Showing 5222 items
matching willow-pattern
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Charlton RSL Sub Branch
Weapon - Bayonet, 1907 pattern bayonet
Blade weaponER. 1907 Sanderson. 1.10 M V8 x 16 -
Merri-bek City Council
Painting, Maritza Beretta, Shimmering Pattern, 1998
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The 5th/6th Battalion Royal Victoria Regiment Historical Collection
Weapon - Sword, Schintu Gunto New army pattern
Brown woven handle 250mm in length brass hand web protector with floral imprint damaged blade edge. Scabbard - metal & brown in color slightly curved. Belt metalic ring with copper end chape & mouth piece. regimental property, ww2, japanese sword, war in the pacific, ija -
Moorabbin Air Museum
Equipment (item) - Haversack WW1 Pattern
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Clunes Museum
Domestic object - CUP AND SAUCER
China cup and saucer, white with brown willow patternCup - Marking on base :x 767"(in red) Saucer - CROWN M & S Lteacup, tea saucer -
Trafalgar Holden Museum
Leisure object - Equestrian polo ball
Round white willow polo ball imported by Holden and FrostImported by Holden and FrostWhite round solid ball as used in equestrian sportMade in England Chas Meurisse and Co Chicago Willowhorse, polo, ball -
Blacksmith's Cottage and Forge
Bowl, Fruit, 1900-1940
Generally used for serving fruit at the table.Oval shaped serving bowl decorated with bluw 'willow' pattern.Japandomestic, bowl, china, oval, willow pattern, crockery, cermaic, porcelain -
Bendigo Military Museum
Equipment - CRICKET BAT, Possibly R.M. Crockett Cricket Willow, C. WW2
Cricket bat, timber, handle has a black tape wound around. The face has extensive inscription on. The bat near handle has two symbols which appear to be St George and The Dragon with “Trademark” stamped under.On bat face “ Army Special” “war Product” “ A.A. Amenities Service” “ Please return —NDL- -O Amenities officer”equipment, cricket, amenities -
Bendigo Military Museum
Equipment - DIXIES, Willow Co
Belonged to Keith David Livingston VX136969 2nd AIF. Refer 1911P for service history.Set of aluminium cooking tins. Dept of Defence stamp. .1) Has "c" with an arrow etched above, next to maker's name. Both have folding handles. .2) Fits inside .1)D↑Dmilitary-equipment, dixies cooking -
Kiewa Valley Historical Society
Tin Nut Loaf, early 1900's
This nut roll tin was used in a period before 1959(when plastic containers started being used). It was a period when "home" cooking(desert & cakes) was the only method of having cakes and other pastry dishes in rural areas. The utensils available for this home cooking had to be strong and reliable and low maintenance. This nut roll can is very significant(in rural Australia) because it highlights a period in time when the majority of cakes and other pastry dishes were cooked in the family kitchen and not purchased from a shop. This was a period of self sufficiency especially in semi remote rural areas such as the Kiewa Valley. This was a time when cooking utensils were either made in Australia or imported from England or Europe. After World War II imports from the USA increased significantly and then followed by cheaper products from Asia.This cylindrical nut loaf tin(mild steel) has a removable lid and base. There are three retaining hooks which stop the spring steel "main body" from being condensed beyond the circumference of both top and bottom "lids" The tin is pliable enough to "open" up and allow the baked nut loaf to be removed.On the outside edge of each lid "NUT LOAF" and the opposite side "TIN"baking tins, kitchen utensils, tins -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Craft - Dress Pattern Bi-centennial 0001, c1988
A Bi-Centennial Dress Pattern 0001 made by Lindie Ward for Power House Museum . It is a copy of a dress belonging to Isobel Hovell, the wife of the explorer William Hovell. Isobel died 1837. The original dress was made from yellow, satin -striped, cotton voile, printed with sprigs of flowers in lilac and greenThis Dress Pattern was made for the Bi-Centennial Celebrations at Power House Museum, Sydney in 1988c1988 A large paper envelope with printed design of dress c1837. Dressmaking tissue pattern pieces for dress are enclosed and a measurement scale is on the backFront of packet : BICENTENNIAL DRESS PATTERN / POWERHOUSE / 0001dressmaking, craft equipment, dress patterns, craftwork, sewing, hovell isobel, hovell william, ward lindie, bi-centennial celebrations, melbourne, moorabbin, victoria, new south wales, market gardneres, power house museum -
