Studley Park Road, like most streets in Kew, was originally a dirt road. Street works during the Great Depression included bituminising major roads in the district. This photograph of Council works originated in the City of Kew Engineers Department as a record of works undertaken. It was given to the collection by a Mrs Fisher in 1998.Well provenanced photograph of Council-funded public works in Kew during the Great Depression. Original sepia photographic positive of Studley Park Road, Kew while resurfacing of the street was taking place. The Kew Junction is just visible in the distance. Boys sitting on a drum at right. Behind them is the brick fence and front entrance to Tara Hall.Typed reverse: "B4 / Kew C.C. / Studley Park Road showing drag spread surfacing with premixed material, unrolled material on the right, March 1934"roadworks -- kew (vic.), street works -- kew (vic.), public works kew (vic.), studley park road -- kew (vic.), city of kew -- engineers department, city of kew -- public works -- great depression -- 1930s

This is the before paired photograph used in the 150 year Lakes Entrance 1858-2008 display.|The after paired photograph number 02373.1|Also one 12 x 16 framed photograph used in room display.Black and white postcard of the Whiters Camp Park, showing entry from Roadknight Street. Homestead, picnic shelter, sign beside entry gives mileage to towns between Lakes Entrance and Melbourne. Lakes Entrance VictoriaThe Lakes Camp Park, Lakes Entranceresort, room display

Black and white photograph showing rotunda with driveway in foreground, of Whiters Camp Park. Wind powered bore pump and tank stand in background. Lakes Entrance VictoriaThe Homestead Fringed in a Setting of Cypress, Whiters Camp Park.resort, recreation

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/42 Park Crescent, Kew, by Margaret Picken.2/42 PARK CRES., KEW EAST / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew (vic.), 2/42 park crescent - kew (vic)

Canoeing on the River Yarra at Melbourne was an important and widespread recreational pursuit for Melbournians, especially in the first half of the twentieth century. The Victorian Canoe Club was formed in 1912 at a meeting in Melbourne and its first committee elected in the same year. Records indicate that the Club continued into at least the 1950s .The photos in this album are historically and socially significant as a record of recreational activities in the first half of the twentieth century. A number of photographs in the album provide views of sections of the Yarra, as well as areas in regional Victoria, that may otherwise be unavailable.One of 12 sepia [faded] photographs of members of the Victorian Canoe Club. The first photo reveals three of the four club members leaving their clubhouse in Studley Park to travel downstream to the Lower Yarra and beyond to Port Phillip Bay. "Xmas 1930. Leaving Studley Park"victorian canoe club, river yarra, travel -- 1930s, canoeing

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/47 Studley Park Road, Kew by Margaret Picken.3/47 STUDLEY PARK RD., KEW / MARGARET PICKEN '90 / WOODARDS ~ artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/47 studley park road - kew (vic)

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Park Avenue, uptown Manhattan, New York, USAMade in USA / 13 / PARK AVE. UPTOWN / 24 (Handwritten) / Encircled 35F (Handwritten) / C46 (Handwritten)mit bemis professorship, mit, robin boyd, slide

Set of four photographs taken at the time of the conversion of the Wattle Park route, in Riversdale Road from single line to double track between Warragul Road and the terminus, alongside Wattle Park itself. Yields information on the single line operation of the Wattle Park line prior the conversion to double track operation.Set of four colour Anscochrome slides, of single line operations on the Wattle Park line. .1 - W5 722 on Wattle Park single line, Sat. p.m. .2 - W2 388 meets W2 344 on Wattle park loop - shows the commencement of roadworks. .3 - SW5 853 from the park .4 - W5 738 at Warragul Road - shows the gates to Wattle park and the Caltex Service Station sign.Has photographers slide numbers on each slide.wattle park, route 70, riversdale rd, w2 class, w5 class, sw5 class, trackwork, tram 722, tram 388, tram 853, tram 738, trams, tramways

Wolf Cub certificate presented to Robert WATTERS when joining the 1st Albert Park troop.Robert Watters, 1st Albert Park robert cornelius watters, club societies, 1st albert park wolf cubs

Two steel wire strainers, one with makers tag noting Whites Wires Arndell Park NSW 2148; includes directions for application. Items stored in Pittock Coach builder's box, reference 13000.1.Whites Wires Arndell Park NSW 2148

