Attached George Gross Biography. Vogue Australia|With more than 40 years in the industry,- George Gross is one of Australia's best known fashion designers. Designing his own. label for the last 35 years, Gross is renowned for his glamorous evening wear, corporate and race wear ranges. Embodying style and sophistication, Gross has dressed celebrities the world over in his eponymous label.|With his first creation - a sequined shift, at the tender age of 16 George still believes 'every collection starts with the fabric and is all about the cut and proper finishing. The looks and silhouettes change every season but not dramatically, it is more that they evolve from season to season.'|The George Gross label was first conceived in Adelaide by Gross and his business partner Harry Watt. As designer, both were working for other fashion houses and saw a gap In the market for elegant evening wear, suiting and separates. Joining with his twin sister Kathy, the three began with a small Adelaide store and expanded to include more than 500 retailers worldwide at the height of their business.|Inspired by real women, Gross showcases his love of colour, cut and quality with each collection. His aim is to create sensuous clothing that women of any age, shape or taste look fabulous wearing. Attributing his longevity to a desire for experimentation while also listening to his customers' needs, Gross designs the fabric prints and only uses the best quality natural fibres from Europe.|Gross and Watt have won 13 Australian fashion design awards between them and both work closely with charities throughout Australia. Working primarily with Breast and Prostate Cancer Research, George organises parades around Australia, especially in their home town of Adelaide.|Gross now has seven stand alone stores, nine concession areas in David Jones department stores and numerous wholesale clients Australia wide. Having finished summer 2009, George is now working on winter 2010, his 73rd collection with many more to come.Three piece Grey - brown pin stripe pants suit. Fully lined pants, shaped waist band. Zip front & turned up cuffs. Jacket fully lined, wide reveres, single breasted, one button. Two pockets. Tailored waistcoat, 5 buttons. Two imitation pockets. Stretched lace backGeorge Grosscostume, female

Small, oval waist length portrait of Soln Small, oval waist length portrait of Soln S. Allsop. He is wearing a jacket over a waistcoat. The jacket is buttoned at the neck. He also has a watch chain. He is seated in a chair with his left arm resting on the chair's armrest. Photographer's name and address printed on the front and back. Printed on the back is 'Prize Medal, Wisbech Industrial & Fine Art Exhibition May 1886. S. Allsop. He is wearing a jacket over a waistcoat. The jacket is buttoned at the neck. He also has a watch chain. He is seated in a chair with his left arm resting on the chair's armrest. Photographer's name and address printed on the front and back. Printed on the back is 'Prize Medal, Wisbech Industrial & Fine Art Exhibition May 1886.Edward Johnson, Lower Hill House, Wisbechphotograph, portrait, male, portrait of soln s allsop, edward johnson

Men's black wool waistcoat, fastened with four fabric buttons (1.5cm diameter). Decorative lapels edged with Ric-Rac.Back section of black cotton. Fully lined with cream cotton fabric. Two front pockets lined with black cotton fabric (12 cm X 8 cm). Pockets with 2 cm band at opening edged with black Ric-Rac. Half belt across back of waistcoat (5 cm at sides tapering to 2.5.cm at centre), fastened at centre back with black metal buckle with two prongs. Found inside pocket - small pink pencil (5 cm) with silver coloured metal cap with 2 cm string attached, black metal hollow tube 3.5 cm X 2 cm.costume, male, mens black waistcoat

Small waist length portrait of a man. He is wearing a jacket, shirt and a waistcoat which buttons to the neck. He has a white tie? He also has a beard. The photo has a blue border and the photographer's name printed in blue. On the back, printed in blue, is the photographer's name and address, some decorative work with a crown at the top and a bird on each side.J. W. Burrows, next Commercial Hotel, Pall Mall, Sandhurstphotograph, portrait, male, portrait of a man, j w burrows

Cabinet photograph of young man standing next to urn & pedestal right arm on hip and left arm leaning against urn. Nothing on reverse. Possibly a member of the Opie/Dower/Martin/Adams family, formerly of Castlemaine/Maldon/Mt. Pleasant areas. C.1880's./ wearing a suit and waistcoat / watch chain with coin and German cross?Yeoman & Co., 169 Bourke St. East, Melbournephotograph, portrait, male, cabinet photograph of young man, yeoman & co melbourne, opie, dower, martin, adams

Straight jacket, sleeveless, made from two thicknesses of calico with red and blue stripe. Edges bound with bias-cut calico. Garment is shaped like waistcoat and wraps around with two long ties. The upper yoke is reinforced with a third layer of cloth cut from the selvedges. The ties are made from separate pieces and sewn on at the lower edge.Nonecostume, sunbury asylum, george evans collection

Finlay Currie is seated on a wooden garden bench set beside a rock-edged path up to Belgrave House. He is wearing a hat, an open-necked shirt, waistcoat and trousers, and has his legs crossed. Another man stands further up the path, posed with his right foot on the rock edging. The dog sits at his feet.

