The photograph shows a cottage, Harbourmaster’s quarters that still stands on the east of the Lady Bay Lighthouse and Historic Precinct at Flagstaff Hill in Warrnambool. The name was changed to the Lighthouse Lodge, and today guests can stay at the property. This photograph, a print, is one of a set of five that show the site of Flagstaff Hill. It is presumed to have been taken by John Lindsay, Founding Director of Flagstaff Hill Maritime Museum and Village. One of the photographs in the set has the pencil inscription "Photo J Lindsay". It was taken in the early 1970s during the initial stages of the development of Flagstaff Hill as a Museum and Maritime Village. The photographs belonged to the donor's grandparents, who lived in the Warrnambool district of Allansford/Naringal. The photograph is a record of the site and surrounds of Flagstaff Hill Maritime Museum and Village before its development and opening in 1975. It shows the cottage on the east of the Lighthouse Complex,. The building is now known as Lighthouse Lodge. The photograph is significant for recording the location and condition of the residence on the Hill.Coloured photograph, glassy print, one of a set of five. Photograph shows the cream timber cottage, Harbourmaster’s quarters to the east of the lighthouse complex at Flagstaff Hill, Warrnambool. On the left of the red roofed residence are iron buildings used, at the time, by the Lands Department. The photograph's paper has the printer's watermark on the back. The early 1970s photograph is presumed to have been by John Lindsay, Warrnambool.Label on the back: "WOODEN RESIDENCE TO THE EAST OF THE PROPERTY / The gun emplacements are immediately behind, and the iron huts to the left rear of the residence are used by the Lands Department who plan to vacate, for other premises."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, 1970s, photograph, flagstaff hill site, john lindsay, cannon emplacement, residence, wooden residence, timber residence, iron huts, lands department

Preprinted form - ruled in blue lines both vertically and horizontally, titled "Inspector's Report", for both the cable and electric tramways. Provided information on cautions issued to the crews for minor breaches of the rule for a fortnight ending. Has space for name, occupation, date, car number, time and offence with space for a signature. Watermarked paper "CWC" Form Number M6383 8/31 Form 32Atrams, tramways, inspectors, reports, cable trams, rules

The photograph shows the view of the shore and Lady Bay with the Breakwater and Middle Island all visible. It was taken to show that the Flagstaff Hill area was unlikely to have any further development between it and the Bay, with the view of development of the Flagstaff Hill Maritime Museum and Village. This photograph, a print, is one of a set of five that show the site of Flagstaff Hill. The photographer was John Lindsay, Founding Director of Flagstaff Hill Maritime Museum and Village, with the words "Photo J Lindsay" on the back. It was taken in the early 1970s during the initial stages of the development of Flagstaff Hill as a Museum and Maritime Village. The photographs belonged to the donor's grandparents, who lived in the Warrnambool district of Allansford/Naringal. The photograph is a record of the site and surrounds of Flagstaff Hill Maritime Museum and Village before its development and opening in 1975. It shows the Surfside Holiday Park, Surf Lifesaving Club, and the Breakwater. The photograph is significant for recording the location and condition of the Lower Lighthouse on the Hill.Coloured photograph, glassy print, one of a set of five. Flagstaff Hill's Lower Lighthouse is in the foreground above the Surfside Holiday Park. To the right of centre is the Surf Lifesaving Club. In the background is Lady Bay and the Breakwater and Middle Island, with the Southern Ocean the other side. The photograph's paper has the printer's watermark and a pencilled inscription on the back. The early 1970s scene was photographed by John Lindsay, Warrnambool.Label on the back: "VIEW OF THE BAY FROM the southern boundary of the Ports and Harbours land. No development below this area is likely to obstruct the view, due to the steep grade down to the Southern boundary of Flagstaff Hill property." Handwritten in pencil: "Photo J Lindsay"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, 1970s, photograph, surfside holiday park, lady bay, flagstaff hill site, john lindsay, lower lighthouse, lower light, surf lifesaving club, breakwater, middle island, ports and harbours

