Father Arthur Owens was the Army Chaplain in Camps 3 and 4 at Tatura during WW2.black and white photograph (x3) of an Army Catholic Chaplain sitting patting his dogarmy chaplain, camp 3, camp 4, tatura internment camps, father arthur owens, father owens

The photograph is of Captain Edward Arthur Scates, camp 1 garrison and officer in charge Camp 2. He retired in late 1842.Black and white photograph of a Army officer, in full uniform, standing in front of a fence and a tree behind the fence. The man is looking to his right.camp 1 garrison, captain scates, camp 2 oic, edward arthur scates

Copied from Weekly Times Supplement. Rodney Shire Indoor Staff 1960.|Back: Reuben Perry (Secretary); Arthur Knee (Engineer); Tom Atkins (Eng. Clerk.); Stefan Asboth (Assist. Emgineer).|Front: Pat Whyte; Edna Asboth; May Padley; Aileen Woodman (Clerical Officers).|Shire of Rodney|Taturaphotograph, people

Photo courtesy of Tatura Guardian. Australia Day 1991.|Patricia Knight; Cr. Kevin Walker; Arthur Knee;|Arthur Knee.photograph, people

Loaned for digital copy. Shire of Rodney Councillors, Secretary & Engineer, 1954.|Back: William. McMaster Smith; Stan Youlden; Tom Hastie; Stuart Ross; Jack Downer.|Front: Jack Maher; William Martin (Secretary); George Brewer (Pres.); Arthur Knee (Engineer); Gordon Anderson; Nathaniel Doonan.|Rodney Shire

Loaned for digital copying. Rodney Shire Council 1957.|Back: Martin O'Brien; William McMaster Smith; Stan Youlden; Tom Hastie; William Calder; Oswald Young.|Middle: Stefan Asboth (assist. Engineer); Edna French (Assist. Secretary); May Padley (Typist); Aileen Woodman (Clerk); Pat Whyte (Clerk); John Hehir (Engineers' Clerk).|Front: William Martin (Secretary); Stuart Ross (President); Ruby Ross; Arthur Knee (Engineer).|Shire of Rodney|Tatura

Rodney Shire Council, 1978.|Back: Kevin Ryan; Andrew Crawford; Russle Wallace (Dep' Shire Engineer); Ian Parsons; Vince Page (Health Isp.); Bernie Fitzsimmons); Frank Pullar; John Purdey (Dep. Secretary); Stefan Asboth (Assist. Engineer).|Front: John Gray; Pat Whyte (Rate Collector); Ben Perry (Secretary); Stuart Mock (President); Arthur Knee (Engineer); Jennifer George (Stenographer); Jack Smith.|Shire of Rodney|Tatura

Original photo loaned for digital copying. Rodney Shire Council 1982.|Back: Bernard Fitzsimmons; Andrew Crawford; Royden James (Dep. Secretary); Frank Pullar; Dennis Hunt (Dep. Shire Engineer); Edward Davis; Ted McCracken; Stuart Mock.|Front: Patricia Maher (Typiste); Jack Maher; Diane Walker (Typiste); John Purdey (Shire Secretary); Kevin Ryan (President); Arthur Knee (Shire Engineer); Norma Bear; John Gray.|Shire of Rodney|Tatura

Loaned for digital copying. Rodney Sire Council 1984.|Back: Bernie Fitzsimmons; Royden James (Dep. Shire Sec.); Alan Clement; Ted McCracken; Andrew Crawford; Kevin Ryan; Dennis Hunt (Dep. Shire Eng.);|Front: Patricia Maher (Typiste); John Gray; John Purdey (Shire Secretary); Edward Davis (President); Norma Bear; Arthur Knee (Shire Engineer); Frank Pullar.

