Book was written & published by ex-local, Adrian Twitt in 1974. Donated surplus books to H.S. for sale (& keep one copy)( Set of 18)Book with Brown, Green cover with sepia photo of horse & cart near a wheat-bag stack Title: A Paradise of Twitts, the life and times of a Goulburn Valley selector (Adrian Twitt, 1974)book, family history, settlement, twitt

Victorian railways memo re 1961, wheat harvest from W .Featonby - Asst. Chief Mechanical Engineer - re accommodation for engine crews engaged in movement of wheat in the Bendigo area and dispatch of 2 railway cars. Record in fine paper - small sheet (xref 1325.31 Log Book).document, memo, railway, w .featonby - asst. chief mechanical engineer /( xref 1325.31) / 1961 wheat harvest /

Mouat Collection - Farming in the Wimmera. Markings; Bulk Wheat being unloaded into silo. C1960s - 70s. Used as a teaching aid.kodakagriculture, farm, crop transport

Photo taken in Lower Main StreetHorse drawn cart loaded with Wheat or Barley in Lower Main Street with very faint Stawell Railway Station in background.agriculture, transport, railways

The Fashion & Design collection of Kew Historical Society includes examples of textiles dating from the 18th, 19th and 20th centuries. Some of the textiles, were used as items of clothing, others as items of household decoration, or simply as travel souvenirs. These textiles were created both domestically and internationally. Predictably with the growth of an ethnically and culturally more diverse community in Kew after the Second World War, textiles, clothing and objects in the collection inevitably reflected this diversity. This form of bobbin lace is made in Malta. It is a guipure style of lace. Maltese lace is worked as a continuous width tape lace on a tall, thin, upright lace pillow called a "Trajbu" and the Bobbins are called "Combini" . Bigger pieces are made of two or more parts sewn together. Lace made in Malta was originally needle lace, from the 16th to the 19th century, when the economic depression in the islands nearly led to the extinction of lacemaking there. But in the mid 1800s, Lady Hamilton Chichester sent lacemakers from Genoa to Malta. They used the old needle lace patterns and turned them into bobbin lace, which was quicker. It was not long after its introduction that the Maltese lace developed its own style from Genoese lace. Maltese lace was shown at The Great Exhibition of 1851 and it became popular in Britain. The style was copied by lacemakers in the English Midlands, and it was one of the sources for Bedfordshire lace. Characteristics of Maltese lace. Maltese lace usually has the following characteristics which are useful for identification. It is usually made from cream silk. There is often the 8 pointed Maltese cross as part of the pattern, worked in whole or cloth stitch.The pattern may also have closely worked leaves known as “wheat ears” or “oats”. These are plump and rounded in shape, rather than the long narrow leaves of other types of bobbin lace. Camisole, made of silk thread Maltese bobbin lace that is constructed of lengths of lace forming two rectangles with a hole for the neck. Shows the characteristic Maltese cross and wheat ears. Fabric is made of tape lace joined togethercamisoles, maltese lace, bodices

Mouat Collection - Farming in the Wimmera. Markings; Bulk wheat trucks waiting to be weighed. 6 SEP 64M. Used as a teaching aid.Kodakagriculture, farm, crop transport

Churchill Island has a large photograph collection dating from the nineteenth century. This series shows snippets of life on the Island after its acquisition by the Victorian Government in the late 1970s. Photograph of a line of people in the distance walking towards the camera in a field with seeded wheat and a man standing in the immediate foreground left of frame.catalogue number written on reverse in pencilchurchill island, photograph, sheep shearing

ORIGINAL PHOTOGRAPH OWNED BY MRS. LENA COOK OF CASTLEMAINE RD. CRESWICK.BLACK & WHITE PHOTOGRAPH (COPY) WALTER COOK SENIOR HARVESTING WHEAT ON HIS FARM ON COOK'S RD. TOURELLO. CIRCA 1945local history, photography, photographs, early citizens

Black and white photograph, mounted on grey cardboard, of wheat harvest, showing bags of grain, stack of straw, horses, men and machinery.On back of mount: "Mitchell Bros. Threshing Machine and Chaffcutter props. Balldale, N. S. Wales, 1912"mitchell brothers threshing machine, threshing machinery, chaffcutters, balldale, harvesting