Friends of Westgarthtown
Bowl, Willow
Small willow patterned dish with flat base and slightly flanged rim. Dark blue painted pattern.No visible markingsdomestic items, food & drink consumption, willow, bowl, dish, pattern, blue and white, food -
National Wool Museum
Folder, sample
Weaving sample folder: "RANGE 4 LADIES WORSTED COSTUMING", "C. URQUHART". Booklets contains the following 2 paged inserts: "WEAVE REPEAT AND PEGGING FOR PATTERN 1" sheet with ochre/red/brown patterned cloth sample; "WEAVE REPEAT AND PEGGING FOR PATTERN 2" sheet with pink/grey patterned cloth sample; "PATTERN REPEAT AND PEGGING FOR PATTERN 3" sheet with orange/yellow/grey patterned cloth sampleRANGE 4 LADIES WORSTED COSTUMING C. URQUHART WEAVE REPEAT AND PEGGING FOR PATTERN 1 WEAVE REPEAT AND PEGGING FOR PATTERN 2 PATTERN REPEAT AND PEGGING FOR PATTERN 3textile production weaving, textile production, weaving -
Bendigo Historical Society Inc.
Domestic Object - LARGE CUP AND SAUCER
Extra large sized cup and saucer with blue and white Willow pattern decoration.domestic equipment, food consumption, cup & saucer -
Melton City Libraries
Photograph, Barrie Collection, The Willows, 1973
Currently the headquarters of the Melton Historical Society, the Willows was built in 1855 by a farmer called Ralph Parkinson. In 1867, it was purchased and extended by James Ebden Minns. His son, George Minns, was given the property by his father in 1903, George was a council member of Melton Shire for 37 years and after he eft the area in 1951, the property became derelict. Although due to the support of the community, Melton Shire Council purchased the property in 1972 and to assist with the restoration, a group was established called the Willows Restoration Committee. The members included Chairman Cr Ed Gillespie, Lorraine Gillespie, Mr & Mrs Alan Reed, Ken Young, Bill Amor, Edna Barrie, Max Watson, Cr Jeff Robinson and Wendy Barrie.Restoration was completed in 1982.The Willows before restoration in 1973. This is the view of the front of the house and part of side wire fencing.council, local special interest groups, pioneer families, local architecture, local identities -
Chiltern Athenaeum Trust
Domestic object - Fountain pen, 20th century
No specific information is available for this object. However, fountain pens originated in France in 1827, with the first patent attributed to a Parisian student named Romanian Petrache Poenaru. The fountain pen typically has a fine stainless-steel tip that is filled with ink via an ink well. Widespread production of fountain pens occurred from 1857, with new designs having improved filling techniques. Fountain pens became popular with professionals, such as barristers, professors, doctors, and accountants for over 100 years. The only downside to using fountain pens was their tendency to sometimes leak onto documents, so in the 1950s, they were made with disposable cartridges. The cartridges made the pens more popular, especially with university students. For this reason, in the early 1960s, fountain pens were renamed cartridge pens and were deemed the best writing instrument in most schools.This object is an example of the use of fountain pens in domestic households and professional workplaces since 1827.A solid and complete black patterned fountain pen.There is black decorative patterning on the body.pen, fountain pen, ink, france, chiltern athenaeum museum, victoria -
Melton City Libraries
Document, Minns Family Reunion, 2004
"A perpetual spring in the adjacent creek provided a steady supply of fresh water to the site on which the homestead is built. Although we can not be certain of the identity of the builder, the first stage of ‘The Willows’ homestead appears to have been constructed in the mid 1850s. The house is situated on Crown Allotment No.1 (No Section), Parish of Kororoit, an allotment of 5 acres 3 roods 4 perches. Although it had surveyed the land, the Crown did not offer it for sale until 22nd November 1861, at which time it was purchased by Charles March Williams. (Although the property is directly opposite and immediately adjacent to the Township of Melton, and was sold as ‘Suburban Allotment 33’, it was situated within the Shire of Braybrook rather than the Shire of Melton until 1917.) Considerable improvements had taken place on the land prior to the Crown sale. When CM Williams purchased the allotment in November 1861 he paid £23.5.0 for the land itself, and valued the improvements at £400. Even allowing for some exaggeration by Williams, this is an extremely high valuation for improvements, and must have included