for the next bit of frivolityphotograph, entertainers, west australian concert party, 1 atf, nui dat, luscombe bowl, gibbons collection catalogue, diggers, 1st australian task force, official mar-apr 69 west australian concert party, denis gibbons

Camp Hill Primary School, No.1976, was built on the site of the Police Camp in 1877 and incorporated a fire lookout tower.Bendigo Advertiser ''the way we were'' from 2002. Smile: grade two pupils at Bendigo Central School (now Camp Hill Primary School) in 1926. The boy in the top row, second from right, is James Coghlan. Photo supplied by Brian Coghlan. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Audio manager Karl Hughes sits at his desk, answering the phone as he acknowledges the photographer with a smile. Behind him are bookcases filled with audio reels and cassettes. To his left, a glass wall is covered with photographs and news clippings of audio book award success. On his desk sits a computer, some DAT tapes and piles of paperwork.Karl Hughes on the phone surrounded by audio reels and tapesbraille & talking book library, robert de graauw, karl hughes

``Newspaper clipping from The "Post" , 31-5-95 P2. Council's top managersThere were smiles all around at Maroondah Council this week after its management team, Phil Turner, Peter Graf Rob Crispin, John Trevorah and Richard Penny won the Australasian final of the 1995 Active Learning Management Challenge in Canberra`

See Cat 5192BLACK & WHITE PORTRAIT, MOUNTED ON CARDBOARD FRAME. MOST OF THE SOLDIERS APPEAR VERY YOUNG IF NOT BOYS. Possibly a senior cadet group of Militia Unit. Their uniform collars suggest Militia. They are all in slouch hats. Most are smiling. The group is positioned in front of an old hut/barn with a Galvanised iron roof. Nil - front and back.ww2, militia, army, photo

Demonstrates the typical vehicle of the time of the picture. Demonstrated the mode of transport for agricultual goods.Shows the means of transport for agricultural goods in the period.Black and white rectangular picture. Featuring a early truck with tray. The truck is stacked with wool bales and is tide with thick rope. There is a dog curled up on top of the cabin of the truck. A male is leaning against the door with his thumb in his pants, smiling. On the bonnet of the truck the letter "P" can be seen.On back "Ron with the truck & a load of wool on" written in grey lead.

This photograph is a visual record of Mrs. Hallenstein who was President of Royal District Nursing Service (RDNS) from 1967-1974. In February 1970 the Royal District Nursing Service (RDNS) hosted the First International Congress on Domiciliary Nursing and, as President of RDNS, Mrs. Hallenstein presided over the opening ceremony. Mrs. Hallenstein played an integral roll in the planning and correspondence to the College of Arms, London, which concluded with the Royal District Nursing Service being granted a Coat of Arms in 1970. In 1949 Mrs. D. (Elsa) Hallenstein was elected as a member of the Committee of Management of the Melbourne District Nursing Society (MDNS) and After-Care Hospital, and In 1951 was elected as a member of the Committee of Management, and appointed to the Board of Directors of the Nursing Service Division, of MDNS and After-Care. In 1957 when the Society and After-Care Hospital separated, Mrs. Hallenstein was on the first Committee of Management of the now Melbourne District Nursing Service whose Headquarters was located at 452 St. Kilda Road, Melbourne. In 1962 she was elected as a Vice-President and in 1964 as senior Vice-president of MDNS until 1967 when she became President of the Committee of Management of the now renamed Royal District Nursing Service (RDNS), a role she held until 1974. In February 1970 RDNS hosted the First International Congress on Domiciliary Nursing and, as President, Mrs. Hallenstein presided over the opening ceremony. Mrs. Hallenstein played an integral roll in Melbourne District Nursing Service being granted Royal patronage in 1966, now becoming Royal District Nursing Service (RDNS), and with the planning and correspondence to the College of Arms, London, which concluded with the Royal District Nursing Service being granted a Coat of Arms in 1970. Black and white photograph of the head and shoulder view of Mrs. D. (Elsa) Hallenstein, who has light coloured wavy short hair. She is smiling and is wearing a black frock with small brooch attached. She is sitting in a floral lounge chair and has an open white leaflet in her hands.melbourne district nursing society, mdns, melbourne district nursing service, royal district nursing service, rdns, rdns coat of arms, mrs d. (elsa) hallenstein

