(1) Tracing paper plan of bed. (2) Perennial Border Spring Display Planted 1982, plantings numbered but no names. (3) Pencil on paper, names of plants, some in pen. Area now known as the Grey Garden. Old Storage Shed cleared in 1979. (4) Tracing paper copy, VCAH Burnley Plan Survey: Perennial Border and Environs, dated 8.11.90. Scale 1:100. This might be where the Herbaceous Border is in 2012. (Also see 11.0615).gardens, vcah burnley, perennial border, spring flowers

(1) Plant plan dated 15.8.1987 on tracing paper, and plan of bed only. (2) Site inventory and analysis Group 3 Parks and Gardens III August 1993, on tracing paper. (3) Rough plant plan in pencil.gardens, cypress, burnley gardens 150 year anniversary

2 sest of Concept Plans for the design of a Pruning Garden in the Field Station. (1) Pencil drawing on tracing paper, "Pruning Garden Field Station." (2) On tracing paper, "Concept Plan Pruning Garden Field Station VCAH Burnley 25.03.1995 by "JK". (3) 3 copies of (2) on paper. (4) 4 reduced size copies with some annotation. (5) Typed list, "Plants for Pruning Garden." (6) Tracing paper copy, Pruning Garden VCAH Burnley, Aug 1985. Scale 1: (7) Hard copy of (6).pruning, field station, vcah, burnley, gardens, jill kellow, experimental work on fruit trees

The Boroondara General Cemetery is registered by Heritage Victoria. The Henty's were some of the earliest settlers in Victoria.From Heritage Victoria Statement of Significance Last updated on - December 15, 2005 What is significant? Boroondara Cemetery, established in 1858, is within an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. The Springthorpe Memorial (VHR 522) set at the entrance to the burial ground commemorates Annie Springthorpe, and was erected between 1897 and 1907 by her husband Dr John Springthorpe. It was the work of the sculptor Bertram Mackennal, architect Harold Desbrowe Annear, landscape designer and Director of the Melbourne Bortanic Gardens, W.R. Guilfoyle, with considerable input from Dr Springthorpe The memorial is in the form of a small temple in a primitive Doric style. It was designed by Harold Desbrowe Annear and includes Bertram Mackennal sculptures in Carrara marble. Twelve columns of deep green granite from Scotland support a Harcourt granite superstructure. The roof by Brooks Robinson is a coloured glass dome, which sits within the rectangular form and behind the pediments. The sculptural group raised on a dais, consists of the deceased woman lying on a sarcophagus with an attending angel and mourner. The figure of Grief crouches at the foot of the bier and an angel places a wreath over Annie's head, symbolising the triumph of immortal life over death. The body of the deceased was placed in a vault below. The bronze work is by Marriots of Melbourne. Professor Tucker of the University of Melbourne composed appropriate inscriptions in English and archaic Greek lettering.. The floor is a geometric mosaic and the glass dome roof is of Tiffany style lead lighting in hues of reds and pinks in a radiating pattern. The memorial originally stood in a landscape triangular garden of about one acre near the entrance to the cemetery. However, after Dr Springthorpe's death in 1933 it was found that transactions for the land had not been fully completed so most of it was regained by the cemetery. A sundial and seat remain. The building is almost completely intact. The only alteration has been the removal of a glass canopy over the statuary and missing chains between posts. The Argus (26 March 1933) considered the memorial to be the most beautiful work of its kind in Australia. No comparable buildings are known. The Syme Memorial (1908) is a memorial to David Syme, political economist and publisher of the Melbourne Age newspaper. The Egyptian memorial designed by architect Arthur Peck is one of the most finely designed and executed pieces of monumental design in Melbourne. It has a temple like form with each column having a different capital detail. These support a cornice that curves both inwards and outwards. The tomb also has balustradings set between granite piers which create porch spaces leading to the entrance ways. Two variegated Port Jackson Figs are planted at either end. The Cussen Memorial (VHR 2036) was constructed in 1912-13 by Sir Leo Cussen in memory of his young son Hubert. Sir Leo Finn Bernard Cussen (1859-1933), judge and member of the Victorian Supreme Court in 1906. was buried here. The family memorial is one of the larger and more impressive memorials in the cemetery and is an interesting example of the 1930s Gothic Revival style architecture. It takes the form of a small chapel with carvings, diamond shaped roof tiles and decorated ridge embellishing the exterior. By the 1890s, the Boroondara Cemetery was a popular destination for visitors and locals admiring the beauty of the grounds and the splendid monuments. The edge of suburban settlement had reached the cemetery in the previous decade. Its Victorian garden design with sweeping curved drives, hill top views and high maintenance made it attractive. In its Victorian Garden Cemetery design, Boroondara was following an international trend. The picturesque Romanticism of the Pere la Chaise garden cemetery established in Paris in 1804 provided a prototype for great metropolitan cemeteries such as Kensal Green (1883) and Highgate (1839) in London and the Glasgow Necropolis (1831). Boroondara Cemetery was important in establishing this trend in Australia. The cemetery's beauty peaked with the progressive completion of the spectacular Springthorpe Memorial between 1899 and 1907. From about the turn of the century, the trustees encroached on the original design, having repeatedly failed in attempts to gain more land. The wide plantations around road boundaries, grassy verges around clusters of graves in each denomination, and most of the landscaped surround to the Springthorpe memorial are now gone. Some of the original road and path space were resumed for burial purposes. The post war period saw an increased use of the Cemetery by newer migrant groups. The mid- to late- twentieth century monuments were often placed on the grassed edges of the various sections and encroached on the roadways as the cemetery had reached the potential foreseen by its design. These were well tended in comparison with Victorian monuments which have generally been left to fall into a state of neglect. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii') Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. How is it significant? Boroondara Cemetery is of aesthetic, architectural, scientific (botanical) and historical significance to the State of Victoria. Why is it significant? The Boroondara Cemetery is of historical and aesthetic significance as an outstanding example of a Victorian garden cemetery. The Boroondara Cemetery is of historical significance as a record of Victorian life from the 1850s, and the early settlement of Kew. It is also significant for its ability to demonstrate, through the design and location of the cemetery, attitudes towards burial, health concerns and the importance placed on religion, at the time of its establishment. The Boroondara Cemetery is of architectural significance for the design of the gatehouse or sexton's lodge and cemetery office (built in stages from 1860 to 1899), the ornamental brick perimeter fence and elegant cemetery shelter to the design of prominent Melbourne architects, Charles Vickers (for the original 1860 cottage) and Albert Purchas, cemetery architect and secretary from 1864 to his death in 1907. The Boroondara Cemetery has considerable aesthetic significance which is principally derived from its tranquil, picturesque setting; its impressive memorials and monuments; its landmark features such as the prominent clocktower of the sexton's lodge and office, the mature exotic plantings, the decorative brick fence and the entrance gates; its defined views; and its curving paths. The Springthorpe Memorial (VHR 522), the Syme Memorial and the Cussen Memorial (VHR 2036), all contained within the Boroondara Cemetery, are of aesthetic and architectural significance for their creative and artistic achievement. The Boroondara Cemetery is of scientific (botanical) significance for its collection of rare mature exotic plantings. The Golden Funeral Cypress, (Chamaecyparis funebris 'Aurea') is the only known example in Victoria. The Boroondara Cemetery is of historical significance for the graves, monuments and epitaphs of a number of individuals whose activities have played a major part in Australia's history. They include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas.Digital imagescemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial, henty, james henty