Light blue card with blue print and handwriting. The warrant has both the Methodist Girls' Comradeship and Rays emblems on it."Mrs Win Mountford" "Chief Ray" "Wisteria [Hampton Sen]" "379" "Bruce R Rollins" "21st February 1964 12th March 1965 17th March 1967 Patricia Arthur I.P.SCR."methodist girls' comradeship "wisteria" no 379, win mountford, russell collins, patricia arthur, methodist girls' comradeship rays' section, bruce r rollins chief director

Sergeant John Arthur Ahern of the 70 Operational Training RAF died at the age of 20 in an non-operational cross-country exercise in Kenya.Stone plaque with blue, green, brown, black, yellow and gold mosaic design and text. The plaque has the RAAF insignia above the text and holes drilled in each corner.'IN MEMORY OF OUR LOVED SON AND BROTHER JOHN ARTHUR AHERN, R.A.A.F. KILLED BRITISH EAST AFRICA 23RD APRIL 1942 WELL DONE GOOD AND FAITHFUL SERVANT"world war 1939-1945, sergeant john arthur ahern r.a.a.f.

The foundation stone of Scots Church was laid in April 1834 by the Lieutenant-Governor Colonel Arthur. The building was opened for worship on 26 June 1836. The Rev. John Dunmore Lang led the service. The church celebrated its 150th anniversary in 1985.B &W photograph of the exterior of Scots Church Hobart. The image shows the front of the church with clock tower.presbyterian, scots church, hobart, tasmania, rev. john dunmore lang

The foundation stone of Scots Church was laid in April 1834 by the Lieutenant-Governor Colonel Arthur. The building was opened for worship on 26 June 1836. The Rev. John Dunmore Lang led the service. The church celebrated its 150th anniversary in 1985.B &W photograph of the exterior of Scots Church Hobart. The image shows the front of the church with clock tower.presbyterian, scots church, hobart, tasmania, rev. john dunmore lang

The foundation stone of Scots Church was laid in April 1834 by the Lieutenant-Governor Colonel Arthur. The building was opened for worship on 26 June 1836. The Rev. John Dunmore Lang led the service. The church celebrated its 150th anniversary in 1985.Colour photograph of the exterior of Scots Church Hobart. The image shows a kilted pipe band and policeman in front of the church with clock tower.150th anniversary servicepresbyterian, scots church, hobart, tasmania, rev. john dunmore lang

Symbol: A crown, symbol of authority, indicated that the wearer has occupied the chair of King Arthur. This was worn over the emblem of any office to which he may have been appointed to later. How elected: Automatically, by virtue of having been a Knight/Esquire/Page Commander. Duties: To share with his successor the advice and experience gained during his own term and to set an example to more junior members. The reward for loyal Christian service is more service and it is the duty of the Past Knight Commander to make available his counsel and experience to his successor. This does not mean running the Court from the back seat. It means taking an active interest in the Court and Companions and being always readily available to help where required. [Leadership Training Handbook 1968, pg 15]Metal crown x 4.methodist order of knights

Boyd argues that modern architecture has triggered a necessity for greater harmony between architects and engineers. Boyd describes the architectural qualities of tension structures through an analysis of several case studies including projects by Frei Otto and Boyd's own house at Walsh St. Being a relatively new concept, Boyd criticises the neglect towards smaller buildings in this structural system, and also highlights some of its shortcomings. A 2-page letter from 'Arthur' (surname unknown) at the University of Melbourne's Department of Civil Engineering provides feedback to Boyd on his analyses of the chosen case studies.Original manuscript of article published in The Architectural Review Vol.134, No.801, November 1963, pp. 324 - 334. This draft was returned with covering letter from: ‘Arthur’ (AJF) Melbourne Uni. Dept Civil Engineering. Typewritten (c copy), foolscap, 14 (+2 quarto letter) pagesMinor handwritten editsengineering, tensile structure, master-designer, bernard lafaille, zagreb french pavilion, matthew nowicki, livestock pavilion, frei otto, paul rudolph, florida house, bill irwin, kevin borland, peter mcintyre, john and phyllis murphy, yuncken freeman, sidney myer music bowl, eero saarinen, yale hockey rink, edward d. stone, brussels u.s. fair pavilion, boston arts centre, walsh street, robin boyd, manuscript