Off white card with 'Sweet Memory wings these words to You, May Fortune smile and Friends be true'. Printed in red, black, dark & light blue. The capital S has black vines around it and the rest of the words has red vines around it. At the bottom is printed in black: 'With Sincere Christmas Greetings'.person, greeting cards, malone collection, malone collection, greeting cards

Popular from early twentieth century. Based on comic strip illustration by Rose O'Neill that appeared in Ladies Home Journal in 1909. First produced in Ohrdruf, Germany. Made out of bisque, then celluloid , hard plastic versions from 1949. Name derived from "cupid" the Roman god of beauty. The time capsule at 1939 New York World' Fair contained a Kewpie doll. The term "Kewpie doll" is sometimes mistakenly applied to the troll doll. This particular style of doll was awarded as a carnival prize and often collected. Many other articles were made using their images[ Wikipedia, 2012]. Added to the collection as part of a Toys and Games exhibition. Many visitors commented on having owned one when they were growing upA flesh coloured plastic jointed kewpie doll. It has rigid painted eyes, webbed fingers, head,arms and legs jointed to body so can move them, "cowlick" hair on top of head, above ears and nape of neck, back spine and bottom clearly moulded, smiling painted lips

Photo - Bertha Leviny (seated centre) with five of her daughters L-R: Gertrude, Hilda, Mary (standing), Dorothy and Kate. Her grandson James Leviny is at Bertha's knee. The pet dog is an Australian terrier. Bertha was the wife of noted colonial silversmith and jeweller, Ernest Leviny. Together, they raised a family of ten children in their home Buda, Castlemaine. The five unmarried daughters pursued their interests in various creative pastimes linked with the Arts and Crafts Movement of the late nineteenth and early twentieth centuries.One of the few photographs of Bertha Leviny and her daughters taken together after the death of Bertha's husband, Ernest, a prominent Australian silversmith. The Leviny daughters were artistic in their own right, following the principles of the Arts and Crafts Movement. Three of the daughters entered works in the 1907 Exhibition of Women's Work held at the Exhibition Buildings, Melbourne.Silver gelatin, toned print. Black and white photograph of a group of six women, a child and a dog. The women are seated on and around a garden bench with the tennis pavilion in the background. All are smiling at the dog which is standing on its back legs in the foreground. The little boy's face is blurred from movement during the exposure.Handwritten in ink (verso): "At Buda 1906"bertha leviny, mary leviny, gertrude leviny, hilda leviny, dorothy leviny, kate leviny, james leviny, australian terrier dog, kodak box brownie camera, edwardian costume, buda, 1906, photograph, portrait, leviny women, castlemaine

Black and white photo of unknown woman with slick hair and curl on her forehead stands with a closed smile in front of a tree. She is wearng diamond shaped dangly earrings and a knitted jumper with geometric patterns with a black collar and three buttons in the centre. Roll of negatives of the Eltham Art and Craft Market dated June 1988. The market was regularly held in the carpark in front of the Safeway supermarket.Roll of 35mm black and white negative film, 24 shots; 7 stripsKodak TX 5063eltham, arts and craft, markets

Black and white photo of unknown woman with slick hair and curl on her forehead stands with a closed smile in front of a tree. She is wearng diamond shaped dangly earrings and a knitted jumper with geometric patterns with a black collar and three buttons in the centre. Roll of negatives of the Eltham Art and Craft Market dated June 1988. The market was regularly held in the carpark in front of the Safeway supermarketRoll of 35mm black and white negative film, 24 shots; 7 stripsKodak TX 5063eltham, arts and craft, markets

This is a photograph of Sir Hector Ross MacLennan (1905- 1978). MacLennan, also a Professor, was President of RCOG London from 1963-1966.Framed black and white portrait photograph with wide cream mount. Photograph depicts a smiling man in a dark suit coat, with dark tie, white shirt and white pocket handkerchief. Photo frame is made of dark coloured wood. The bottom right-hand corner of the mount is inscribed 'With best regards/Hector MacLennan'.'With best regards/Hector MacLennan'rcog

In 1895 Arthur Yates wrote the first Yates Garden Guide, a basic gardening book that is still published today. This is an early example of a book commonly used as a gardening reference tool.A soft covered book, titled "Yates' Garden Guide". "YATES' is in red print and the rest in blue. In the centre is a circular picture of a smiling woman in a V-necked check dress holding a basket of colourful flowers. Below this on the right is "1952 25th EDITION THOROUGHLY REVISED Price 4/6" . On the left are details of the publishing company.gardening book-garden-guide yates