Square based glass container with a circular opening on the top and a paper label with the text: ‘Cream of Tartar’. Features a corresponding metal lid with a red cork protrusion on the bottom to seal the container. Found in the top container location of the parent item.Cream of Tartarvolum collection

Small glass container with a square base and an octagonal rim surrounding the circular opening on the top. Paper label with the text: ‘AEther’. Found within the front storage location of the parent item.AEthervolum collection, medicine, chemist, apothecary, ether

"France II" was an extremely large tall ship, square rigged as a five-masted steel-hulled barque. and belonging to the "Compagnie française de marine et de commerce" was a totally wrecked in a coral reef of Ouano on the coast of New Caledonia in the night between 11 and 12 July 1922. The France II was the second largest commercial merchant sailing ship ever built (hull length:142,2m).Black and white photograph mounted on grey cardboard depicting a sailing shipHandwritten in black ink at bottom on mount: "5 mast barque (France) wrecked on the Caledonian coast / on the 12th of July 1922"shipwreck, france, barque, new caledonia, ships, crews and ships, barque france, 1922

Used for advertising at the movies shown at The Koroit Theatre. Ogles had a radio store in Commercial Rd Koroit. This is part of collection of glass slides of historical and aesthetic significance to the local area of Koroit and district, and extending to the Warrnambool area. This collection could also have potential for state level significance. "Helen Doyle - Significance AssessmentA square glass slide comprised of photographic film sandwiched between two fine glass sheets donated by Koroit Theatre ManagementTheatre Advertising for ""Ogles Radio and Electrical Services"' Koroit a business from the 1950's.theatre, glass slides

Small glass container with a square base and an octagonal rim surrounding the circular opening on the top. Found within the front storage location of the parent item.volum collection, medicine, chemist, apothecary

Small glass container with a square base and an broken octagonal rim surrounding the circular opening on the top. Found within the front storage location of the parent item.volum collection, medicine, apothecary, chemist

Small glass container with a square base and an octagonal rim surrounding the circular opening on the top. Found within the front storage location of the parent item.volum collection

Small glass container with a square base and an broken octagonal rim surrounding the circular opening on the top. Found within the front storage location of the parent item.volum collection

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection,

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection,

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection,

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection,

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection,

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection,

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. volum collection,

Large square based glass containers with a circular openings on their tops and some of which have a paper label with respective text depending on its contents. Each container is accompanied by a corresponding glass lid. These are found in the back storage location of the parent item. Howson Edwards, Chemist and Druggist, At the Glauber's Head, No.47, Old-Gravel-Lane, Ratcliff-Highway volum collection,

The painting explores the mental health issues often faced by those who work at sea as a result of loneliness, isolation and illness, amongst other things. This seafarer’s face is made up of thousands of SOS Morse code symbols: dot,dot,dot dash,dash,dash dot,dot,dot. Morse code was used to signal to land that a ship or crew was in trouble. This seafarer is in trouble- his face says it all and speaks volumes. Mental health issues are often hidden when we look from afar but when we take the time to look closer and listen, the signs are often there.Lisa Carman entered this painting to the Maritime Art Prize 2019 and donated the artwork after the exhibition.Naive, Marine artLisa Carman, MTSV Collection Squared shape painting depicting a portrait in blue and dark tones of a sailor with a beard wearing a beanie. His face is made of dots using the SOS Morse code.sos, seafarers welfare, maritime art prize, 2019, lisa carman, morse code, seafarers, sailors, beanie, blue

This sideboard was originally used in the dining room of the Manse, the chaplains' residence. Upon completion of the Institute building in 1917, the Goldsmiths moved in after living for many uncomplaining years in a flat on Australia Wharf, which had “many disadvantages and discomforts”. The stamps in the drawer indicate the furniture was manufactured by H.F Fischer (Heinrich Friedrich Fischer). His store is mentioned in many advertisings as manufacturer and seller of furniture and was located at the 322 City Road address between 1909 and 1912 and is listed in the Sands & McDougall's in 1910. From 1913 his address changed to 308-310 City Road. The ‘European labour only’ stamp was a legal requirement in Victoria where it was set out in the Factories and Shops Act of 1896. Its purpose was to distinguish between furniture made in Victoria by Chinese workers and that made by Europeans, meaning Australians of European origin. To distinguish them, the European stamp was square or rectangular, the Chinese stamp was trianguler.It is not known when they were purchased or gifted and by whom. The facture is of quality, as indicated by the tenon and mortise joints of the drawers. The Wellers photographed the dining suite during his stay betwenn 1926-1929 (see item 1568).Wooden Oakwood Arts and Crafts sideboard 2 rectangular Stamps in purple ink in the drawer: " Manufactured by / H.F. Fischer/ 322 City Road / European Labour Only"manse, heritage listed, sideboard, arts and crafts, english, h.f. fischer, european labour, heinrish friedrich fischer, cabinetmaker