The site of the former Principal's Residence private back garden. The Herb Society of Victoria provided assistance with design in 1984 and Coora Cottage Herbs donated plants. Memorial birdbath and fountain donated by the Herb Society of Victoria and the family of the late Enid Carberry, founding member of the Herb Society and contemporary of Edna Walling 1913-1916. Colour photographs.Early and later versions of the Herb Garden. (1) "Herb Garden version 1983." (2) Herb garden 1983." (3) "Herb Garden 1983." (4-8) Nick Osborne and ? In the Herb Garden later version.herb garden, the herb society of victoria, coora cottage herbs, memorial birdbath, fountain, enid carberry, nick osborne, design

(1) Summer Autumn Herbaceous Border VCAH 1984 - Plant Plan. (2) 2 tracing paper copies The Herbaceous Border VCAH Burnley 6.7.87, names of plants around it. (3) Tracing paper copy, The Herbaceous Border Planting Schedule 12.8.87 and 1 paper copy with annotations in pencil. (4) Planting Plan, 1 with "1991" written on it, and several sketches and copies. (5) Coloured plan, names of some plants different to (4). (6) Coloured plan with some differences to (5). Dated 1997.herbaceous border, burnley vcah, garden beds

87 pagesnon-fictionIndigenous plants found in Whitehorsenative plants, city of whitehorse

Also a second photograph showing Peter Healy planting Nan Frasers new garden with Pope the dog helping at Rowe Street 05333.1 10 x 15 cm in album.Colour photograph showing Gwen Healy cutting cake and Nan Fraser seated both residents of units in Rowe Street Lakes Entrance people