The one pound note was the most prevalent banknote in circulation with the pound series, with the last series of 1953-66 having 1,066 million banknotes printed. The serial number HK 02 suggests it was printed in 1966.this item is an example of pre-decimal currency used in Australia.A green rectangular paper Australian £1 note. On the obverse is the Australian Coat of Arms and a picture of Queen Elizabeth II facing left. On the reverse are Charles Sturt and Hamilton Hume. The signatories are: H. C. Coombs, Governor, Reserve Bank of Australia and Roland Wilson, Secretary to the Treasury. The watermark is Captain Cook in left oval. Behind each signature is ’ONE POUND’. The serial number is HK 456416 02 currency-australia one-pound-note

Yields information about Ballarat tramways financials during the 1950's.Letter, typed on one quarto sheet, from SEC Ballarat Office to Wal Jack on SEC Letterhead, dated 13/12/1961, providing a print of old Bendigo trams - toast rack and combination trams and providing information on annual losses for Ballarat for the years 1950 to 1961 and the passengers carried. Has the initials HWL:LRT, signed H. W. Linaker as Manager. The paper has a Burnie Bond watermark. trams, tramways, tramcars, ballarat, financial statements

Letter with printed letterhead and emblem, dated Sept 23 1873. Letter mentions that at the meeting a letter will be read from the Geelong District inviting the District to send delegates to a meeting to consider the advisability of forming a High Court in Victoria. The meeting took place in Melbourne. It also asks to instruct the Delegates how to act. Signed by ? Waller. Has Bendigo United District A.O.F. Watermark contains the words: Towgood's Extra Super.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, bendigo united district, geelong district, court king of the forest, ? waller, towgood's extra super

Black and white print of a donated negative. Print made 8/1998. Photo of SEC bogie tram No. 22 in Bridge St. Photo taken 23-4-1950. Destination of "Gardens via ???" in one line? Has Norman L.Davis building in foreground and buildings on either side of street. Negative has watermark on left hand side. High Res scan of copy negative added 17/1/2019tramways, trams, bridge st, 22, ballarat, tram 22

Letter giving information to a tramway historian about Geelong opening dates and how the wharf was arranged.Letter to W.Jack from SEC - electricity Supply Department (Melb) dated 26/8/1943, re opening of Geelong tram lines, dates, extensions, duplication, typed on both sides of foolscap sheet. Refers to an enclosed answering specific questions, not attached. Also gives information on how the trams were arranged for Geelong wharf service and the steamers ex Melbourne that were involved. Paper watermark - "SATISFAGA Bond"trams, tramways, geelong trams, opening, duplications, geelong wharf

Green clothbound hardcover, watermark patterned cloth, faded with some wear to extremities. Title on spine, gilt lettering. Plates XVIII - LXXI plus seven supplementary plates, descriptor pages opposite. Cover detached at front and rear hinges, all pages detached apart from the rear seven. Foxing throughout, some plates water stained. Some previous minor insect damage. Illustrated. Poor condition. non-fictionFrederick von Mueller's book of lithographs; plants indigenous to Victoria. botany, victoria

Wedding dress worn by Mary Monica Fleck Turner on her marriage to Albert Smith in 1926. Turner CollectionClothing associated with early Kilmore families.Cream silk "Flapper" knee length sleeveless dress with plain scooped neck. Neck & armholes bound with same fabric. Curved low waist seam. Hem finished with same bias binding. Evidence of machine stitching on both sides altering bodice from underarm for 26cm. Formerly had sash with bow - both missing. Small faint stain on back of skirt and ?watermarks on bodice. In excellent condition otherwise.wedding dress, turner collection, smith

.1 - Illustration of Z3 3 on the front cover of "Comeng Holdings Limited 1975 Annual Report and Notice of Meeting" with the Comeng Logo. Tram appears not to have been fitted with its route number and destination equipment. .2 - Letter on stippled paper, Comeng letterhead, with raised printing and watermarked "Z Mattpost" addressed to the donor supplying copies of the cover to him. Dated 19/11/1975. Signed by G. McArley Secretary.trams, tramways, z class, comeng, letterhead, annual reports, tram 3

