Collection of Margaret ScarlettFlat, round Bakelite record. Hole in centre. Red sticker in middle - 'His Master's Voice'. 'Dinah' / reverse side 'Love to Whistle' - Fats Waller and his Rhythm . Speed 78Polydor - Allan's (see above)musical instruments, accessories

Bendigo performance of ''Victoria Welsh Male Voice Choir'' - Poster with blank space for where the performance is ''At'' - with photo of choir group before Melbourne background. The poster has a handwritten inscription of ''1996''bendigo, entertainment, theatre

Dr Lisa ANDERSON (1958- ) Dr Anderson’s research questions environmental issues that impact on the social structures of communities and their mapped or metaphysical borders. She develops projects around ways of understanding the effects of climate change. These include work with folklore, legends and religions that tell stories of coping with weather, forced migration of animals and people and coping with difference. She has undertaken international residency programs and exhibitions in the Arctic, Iceland, Paris, Norway, London and China, and she was the first Artist in Residence at the Australian Museum. These unique opportunities continue an extensive art practice of installation work, video, photography and sculpture. Anderson has an extensive record of exhibitions in Australia and overseas with work included in both private and corporate collections. Her exhibitions include Journeys: Due North, a large installation work that includes work created over a 10-year period of engagement in expedition and science work North of the Arctic Circle. Beneath the Beauty of Architecture, an exhibition at her London Gallery, Bicha, used images created in China, Nunuvut Territory in Canada and the Antarctic while working with the migration stories of survival. Dr Anderson has created many large scale artworks that challenge notions of occupation of the City, including Writing the City, a three-year program of installation works to shift the use of Sydney to being a city of public space in its pre-Olympic development. Singing up Stones celebrated the people who created and use the Opera House and the Quay for performance and ideas. This included the first image projection onto the Sydney Opera House, a projection onto the Sydney Harbour Bridge and a ballet of cruise liners with the sound simulcast on the local radio station. Two digital prints with acrylic on metal and bullet holes. This work is the result of research on the hidden voice of landscape undertaken by Dr Lisa Anderson while an Honorary Professor at Federation University Australia. lisa anderson, available

This Edison Ediphone voice recording electronic business machine is manufactured to suit a small office and is light enough to carry between work and home for use outside normal business hours. It is a dictation machine, also called by the competitor’s brand name ‘Dictaphone’, and is used for recording spoken words that would later be transcribed and typewritten. A wax cylinder would be installed onto the machine’s drum and the Reproducer on the machine would be lowered onto the cylinder. The user would speak a message into a microphone and the reproducer would then convert the sounds to scribed marks on the cylinder. Later, the cylinder could be played and the Reproducer would enable the sound to be amplified through an attached speaker. This machine is currently without its power cord, microphone and speaker horn. Thomas A. Edison extended the technology of the telegraph to his phonograph machine, invented in the late 19th century. It could record and play back sounds of music and voice on a manually operated mechanical machine that used wax cylinders to store the sound. He envisaged the way this technology could be an asset in the office, and he was right! However, most of his phonograph machines were used for entertainment, some for playing lessons, and some for-teaching languages. In 1916 Edison introduced the Ediphone, which grew in popularity after the First World War and into the late 1920s until flat round records replaced the wax cylinders. This Edison Ediphone is significant for improving the way business administration was carried out in the early 20th century, freeing up precious time for professionals and administrative personnel. It was the forerunner of audio tapes and digital technology. The Ediphone enabled letters to be dictated when the time and place suited and reduced the time professionals needed to spend with their secretaries. Secretaries were able to type the letters as they played the recording and they could replay the message if necessary.Voice recorder; a dictation machine; desktop model Edison Ediphone. The electronic machine is in a medal case with remnants of the original grey colour. It has a rectangular base with an A4-sized footprint and a domed hood that retracts halfway into the back of the base. The corners of the base have metal reinforcing, and a short metal bar is on the front centre edge of the lid and the base. A long metal drum is mounted inside the machine. A round device called a ‘reproducer’ is mounted above the drum. There is a folding handle on the left front of the machine and an angled stand with paper guides in front of the drum. A rear cover has the maker’s name stamped on it. An electrical socket with eight pins is recessed beside the cover. Made by Edison.In white letters; “EDISON”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, edison, ediphone, dictating machine, office equipment, voice recorder, usa, dictation, communication, office machine, dictaphone, speaking phonograph, thomas edison, ediphone voicewriter, voice writer

Phonograph record with red 'His Master's Voice' label; 'Song of the Volga Boatmen' (arranged Chaliapin & Koenemann) and 'The Prophet', op.49 (Rimsky-Korsakov); Feodor Chaliapin - sung in Russian; Cat. DB 105

Phonograph record with red 'His Master's Voice' label; Carnevale in Venezia (Jules Benedict), Parts 1 & 2; Artist: Toti Dal Monte, Soprano, with orchestral accompaniment. Ref.DB821 In original record sleeve

Clock radio in dark red/brown plastic case. Model 63-53, His Masters Voice (HMV) logo of the dog listening to the gramophone is on front left side. Clock has Telechron movement.Model 63-53 [in aperture on back of case].hmv, telechron, the gramophone company pty ltd/emi

The author has set out to study the effects of newly developing literacy on a predominantly oral society. She persuasively argues for an awareness of the dangers of denying a voice to the very people who are the objects of such linguistics research.Mapsbilingual education, kriol, ethics and research

Object. His Masters Voice Record. 78 RPM recording of Open Road & Love Can Be Dreamed from The Gypsy Baron. Performed by John Charles Thomas with victor Symphony Orchestra conducted by Frank Tours.audio-visual technology, audio appliances, 78 rpm record, gertrude perry collection, his masters voice record