Black and white photo x 4 of a group of Legacy widows at Luna Park in St Kilda, Melbourne. The legatees in the photos could be Morrie Tonkin, S Neville and Pat Hanna. Legatees looked after the widows and families of deceased ex-servicemen. Pat Hanna was a legatee who was an entertainer. It is unknown if the photos were posted from the UK or if the enveloped was reused.A record of outings and activities being provided for the widows.Black and white photo x 4 of widows at Luna Park in a brown envelope with airmail sticker and post mark from UK.Envelope has handwritten note 'Snapshots of widows at lawns outside Luna Park with Pat Hanna'. It is from the Ministry of Defence in Gloucester UK. Each photo has on back handwritten '1952/53' in blue pen and one has 'Legatee M Tonkin, S Nevile'widows, pat hanna, morrie tonkin

Memento to celebrate the Wonga Park Primary School centenary.Rectangular cream coloured linen tea towel with green printed title and stylized drawing of the original school building.Wonga Park P.S Centenary 1895 - 1995

Cliff Barclay was a youth worker at the South-Port-Parks parish mission. The church in the background of this photograph is the South-Port-Parks church, Dorcas Street, South Melbourne.B & W waist length photograph of Cliff Barclay, with a bluestone church in the background.Cliff Barclay, youth worker at South-Port-Parks.cliff barclay, south-port-parks parish mission

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, was the stretch of the Yarra at Studley Park. In selecting this view he concentrates on the tranquility of the river and the remnant vegetation that lines the banks. "Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.)

A welcome flyer for guests staying at the Marysville Caravan and Holiday Park that lists places to eat and local attractions to visit. Also shows a map of the caravan park.A welcome flyer for guests staying at the Marysville Caravan and Holiday Park that lists places to eat and local attractions to visit. Also shows a map of the caravan park.marysville, victoria, australia, marysville caravan & holiday park, welcome flyer

This Legacy donor's badge is one of a set of badges collected by Dr W R Angus from the organisations in which he was involved. The badge was made by A.J. Parkes, an Australia-wide firm that has been making badges for over a century. The $10', embossed on the back dates the badge after February 1966, when Australian money changed to decimal currency. A donation of $10 would be recognised by the gift of this badge. The set of badges is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This badge is significant for connecting Doctor Angus with organisations that he supported. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Legacy appeal badge; a rectangular, shield-shaped metal and enamel badge, blue enamel on gold, with the Legacy symbol of a flaming torch in the centre. It has a vertical stick pin and inscriptions on the back. Made by A.J. Parks, Australia. The badge was given to donors of $10. This badge is part of a set of badges collected by Dr W R Angus. the set represents organisations that he was involved in, and is part of the W.R. Angus Collection.Embossed:“$10”and “A.J. PARKES” “AUST. WIDE” flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, badge, legacy badge, organisation badge, a.j. parkes, $10, ten dollars, donor's badge, legacy appeal, w.r. angus collection

Label on the back reads 'Buninyong Joint Library Trust'. Framed colour photograph taken looking west across the Old Buninyong Library (now Buninyong Visitor Information Centre) and playground area of Desoza Park. Image taken in November 2001.Old Buninyong Library and Desoza Park, November 2001buninyong visitor information centre, buninyong

Luna Park in the background, c1920black and white photograph, unmountedSt Kild Pier Gardens showing Luna Park

Glenelg Shire Council recordsPicture of man seated on rock in creek, fern trees in background, Fern Gully, Lower Glenelg National Park.Front: Sticker bottom left. 'Fern Gully, Lower Glenelg National Park' - penportrait photography, fern gully

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 22 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 3/82 Studley Park Road, Kew by Margaret Picken.3/82 STUDLEY PARK RD., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/82 studley park road - kew (vic)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink architectural drawing on drafting film of 5/12-14 Park Crescent, Kew by Margaret Picken.5/12-14 PARK CRES., KEW / MARGARET PICKEN '96 / WOODARDS ~ HAWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 5/12-14 park crescent - kew (vic)

Main Gates at Central park Stawell Five Brick Colloms Iron work fence and Iron gates in centre whith shieldsOn the two central pillars. Central Park at hte top on the base erected 1903monuments

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, is of a small section of the Yarra River at Studley Park. The still water and the reflection is the most noticeable aspect that he sought to capture in the image."Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.)

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 9 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. The point-of-view selected by the photographer, Henry Christian, is of a small section of the Yarra River at Studley Park. The still water and the reflection is the most noticeable aspect that he sought to capture in the image."Studley Park / Kew"henry beater christian (1886-1962), landscape photography, kew (vic.) — yarra river, christian-washfold collection, photograph albums, yarra river -- studley park (vic.)

Looking across Cato Lake to Stawell Swimming Club Changing Rooms. Black Range in the distance and Gazebo on the right. There are 2 bench seats beside the lake and a person sitting in one on the right hand side. "Cato Park Stawell" is printed on the right lower corner. c 1930-1940Black & white photo of Cato Lake with change rooms in the distance. The view shows one side of the lake with trees along the edge and Gazebo on the right. Cato Park Stawellstawell