Large oval shaped silver plated meat cover with handle and a Lion rampant clutching a sheaf of wheat engraved on one side.Mappin Brothers 222 Regent Street and London Bridgedomestic equipment, food storage & preservation, meat cover, di500

Port of Portland CollectionFront: Portland (upper left) Victoria (upper right)/ The Victorian Wheatgrowers Corporation (upper centre) 1. M. V. Geisha; 2. SS. Peebles; 3. SS. Queen Margaret; 4. SS Barwon Polwarth; 5. SS Anstral Port; 6. SS H. H. Asquith; 7. M.S. Canada; 8. SS Unden; 9. Portland Bay 1922; 10. SS Aussa; 11. SS Ootmarsum; 12. SS Shelley; 13. SS Dumfries; 14. SS Baltico; 15. SS Indianic/ Season 1921-22 (lower centre)/ Total Wheat Slapped - 3,499, 402 bus - 93,734 Tons (lower centre)(white print) Back: (no inscriptions)port of portland archives, portland harbour, vessel, victorian wheat corporation

Bendigo Advertiser ''The way we were'' from 2002. Postcard: a bullock team and wheat stacks. Date and place unknown. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Coloured postcard of The Fernery, Bendigo. The postcard has a black background with a gold frame and a three stalk of wheat on one side and a Kookaburra on the other.bendigo, streetscape, the fernery

ss marken, weller album, wheat

Bendigo Advertiser ''The way we were'' from 2002. Piled up: wheat stacks near Shelbourne in pre-silo days. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Roman style chasuble, part of a full vestment set used in the Catholic Cathedral Ballarat in the 1920s. This style of vestment was superseded in the1970s following the second Vatican Council. This set is unusual in its use of art-deco design.The main component of a set of vestments for use in the Catholic liturgy rare in its use of art-deco style embroidery. Roman style.Symbolism of wheat and vine with central medallion of Christ as the Sacred Heart. Also a Chiro in lower section of orphery.vestment, chasuble, art-deco, sacred heart,

The John Bovaird Collection : Commonwealth of Australia Wheat Bounty Act 1934 State of Victoria Claim for Payment. By Errol Balfour Bovaird of May Reef PO via Avonmore. Regarding 150 bushels delivered for sale to John T Stewart of Lockington. Wheat produced on 50 acres : Allotment 25 Parish of Pannoo Bamawm. Dated 13/4/1935. Pink paper.agriculture, farm, wheat crop

The John Bovaird Collection. Commonwealth of Australia Wheat Bounty Act 1934 State of Victoria Claim for Payment. By Errol Balfour Bovaird of May Reef PO via Avonmore. Regarding 96 bushels delivered for sale to R. Anderson of Lockington. Wheat produced on 50 acres : Allotment 25 Parish of Pannoo Bamawm. Dated 13/4/1935. Pink paper.agriculture, farm, wheat crop

The John Bovaird Collection. Commonwealth of Australia Wheat Bounty Act 1934 State of Victoria Claim for Payment. By Errol Balfour Bovaird of May Reef PO via Avonmore. Regarding 96 bushels delivered for sale to R. G. Anderson of Lockington. Wheat produced on 50 acres : Allotment 25 Parish of Pannoo Bamawm. Dated 13/4/1935. Pink paper.agriculture, farm, wheat crop

The John Bovaird Collection. Commonwealth of Australia Wheat Bounty Act 1934 State of Victoria Claim for Payment. By Errol Balfour Bovaird of May Reef PO via Avonmore. Regarding 96 bushels delivered for sale to Henry Jackson of Lockington. Wheat produced on 50 acres : Allotment 25 Parish of Pannoo Bamawm. Dated 13/4/1935. Pink paper.agriculture, farm, wheat crop

History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as recovered from the wreck of the Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the recovered from the wreck of the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of recovered from the wreck of the Loch Ardstill lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into recovered from the wreck of the Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register. The mug is significant as an example of an 1870s drinking vessel. It is also significant for its connection with the Loch Ard. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collection's historical significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Mug, China; white, glazed, with cast and raised wheat pattern embossed on outside, slight grooving on perimeter with handle on side. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, china mug, mug, drinking vessel, ceramic mug