The photograph shows a ship visit. It is historically significant and thought to be one of a series of photographs linked to a publicity campaign circa 1955-1956 promoting the work of the Mission. The campaign partly inspired by the Centenary year of the Mission in Australia (1956) also resulted in the production of a black and white short film "The Flying Angel", featuring and Padre Oliver and the work of the Mission was deposited in 2016 with the Australian Centre for the Moving Image, (ACMI) Federation Square, Melbourne.Padre Frank Oliver, Chaplain to the Mission to Seafarers 1930 - 1960 led the Mission through a period of significant changes through the mid 20th C. This image is one of a series of key images showing the work of the Mission Chaplain in the Post WWII period. Father Frank Oliver wearing uniform including officers cap walking up a gangway and being met by a group of four men. There is a fifth man standing slightly to the left of the photograph.Discolouration on the bottom left and top centre of the photograph.uniform, machinery, ship, crew, gangway, deck, handshake, chains, rope, buoy, pulleys, rivets, padre oliver, frank leslie oliver, mission to seafarers, mission to seamen, seamen's mission, robin kent, kerr bros studio

The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925 and 1926.Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss Lillian Duncan, 11 Paxton Street, East Malvern, Melbourne, Victoria, Australia from J. Kokx, U.S.S. Medusa, c/o PM San Francisco, 5th Div. Calif consisting of two parts. 0073.1 Envelope; 0073.2 Letter (double-sided). Both the envelope and the letter are cream in colour. The letter begins with "My Dearest Melbourne Girl: I recieved your...". The letter has a ships seal printed and embossed onto it in blue ink.The envelope has been torn across the top horizontally in order to retrieve the letter from inside. The flap on the back is still sealed. The envelope has three sets of stamps. The first is a circular black ink stamp with the text "SAN PEDRO Feb 1 [indecipherable] 1926 CALIF". The second stamp is a set of three red almost square stamps reading "UNITED STATES POSTAGE 2 CENTS". The last stamp is in black ink and has 7 curved lines resembling the waves of the sea which continues over to the back of the envelope where it stops curving. This set of lines stops and starts across half of the back of the envelope. Both of the black ink stamps overlay the three red stamps.letter, california, handwriting, mission-to-seafarers, lillie-duncan, uss-medusa, east-malvern, envelope, letters-to-lillie, san-pedro, julius-kokx, julius kokx, lhlg, lillie duncan, us navy, uss medusa

The register is a record of the weddings that took place at the Mission to Seafarers church district in 1916. Each register is a legal contract, with all the information needed to legalise a marriage under Australian law. The last four pages of the register are consent forms.The register documents the weddings that took place at the Mission to Seafarers church in 1916.On the front cover, in the pink square, typed in black ink: OFFICE OF THE GOVERNMENT STATIST 1916 / NOTE /THIS BOOK OF MARRIAGE FORMS IS DEEMED SUFFICIENT FOR THE CELEBRATION OF AT LEAST 25 MARRIAGES, AND CONTAINS:- / 30 MARRIAGE INFORMATION PAPERS (FOR THE PURPOSE OF INSURING ACCURATE INFORMATION BEFORE TRANSCRIPTION INTO THE MARRIAGE REGISTER, AND OF SAVING TIME AT THE CEREMONY) / 5 CONSENT FORMS (FOR MARRIAGES OF MINORS); / 10 QUARTERLY SUMMERIES (WHICH MAY ALSO BE USED AS WRAPPERS FOR QUARTERLY RETURNS, &C.) / THIS BOOK IS TO BE REGARDED AS CHURCH PROPERTY, AND / IS TO BE IN THE CUSTODY OF THE CLERGYMAN OFFICIATING FOR THE / TIME BEING AT THE PARISH OF DISTRICT CHURCH. / 17595.register, wedding, marriage, marriages, mission to seafarers, dio-marriages, 1916

Displayed at History House. Portland's Sesquicentenary. Portland City Council.Certificate with "Victoria 150" logo at top. In a black-boxed square in lower two-thirds of paper is certificate endorsing the activities of the Town of Portland's planning committee for events of Anniversary Year November 17, 1984 - November 11, 1985.Front: Signature of Ranald Macdonald, Chairman (lower centre, faded pen).

Lismore Post Office was opened in the year 1864. In the year 1883 a telegraph system was introduced to Lismore, this service carried on until 1888. In 1914 the Lismore Post Office was opened as an Official Post Office and the Morse system was reintroduced. This service functioned until the closure of the system in Victoria on Saturday June 30 1962. This key sent the last Morse Telegraph message in Victoria.Wooden "T" frame supporting a square bakelite shape. Mounted on this are two metal keys. The larger lever has a rounded handle, to operate the lever, controlled by a spring. The smaller lever communication, morse key, telegraph key, morsecode key, morse telegraph key

Double sided Brochure and programme of events for first fleet re-enactment at Portland, March 24 -28 1988. Yellow paper, green print. Illustration of 'Bounty' on front cover. On the back cover is a square bordered map of Port of Portland Victoria, a welcome blurb, extra entertainment, costs for boarding, and bookings information. Features headshots of Keith D. Wilson and R.F Harrison. first fleet, bounty, 1988, keith d wilson, r f harrison, port of portland

Watkins created his sculpture for an exhibition in Melbourne 1866: "I dressed the pillar about 2 foot 6 inches high and 16 inches square and proceeded to carve in each panel representation characteristic of Victoria 1st Panel a Kangaroo in a small scrub thicket, 2nd an Emu amongst a clump of little flowering correa; 3rd the Wimmera Down and on the 4th side my name and the date AD 1866 On the top of the pillar was an urn of globular form to represent the seed pod of the Eucalypti with spreading leaves underneath" Extract taken from 'Victoria's Wonderland' a Grampians history Monument now in private handsHeatherlie Quarry; Obelisk : Photo shows stone monument created by Francis Watkins using materials from quarry Photo shows two sided view of monument with large stone on topquarrying, mt difficult quarry