Walter Magilton's professional painting career is highlighted by numerous solo exhibitions, five of which have been in Great Britain. He has also won countless prizes, which include many 'Best in Show' awards. Walter is represented in a great number of private and corporate national and international collections, including ART Bank, in approximately twelve countries.This painting is a one of a series of approximately eight works of the river at Warrandyte and the local creeks, with particular emphasis on the reflections in the water and of the wattle growing along the banks. I was particularly inspired by Penleigh Boyde who did similar work while living in Warrandyte in the early 1920s.'Sunlight and Shadows, Warrandyte' is an oil on canvas painting depicting the Warrandyte landscape, featuring a winding creek with beautiful reflections cast upon it. The colour palate comprises muted green and earth tones, with a vivid aqua for reflective water.walter magilton, nillumbik, warrandyte

4 generations of Farming family. Shed to the left in PhotoB/W Landscape Photograph of a Family Under a Gum tree. 4 Men & 1 Boy in Suits, Man on Left holding young girl. 2 Women Sitting in Skirts and Jackets holding two young Girlsfamily

Landscape view. Mountjoy on hill, post office and residence with fence and sign post. Mrs Eliza Hand and (probably) Miss Florence hand outside. Another person standing on Ridge Road on the left. On right, the Methodist Church.eliza hand, florence hand, methodist church, mountjoy, mt dandenong north, post office, ridge road

Yields information about the Victoria St and its Gardens with a tram passing. Shows the road and garden arrangement when trams were operational.Colour slide - 35mm - of the Ballarat tram No. 11, inbound from Victoria St, with the railway bridge in the background. Note the rose bushes and gardens in the Sturt St. landscaping strips on either side of the roadway. Photo Chas Bevan."Ballarat trams 1971"tramways, trams, sturt st, gardens, victoria st, tram 11

This is a view of one of the settled parts of Sunbury when it was a small country service town and before its rapid suburban expansion.A black and white photo with a cream border of a landscape in a country town. A driveway is in the foreground wi A small settlement on a distant rise is visible. a post and rail fence in the middle distance and two tries growing beyond the fence line.

Burleigh Ware have been making their products since 1851 at Middleport Pottery in Stoke-on-Trent, England.A blue and white Willow Pattern scalloped edged butter plate with the traditional oriental landscape scene on the front with a highly decorative blue and white floral raised edge and fine gold line trim around the outer edge.'Burleigh Ware, willow, made in England, 1'. This is stamped on the base of the plate on a blue leaf pattern.side plates, serving plate, butter plates

After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Winner of the Australian Primary Student Design Award section of the Australian Bookplate Design competition 2020.Freehand drawn quartered shield within a rectangular border. The four segments of the shield are drawn with - clockwise from upper left, Boy doing handstand, earth & rocket, Girl on skateboard surmounting smiley sketch, dog in landscape.Ellie Flanagan lower right of sketched frame.

Report - Foolscap landscape format, red comb binding - approx. 50 pages with notes, titled "Preston Origin and Destination Survey February 1975 - Remarks on Survey Cards West Preston Route". Dated March 1975.In top right hand corner "Lees" in inktrams, tramways, mmtb, tramways, west preston, surveys

Port of Portland Collection.Depiction of a boat with furled sails on choppy waters, sailing towards land. The landscape includes a hill and several buildings, including a wind mill and a church spire. Mounted in cream matt. Framed under glass in wooden frame.Front: Belfast Port Fairy (lower centre) (printed). Published by Sands & Kenny, Melbourne & Sydney 1857. Back: 19 Upper left pencil. 1996 upper right pencil.port fairy, belfast, landscape, drawing, print, coastal, 1800s