a house. Some local research has claimed that in 1858 Williams had taken over the interest of a Mr Parkinson in the property, and that Parkinson built the house upon taking possession of the land c.1855. It was definitely built by 1861, when a map shows a square building on the site marked as ‘House’. The property is important in the district for its association with the establishment of the pound. The district pound had been established in 1854, when George Scarborough of Mount Cottrell (Mt Cottrell Road, south of Greigs Road) was appointed pound-keeper. Scarborough resigned in 1857. The pound was moved to Melton following agitation from local farmers and Charles March Williams appointed pound-keeper on 26th April 1858. Williams, the son of a doctor, had been born in London. Reminiscences of local residents of the time, as recorded in the Express newspaper, note Williams’ success in breeding horses on the property. Sales of up to 60 guineas were noted. Whether this was from Williams’s own stock or from unclaimed pound stock is not made clear. Williams appeared before a government inquiry in 1860 and advocated registration of all stock brands in the State. Williams died in 1862 leaving a widow, Catherine, and five living children aged 15 years to five months. At the time of his death Williams had entered negotiations with one Matthew Devenish and had a mortgage of £100 on allotments 1 and 2, Parish of Kororoit. Catherine Williams was appointed pound-keeper on 2 September 1863, with her eldest son Charles as her assistant. Her tenure was short for on 22nd March 1864 George Minns senior paid Matthew Devenish £135 for allotments 1 and 2 Parish of Kororoit (considerably less than Williams had claimed the property was worth in 1861) and on the same day paid William Tullidge £45 for the adjoining allotments 3 and 4. In April 1867, James Ebden Minns, the newly married son of George senior became the owner of The Willows property having entered into a mortgage arrangement with his father to the extent of £200. At the time George Minns was residing in Kaarimba having left Melton in 1867 for a short trip to England and upon his return having taken up a selection in the Kaarimba district with his son Frederick who had a hotel licence there. James paid out the mortgage on 2-1-1873. James Minns was appointed pound-keeper in 1872; in 1885 the pound was moved elsewhere and Minns purchased the old pound site and added it to his farm. The Willows residence underwent a major change about this time. A two room extension, similar in style but with a lower elevation was added to the original rear of the house with a chimney matching the distinctive originals. Window arrangements did not match the original but became a feature of the façade when the new addition became the front of the building. Six buttresses were attached to the east and west walls of the old building, two to the south wall and the whole rendered with mortar to give the appearance of dressed stonework around the windows. Galvanized iron was placed over the shingles and a verandah added on three sides. By 1876 The Willows was the homestead for a thriving mixed farm of 340 acres of which 156 was rented from a H. Ruck. In October of that year the Australasian travelling reporter visited and reported on the property. In common with the nearly every other property in the district the farm had ‘recently’ (generally within the last two years) abandoned cultivation of crops, and turned over completely to cattle pasture. Butter making was the principal occupation of the farm, which had about 50 head of cattle, a large proportion of which were milking cows. The reporter also noted that a ‘large number of pigs are kept upon this farm and are found to be very profitable stock’. Their manure was used in an orchard and garden in which ‘large quantities of lucerne and prairie grass are grown for the use of stock when ordinary feed is scarce’. Two bores attached to deep brick lined wells supplied water for the house in addition to the farm. A commodious timber barn and necessary sheds had also been constructed. Access to the property was improved following the construction of the bluestone ford across the creek c.1887, when the recreation ground came into use. Prior to this date it may have been that the crossing referred to as ‘Mr Minns bridge’ was used. This appears to have been a flimsy structure and has but two references in Council reports in the Melton Express in the 1880’s. It is believed that in the late 1890’s a timber building was added near the rear of the building to