Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Untitled Oil painting depicting an old miner's cottage. The cottage has two wooden doors the one on the left is open and a window can be seen at the other end. The second door is closed. On the right hand side there is another building. A large tree and a tree stump on the foreground.The signature of the artist at the bottom right hand side landscape, miner's cottage

The original postcards in this series (2013.002 to 2013.018) were generously loaned to Williamstown Botanic Gardens by a private collector for copying. The fountain is located on the southern side of the ornamental lake and was erected to celebrate the jubilee of the municipality (17 March 1906). Controversy surrounded the commission for the design and construction of the fountain, as it was originally assigned to a contractor in Carlton. Williamstown residents insisted the fountain be designed and constructed locally, and on December 1906 the fountain was tendered by local firm Bliss and Sons and opened for public use in 1906. The fountain features a symmetrical plan, consisting of fur granite columns supporting a granite canopy and is fully operational following restoration work in 2013. The idea for the fountain came from an elderly resident of Williamstown who suggested the council follow the example of Ballarat’s gardens with its many statues and monuments. The postcards are evidence of the interest the gardens held as a subject for postcard publishers. The text and images provide a snapshot into fashions, social interests and concerns of the time. The professionally produced images provide a pictorial history of Gardens including changing planting styles, various structures and features of the Gardens eg the aviary, cannons, the fountain, the second Curator’s Lodge and gates. The images offer an opportunity to compare garden vistas with the present day. The significance of the fountain is its reflection of how Williamstown people felt for their Gardens and the importance placed on investing in locally operated business. It was noted in the Brief Jottings column of the Williamstown Chronicle, February 24 1906, the fountain is a “We favor the erection of the jubilee fountain in the Giffard-street (Williamstown Botanic) Gardens. Ornaments of that kind there will make that beauty spot even more attractive.” Sepia scene of a fountain situated on paths bordered with rocks. The fountain in on a plinth with a plaque. The fountain features a symmetrical plan, consisting of four granite columns supporting a granite canopy. High stumps of trees are just behind the fountain with larger trees in the background to the right and left of the image.Postcard, Gardens, Post-Card, Williamstown-Botanic-Gardens, Hobsons-Bay-City-Council, Jubilee-fountain, fountain drinking-fountain, granite, Bliss-and-Sons, Madeleypostcard, gardens, post-card, williamstown-botanic-gardens, hobsons-bay-city-council, jubilee-fountain, fountain drinking-fountain, granite, bliss-and-sons, madeley

CEMA Art Collection Winner of 1965 Portland Art Society Art Prize for category Any other medium.The drawing depicts the burnt remains of a mountain top. In the foreground are two mountain edges which are black with a patch of blue and patch of orange/brown. In the background are remains of several burnt tree stumps on a purple/brown ground. The work has a thin wooden frame, white painted hessian and glass.Front: M Macqueen 64 (signature, lower right, black chalk) Back: MARY MACQUEEN "BURNT MOUNTAIN" (1964) (lower left, typed label) 1964 (upper right, yellow sticker and also pencil)female artist, women, landscape

A temporary saw-mill in the central Grampians.Photo shows a clearing containing a saw mill. There is a saw with traction engine to the right ands a bullock wagon containing a large log to the left. There is a man to the right working with the engine, four men among the wood in the centre and two men near the wagon on the left. A large wood stump is prominent in the foreground. timber industries, logging, sawmilling

Commissioned by State Bank to produce 5 copper bas-reliefs for 73 Percy Street, Portland. Spoke with Miss Betty Vivian (Member of the Portland Historical Society) re Portland's history. Commonwealth Bank stored objects in Melbourne (c.1991). Negotiations between Portland Historical Society and Commonwealth Bank of Australia led to gift of works to People of Portland. Stored at Council depot c.1998, retrieved for Maritime Discovery Centre display.Copper bas-relief. Depicting of port with 14 large silos and a large domed shed in background. On horizon line is a wharf with a ship berthed. In foreground left is a pier stump with wood nailed to it, and leaning on it is a large anchor with a rope tied to it. In foreground left is a beach area, diminishing rapidly toward port in background.Front: (no inscriptions) Back: (unknown)sculpture, bas-relief, copper, port of portland, portland harbour