Federation University Australia was established on 1 January 2014. Formerly known as the University of Ballarat, its enabling legislation was the University of Ballarat Amendment (Federation University Australia) Act 2013. On 1 January 2014, the University of Ballarat amalgamated with the Monash University Gippsland Campus to form Federation University Australia. The Gippsland Campus also had a long lineage dating back to 1928 with the establishment of the Yallourn Technical School which became a predecessor institution to the Gippsland College of Advanced Education formed in 1968. In 1990, it was renamed the Monash University College and in 1993 became the Gippsland Campus of Monash University. In 2016, Federation University Australia announced plans to take possession, over a two-year period, of Monash’s Berwick Campus in the south-east corridor of Melbourne. Federation University Australia, or FedUni, is headquartered in Ballarat and offers programs in Higher Education and Vocational Education and Training to regional Victoria and beyond. The University’s commitment to educational and social equity, teaching excellence, research distinction, environmental sustainability and regional capacity building has enabled it to develop in a way that draws on its proud heritage to inform its future. Its regional character sets a framework for the University’s priorities but does not constrain it from serving wider community interests, nationally and internationally. The name Federation University Australia was chosen to convey the scope and capacity of an expanded regional university with a federated network of campuses. Three photographs showing a tree planted as a memorial to Jock Lawson, and a memorial plaque. The memorial is located on the Federation University Gippsland Campus, Churchill.This memorial was erected as a tribute to Mr Jock Lawson BEM (1901-1988) for his valuable contribution to the landscape design of the Gippsland Institute of Advanced Education. Mr Lawson's expert guidance set the basis for the fine gardens in which the Institute Community takes pride. gippsland institute of advanced education, churchill, garden, jock lawson, gippsland campus, memorial

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Hyde Park is now a small recreation reserve bordered by Willsmere and Kilby Roads and White Avenue. In 1982, Hyde Park was cut off from the Yarra River by the construction of the Eastern Freeway. The building of the latter was to transform the natural landscape, including the Yarra, as well as Hyde Park. The construction of the Freeway makes it difficult to view the scene with the photographer’s eye. Today’s Hyde Park is located on land purchased in 1847 by John Cowell, and in 1851 Catherine Cowell, yet the scene selected by the photographer may well have been located on farmland owned by the Wills family. Farquhar’s point-of-view emphasises both the pastoral and recreational elements of the scene: the grazing cows, three boys, and in the distance two figures, seated on the bank with a parasol. By 1891, an environmental consequence of human activity, including farming, was deforestation, leading to the erosion of the south bank of the Yarra. In contrast, the land on the Alphington side of the river in 1891 included remnant bushland.The Yarra in Hyde Parkkew illustrated, kew where we live, photographic books, henry kellett, yarra river

Book contained series of poems, jokes, savings and drawings. Only one photo of a landscape painting. Sources drawn from servicemen during WW1 (from 1914 - 1919).Small album containing photos, poems and drawings. Dark brown leather bound. inside pages of various pastel colours. Word "Album" inscribed in gold in centre of front cover.Front Titled "Album". Page 3 inside is written "Jan 1st 1912, W.A. Phillips, Plymouth". ww1, album

Matcham Skipper's home behind Whitecloud Cottage (formerly Jarrold Cottage) Eltham built landscape Elevated studio/house built by Matcham Skipper and other family membersRoll of 35mm colour negative film, 7 stripsFuji 200 Aeltham, buildings, houses, matcham skipper, 1990, artists, dalton street, film - fuji 200a, scan - 35mm negative, skipper

Matcham Skipper's home behind Whitecloud Cottage (formerly Jarrold Cottage) Eltham built landscape Elevated studio/house built by Matcham Skipper and other family membersRoll of 35mm colour negative film, 6 stripsFuji 100 Neltham, buildings, houses, matcham skipper, 1990, artists, dalton street, film - fuji 200a, scan - 35mm negative, skipper

This piece represents the landscapes of Wadawurrung Country. It involves the oceans, the cliffs, the river, the mighty You Yangs. The circles depict gathering on Country. Be this Indigenous, Non Indigenous or both entwined.Painting of series of mountains and rivers. Brown, blue, green, yellow, white used.On bottom right-side of canvas - AJ Howellwadawurrung country, you yangs

The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen

This document was produced in 1989 for Orbost Shire Council. It ccovers the area s of Orbost, Mallacoota, Cann River and Newmerella and includes urban and non-urban areas.This document is a useful reference tool.A book with a brown front cover with a plastic over-sheet and plastic binding.On the cover are b/w drawings of rural landscapes, trees and the coast. It is titled SHIRE OF ORBOST PLANNING STUDY Part 1 Strategic Overviews, March 1989.orbost-planning