house a kitchen, ablutions and laundry rooms and rooms for seasonal workers. This was attached to the house by means of a trellised walkway using the original front entry to the house (long since the back door). A photograph of this building appears in a local history of Melton. This was demolished in recent decades during the period when the house was tenanted (after the Minns family had left). James Minns son, George, took over the property following his marriage to Alice Walsh in 1903. James and Caroline moved into a house on the former JH Games property at the eastern end of Henry Street. George held the position of Shire Secretary for Melton for 40 years. He was a most prominent member of the community being Secretary to, among others, the Melton Coursing Club, the Shooting Club and the Cemetery Trust. He also rode with the hunting parties who sported across the Plains and were entertained at Mount Kororoit. George and Alice had one son, Norman who followed his father into local government and became Secretary of the Shire of Werribee completing a record term in this position. George retired to Werribee in 1951, where he died in 1965. The National Trust records note that James Ebden Minns and his sons were ‘leading men of the district, Justices of the Peace, and Shire Councillors’. It claims that Sir Thomas Bent was a frequent visitor. The Willows passed into the hands of George’s grandson, Bruce Minns and the property was let for a number of years. In the 1960s it became vacant and was subject to vandalism. Major structural problems arose with the part demolition of the roof, the loss of windows and doors and holes dug into and under the floorboards. The outbuildings were particularly targeted. Following widespread public support, the Shire of Melton purchased the house, with 3.75 acres of land, in 1972. In 1975 the Shire of Melton and the Melton and District Historical Society were successful in nominating the building for National Trust classification, and then the Australian Heritage Commission’s Register of the National Estate. The AHC particularly noted its ‘townscape importance’. It was envisaged that the farmhouse would form ‘a picturesque centrepiece to Melton’s planned … historical park, along with Dunvegan bluestone cottage … and similar structures as they become available.’ In a time of great Melton’s ‘satellite city’ development the Council spelt out its broader vision in its submission to the AHC: ‘Melton is destined to become, by the end of the present century, a city of between 75,000 and 100,000 people. Significant relics of the past, such as ‘The Willows’, regrettably will be rare in that situation. It is essential that sufficient tangible links with Melton’s pioneering days remain to promote in the new community a sense of history and continuity’. Under the direction of ‘The Willows’ Restoration Committee and consultant architect John Hitch, all outbuildings, with the exception of the garage and toilet, were demolished and the dwelling house restored. Finances were provided by the Shire of Melton and the National Estate Grants Program, and considerable amount of voluntary labour was provided by the local community. The orchard was removed, and remaining wooden buildings were relocated to provide an open vista for visitors to the Park. The property was furnished with donations from district families keen to preserve this example of pioneer life in the area. The Willows became the headquarters of the Melton and District Historical Society". Invitation to the family reunion at the Willowslocal identities, pioneer families -
Bright & District Historical Society operating the Bright Museum
Cup
... willow-pattern ...Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Porcelain cup. Probably European, with Chinese willow design. Decorated on both inner and outer surfaces in blue colour.chinese, cup, goldfields, gios, tableware, glaze, porcelain, harrietville, willow-pattern -
Melton City Libraries
Photograph, Inspection of the Willows, 1973
The Willows Restoration Committee members: Chairman Cr Ed Gillespie, Lorraine Gillespie, Mr & Mrs Alan Reed, Ken Young, Bill Amor, Edna Barrie, Max Watson, Cr Jeff Robinson and Wendy Barrie.Jeff Robinson, Bill Amor, Lorraine and Eddie Gillespie standing in front of the Willows, inspecting the house and surroundings from the front verandah. local identities, local architecture -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and black and green decorative pattern.Black and green decorative patternpottery, ceramic, archaeology -
Whitehorse Historical Society Inc.