1947 The SEC created an Arboretum and Nursery on the bank of the West Kiewa River. Householder could collect free plants, trees and topsoil for their gardens. It was not long before there was very keen competition amongst the families to create the best garden. 1948 A Mount Beauty Garden competition started with a first prize of 15 pounds, second 7 pounds and third 3 pounds. As the oldest garden in the competition was only 25 months old and most were younger a handicap system of 4 points per month was devised. Tom Mitchell MLA was the donor and judge. 1965 This sash was possibility worn by Jean McCullough in 1965 when the Mt Beauty & District Progress Association Auxiliary ran the completion.An example of the social life at Mt Beauty during the construction of the Kiewa Hydro Electric Scheme.Royal blue sateen sash with gold fringe. Mt. BEAUTY & DIST. PROGRESS ASSN. AUXILIARY/CHAMPION GARDEN/1965textiles, arboretum, mount beauty, garden competition, kiewa hydro electric scheme

camellia planting ceremony, kay hirst, a w jessep, dorothy jessep, tom kneen, andrew smith, camellia japonica 'a w jessep', camellia japonica' dorothy jessep', friends of burnley gardens, fobg, sir rupert hamer, open gardens scheme, ellis stones rock garden, ellis stones, australian plants society, grasslands project, 150th birthday celebration, pruning day 2000, planting ellis stones rockery 2000, summer house, shelter shed, native garden, herb garden, grey garden, orchard, field station, bulb bed, working bee, twilight working bee, ikebana exhibition

This glass slide depicts a group of school children standing in Queen Victoria Park (previously Beechworth Botanic Gardens), circa 1900. Queen Victoria Park was first secured in 1858 by the Beechworth Council with the assistance of the Central Board of Health (CBH). The CBH was a firm believer in the socially beneficial effects of parks and other recreation areas which is why they aided the council in securing the parkland. the council held a local competition for the design of the park and decided on a plan called "Better late than never" by Hungarian nobleman, J.A. Rochlitz. The first non-native trees were planted in 1861 and have since been heritage listed on the National Trust's register of significant trees. There are nine trees located in Queen Victoria Park that are currently on the National Trust's register. These are the Loblolly Pine, Italian Cypress, Shore Pine, and the Big Cone Pine. These trees hold significance as they date back to 1875 and show rare and localised examples of these types of species which are not seen in many other places in Victoria. The trees in the background of the glass slide depict a species of the pine tree and may be some of the trees still standing in Queen Victoria Park today.This glass slide captures social and historical significance as it not only captures a moment in time of these school children, but it also shows environmental significance for the heritage trees depicted in the background.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, queen victoria park, indigo shire, school, j.a. rochlitz, beechworth council

This glass slide captures the landscape of Beechworth's Town Hall Gardens c. 1900. In the foreground is a variety of shrubs and trees (including Sequoia) with many of the original plantings on the National Trust Significant Tree Register. The background depicts an original wooden and metal rotunda that dates to 1876, with a man sitting on a bench.This glass slide has social and historical significance as it represents the Beechworth's historic Town Hall Gardens in c.1900 and how they were a place for local residents to come, sit, enjoy, and relax.Thin translucent sheet of glass with a rectangular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, town hall gardens, beechworth town hall, rotunda

Collection of photographs in envelopes which had belonged to staff members. Some are photographs from excursions, other teaching material - plants. Some labelled: 1. Ruth Upper Merri Creek - negatives and prints; Merri Creek - negatives and prints; Merri Creek Panorama - prints; Merri Creek Posters 1995 - negatives and prints; 2. Western District Exhibition, labelled - negatives and prints of paintings; Mt Ridley (Excursion?) - negatives and prints; Energy Education Centre 15 November 1995; Gardens - Spring 1995 negatives (mostly James Hitchmough, Native Grasslands and Luffmann Ponds); Student Party June 1994 - negatives; 3. Pot Trial - negatives and prints; Miscellaneous plant trials, Centenial Centre Shop, Arborists, Plants, Excursions - negatives; Excursions , 1 year 2000 - negatives and prints; Orchard (older) - black and white negatives and prints; Arborists - negatives and prints; 4. Staff, Graduate students - negatives and prints; Miscellaneous: Plants, - negatives, slides and prints. 7. Native Garden and other garden views - prints and negativesstaff, excursions, teaching material, merri creek, mt ridley, energy education centre, student party, pot trial, centenial centre shop, arborists, plants, graduates, students, plant database, jill kellow, orchard, james hitchmough grasslands, horticulture shop, ruth beilin, upper merri creek, merri creek panorama, merri creek posters