Australian postage stamp - 41c - featuring a Melbourne cable tram set - published or issued 1989. See Reg. Item 1442 for details of the stamp issue at the time. Has "VIC 3000" printed on the top of the stamp - from use? Original stamps not watermarked: Five stamps, all 41c: Adelaide Horse Tram Sydney Steam Tram Melbourne Cable Tram Hobart electric Tram Brisbane Electric Tram. trams, tramways, stamp, cable trams, melbourne, australia post

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

The letters contained within this ledger provide an overview of correspondence which occurred around matters such as roadmaking and maintenanceProvides a detailed record of correspondence relating to engineering matters in the shire and surrounds and also a comprehensive list of organisations associated with this work.Dark blue watermarked cover with fawn suede binding and corners. Spine has three coloured rectangles with the following in each: Correspondence and reports, Country Roads Board and Shire of Warrnambool. There is an index at the front and the ledger contains copies of correspondence relating to roads, maintenance and infrastructure.Inserted in ledger is1) typed invoice from The Government of Victoria to Shire of Warrnambool for 1915/16, 2) Original of two pages showing list of contracts on Garvoc Laang Road. Arnall and Jackson, Engravers and Lithographers. Printers and Manufacturing stationers 478 Collins Street, Melbourne. No B 22065 23/09/14. warrnambool, warrnambool shire engineer, shire correspondence, crawley, road works, bridges, bitumen roads, 1914-1925, country roads board

Letter and envelope from The Municipal Tramways Trust - Adelaide of 11/4/1942 to W.Jack re photograph and ex MMTB Cars 127-130 (then MTT Cars 191-194) - No Photographs. 111.1 - letter - Paper has a Watermark of "Tullus Bond / Made in Great Britain". 111.2 - envelope has stamp - 2 1/2D Australian and has been over stamped with MTT stamp "Travel by Tram or Bus" with typed address.trams, tramways, mtt, adelaide, letters, envelopes

Image from CD (Compact Diskette for use in computers) - see Reg Item 135. Image titled "Eliz St" on CD, of looking at the intersection of Elizabeth and Victoria Streets from the North, c1920, between Swanston and Queen Streets. Has the Myer Lonsdale St store in the photograph at the top. Has a number of cable cars in the photo, including a bogie trailer inbound in Elizabeth St. Image has a number of watermarks showing up.trams, tramways, melbourne, elizabeth st, victoria market, victoria st

Letter written on blue, watermarked, folded paper with printed letterhead and Ancient Order of Foresters crest. Letter is from the auditors congratulating the Court on the steady increase of Members during the past quarter. They also call attention to Sick Pay being less than the previous quarter and thank the Secretary for the manner in which the books were kept. Signed by the Auditors, Joseph French, George C. Smith and Carl Mueller. Letter dated July 6th 1868.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, commercial hotel, joseph french, george c smith, carl mueller

Letter on Hawthorn Tramways Trust Letterhead dated 22/4/1915 to Messrs Duncan and Fraser regarding acceptance of the construction of nine combination or single truck cars and ten bogie tramcars. Gives prices, delivery and the type of varnish and wood to be used. Has a notation on the side signed by Robert Duncan noting that the letter is referred to the agreement with the Trust dated 22/4/1915 and the Trust Chairman Mr David Dureau. Typed onto watermarked paper.Notation in ink.trams, tramways, htt, hawthorn, tramcars, construction, duncan fraser

Letter on Hawthorn Tramways Trust Letterhead dated 20/4/1915 to Messrs Duncan and Fraser regarding acceptance of the tender construction of nine combination or single truck cars and ten bogie tramcars following a meeting with Mr. Cleveland and Mr Francis McCarty Has a notation on the bottom signed by Robert Duncan noting that the letter is referred to the agreement with the Trust dated 22/4/1915 and the Trust Chairman Mr Dureau. Typed onto watermarked paper.Notation in ink.trams, tramways, htt, hawthorn, tramcars, construction, duncan fraser

Refer inscriptionsFramed B&W photo of two Model T Ford vehicles, with crews, of 1st Australian Light Car Patrol. Each vehicle is fitted with a Lewis Machine GunAustralian War Memorial watermark. Caption: WW1 1st Australian Light Car Patrol Carried out operations in the Middle East and Palestine. The original motorised recce squadron that operated far behind enemy lines in advance of the Light Horse. The unit made daring attacks on the enemy many times its own size.ww1 1st australian light car patrol c1918, model t ford vehicles with crew