Container - Tin, 1950s
Household budgeting from the 1950s. Used by the donor's mother in the 1950s.A "Willow" Budget tin with orange lid containing slots for money - Bread, Insurance, Gas, Electricity, Milk, Phone, Housekeeping, House payments and Rates. Inside is a cream plastic insert with eight compartments. Sides of tin are white with pictures and writing describing what slots are to be used for and it has a small silver coloured suitcase style lock.Willow Budget Tin Willow on bottom of tin. Slots are Bread, Insurance, Gas, Electricity, Milk, Phone, Housekeeping, House payments and Rates.budgeting, willow, housekeeping, 1950s -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1930
Embroidered Calico Tray Cloth with Willow Pattern Cup and Sauder. Bound with Blue Binding. Mrs Trickeystawell clothing material -
Bright & District Historical Society operating the Bright Museum
Spoon
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain spoon, design in glazed celadon, with dark blue pattern.Dark blue pattern, swirls and dashes.chinese, spoon, gios, tableware, glaze, porcelain, buckland, celadon -
Melbourne Tram Museum
Document - List, Melbourne Tramways Trust (MTT), "List of Patterns", 1892
"List of Patterns" Envelope containing several pages of handwritten patterns. Envelope titled: Talbot Hamilton Esq Melbourne Tramways Trust Queens Street"List of Patterns" written in blue pencil on back of envelopetrams, tramways, lists, equipment -
Glenelg Shire Council Cultural Collection
Functional object - Cup and saucer, n.d
Displayed at History House.378.1 Large teacup with a "willow pattern" style design around outside edge and at base of cup. Blue and white. Worn gold rim around edge and on handle. 378.2 "Willow pattern" style design in blue and white on saucer, with decorative gold line on edge and set 2cms within edge. -
Dandenong/Cranbourne RSL Sub Branch
Weapon - Sword Katana
Curved Sword Japanese Katana WWII blade Wooden handle, leather covered. Brass cap on top of handle with 'Wire" like clip. Circular metal hilt. Pattern on hilt. Refer also 0101 Scabbard.Pattern on hilt. -
Colac RSL Sub Branch
Book - Autograph Album, Autograph Album belonging to Valerie Jean Thompson from 1940
Autograph bookDark coloured book with pattern on the front cover and green stringnon-fictionAutograph book -
Mont De Lancey
Pickle Jar, late 19th Century
From the home of the late W.J. SebireLidded silver and glass ornate pickle jar on a stand with a three pronged silver pickle fork. Heavy glass patterned jar, silver lid has grapes and leaves decoration with an ornate patterned knob. It is of the style of the late 19th Century.New York. pattern of grapes and leaves on lidpickle jars, food storage jars, forks -
Coal Creek Community Park & Museum
Bottle, glass
Round thick clear glass bottle with rounded glass rings at junction of neck and body of bottle. Pattern embossed on base.A 'daisy' flower pattern embossed in base. -
National Wool Museum
Sketch
Watercolour sketch of leaf pattern from which carpet manufacturing pattern is graphed out.Watercolour sketch of leaf pattern from which carpet manufacturing pattern is graphed out. Watercolour sketch of leaf pattern from which carpet manufacturing pattern is graphed out.weaving, carpet