Clothing. Waistcoat, part of man's three piece brown tweed suit. Pure wool - brown with black and red fine stripe, forming a plaid type pattern. Pure wool front, taffeta type fabric lining and back. 6 button front. Peaked at waistline. 2 bound slit pockets. Some insect damage on front panels. Side vents at waist.Inside front: Small tag 36Rcostume, male suit, tweed waistcoat

black and white photograph on brown board. Group of working men and boys in front of weatherboard factory building. 36 males, 2 on bicycles, 1 at left, 1 at right. Dressed in jackets, waistcoats, hats, various styles, 2 men with ties, 1 at back, 1 sitting in 2nd. Row. on back Cohns Brewery Employees 1890s Cohn Bros in pencilperson, group, cohn's brewery

Photograph. Harry Biggs Collection. 1 black & white photo. A group of 15 man, 3 greyhounds & a horse & dray & driver standing in front of R Jeffery Timber Merchant & Ironmonger, Eaglehawk. Beside the store is another building titled R Jeffery Carpenter Wheelwright. The clothing of the era - hats, waistcoats, 3 piece suits & fob watches clearly seen.place, building, commercial, harry biggs collection, r jeffery store & group photo, eaglehawk.

Photograph of a painting of an unknown family, two parents and seven children. The four boys are wearing cut off jackets with waistcoats underneath and high ruffled collars. The tree little girls are3 in long dresses. The mother is wearing a long frock and bonnet. And the gentleman is wearing a jacket and pantaloons. Written in biro on the side of the booklet is With compliments from Harold Curnow, Bendigo AustraliaReg. Brockperson, family, painting, reg brock

This style of doll was called a Golliwog at the time, the 1960s, when it was made by donor for her daughter's school (Melbourne Ladies College) projectBlack felt doll with black velvet hair, white cut out felt for eyes, white felt hands and white feet with black soles, white felt waistcoat, pearl buttons, red and white spotted bow-tie, red felt jacket with two brass buttons, black and white striped trousers, yellow boater hat decorated with black and white bandtoys, soft toys

Worn by Lt. Sharpley. From Mitcham RSL. .1 Red woollen cropped jacket with green wool lapels and black cuffs and epaulets. Australian Intelligence Corps badges on lapels. Epaulet badges, crown and diamond shape and metallic button. Formal Mess Dress. .2 Waistcoat of green woollen velvet like material with black satin back and oyster satin lining. 4 metal buttons and 2 slit pocketsCGCF Victoriauniforms, army

Two copies of the same small Ball & Welch knitting pattern booklets, c.1940's. The front cover depicts a man wearing a knitted balaclava. Inside are various patterns for clothing - caps, sleeveless pullover, waistcoat muffler, armlets, man's socks and mittens, kneecaps and scarves. The Wool Department at Ball and Welch in Melbourne offered free advice for knitting problems.non-fictionTwo knitting pattern booklets for home knitters, c.1940's. The Wool Department on the Ground Floor at Ball and Welch in Melbourne offered free advice for knitting problems. These booklets were collected over 15 years and were used for exhibition at Memo, Gallery Healesville Friday 23rdOct to 18th November 2015.knitting, knitting patterns, knitting equipment

Photograph: (copy of original). Photo of Stilwells Furniture and Hardware store. Two storey building with verandah with ornate ironwork. White Bath tub possibly used as a horse drinking trough out front, horse on left hand side, rear of horse drawn vehicle on RH side. Taken in 1880's ? Three men standing out front, dressed in shirtsleeves and waistcoats.business, stilwells, hardware, water trough, ironmomger

Ethel Bersey married James Wishart in 1910. Note: The bride in this photograph was originally identified as Ethel Bersey's sister Florence (Flossie) Bersey, but this seems unlikely as Flossie died in 1906 and did not marry. A second copy of this photograph is Registration no. 1534.Black and white studio portrait which shows a seated gentleman, who is wearing a suit, waistcoat, collar and tie, and has his hands resting on his lap. The young woman standing next to him is wearing a light-coloured full-length dress (or blouse and skirt), and a very large hat which has ribbon and tulle trimming and a brooch or jewel centre-front.On back: "I thought the hat was worth saving. / Mrs Bersey's daughter".ethel bersey, james wishart, weddings

