Small, oval head and shoulder portrait of a young man. He is wearing a checked jacket with a white shirt and no tie. Mounted on dark brown card with the photographer's name and address in gold.Bartlett Bros., View Place, Sandhurstphotograph, portrait, male, portrait of a young man, bartlett bros.

Sepia Cabinet Portrait of a young man on brown mount board. The young man is wearing a uniform and has a trumpet or bugle in his right hand. His left hand is resting on a pedestal which has a cap on it. On the cap band is: 'The Salvation Army? - - -.W. Mason & Co. 134 Bridge Road, Richmondphotograph, portrait, male, cabinet portrait of a young man, the salvat-, w mason & co richmond

Cabinet photograph of young man standing next to urn & pedestal right arm on hip and left arm leaning against urn. Nothing on reverse. Possibly a member of the Opie/Dower/Martin/Adams family, formerly of Castlemaine/Maldon/Mt. Pleasant areas. C.1880's./ wearing a suit and waistcoat / watch chain with coin and German cross?Yeoman & Co., 169 Bourke St. East, Melbournephotograph, portrait, male, cabinet photograph of young man, yeoman & co melbourne, opie, dower, martin, adams

Black and white photograph : opening fancy dress ball, White Hills Reading Room. 8 young adults in sailor suits, 4 female, 4 male. Brick wall, windows and weatherboard wall at back. Female in centre hoilding small Union Jack flag. Figures have been numbered. Note hole in sole of shoe on right. On front pencil numbers 1 - 8 - one on each person. Names on back of photo correspond to numbers. 1. Arthur Caldwell 2. Mary Dixon ( Mrs. E.M. Bourke ) 3 Frank Dixon 4 Joy Bovard ( Ball ) 5 Imelde Flack 6 Lizzie Richards ( Gay Wood ? ) 7 Ernie Cawden 8. George Cailcottage, miners

sepia photograph mounted on board. Older man, young man, boy, with overgrown garden in background. Older man wearing bowler hat and 2 piece suit, no tie, chain and albert, smoking pipe. Young man wearing 3 piece suit, tie chain and albert, broad brim hat. Boy wearing dark sailor suit and hat. Boy seated on older man's knee. Written in ball point pen on back 'Bright' CLARK BROS PHOTOGRAPHERS 25 THOMAS STREET WINDSORClark Bros., 25 Thomas St. Windsor.person, family, males

sepia photograph mounted on cream board. Young man wearing stiff collar, cravat, three piece suit with lodge stole. Stole has been hand coloured - pink, blue and goldperson, individual, portrait male

B+W photo on cardboard. 21 males in football uniforms, 13 males in suits, some with hats. Young boy and L.F. Trophies displayed - mantel clock. Silver at with lid + silver teapot. Foot lap with 'Young Colonials Premiers 1902 & 3' held at C.F. Names written on image. Arranged in 4 rows. Backdrop of decorated room at R. Inscription: in Image printed on Football 'Young/Colonials/Premiers/1902&3'. On Back, 'Royal Historical Society of Victoria/Bendigo Branch' stamp. In image, hand written in pencil + ball point pen, 'Burt Newell. Steve Williams, Ern Cox, - Kemp, - Temby, - Stirton, ---Forbes, Nobby Nixon, Corbett Roberts'organization, club/society, young colonials football club, prev. acc. no. 'gp82'

Black and white photograph mounted on cream board. Delegates to Farmers' Annual Convention 1909. In upper right corner shows Haymarket - part of market buildings. Note various attire worn by delegates. Also four young boys in bottom LHC with bike. Inscriptions: Printed on mount top 'Farmers; Annual Convention Bendigo 6th July 1909'. On top LHC in pencil 'received Nov. 1998 from Horsham Historical Society'. In pencil in centre 'M Gilhorn, c/- Mietrop', '2/- top'person, group, males

Black and white photograph, mounted on brown board. Group of sixty four men in six rows, with one young man standing, straddled over a post, above the rest of the group. One Aborigine? On the RH side of picture. They are a work group of blue collar workers. All have hats or caps of various kinds. Standing in front of an iron wall with a doorway and one window. Eight have pipes, most are mature men but there are some young boys (apprentices?). Inscriptions: in image - sign of RH side of doorway 'no admittance except on business'. On back - stamp 'WH Robinson, Photographer, Bendigo. Handwritten 'cannot identify', '?foundry staff?'.WH Robinsonperson, group, male group of workers