Yields information about Ballarat tramcars in 1956, fleet lists, car numbers in use and defunct tramcars.Letter, two typed sheets, foolscap, from SEC Ballarat Office to Wal Jack on SEC Letterhead, dated 27 July 1956 replying to Wal's letter of 24 June, enclosing photographs and details of the present fleet (27 cars), modifications to cars 38 and 41, transfer of three trams from Geelong, single truck cars written off and car numbers not in use at present. Has the initials HWL:WM, signed H. W. Linaker as Manager. First sheet Watermark. trams, tramways, tramcars, ballarat, bogie trams

Yields information about Ballarat tramcars in 1956.Letter, one typed foolscap sheet, from SEC Ballarat Office to Wal Jack on SEC Letterhead, dated 27 Feb 1956 replying to Wal's letter of 25 Feb, advising of the mileage of 16, 18, 24 and 31 in Ballarat, the disposal of tram 16, additional bogie trams from Geelong and the ban of the use of 38 as a one man tram. Has the initials HWL:WM, signed H. W. Linaker as Manager. The paper has an Invicta Bond watermark. trams, tramways, tramcars, ballarat, bogie trams, 16, atmoea, one man trams

128.1 - Letter on Bendigo Branch of Electricity Supply Department of SEC letterhead, dated 3.12.1942 to W.Jack re seeking copy of information supplied to him by Mr. McShane. Signed T.H.McNaught, Manager. 128.2 - Envelope, addressed to W.Jack, cancelled Bendigo 30 Nov. 42, 2 1/2d machine stamp in red ink. Letter on printed letterhead with watermark. Letter and envelope typed. Envelope "Invicta Registered", made in Australia with SEC return address, bottom left hand corner.Signed in ink by "T.H.McNaught"trams, tramways, bendigo, sec

The coloured photograph shows the Lighthouse Keepers' Quarters at Flagstaff Hill, Warrnambool. The building was erected in the 1850s on Middle Island, Lady Bay. It was relocated to its current location in the late 1870s along with the two lighthouses, the chart room and the privy. The Warrnambool City Council replaced the iron roof on the cottage in the 1970s and further work has since been carried out. The picture shows the poor condition of the stonework on the right hand side of the cottage. After the cottage ceased to be used by lighthouse keepers, it was rented out by various organisations and later became disused. The Historical Society requested the re-connection of power. The right hand side of the cottage was repurposed for use by Flagstaff Hill Maritime Museum and Village. in the 2020s it was restored and fitted out as the Alexander Farncombe room, which is used for temporary exhibitions. This photograph, a print, is one of a set of five that show the site of Flagstaff Hill. It is presumed to have been taken by John Lindsay, Founding Director of Flagstaff Hill Maritime Museum and Village. One of the photographs in the set has the pencil inscription "Photo J Lindsay". It was taken in the early 1970s during the initial stages of the development of Flagstaff Hill as a Museum and Maritime Village. The photographs belonged to the donor's grandparents, who lived in the Warrnambool district of Allansford/Naringal. The photograph is a record of the Lighthouse Keepers' Quarters at Flagstaff Hill Maritime Museum and Village before its development and opening in 1975. It shows the condition of the building at the time and some of the recent re-roofing. The photograph is significant for recording the condition of the original heritage listed building at that point in time.Coloured photograph, glassy print, one of a set of five. Photograph shows the Lighthouse Keepers' Quarters, focused on the Assistant's Quarters on the right. It shows the a new iron roof that had been installed by the Warrnambool City Council, and the condition of the bluestone,walls. There are clay chimney pots on the two chimneys. A set of steps are at the entry on the right hand side. The flagstaff is on the left of the photograph. The photograph's paper has the printer's watermark on the back. The early 1970s picture is presumed to have been photographed by John Lindsay, Warrnambool.Label on the back: "THE BLUESTONE COTTAGE SHOWING RE-ROOFING CARRIED OUT BY COUNCIL. The Historical Society has requested Council to have S.E.C. power re-connected"flagstaff hill maritime museum and village, warrnambool, maritime museum, shipwreck coast, 1970s, photograph, lady bay, flagstaff hill site, john lindsay, cannon emplacement, middle island, flagstaff, lighthouse keepers' quarters, lighthouse keepers' residence, alexander farncombe, re-roofing, s.e.c. connection