Boyd asks "What sort of cities do we want?" Various alternatives were discussed at the 14th Royal Institute of Architects convention 1965. The theme of the convention was Civic Development, accompanied by a public exhibition "Man in the Street". A fairly clear definition of the ideal shape for our urban character emerged. It was accepted that congestion, dullness and ugliness would become even more of a problem. Boyd offers a bird's eye view of the nature of our cities as we move progressively outwards.Original manuscript of an article published as ‘New life for Cities. The choice – metropolitan excitement or Canberra order?' in The Australian, 10.4.1965.Typewritten (c copy), quarto, 6 pagesroyal institute of architects convention 1965, australian cities, arthur odell, john overall, robin boyd, manuscript

Geoffrey Ingram worked on the Australian Arts Enquiry in 1959, and became the founding administrator of the Australian Ballet, 1963-1965. A letter was sent in 1959 to influential people actively engaged in or professionally associated with the creative and interpretative arts. It recommended that a request be made to the Federal Government for a commission of enquiry into the state of the arts and letters in Australia. This letter was signed by Eric Westbrook, Robin Boyd, Hector Crawford and Andrew Fabinyi. This is a summary of excerpts from responses, including those from Arthur Boyd, Peter McIntyre, Mary Gilmore, Patrick White, Frank Dalby Davison and Katharine S. Prichard.Typewritten, foolscap, pagesgeoffrey ingram, eric westbrook, robin boyd, hector crawford, andrew fabinyi, arts enquiry

In 1938, Robin Boyd's grandfather Arthur Merric Boyd offered Robin his first commission, a studio for Robin's first cousin Arthur Boyd on the family property at Murrumbeena. This painting by Arthur Boyd was part of Ralph Madder’s estate and inherited by his daughter, Patricia, Robin Boyd's wife. Ralph Madder (1892 - 1986) was Arthur Boyd’s uncle and employed the young Arthur in his calcimine paint factory and bought the occasional painting to help the young artist. This painting dates from a later time when Arthur was living with, and looking after, his aged grandfather Arthur Merric at Rosebud (see the book “The Boyds” by Brenda Niall pages 188-9). “Wheat fields behind Rosebud” did not come to 290 Walsh Street until after Ralph Madder’s death in 1986. Note: Robin Boyd's uncle Merric Boyd (1888-1959) married Patricia’s aunt Doris Gough. This means that Arthur Boyd was a first cousin to both Robin Boyd and Patricia Madder. Landscape in gold wooden frameA.M.B Boyd 1938 on lower right hand sidearthur boyd, arthur merric boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_1

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton turquoise, rust, charcoal, mustard, beige stripe with tassels along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

These are not original cushions in the photos by Mark Strizic in 'Living in Australia' p 83 and p129. Penleigh Boyd recalls: "the upstairs living room in the 1980s and 1990s was a much more colourful space. Arthur Boyd’s large paintings dominated the south wall and the Phillip Fox paintings as well as Tony Wood's 'In the Studio Psychologically Challenged' coloured the north wall. Patricia Boyd was experimenting with colour". These cushions were on the bed in Walsh St until around 2019.Indian cotton red, emerald green, mustard, white. Tassels and white stripes along centre. Zip on opposite side through centre square.walsh st furnishings, robin boyd

Australia Post new stamp release featuring artist Arthur Boyd, Robin Boyd's first cousin.Australia Post stamps promotional posterarthur boyd, walsh st miscellaneous

This was sent by Arthur M Boyd from London, Robin Boyd's first cousin. In 1938, Robin Boyd's grandfather Arthur Merric Boyd offered Robin his first commission, a studio for Robin's first cousin Arthur Boyd on the family property at Murrumbeena. Robyn and Patricia visited Arthur Boyd in London on several trips there.Cardboard roll addressed to Robyn Boyd from Arthur Boyd (UK stamps).arthur boyd, walsh st miscellaneous

Hardcover w/ Dust JacketInserted in front cover: folded page of Australian Financial Review 1 February 1973, written at top: "Trish"; cross next to article titled "Rare coins for sale"; article titled "The fortunes of war reflected closely in the art market" featuring Arthur Boyd paintingwalsh st library

Contents in a Binder Book. Arthur Boyd's Artist Revenue is featured in the catalogue.christies, art, walsh st library