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Tatura Irrigation & Wartime Camps Museum
Souvenir - Small Jug, Souvenir Jug
The jug depicts the original Catholic Church in TaturaSmall white china jug with a painted coloured picture of the Tatura Catholic Church. Decorative handle and lip with the remain of gold trimmings. Lip of jug damaged and there is a crack on the side of the jug.RC Catholic Church Taturataura, sacred heart church tatura, local history, jug -
Mont De Lancey
Tool - Hatchet, Unknown
Used in the 19th century.A forged steel hatchet No 4 with a handmade short wooden handle used as a trimming hatchet or axe. It is branded: 'Golden Berg' curved around a swan in a circle. It was used in the 19th century.No 4. It is branded: 'Golden Berg' curved around a swan in a circle.woodworking tools, steel, froes, cleaving axes, axes, cutting tools, hand axes, hatchets, cleavers, tomahawks, wood -
Mont De Lancey
Tool - Adze, Unknown
Used in the 19th century.A wide bladed forged steel adze with a smooth curved wooden handle. It was used by woodworkers for cutting and trimming rough wooden planks and shaping and smoothing wooden surfaces in the 19th century.woodworking tools, steel, froes, cleaving axes, axes, cutting tools, hand axes, adzes, wood -
Australian Lace Guild - Victorian Branch
Textile - Buckinghamshire Point lace, 19th Century
Fine lace used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Alencon Lace, Mid 18th Century
Fine lace used as a costume trimmingNeedle lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Brussels applique lace, Late 19th Century
Fine lace used as a costume trimmingEdging of Bobbin lace motifs appliqued onto machine made net -
Australian Lace Guild - Victorian Branch
Textile - Brussels applique lace, Late 19th Century
Fine lace used as costume trimmingEdging of Bobbin lace motifs appliqued onto machine made net. -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, Mid 19th Century
Fine lace used as costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Alencon Lace, Mid 19th century
Fine lace used as costume trimmingFine needle lace edging -
Australian Lace Guild - Victorian Branch
Textile - Alencon Lace, Mid 18th Century
Fine lace used as a costume trimmingNeedle lace edging -
Australian Lace Guild - Victorian Branch
Textile - Brussels mixed lace, Late 19th Century
A fine lace used as costume trimming.Bobbin lace with needle made ground and fillings. Edging. Sample. -
Australian Lace Guild - Victorian Branch
Textile - Eyelet work
Costume trimming. Probably machine madeEdging. Cut edge is irregular -
Australian Lace Guild - Victorian Branch
Textile - Le Puy Lace, Late 19th Century
A black silk lace used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Le Puy Lace, Late 19th Century
A black silk edging used as a costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Honiton lace, Early 18th Century
Very fine lace used for costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Buckinghamshire Point lace, 19th century
A light weight lace used for costume trimmingBobbin lace flouncing -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, 1st half 19th Century
Use: Fine lace used as costume trimming.Bobbin lace edging. Sample -
Offshore & Specialist Ships Australia
Album - Bream A Construction project Bass Strait 1987 Photograph Album
0007-013. Bream A Project , Bass Strait 1987. The project is just starting. This photograph shows Anchor Handling Tug Supply (AHTS) vessels Lady Lorraine, Lady Cynthia, and Lady Carojine, Anchor Handling Tug (AHT)Lady Florence, and Derrick Barge DB 29 alongside Barry Beach Marine Terminal, Gippsland, Victoria. The DB 21 is taking on board equipment for the project prior to be towed out and positioned at the location in Bass Strait where the production platform Bream A will be installed. 0007-014. Bream A Project , Bass Strait 1987. Derrick barge DB 29 loading project equipment with Lady Lorraine alongside Barry Beach Marine Terminal, Gippsland Victoria. Also alongside the wharf is the barge Intermac 256 which is being prepared to having the Bream A Jacket (a Jacket is the base of the platform that will be landed on the sea floor and will then be pinned in place with piles driven down into the sea bed). 0007-017. Bream A Project , Bass Strait 1987. Helicopter on DB 29 helipad ready for take off with Lady Lorraine, Lady Gay and Lady Cynthia at Barry Beach Marine Terminal, Gippsland, Victoria. 0007-016. Bream A Project , Bass Strait 1987. Helicopter taking off from DB 29 with Lady Lorraine and Lady Gay at Barry Beach Marine Terminal, Gippsland, Victoria.Green, with gold border trimming photo album, containing 38 photographs depicting ships, barges and the construction of the Bream A oil and gas production platform in Bass Strait, Victoria, Australia 1987. -
Orbost & District Historical Society
broad axe, c. early to mid 20th century
Used in the timber industry for trimming sleepers or shaping timber.This item is associated with the timber and sleeper-cutting industry in the Orbost Region. Timber sleepers were superceded by concrete sleepers in c. 1970s.An iron axe with a long cutting edge. The neck of the wooden handle is chipped.broad-axe sleeper-cutting timber-industry -
Australian Lace Guild - Victorian Branch
Textile - Torchon lace, Late 19th or early 20th Century
Use: Domestic. Household trimming Bedfordshire type heading.Bobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Torchon lace
Use: Domestic. Household trimming A heavy linen laceBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Mechlin lace, Mid 18th century
Fine old Mechlin lace used as a costume trimmingBobbin lace edging -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Banksia Tree Cloak (water and fire business), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future).The sacred banksia tree was a favourite for Wadawurrung people. Flowering before deep Winter, the banksia was used for spear making and other wooden tools. The sap was drunk as a sweet drink and the seed pods used for water straining and fire sticks. The banksia tree flowers at the time when fire sticks farming is practiced marking the days before the coldest days and nights and the hotter days.White, orange, and yellow banksia design on outer cloak, yellow and white circle and diamond design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Nan’s Spirit Watching over me (Rita Dalton) Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The white ochre was used to create the feather pattern. White ochre is deeply connected to spirit or ‘murrup’ as we call it in language. The ochre is used on our bodies in ceremonies to paint our body up and is also placed on graves when someone passes. The white ochre is our most sacred connection to our ancestors and is used to celebrate both life and death. I source the white ochre from the You Yangs and only take what I need for ceremony and my painting.White and black feather motif with yellow eye design on outer clock, brown feather motif in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Waa the Crow Totem Cloak (Waa represents our ancestors watching over us), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Waa the Crow Totem Cloak (Waa represents our ancestors watching over us). Waa and all the birds get their names by the sounds the bird makes.Blue feather motif with blue star background on outer clock, blue and black feather design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
Australian Lace Guild - Victorian Branch
Textile - Crochet
Use: Domestic. household trimming Crochet imitating Torchon laceCrochet insertion. Sample -
Australian Lace Guild - Victorian Branch
Textile - Mechlin lace, Early 18th century
Very fine old Mechlin lace used as a costume trimmingBobbin lace edging -
Australian Lace Guild - Victorian Branch
Textile - Flemish lace, Early 18th century
Very fine old Flemish lace. Use - Fashion trimming or ecclesiasticalBobbin lace Flouncing -
Australian Lace Guild - Victorian Branch
Textile - Valenciennes lace, Early 18th Century
Very fine linen thread. Fine lace used for costume trimmingBobbin lace edging. Sample -
Australian Lace Guild - Victorian Branch
Textile - Brussels Duchesse, Late 19th Century
A Guipure lace, having a bar background. Fashion item. Costume trimmingBobbin lace edging. Sample