Gramophone needles container for 1 time use only."His Majesty's Voice" copyright Loud Tone. Has hinge lid. Top of lid has advertising design of dog looking into speaker. Colour mainly red.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Collection of Margaret ScarlettFlat, round Bakelite with hole in centre, red sticker in middle. /other side 'Glad Doll' / 'Smiles' or red sticker. Vinyl disc imprinted in 'tracks' for music to be played on gramophone.. 'His Master's Voice'. 78 speed.Polydor - Allan's - 'Smiles' - Crazy Otto.musical instruments, accessories

His Masters Voice - Soft tone.Green tin with picture of dog and gramophone on front, containing approximately 200 English gramophone needles. Used in gramophones which played 78 rpm shellac records.styluses (audio), gramophones

Baskerville’s Echo references the Ancient Greek myth of the nymph Echo. The goddess Hear punished Echo for misusing her gift of voice by ensuring that she could only echo the voice of others. Echo falls in love with Narcissus, who spurns her and instead falls in love with his own reflection in a pool and drowns trying to reach it. Grieving, Echo fades away until only her voice remains.patinated plasterecho, female, figure, margaret baskerville, ancient greek myth, nymph, sculpture, relief, plaster

This speaking calculator was designed to perform several functions as well as memory, in synthetic voice. With two modes - visual or visual plus voice - it was powered by a nickel cadmium rechargeable battery or by a special adaptor from mains supply voltage. Dark brown rectangular box with numerical and mathematical keyboardTSIassistive devices, audio equipment, office equipment and supplies

Phonograph record with red "His Master's Voice" label. In a "Columbia" record sleeve. Side A: The Bandolero (Stuart), sung by Mr. Peter Dawson Side B: So We'll Go No More A-Roving sung by Mr. Gervase ElwesC459

Information booklet issued during the lead up to the 2023 Voice Referendum. 7 p., black text and colour imagesaustralia constitution, voice to parliament, aboriginal and torres strait islanders

Music sheet for the words and music for voice and piano of Advance Australia Fair , God save The Queen , God Defend New Zealand / fold out sheets containing the three songs , three flags and Allans music store logo at the bottom of the front page /Allans music storemusical instruments, accessories, sheet music, advance australia fair , god save the queen , god defend new zealand / allans music store

Monica Miller lectured singing in Singing and Voice Production at the Ballarat Teachers' College.Blue and beige covered exercise book.monica miller, ballarat teachers' college, speech, speech training, pre-service teachers

The centenary of the Eureka Stockade was 03 December 1954. The Guardian (incorporating the 'The Workers' Voice')Eight page newspaper including images and articles on the Eureka Stockadeguardian, eureka, eureka stockade, centenary, anniversary, communist party, eureka stockade centenary, noel counihan, r. dixon, e.f. hill, monty miller, katherine susannah prichard, karl marx

This is one of a series of photographs taken for inclusion in the SHKS publication 'Voices from Elwood'Colour photograph, laminatedLeo Masonelwood, personal histories, recording personal histories, st kilda historical society, julie shiels, roger backway, tiuna grove

This is one of a series of photographs taken for inclusion in the SHKS publication 'Voices from Elwood'Colour photograph, laminatedRoger Backwayelwood, personal histories, recording personal histories, st kilda historical society, julie shiels, roger backway, tiuna grove

Letter accepting an invitation to lunch and voicing some opinions on not providing financial assistance to artists.Typewritten, 2 pages

This certificate for the registration of the business name 'Voice Print' was registered with the Victorian Corporate Affairs in 1995.1 white page with single blue edge mounted on cardboardForm 2, Business Names (Act) 1962, Section 7(4) and (5) Corporate Affairs Office, Victoria I hereby certify that the business name ... was on ... registered pursuant to and subject to the Business Names Act 1962. Given under my hand at Melbourne, this 13 October 1995 ... for Commissioner for Corporate Affairsassociation for the blind, corporation records

The "Ammoniaphone" was developed by Dr. Carter Moffat in 1870 as an instrument to replicate the fresh Italian air and its qualities that seemed to assist with Italian vocalists. The Ammoniaphone was filled at both ends with a mixture of ammonia, hydrogen peroxide and peppermint oil, and the user inhaled the chemicals from the small tube in the centre. According to Dr. Moffatt, the Ammoniaphone was benefical to public speakers, Parliamentarians, vocalists, as well as assisting with bronchitis and consumption.Important to the collection due to its rarity and historical significance, as well as medical research capability.A long metal tube into which ammonia, hydrogen peroxide and peppermint oil were placed. The user inhaled the chemicals through the small tube in the centre of the object. It was thought to improve the voice through the inhalation of "artificial Italian air". Comes with the original box and instruction booklet."Medical Battery Co. 52 Oxford Street, London W"medical, quackery, voice alteration, consumption, ammoniaphone

"Voices fron the Past', part of a thesis , author unknown includes trandcripts of oral interviews with fourteen people who grew up in Bendigo during 1925 - 1935 Two peple interviewed includes Blanche Jane (Jay) Hillman & Frederick (Fred) William Hillman

A souvenir programme titled, 'North Castlemaine School, N0., 2051. GRAND CONCERT, in the Castlemaine Town Hall on Tuesday, October 5, 1920, by the BENDIGO CHORAL SOCIETY OF 100 VOICES, assisted by leading Bendigo artists. Conductor W.C. Frazier, A.R.C.O. 1920. 4 pages.Leader Printing Works, Castlemaineprogram, music, bendigo choral society, lydia chancellor, collection, music, singing, bendigo choral society, programme, entertainment, choir, amusements, castlemaine town hall, north castlemaine school, buildings, concert