This statue is a Louros type statuette, known from the Louros cemetery of Naxos, Greece. The figure is standing and has some plastic features. There are no facial features and no arms, just stumps at the shoulders. Such figurines are found in ancient graves. This is most likely a replica of an antique figurine originating at Naxos cemetery, Greece. Cycladic figurine depicting a feminine figure on carved pedestal. A wire necklace with medallion is attached, and inscribed YNNE-TAN with laurel wreath. Handwritten inscription in ink on base (see inscription). Sticker attached to base carries handwiring which reads 'FF'.Louros type figurine 2800-2300 B.C. Nat. Arch. Museum Athens 1978

Slide. Bendigo views. Statue of a Lady standing in a rock grotto. Another statue of a lady wearing a blue veil and a brown dress kneeling to the left (possibly in grounds of St Killians Church) . A green fence and two small green gates with white crosses on the tops are in front of the statues. There is a tree stump on each side of the gates.slide, bendigo, bendigo views, bendigo views

Emerald Football Club won the district Premiership in 1931, and had this photograph taken by Ferdinand ("Freddy") Woermer, whose stamp is on the reverse of the mounting. Woermer lived in a humpy on the Monbulk-Seville Road, Silvan (then Burleigh), and worked around the district as a professional photographer. He used a hollowed tree stump as a dark room for developing photographs.This photograph has double significance. On the one hand, it depicts the premiership team members in 1931. On the other, it is the work of F Woermer, a figure of some interest in the area.B/W photograph of the 1931 Emerald Football Club Premiers team, 22 people in all. Woodlands in background. Photo is glued to heavy cardboard.Rear: Stamp of manufacturers "F Woermer, Silvan Vic" and handwritten date "1931"emerald football club, woermer

Black and white photo : image of young woman standing, leaning on tree stump. Woman is dressed in long dark skirt, buttoned jacket with frills on sleeves. Image is edged in black with gold line. On back of image: 'Bijou Portrait Parlors, View Place, Sandhurst ( negatives kept ).' Below the photo are the words Artist, Atkinson, Photo.Atkinsoncottage, miners, bendigo, sandhurst, atkinson

Timber trophy shaped as a shield on a timber stand. Across the top of the shield is written 'St.George's Dragons vs Albert's Knights. In the centre is a set of cricket stumps and a cricket bat and around the outside are six silver shields engraved with details of each year's winners. Four are completed with 1978, 1979, 1980, 1981; two shields are blank. preston technical college, trophy, cricket competition, nmit

Digger One is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Digger Three. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The grandfather that never was. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Puppy the mascot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Rogue wave. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Fallen. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.A Colour digital photograph.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Mates. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.3 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Pilot. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Sea Captain. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Three crosses of sacrifice. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

Plaque accompanying chainsaw statues by Leigh Conkie. These chainsaw sculptures were in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.1 Colour digital photograph.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough

The Forests Commission had a large and active engineering branch which was often called upon for major demolition or quarry work. Most overseers, as well as some foresters, were trained in the use of explosives to “blow stuff up” such as removing stumps and rocks from roads. Districts usually had a small powder magazine tucked away in the bush for storage of gelignite and detonators.Sample board showing examples of explosives and detonatorsroad construction and maintenance.