Sepia photograph. Interior group studio portrait of football team. Five in front row, seven seated, seven standing and four men at rear not in football clothing. General pose is arms folded across in front of body. Mounted on fawn card with family photo on back. Inscriptions: Front 'RHSV stamp GP49', 'Presented to Mr F Richardson by the members of the St Andrews Football Club, First of October 1894'. On back - RHSV stamp. Photograph of family group - father, mother, children and young adults. Rear row: two males, four females. Middle row: mother, father? And two boys. Front row: baby held by mother, boy and two girls. 'STKing, Bendigo'. History Prev. Acc. No. GP49cottage, miners

Photograph - black and white. Portrait of a young man, dressed in a buttoned up suit and tie, and a unassuming moustache.Foster - Pall Mall. Sandhurst.person, individual, portrait male, photograph. unknown family. portrait of a male.

Photograph - black and white. Portrait of a young man. Well dressed in a suit and bow tie, moustache.Alan Spicer - Bendigo.person, individual, portrait male, photograph. unknown family. portrait of a older male.

Bill Delecca was born in Bendigo, Victoria in 1929. A Bendigo-based teacher and painter, he has exhibited widely in the local area from 1951, including a retrospective in Bendigo Art Gallery, 1990. He has twice won the Bendigo Art Prize for watercolour and his work is represented in galleries and private collections throughout Australia and overseas. Instrumental in the establishment of degree courses in Art at Bendigo College of Advanced Education, he is also the author of an Education Department report to the Australia Council, 1987.Portrait of a young man. He has dark hair and dark eyes. The signature of the artist at bottom right. Untitled. William Delecca collection.On the back: Camden Art Centerpainting, male youth, portrait

black and white photograph of young man in photographic studiophotograph, person, male

Sepia photo of a young man wearing a dark 3 piece suit. He has his right hand resting on a garden seat. Photo is mounted on a dark grey cardboard and is in a black padded edge frame which is rounded at the top.W. Vincent Kellyphotograph, portrait, male in suit., foster & wilson collection, male portrait, w. vincent kelly

Sepia toned photograph of a group of people posed in front of a weatherboard dwelling. The group consists of two young women and a smaller child dressed in dark coloured clothing with pinafores over the top., there are also two older males and two younger. Two of the males are in uniform, an one is carrying a trumpet. The house is situated between two brick buildings and is touching them on either side.R. Dermer Smith, Bull Street Sandhurst (No.3540)person, group, family portrait, family group, band members

A box with a picture of three young women on the front. Contains cuttings from various newspaper about famous people and other people in the community. Despite the marking on the box there are no cuttings on homes and antiques. Sources include, 'The Sun,' 'The Age' and 'The Bendigo Advertiser.'HOMES AND ANTIQUES PEOPLEperson, individual, famous people, lydia chancellor, collection, famous people, people, person, individual, male, female, history

Small portrait photograph of a young man, clean shaven with centre part in hair, photographer Stewart & Co 217 & 219 Bourke St East, Melbourne.Stewart & Cophotograph, portrait, male

'A small orange Old Gold chocolate box containing 2 newspaper columns. (i) Wonders of the North' series 1-100. 1938-1939. (ii). This series of clips contains references to Aboriginal/Indiginous people. 'Then and Now Public Men'. These clips have a young/older photo and the positions they held in their professional life. Both columns from the 'Sun-News Pictorial' newspaper.Wonders of the north 1-100 1938-9 Then and Nowplace, land, rural life, lydia chancellor, collection, australia, place, aboriginal, australian aborigines, aborigines, northern australian, australian flora, australian fauna, fauna, flora, plants, australian plants, australian animals, animals, australian lighthouses, lighthouses, sciences, botany, tourism, famous people, male, person

(a) A black and white photo of an unknown young man standing beside a cane chair. He is wearing a 3 piece suit and wears a tie and high collar. An imprint below the photograph says Rowland Chubb 167 Swanston St. Corner Bourke St. over Leviathan, Melbourne. (b) One faded black and white photo of a gentleman posing on an ornate chair. He wears a 3 piece suit, fob watch and has a carnation on his lapel. Below the photo are the words, G.L. Massingham, View St., Bendigo.Rowland Chubb, 167 Swanston Street Melbourne, over Leviathan.photograph, portrait, males, lydia chancellor, collection, photograph, photography, portrait, male, gentleman, gentlemen, photo, individual, person, costume, fashion