This is a photo of a display at the 1996 Wildflower Show. It was a replica of the Wildflower and Nature Show in 1937. Record # 456 shows the entire display and record # 455 shows a different close-up view of the display. The photo is a close-up of a display of flowers, plants, photos and leaflets, laid out on a stage. A landscape painting and a framed wildflower painting can be seen on the wall behind the stage. A sign, partly visible on the right, reads "193(. . .) Wildflower and (. . .)".events, wildflower show

Churchill Island Heritage Farm has a large photographic collection dating from the nineteenth century. This series showcases photographs taken in the 1930s and 1940s and shows people who lived and worked on the Island during the Jenkins period. This photograph was taken in January 1940.Sepia photograph white narrow white border of a landscape photograph taken on Churchill Island showing the paddock, a sparse sprinkling of trees, and the body of water. Digitised from a high resolution copy (original Polaroid is in poor and fragile condition)nilchurchill island, photograph, arthur evans

Black and white photograph.Doubles table tennis game in Landscape Design room upstairs in the Administration Building. Student seated at left rear is Graham Gregory (1952), student about to receive is Rosemary Hamley (1951). Other students watching.table tennis, landscape design room, students, graham gregory, rosemary hamley, administration building, recreation, main building, interior administration building, interior main building

The Collin's Union Mill was built in 1874 making it one of the first Woollen Mills in Geelong. The building was upgraded in 1910 and 1940. The two photos are of the same location within the mill at different years, showcasing the upgrade to the mill.The first photo is a black and white image alleyway in the Union Mill in landscape format. A pile of bricks are stacked on the right hand wall. The second photo is a sepia image of the same alleyway, showcasing the second floor upgrade to the left building.8064.1 - on rear - Union Mill 1932wool, woollen mills, geelong, wool manufacture, union mills, collins

Geelong Wool Brokers float for the 1938 Gala Day in Geelong. For over 20 years Geelong held a Gala Day to raise money for the Hospital. Many organisations created floats and paraded them in Geelong. In 1938 the day raised more than 10,000 pounds for the Hospital.Sepia photo of the Geelong Wool Brokers float in landscape format. The base of the float is made of flowers, on top is a taxidermy sheep with a large wool bale filled with wool. Three woman are are sat on the bottom third of the float spinning wool.On Float - Grower Manufacturer Geelong Wool Brokers The Link G.W.B.A Super Fleece 1938wool, woollen mills, wool manufacture, federal woollen mills, geelong, gala day

A Black & White photo mounted on dark card in a light wood frame. Image shows WW1 soldiers walking along a muddy track wearing full kit. Packhorses can be seen in the background, and landscape is littered with debris of war. 2nd Div. HQ Troop Moving Up The Line Somewhere in Belguim inscribed in white ink on mat boardbelgium, cart, second division headquarter troops, horses, ww1, australian soldiers

The dwelling is representative of the development of the Georgian Revival style in the 1920s and 30s and its popularity amongst the upper-middle classes as a result of the work of William Hardy Wilson and Professor Leslie Wilkinson. It is of importance as a fine and largely intact designer/builder example of the Georgian Revival style, with American Georgian Revival influences. The dwelling embodies the principal characteristics of the style. American Georgian Revival influences are noted in the deep eaves with modillions, central broken pediment, brick quoins and presentation of the central porch. The garden wall, with arched opening, in the side setback appears to be an early or original landscape feature, based on the comparable brick work detail construction with that of the house. Considering this, it is the only early landscape feature extant which assists in providing some understanding of the original landscape layout of the property. (Criteria D and E) (Boroondara Planning Scheme)Colour photographic positive of 264 Cotham Road, Kew. The residence was constructed in 1931 for the Howitt family. 264 Cotham Road, Kew (HO813) is an individually listed building of significance under Amendment C294 of the Boroondara Planning Scheme. 264 cotham road -- kew (vic.)

Construction of Eltham Town Park; landscape has been scupltured and lakes formed. Shillinglaw Cottage and the Eltham Trestle Bridge visible. The park was later renamed Alistair Knox Park.35 mm colour positive transparency Mount - Agfacolor Service (Blue)Memorial Park 25 July 1973eltham, alistair knox park, eltham town park, shillinglaw cottage, 1973-07-25, eltham trestle bridge