This photograph shows the islands in the Hopkins River in 1911. This section of the river is in the Allansford area, near Jubilee Park (Hopkins River Caravan Park). It was, and still is, a picnic and fishing spot. On one of the islands is an unmarked grave which may be that of Jemima Christine Allan, the first wife of one of the first European settlers in the Allansford area, William Allan. She died in 1842. The photograph was taken by Jordan Studios so the photographer may be either Joseph Jordan, one of the best-known Warrnambool photographers of the past, or his son Arthur, also a well-credentialled photographer.This photograph is considerable historical importance, showing a section of the Hopkins River in the Warrnambool region in 1911.This is a black and white photograph in a wooden frame with a patterned edging. The photograph is inset with a gilt metal edging and enclosed in glass. The backing is wooden with a wire cord for hanging. The photograph shows the river with islands covered in vegetation. On the river are two boats, one wuih four occupants standing up in the boat and the other with two occupants. In the ccntre of the photograph is a tree stump and a dead tree.The Islands Hopkins River Warrnambool 1911 Jordan Photohopkins river, jemima allan, jordan studios

This badge was issued in 1966 to a member of the committee of the Nestles Cricket Club in Dennington (Warrnambool). The Nestles Milk Factory was established at Dennington in 1911, being one of the few Nestles factories at the time to be opened outside of Europe. During World War One and the 1920s the Dennington Nestles Factory was the world’s largest milk condensery and at its peak in the 1960s and 70s was employing 800 people. It produced the drink, Milo and the coffee, Nescafe (this latter ceasing in 2000). In 2005 the Nestles Factory was taken over by the New Zealand firm, Fonterra and it is due to cease business entirely late in 2019. The Nestles Factory encouraged and sponsored several social and sporting clubs, including the Nestles Cricket Club and the Nestles Rowing Club. The Nestles Cricket Club commenced in 1944 and has been a part of the Warrnambool and District Cricket Association competition since that time. It still operates today under the same name and includes a women’s team. This item is of interest as a memento of Nestles Cricket Club, a prominent cricket team in Warrnambool today.This is a shield-shaped metal badge with a red and gold background, an image in yellow of cricket bats and stumps and two decorative patterns and gold-coloured printing. A circular number has been attached to the lower part of the badge. This is detachable. A bar with gold-coloured edging and a red background and gold-coloured printing is attached to the badge by a metal ring. The back of the bar has a metal clip.Committee Nestles Cricket Club 66 K.G.Luke Melb. nestles milk factory, dennington, nestles cricket club, history of warrnambool

The landscape painting depicts rolling green hills with a valley through the centre. Scattered throughout the painting are numerous trees and cattle. The foreground is a darker green which creates a shadow effect. Within the foreground are more detailed trees, tree stumps and birds. The background is a cloudy sky in shades of blue, pink, purple and orange. Work has a heavy gilded ornate frame.Front: (No inscriptions) Back: (Not available)

Friends of Burnley Gardens project: Restoring the Ellis Stones Rockery (1) "Ellis Stones Rockery 1999" before restoration. (20 "Ellis Stones Rockery before clean up 1999-2000." (3) "Ellis Stones Rockery note Sugar Gum." (4) Ellis Stone's Garden Sugar Gum stump being ground out 12.07.2000." (5) "Burnley entrance RHS-Plant Research Institute LHS-Stairs leading to Nursery. " ellis stones rockery, restoration, sugar gum, plant research institute, nursery, sandi pullman, sandra pullman

Mounted black and white photograph of the Carlton Tramway Cricket Club, Premiers 1899-1900 - has 15 men in the photos, most wearing the cricket clothes along with a set of stumps. Mounded on a grey embossed card with the image glued to the card. Each person named along the bottom edge. See Key Associations Image by E. Strawbridge of 129 Park St Parkville.trams, tramways, carlton depot, cable trams, sports, cricket

Digger Two - My Dad Charlie. This chainsaw sculpture is one of a series of chainsaw sculptures in Greensborough War Memorial Park, sculpted by Leigh Conkie in 2003. The trees surrounding the park were removed when disease made them unsafe, and the sculptures were created from the stumps. These original sculptures were removed in 2017 and replaced with a new series of chainsaw sculptures called Homefront.A tribute to locals who served in the armed forces for Australia.2 Colour digital photographs.greensborough war memorial park, leigh conkie, chainsaw sculptures, war memorials greensborough