Framed portrait of William Quayle who was President of the Association for Advancement of the Blind in 1905. It is part of a series of paintings commissioned by the VAF Board to commemorate the work of past presidents of the organisation. Mr Quayle sits on a wooden chair, wearing a gray three piece suit, white shirt and black bowtie. A small pink flower sits in his lapel and the chain from a fob watch is tucked into his waistcoat. Mr Quayle was born on the Isle of Mann, and the Manx Society of Victoria made a donation towards this painting, which was unveiled by his granddaughter. Coral Graham lent family portraits for the artist to construct this likeness.1 art original in brown frameThe plaque at the base of the painting reads 'Mr William Quayle / President 1905 / Association for Advancement of the Blind'.william quayle, association for the advancement of the blind

B&W photo of Bill Hermon Snr standing on a dirt road, wearing a hat, shirt, waistcoat and trousers, and holding a long bullocky's whip over his right shoulder. The land to the right of the photo rises steeply and is treed. Bill's bullock team is on a track or ledge about a metre above the road level. The first four animals can be seen. Photo dated 1913-1925.

10 piece child's miniature tea set. White china with cat in blue suit, white waistcoat and top hat, and a mouse with a yellow jacket. The teapot also has yellow rabbit in orange jacket. Green trim on handle and rim. 10 pieces comprise:- 1 teapot with lid; 1 sugar bowl with lid; 1 milk jug; 3 cups and 2 saucers.Made in Japantea sets, toy tea sets

This photograph seems to be associated with an early settler family in the Bete Bolong district. It is also a pictorial record of children's clothing of the late 19th century.Two photographs. 3164.1 is a sepia photograph of a young girl standing beside a little boy who is seated. The photograph is mounted on card. it has been taken inside a studio. the little girl is wearing a long dress with a lace smock. The boy is wearing a suit with short pants. He has a lace collar. 3164.2 is of a small boy standing next to a tree. He is wearing a suit with a waistcoat and a lace collar.on back - :"Evelyn & Jim Sealey neighbours of Richardsons in Bete Bolong"sealey-jim sealey-evelyn clothing-children's

Sepia image mounted on board. Image shows three men, two on either wide are standing alongside a bike and are dressed in fancy dress costume. Man in centre is wearing black trousers, white waistcoat, white shirt and tie. Two bikes in background leaning on wall of building. Extreme RH side head/shoulders of man wearing hat, leaning on wall of building alongside small paned window.person, group, fancy dress, bendigo, bicycle, bike riding, fancy dress, costume

Mr and Mrs Chamings nee Eliza Harris Great Western B/W photo Studio Ornate arches and pillars background chairs and fire screen. Left Mr Chamings Wearing a three piece suit. Corsage in lapel. Fob watch chain across waistcoat. Mrs Camings wearing dark travelling dress. flat beribboned hat. drop necklace. belt. Heart bar brooch. hold folded umbrella in gloved hand both posing in front of chair.Front: Stawell Photographic Co., Main Street, Close Railway. C. Hewitt, Manager. Reverse: Mr and Mrs. Chamings nee Eliza Harris. Stamp Stwell Photographic Co. Close Railway Station C. Hewitt, Manager.stawell

Portrait of a man against a dark background (green-brown and black). He is wearing formal attire: a black suit, black waistcoat, a white shirt with small brass (?) buttons and a narrow black cravat. His hair is dark blond and parted on the left. His sideburns are of a more reddish shade and reach to his jawline. Only upper torso visible. Original frame: ornate gold-painted wooden frame.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead Collins St Melbourne) Conservation Centre, Melbourne label.

Studio portrait of Ted and Mary Molloy nee Cody. They were married at the Catholic Church Ballarat East, Victoria on the 06-09-1922. They honey-mooned in Tasmania.Studio Portrait. Ted Molloy bride-groom, dark single-breasted suit, orange-blossom buttonhole, waistcoat, white bow-tie-gloves, watch-chain. Mary Cody bride, Ankle-length gown with fine-lace overlay. Muslin veil attached with orange-blossom medium-heeled satin-shoes. A large bouquet of fresh daffodils, daisies, freesias, asparagus-fern and a trailer of ribbons. Backdrop: curtain and chair. studio portrait, orange blossom, wedding gown, veil, bouquet, single breasted suit, bride, bride groom

Patrick Ryan married 'Ellie' Forrester of Towaninnie in 1918 at Inglewood Vic. 'Ellie' daughter of Richard & Ellen Forrester (nee Dauber) of Towaninnie Vic. This photo depicts the more sombre dress worn for weddings during the war years.Studio portrait of Elizabeth Helena Forrester 'Ellie', bride is wearing a two piece ankle length suit, court shoes and carrying a large bouquet of flowers with trailing ribbons. Organdie lace trimmed blouse fastened with a brooch, a smart brimmed hat and necklace completed the elegant ensemble. Patrick Ryan groom, single breasted suit with waistcoat, white bow tie and gloves, button hole and lace up boots.Right hand corner - on embossed card mount "Richards & Co Ballarat". Reverse - "For Auntie Ellen with love Ellie & Pat" hat, studio portrait, forrester, wedding, 1918, bouquet, bride, groom, two piece tailored suit, single breasted suit waistcoat, towaninnie