Chromo lithographVerso: bot. c. label "BARKER'S BLUFF, NEAR CAPE SCHANCK, From an Original Painting BY N. CHEVALIER. Printed by C. TROEDEL, 100 Swanston- St." Inscription bot. c. on border "442 x 560", "CHEVALIER 1860". Insciption l.r. cnr. embossed watermark "CHA TROEDEL,. CHROMO LITHOGRAPHIC ESTABLISHMENT, 100 SWANSTON ST (encircled)"

Letter written on blue watermarked paper and dated July 5 1872. Letter from J Wall apologising for returns. He had written Felton and now hands Court King of the Forest the necessary certificate which he was under the impression he had done as his letter states he had been passed. Signed J Wall. Letter has Ancient Order of Foresters Friendly Society heading and emblem. Also Court Royal Oak A.O.F.3197 White Hills impression stamp.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court royal oak, felton, j wall, w b evan

This Copy of Deed of Settlement of the Bank of Australia originated from the Bank of Australasia. The bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The Copy of Deed of Settlement of the Bank of Australasia has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The Deed of Settlement is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community. Large hard covered record book, front and back covers with dark green, red and cream pebble pattern, spine and corners reinforced with black leather, edges of pages in red, green and cream pattern. Cream pages have watermarks, numbers and feint lines. the handwritten Deed begins at at page 66. Inscriptions on labels and on front end papers, and red oval stamp on front end paper. The book was made by Thomas & Co., of London. The Deed was dated 2/6/1834. The book contains a copy of the Deed of Settlement of the Bank of Australasia in London.Label on spine, handwritten "AG" with covering label "272 A" Label on front cover, in pen "Copy Deed of / Settlement 2/6/1834 / Bank of Australasia" Label on front cover, printed "THOMAS and Co. Stationers and Account Book Manufacturers, 20, CORNELL, LONDON" In pencil on front cover label "See page 66" Red oval stamp, stamped around oval "AUSTRALIA AND NEW ZEALAND BANK LIMITED - ARCHIVES -" and inside the oval in pen "AG 34" Front end paper in pencil "32/56" and [signature] and another front end paper in pencil "L 31" and in red pen "See page 66"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, currency, banknote, legal tender, commerce, banking, roberts & co., james cust, heraldic shield, insignia, samuel hannaford, w h palmer, basil spence, h b chomley, a butt, j r mccleary, a kirk, j moore, j s bath, c c cox, richard c stanley, deed of settlement

Yields information about Ballarat tramcars in 1950, old tickets and demonstrates letters between the SEC and Wal Jack.Letter from SEC Ballarat Office to Wal Jack on SEC Letterhead, dated 12 July 1951 concerning withdrawn transfer tickets, 2d child's tickets of the 1930's and salmon coloured 4d check tickets. Last paragraph covers the numbering of three trams recently received from the MMTB (38 to 40). Has the initials WGV:PM, signed for T. A. Farr as Manager. Paper has a Daglea Watermark. Contained originally within Reg Item 5623 at the front of this note book. For items see btm5623 loose items list.pdf.trams, tramways, tickets, bogie trams

Yields information about Ballarat tramcars in 1952.Letter, typed on one quarto sheet, from SEC Ballarat Office to Wal Jack on SEC Letterhead, dated 23/7/1952, providing answers to Wal's questions in response to a letter dated 20/7/1952. Questions answered concerned tram 40 and when it entered service, the Gold tram (23) and when and who it was sold to, that trams 13 and 16 are waiting an extensive overhaul and the former Adelaide numbers of the trams purchased from Adelaide in 1937. Has the initials HWL:WM, signed H. W. Linaker as Manager. The paper has a "Satis...? watermark. trams, tramways, tramcars, ballarat, gold tram, 16, 13, 14, 23