(a) A photograph of four young men in military uniform. Name, date and place unknown. (b) One faded black and white photograph of a beach scene. Two children are in the foreground and people behind them are sitting beside the sea. Of particular interest is the fashion of the era. Names, date, place unknown. ( c ) One black and white photograph postcard of an unknown soldier in an army uniform. On the back of the postcard are the words, ' To Mollie with kindest regards from Clyde.' Date and surname unknown. (d) A black and white photograph postcard of an unknown man in a 3 piece suit with fob watch and a handkerchief in his pocket. He wears a tie and a high collar. An imprint at the bottom right hand corner says, ' Kalina 37 & 50 Pall Mall Bendigo.' (e) A damaged black and white photo of an unknown couple. The gentleman is wearing a 3 piece suit and hat. The woman is in a frock and is wearing a long string of beads and a hat. They are standing in front of a fern. (f) A small faded photo of two men and a woman, all unknown, who appear to be sitting on the side of a hill. There is a shed in the distance and other people in the vicinity.photograph, person, male / female, lydia chancellor, collection, photo, photograph, person, soldier, costume, postcard, photography, fashion, garden, ferns

The local 'philharmonic orchestra/band' playing at a civic/national day function in the 1950s in Vathi, Ithaca. Music plays an important role in many aspects of life, both civic and social, on the island. During the summer months locals and tourists enjoy a variety of musical and cultural events.Founded in 1904, the Ithaki Philharmonic Orchestra is the oldest musical group on the island. The band is a private, non-profit entity and its goal is to offer free musical training to the young of the region and provide them with a broader musical education. The philharmonic orchestra performs concerts and participates in a range of educational, municipal, religious and national day events. A black & white photograph of a brass band of men dressed in dark uniforms and flat hats and women wearing dark skirts and white blouses. In the second row are males in civilian suits. The conductor is standing in the front on the extreme right hand side holding a baton.

Bibliography, notes, ill, maps, p.245.non-fictionRetrace Australia's role in the First World War from the trenches of Somme Mud to the wider war on the Western Front. Imagine this. You are a country boy and just eighteen. The war has been raging for two years and because of your age, you have not been eligible for enlistment. Your mates, older by a few months are joining up and disappearing to the great adventure across the world in Europe. And there is forever talk of the need for reinforcements, for men like you to join up and support the Empire, Australia and your mates in the line. Such was the case for Edward Francis Lynch, a typical country boy from Perthville, near Bathurst. When war was declared in early August 1914, he was just sixteen and still at school, but like a generation of young males in Australia, there was something to prove and a need to be there. Will Davies, editor of the bestselling Somme Mud, meticulously tracked Lynch and his battalion's travels; their long route marches to flea ridden billets, into the frontline at such places as Messines, Dernancourt, Stormy Trench and Villers Bretonneux, to rest areas behind the lines and finally, on the great push to the final victory after August 1918. In words and pictures Davies fills in the gaps in Private Lynch's story and through the movements of the other battalions of the AIF provides impact and context to their plight and achievements. Looking at these battlefields today, the pilgrims who visit and those who attend to the land we come to understand how the spirit of Australia developed and of our enduring role in world politics.world war 1914-1918 - personal narratives - australia, western front 1914-1918 - australian participation

Index, bibliography, ill, maps, p.302.non-fictionWorking as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 - red cross - women

Three photographs , comprising of: 1, Unknown gentleman in a black three piece suit with white flecks, he has a white beard. 2, Small photograph in an oval frame of a male in a suit and tie, he has a black beard. 3, Close up of a young lady, she has wavy dark coloured hair and a light coloured patterned top.person, individual, portrait

Photograph: group of seven young men seated or standing dressed in suits waitcoats , ties and hats. Shown in background a bicycle, beer bottles and 2 outbuildings. One decorated with scotch thistle, Irish shamrock, english rose and a flag of unknown origins. Photo under glass, mounted on grey card and framed with a very ornate wood and plaster moulded frame cream in colour with some gilding.W.H. Grose, Photographerperson, group, male group

Photograph - black and white. Portrait of a young family, mum,dad and baby. Male with a high neck collar and thin tie and moustache. Female, pleated top part, hair tied up on top of head. Baby all in white lace.Richards & Co., Ballarat.person, family, portrait of family, portrait - family.

Between 1965 & 1972, twenty-year-old Australian males had to register for National Service. The ballot was held twice a year and the marbles, which bear numbers that represented birth dates, were used in a barrel to determine who would be called up. Each numbered marble represented two birthdates. Men born on the dates of the numbers drawn were thereby called up for National Service. National Service was a hotly debated issue. These ballot balls were the items at the centre of the argument. The peace movement in Australia was opposed not only to Australia's involvement in the Vietnam War, but also to conscription of young men into National Service.The marbles are made of wood that have numbers on them. vietnam ballots, national service scheme, marbles, conscription, birthday ballot, nasho