1910: Mr W. Harvey and Family of Cheltenham. In 'Moorabbin a Pictorial History1862 - 1994' by John Cribbon, William Harvey, is shown in the 1862 Rate Book, to be the owner occupier of a paling house in Argus Road valued at 15 Pound. This person may be related to the W Harvey in the photo.Photograph is black and white. In this photograph their is a father and mother, and their five children. The mother and the children are all dressed in their best dresses. The father is wearing a suit with a waistcoat and a white shirt that has a winged collar but no tie The mother and father are both sitting on separate chairs, mother to the left and the father on the right. The mother has the baby on her lap and the father has a small child on his lap. Three girls are in the middle of the mother and the father.Front of Mount :Yeoman Co 287 Chapel St. Prahran Victoria. Back of Mount : W. Harvey & family / pheteonham / about 1910mr w harvey, 1910, family of cheltenham, argus road, cheltenham, early settlers, market gardeners, moorabbin shire, brighton, bentleigh, cheltenham, dendy's special survey 1841, two acre village, cribbon john, dairy farmers, poultry farmers,

B&W photo shows a two-horse team harnessed to a small sled which is laden with bagged-up potatoes. A man wearing dark hat, waistcoat and trousers and a pale shirt is holding the reins of the horses, and two people who could be the Johns children, Percy and Cissie, are seated on the potatoes. The paddock slopes away and another hillside rises in the background. This is most likely Black Hill. dated c.1913.

This is a framed photograph of the men's pool at the Warrnambool Salt Water Baths. These Baths were originally built at the end of Gilles Street on the line of the present railway line in 1876 but were rebuilt in 1889 further north in Gilles Street when the railway line was opened. The water was pumped from the sea, initially by a windmill and later by a gas pump. The men's pool was 100 feet by 50 feet and the women's pool was 60 feet by 30 feet with bathing strictly segregated in the 19th century. A building nearby housed marble cubicles with hot spa baths with the water heated on the site and a caretaker's cottage completed the complex. Men's nude bathing was a feature of the early 20th century. Originally built by a local public company the Baths were taken over by the Warrnambool Council. These baths were superseded by the opening in 1961 of an Olympic Pool In Warrnambool. The site and the remaining buildings of the old sea water baths are now heritage-listed and today form part of the headquarters of the Warrnambool and District Historical Society.This photograph is of historical significance as a depiction of the Warrnambool Salt water Baths in the early 20th century. These Baths were the basis for promoting Warrnambool as a health and spa resort town in the late 19th and early 20th centuries.This is a framed black and white photograph of the men's pool at the Warrnambool Salt Water Baths. It depicts men and boys swimming in the circular pool and one male on the diving board. All these men are naked. There are other clothed males and clothed attendants wearing hats and waistcoats. The change rooms are on the right side of the photograph and there is a fence with trees behind. The photograph is mounted on cardboard with a gilt edge and is held in a wooden ridged frame behind glass. warrnambool sea water baths, sea baths, warrnambool pool, gilles street

Very formal fashion for men in the City of Moorabbin c 1960 was a tailor made formal 'white tie' tails dinner suit with cut away jacket and pleated trousers that have a satin stripe down the outer seams There are 3 large black plastic buttons on each side of silk lined jacket and 4 small black plastic buttons on each sleeve. Special occasions, events and ceremonies were when men wore this outfit. The full outfit comprised of a white dress shirt, white starched collar, white bow tie, white waistcoat, gold pocket watch, mother of pearl or white studs and cufflinks with black leather shoes. A white flower may have been worn of jacket.This formal 'white tie', dinner suit with tails, cut away jacket and pleated trousers was typical of that worn by men c 1960 in City of Moorabbin for very formal occasions.A tailor made formal 'white tie' tails dinner suit with cut away jacket and pleated trousers that have a satin stripe down the outer seams There are 3 large black plastic buttons on each side of silk lined jacket and 4 small black plastic buttons on each sleeve.professional tailor 4 buttons on sleevesclothing, formal wear, dress shirt, tails, dinner suit, tailors, bowtie white, bowtie black, tuxedo, waistcoat, cufflinks, maynard dennis, city of moorabbin, freemasons lodge, city of moorabbin historical society, early settlers, market gardeners, bentleigh, cheltenham, moorabbin,